Friday, June 26, 2015

The Roots of White Supremacy: Human, Cultural, Religious

Thursday, June 25, 2015

Sun Ra Arkestra 5/21/15 pt.1

Sun Ra Arkestra 5/21/15 pt.2

Oakland Juneteenth, Saturday, June 27, 32nd and Market, North Oakland, 11AM--7PM




THE HISTORY OF BLACK HAIR

Marvin X interviewed by Ishmael Reed for The Complete Muhammad Ali book


Marvin X at his Academy of da Corner, 14th and Broadway, downtown Oakland
photo Adam Turner
If you want motivation and inspiration, don't spend all that money going to workshops and seminars, just go stand at 14th and Broadway, downtown Oakland and watch Marvin X at work. He's Plato teaching on the streets of Oakland.... His play One Day in the Life is the most powerful drama I've seen.--Ishmael Reed

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Chapter 28
Ishmael Reed interviews Marvin X on  Ali As A Black Nationalist
San Francisco, January 2004 Black Liberation Book Fair

 
Some of the pioneers of the 1960s Black Nationalist movement are gathered at a book fair organized by Marvin X, a writer who is much venerated in Black Nationalist circles. Some of those gathered are die heart Maclolmites who are cool to Ali and attribute mainstream acceptance of Ali as the white public gloating over the fact that the man once called “ The Louisville Lip,” has been muzzled by a disability.
Though still regarded with respect, some black nationalists will never forgive Muhammad Ali, their one time hero, for turning his back on Malcolm X, their idol. Some of those who dismissed Joe Frazier as an Uncle Tom are giving Frazier a second look. He is no longer regarded as the usurper who deprived the exiled champion of his glorious comeback. As an example of Joe Frazier’s lack of sophistication was his mistaking “Uncle Tom,” for “Peeping Tom.”
“Malcolm gave me political consciousness. He stood up against America. Ali on the other hand is now speaking on behalf of America.”—Marvin X
 
Marvin X provides further evidence of the influence that the Nation of Islam had on Muhammad Ali’s decision to forfeit his duty to serve in the armed forces. He provided a biography, which gives a historical background to the presence of African-American Muslims in this country.
Marvin X
“I would like to delineate my lineage. As a spiritual descendant of West African Muslims, I begin my literary biography in the Mali Empire, among those scholar/poet/social activists of Timbuktu: Ahmed Baba, Muhammad El-Mrili, Ahmed Ibn Said, Muhammad Al Wangari, and the later Sufi poet/warriors of Senegal and Hausal and, Ahmedu Bamba and Uthman dan Fodio.
“In America, this literary tradition continued under the wretched conditions of slavery with the English/Arabic narratives of Ayub Suleimon Diallo, Ibrahima Abdulrahman Jallo, Bilali Mohammad, Salih Bilali, Umar Ibn Said. (Note:There is some suggestion that David Walker, Frederick Douglas, Booker T. Washington and Benjamin Banneker may have  been descendants of Muslims.) In 1913,Noble Drew Ali,established his Moorish Science Temple in Newark, New Jersey, later Chicago, and created his Seven Circle Koran, a synthesis of Qur’anic, Masonic, mystical and esoteric writings. 
  “And most importantly, Master Fard Muhammad arrived in Detroit, 1930, to deliver his Supreme Wisdom, mythological Sufi teachings, to the Honorable Elijah Muhammad, later summarized in Elijah's primers of mystical Islamic theology and Black Nationalism, Message To The Black Man and The Theology of Time
“The next major work is Malcolm X's Autobiography, with the assistance of Alex Haley. This neo-slave narrative bridged ancient and modern Islamic literature in America. Let us also include Louis Farrakhan’s Off-Broadway drama “Organa” and his classic song “A White Man’s Heaven is The Black Man’s Hell,” anthem of the Black revolution of the 60s. Amiri Baraka utilized the Muslim myth of Yacub in his play ‘A Black Mass,’ one of his most powerful works, an examination of the cloning of the white man. Askia Muhammad Toure must be credited for his Islamic writings, along with poetess Sonia Sanchez (Laila Mannan) who served a brief tenure in the Nation of Islam. Yusef Rahman and Yusef Iman created powerful Islamic poetry as well.
 
Marvin X continued (Black Liberation Book Fair, January 31, 2004)
“Well, you know we both had the draft problem as Muslims. Ali followed Elijah Muhammad’s directive to go to prison instead of going into exile like I did. I went to Canada. I was there about six months. Well because I got tired of Canada. There is an expression, ‘Racism is as Canadian as Hockey.’ First I went to Chicago and linked up with the group around Black World, which was edited by Hoyt Fuller, Haki Madhubuti and others. I was in Chicago when Martin Luther King, Jr. was killed. After I left Chicago, I went to Harlem. This is now ‘68. I went to New York to work with Ed Bullins at the New Lafayette.
“I went to Montreal for a visit. I had met a girl from Montreal. At the same time there was a struggle at Sir George Williams University. Bobby Seale was up there and a brother from Dominique, I think it was Dominique, Rosy Douglas. There was a student struggle going on; I got busted coming back from Montreal. Coming across the border without papers. And so I [was] put in jail in Plattsburg, New York, and then released on OR [Own Recognizance] and then they gave me a trial date, a court date in San Francisco, for the draft. I was invited to lecture at Fresno State in the Black Studies Department. Richard Keyes was the chair. So actually I was going to two trials. One with Reagan at Fresno Superior Court and one in San Francisco at the Federal Court.
“In 1967, I had met Eldridge Cleaver upon his release from Soledad Prison, who was then working for Ramparts magazine. He was supposed to interview Muhammad Ali, but he couldn’t go because he was under house arrest,  so he arranged for me to do the interview. I went to Chicago to wait around for the interview. Muhammad Ali was in Detroit. He finally came back to Chicago. We were at Elijah Muhammad’s house.  I saw Elijah Muhammad’s wife, Clara, and Muhammad Ali, but I didn’t see Elijah. Before we got ready to do the interview, Elijah Muhammad called him into a room, and when he came out he said, ‘Elijah Muhammad said not to do the interview.’ That he had said enough about the draft. This was like ’67. Well, we were probably in the house for about an hour. He said that Elijah was ‘the man I am willing to die for so I do what he says.’ Well that’s how most Muslims felt. 
Both Black Panther and NOI attitudes about the draft influenced me. That’s why I was in Canada. What I’m saying is that Elijah said, ‘Resist the draft.’ The Panthers said, ‘Resist arrest.’ So I resisted the draft and I resisted arrest. That’s where I was coming from.
“Ali asked me if I needed any money, and I said, ‘Yeah.’ He gave me a hundred dollars. Why did he? I don’t know. I guess maybe it was his personality. 
I was at Merritt College with Huey [Newton] and Bobby [Seale] from 1962 to ’64 and we identified with Malcolm X and so I didn’t join the Nation until ’67. I think I was looking for something more than what the Panthers were offering, because I could have easily gone to the Panther Party because they were my friends. It was a spiritual dimension that I was looking for. But I also got some Marxist material from the Panthers. But, you know their Ten Point Program was just a rehashing of the Muslim Program and put into  Marxist language.
“Malcolm gave me political consciousness. He stood up against America. Ali on the other hand is now speaking on behalf of America. That’s not really strange for him to do that and I think I say that about him in my review of the movie ‘Ali’ in my book In The Crazy House Called America. He became a follower of Wallace Deen and Wallace Deen has an American flag on his newspaper. So Wallace accepted his American identity and I guess his followers follow that. Wallace left his father before Malcolm. He never came back. Ali said he followed Wallace after Elijah made his transition, because as far as he was concerned, Wallace came with the true Islam, the spiritual Islam, after the Nation had become corrupted. And then Norman Brown told me last night that as far as he was concerned Wallace just bought into Arab Nationalism and Arab racism and turned Negroes into Arabs.”
In his book, In The Crazy House Called America, Marvin X is far more critical of Ali’s move to the right. He blames it on the champion following the teachings of  the late Wallace Muhammad. In the book he writes,
“We understand that he [Ali] has been requested to make public service announcements supporting America’s war on terrorism. Would this be a more dramatic ending: the people’s champ who fought against oppression, finally broken down to a servant of the oppressor… the tragic truth is that Ali is a member of Warith Din Muhammad’s sect that was known for flag waving before 9/11. Warith had rejected the teachings of his father, the Honorable Elijah Muhammad, in favor of orthodox Islam, dismissing the Black Nationalism of Elijah for Americanism, so it is not whack for President Bush to call upon Ali to be the ‘voice of America’ to the Muslim world, nor for Ali to accept. If indeed, our hero has been co-opted, let us be mature enough to realize humans are not made of stone and we know in real life people change, not always for the good—thus the danger of hero worship and thus the Islamic dictum: nothing deserves to be worshipped except Allah.”
 
In 1998 I received a three-year grant from the Lila Wallace Foundation, which required me to accompany adults, who were learning English at Oakland’s Second Start Literacy Program, to the theater. In the course of three years, I saw a number of plays and musicals, many of which were overrated, and quite a number of which were insulting to minorities, like “Ms. Saigon” and “Rent” and the most reprehensible of all, “Stonewall’s House,” a play that tried to clean up the Confederate insurgents’ reputation and which argued that blacks were better off in slavery, and that because of political correctness, white male playwrights were oppressed. In other words, plays by blacks dominate the Great White Way. The play that I found the most compelling was produced by the Black Repertory Theater in Oakland. It was called “A Day In The Life,” and it was written by Marvin X. Like some of the other black revolutionaries of that period, Marvin X turned to drugs after the disillusionment set in, and the revolution was busted, partially due to a sinister COINTELPRO operation (Counter Intelligence Program). Some of the more vibrant, charismatic and militant of the activists were permitted to morph into non-threatening positions as college professors, where they still engage in correcting those whom they feel are not revolutionary enough. All one has to do is contrast the swell-headed boastful play, “Big Time Buck White” in which Muhammad Ali starred, with “A Day In The Life” to determine the corrosion of the sixties optimism and the pessimism of the current political climate. Black Nationalists and those on the black left have been among President Obama’s harshest critics, while black support for the president has remained in the ninety percent range. Cornel West, whom white progressives were agitating for a run in a primary against the president, referred to the president as “a black mascot for Wall Street,” which makes you wonder why Wall Street backed his opponent, Mitt Romney. Marvin X has called the president “a black hangman.” The Marvin X play includes a scene in which the late Black Panther leader Huey Newton with whom I appeared on an 1988 ABC TV show (https://www.youtube.com/watch? v=VHL7glIcP4o&feature=share) a year before his assassination over a drug deal gone wrong. In Marvin X’s play he shares a crack pipe with the man who would later assassinate him.
Inspired by the Harlem Book Fair, Marvin X decided to organize his own. Thus the Black Liberation Book Fair was held in the Tenderloin district of San Francisco, San Francisco’s Skid Row, on January 31, 2004. This event included a veritable Who’s Who of Black Nationalist personalities. With the tendency of the segregated media to tokenize every aspect of African-American life, some of these people are unknown to the general public, but connoisseurs of black politics and culture know about them and recognize their important contribution to the modern slave revolt of the 1960s. If anyone would give an unsparing portrait of Muhammad Ali, it would be they. For the 1960s, Muhammad Ali was their leader, but some, like Haki Madhubuti still resent the champion’s betrayal of Malcolm X, who, among black nationalists, is regarded as a deity.
 The book fair was held in the basement of Saint John’s Church. While the media of the 1960s made a few Civil Rights and Black Power personalities famous, some of those who had worked behind the scenes, those who did the intellectual heavy lifting, were present at this book fair. Poet Askiá Toure, my 1960s roommate, Nathan Hare,the late Sam Greenlee, whose film version of The Spook Who Sat By The Door, about an armed uprising against the government drew the attention of the FBI, and the late Reginald Major, the author of The Black Panther Is A Black Cat, which remains one of the best books on that group’s career.

The Complete Muhammad Ali

“…it will become the truly definitive book on Muhammad Ali.” Professor Sam Hamod, PhD

twelve solid rounds of writing… stands above its competition.” Ron Jacobs, Counterpunch

More than a biography and ‘bigger than boxing’, The Complete Muhammad Ali is a fascinating portrait of the twentieth century and the beginning of the twenty-first. Ishmael Reed calls it The Complete Muhammad Ali because most of the hundred odd books about the Champion are “either too adoring or make excessively negative assertions.” They also omit many voices that deserve to be heard.

Ishmael Reed charts Muhammad Ali’s evolution from Black Nationalism to universalism, but gives due credit to the Nation’s of Islam’s and Black Nationalism’s important influence on Ali’s intellectual development. People who led these organizations are given a chance to speak up. Sam X, who introduced Ali to the Nation of Islam, said that without his mentor Elijah Muhammad, nobody would ever have heard of Ali. That remark cannot be ignored.

Reed, an accomplished poet, novelist, essayist and playwright, casts his inquisitive eye on a man who came to represent the aspirations of so many people worldwide and so many causes. He also brings to bear his own experience as an African American public figure, born in the South in the same period, as well as an encyclopaedic grasp of American history.

People interviewed include Marvin X, Harry Belafonte, Hugh Masakela, Jack Newfield, Ed Hughes, Emmanuel Steward, Amiri Baraka, Agieb Bilal, Emil Guillermo, Khalilah Ali, Quincy Troupe, Rahaman Ali, Melvin Van Peebles, Ray Robinson, Jr., Ed Hughes, Jesse Jackson, Martin Wyatt, Bennett Johnson, Stanley Crouch, Bobby Seale, and many more.

Reed also places the Muhammad Ali phenomenon in the history of boxing and boxers from before the times of Jack Johnson, through Joe Louis and Archie Moore to Floyd Mayweather. He also includes Canadian fights and fighters like Tommy Burns, George Chuvalo and Yvon Durelle.
The Heavyweight Championship of the World,” wrote Reed in a 1976 Village Voice headline article shortly after third Ali-Norton fight, “is a sex show, a fashion show, scene of intrigue between different religions, politics, classes; a gathering of stars, ex-stars, their hangers-on, and hangers-on assistants.

The author of the much cited Writin’ is Fightin’ has now produced what will likely be known not only as The Complete Muhammad Ali but also “the definitive Muhammad Ali.”

Praise
great book, a lot of hard work, and I know that it will become the truly definitive book on Muhammad Ali.” Professor Sam Hamod, PhD; Former Director of The Islamic Center, Washington, DC

ishmael reed photo kathy sloane low res 

Ishmael Reed is a prize-winning essayist, novelist, poet and playwright. He taught at the University of California-Berkeley for thirty-five years, as well as at Harvard, Yale and Dartmouth. Author of more than twenty-five books, he is a member of Harvard’s Signet Society and Yale’s Calhoun Society. He lives in Oakland, California.

Wednesday, June 24, 2015

Sacramento Black Book Fair’s Community Read-Ins

The 2nd Annual Sacramento Black Book Fair (SBBF)

Comments on Marvin X's poem Fly Yo Flag, Nigguh

Yo Brother Marvin X, that poem really hit the spot... that was like a 22 rim fire to the head of the ignorant and their superstitions of patriotism. We need to get major cases of Citrom the lemon sparkling laxative and purge our communities of the bullshit and help end the love-fest of the Black face administrator of imperialism big eared official mulatto Barack "Buckwheat" Obama...
   --Sekou
I love that – Fly Your Flag . . . Now there’s a poem !
--Dr. Neal Hall, India
   
EXACTLY!  
The racist flag is the latest distraction attraction designed to protect racism.
Asante sana!
--Kujichagulia Phavia




Nigguhs are crazy. How in the motherfucking hell did we go from mourning
the death of nine people to worrying bout a cracker ass punk bitch flag
fly yo own flag, nigguh
let the white man southern cracker northern fake smile soda cracker
motherfucker fly his stars and stripes
yo ass been burned by both flags
fly yo flag nigguh
let the white man be his white devil self
his day is coming soon and very soon
fly yo flag North American African ass nigguh!
--Marvin X
6/22/15







October 4, 2001
When I'll Wave The Flag

By Marvin X
I'll wave the flag
When the trillions in reparations are paid to the
African American Nation
For 400 years of terror in America
When the bill of the Middle Passage is paid
When the bill from the cotton fields is paid
I'll wave the flag
When the damages due the descendents of mass murder
is paid
Mass kidnapping
Mass rape
I'll wave the flag
When the police stop terrorizing us for breathing
while black
Walking while black
Loving while black
I'll wave the flag
When the 2 million men and women in prison are
released
for petty crimes
And those guilty of stealing elections take their
place
in the cells
I'll wave the flag
When those guilty of stealing labor, stealing
energy,
stealing souls of the poor are jailed
I'll wave the flag
When those guilty of the miseducation of our
children are
jailed for crimes against humanity
I'll wave the flag
When those who terrorize the earth, pollute the
earth,
poison the food, the water, the air
Inject animals with hormones
Genetically alter vegetables and fruits
When these people are taken before the world court
for
terrorizing the world
I'll wave the flag
Until then
Kiss my motherfuckin' ass.
2001 Marvin X.
 

Blacks 7 times more likely than Whites to be arrested in San Francisco, bastion of white liberalism

New BI Report: African-Americans 7 Times More Likely than Whites to Be Arrested in San Francisco

Justice-denied-400x283

Click here to download a summary of key findings from the Burns Institute report.

“S.F. study finds big disparity in arrest rates between races”
(From the San Francisco Chronicle – 6/23/15)

Black people are disproportionately represented throughout the criminal justice system in San Francisco, from arrest to booking in jail to conviction and sentencing — and the disparity is growing worse, according to a city-commissioned study set to be released Tuesday.

The study found that black people are 7.1 times more likely to be arrested in the city than white people, 11 times more likely to be booked into jail and 10.3 times more likely to be convicted. Those convicted spend more time on probation or behind bars.

The study, which examined data through 2013, was commissioned by the San Francisco Reentry Council, a multiagency group that includes prosecutors and the mayor’s office and seeks to helps incarcerated people transition back into society.

The findings come as nationwide attention turns toward racial inequity in the criminal justice system, following several high-profile, video-recorded killings of unarmed black people by police officers.
And the report comes as thousands of San Francisco criminal cases and convictions over the past 10 years are under review, following the release of racist and anti-gay text messages sent between at least 14 San Francisco police officers.

“The disparities are stark,” said Laura Ridolfi, Director of Policy at the W. Haywood Burns Institute, the Oakland nonprofit that conducted the research. The organization seeks to redress what it sees as the justice system’s biased treatment of young people of color, whose early brushes with the system hurt their ability to be successful.


“This is a clear statement to the city and county that there is work to be done,” Ridolfi said. “The disparities here undermine the notion of justice.”

According to the study, the over-representation of minorities in San Francisco courts and jails has grown more stark over the past two decades, even as crime rates trend down across all demographics.
In 1994, for every white person arrested, 4.6 black people were taken into custody by police in San Francisco. In 2013, that number jumped to 7.1, according to the study. Though black people represented just 6 percent of the city’s adult population, they made up 40 percent of those arrested.

Once arrested, black people were less likely to make bail or be freed before trial, even though black defendants were more likely to be eligible for pretrial release.

“The report makes it clear: Racial profiling extends beyond the street and into the courthouse,” said Public Defender Jeff Adachi, co-chair of the Reentry Council. “It also shows that San Francisco lags behind the rest of the state in closing the equality gap in its justice system.”

While the racial disparity gap has been closing statewide, it has been growing in San Francisco, the study said.

In 1994, 3.9 black people were arrested in California for every white person, while that number was 4.6 in San Francisco. By 2013, the statewide number had dropped to three black people arrested for every white person, while that number jumped to 7.1 in the city.

While the study’s findings are alarming, Police Chief Greg Suhr said, “We try to do our job as objectively as possible.”

Suhr said socioeconomic factors must be considered in the statistics. Black residents of San Francisco tend to be poorer, live in neighborhoods with higher crime rates and, according to the study, are 10 times as likely as white residents to have a past criminal conviction. Suhr said his department has worked to address these issues through a jobs program that employs city teens, especially from poorer communities, and a recent push to keep kids in school.

“There are so many other things that are part of the conversation,” Suhr said. “But we’re certainly not trying to arrest our way out of this situation.”

Ridolfi said limitations of the data — in many cases the races of suspects and those arrested were not available — made it difficult to analyze the reasons behind the wide discrepancy between racial groups.

The study notes that accurate figures for Latino residents were unavailable due to the disregarding of ethnicity. Moreover, the authors said, the counting of many “Hispanics” as white likely served to understate the disparity between black and non-Hispanic white people.

Max Szabo, a spokesman for the district attorney’s office, said his office is “very supportive” of the study.


“This is important work that we are very supportive of, and we are not shying away from the challenges that this study depicts,” Szabo said. “As the district attorney has noted for some time, we need additional investment in data capacity so we can paint a clearer picture of disparities in the system and begin identifying policy solutions that can have a lasting impact.”

Kale Williams and Vivian Ho are San Francisco Chronicle staff writers. E-mail: kwilliams@sfchronicle.com, vho@sfchronicle.comTwitter: @sfkale, @VivianHo