Monday, February 19, 2018

Contents: Notes of Artistic Freedom Fighter Marvin X

“The artist elects to fight for freedom or slavery.
I have made my choice! I had no alternative!”
--Paul Robeson


Comments
A great, tremendous work!
--Dr. Fritz Pointer, Professor Emeritus/ Contra Costa College
A superb slice of history and analysis!--John Woodford, former editor of Muhammad Speaks and Michigan Today, Professor Emeritus University of Michigan


Table of Contents

Introduction Dr. Nathan Hare
Chapter One  
Transcendence
The revolutionary who never came in from the cold
Revolution against fear
Romanticism/Idealism

Left/Right Paradigm
Every day is a holy day
Why are North American Africans Reactionary?
US Violence--level the playing field--everybody pack!
Chapter Two
Parables
Parable of Conundrums and Quagmires
Parable of Violence in the Pan African Hood
Parable of the Heart
Parable of a Real Woman
Parable of Woman in the Box
Parable of God and Devil
Parable of Pit Bull
Parable of the Parrot
Parable of Rats
Parable of Black Man and Block Man
Parable of the Donkey
Chapter Three
Obama Drama/Trump Trauma
Pull yo pants up fada prez
Excuse me, Mr. Prez
Fictional interview with President Obama
Fictional President Obama speech to Muslims
Fictional President Obama speech on Afghanistan
Hillary Clinton and Donald Trump, a tale of two white elephants
Donald Trump, white man’s last hurrah

Chapter Four
Reviews
Black Panther
Django
Sun Ra Arkestra at SF Jazz Center
Oakland  Symphony Vietnam Concert
Mama at Twilight, Death by Love, a play by Ayodele Nzinga
Film Fences
Oakland Symphony Black Panther Concert
Lifer, the Glen Bailey Story, a play by Ayodele Nzinga
Chapter Five
BAM/BAMBD
BAM 50th Anniversary Celebration
Oakland’s Black Arts Movement Business District
BAM Dream and Wish List
Economics and the BAMBD
BAM/BAMBD Billion Dollar Trust Fund
How the BAM/BAMBD Billion Trust Fund will be allocated
Letter of invitation to join BAM 27 Tour
Abstract for the Black Arts Movement 27 City Tour
BAM Speakers Bureau
Straight Outta Oakland
Black Bourgeoisie Art and Opportunism
BAMBD Meets Carmel Developers; letter to Carmel
Talk with architect Fred Smith on Afrocentric Design of the BAMBD
Toward Non-violence in the BAMBD
Confidential Notes that ain’t confidential; reply by Oakland City Council President Lynette McElhaney
Letter to Oakland Mayor Libby Schaaf; her reply
Call for United Front at Oakland City Hall Black History Celebration
Chapter Six
Harvey Weinstein and Mythology of Pussy and Dick
Should Everyman confess sex guilt?
Harvey is Everyman
Chapter Seven
Notes on Da Nigga Debate
How to Recognize a Real Nigga
Psycho-linguistic Crisis of North American Africans
Silence is the  language of Unity!
Chapter Eight
The Cross and Lynching Tree: Assassination of Editor Chauncey Bailey
Between the devil and deep blue sea
Chauncey, A Shakespearean Tragedy
OPD Gang
Chauncey and Malcolm X
Fake News Chauncey Bailey Project

Chauncey’s last story

Black Bird Press, March release,
300 pages, $29.95

mxJackmon@gmail.com

Saturday, February 17, 2018

Marvin X pre-review notes on the film Black Panther and the Black Panther Party, Oakland CA



Dr. Huey P. Newton said, "Marvin X was my teacher, many of our comrades came through his black arts theatre, e.g.Bobby Seale, BPP co-founder, Emory Douglas, Minister of Culture, Samuel Napier, Minister of Distribution of the Black Panther Newspaper and Eldridge Cleaver, Minister of Information, et al." See Marvin X's play of his last meeting with Huey Newton in a West Oakland Crack House, entitled Salaam, Huey Newton, Salaam, a scene from the full length docu-drama by Marvin X, One Day in the Life, produced in the Bay Area by Marvin's Recovery Theatre and in New York at Woody King's Federal Theatre. On the east coast the full length drama was performed at Sista's Place, Brooklyn, NY, Brecht Forum, Manhattan, and at Amiri Baraka's Kimako's Place, Newark, NJ.

If the film Black Panther is the neo-Roots, no matter if we saw Kunta reduced to Toby and we now enjoy Panther as a much needed Balm in Gilead to return Toby to Kunta in the process of reverse psycho-sociology for the culturally starved Pan African nation, and most especially North American Africans in the belly of the Beast, then let us enjoy this moment of make believe Hollywood fantasy, for we need any means necessary to regain our mental equilibrium, as our most revered sociologist and clinical psychologist, Dr. Nathan Hare, father of Black Studies and Ethnic Studies, teaches us.

FYI, Dr. Nathan Hare was the first chair of Black Studies on a major American university campus at San Francisco State College, now University, 1968. The student struggle to establish black and ethnic studies caused the longest and  most violent student struggle in US academic history. Well, unlike the Kent State struggle, no students were murdered, but at SFSU, students  were beaten down by SFPD on horses, many jailed and in imprisoned in the Third World Strike.

As an undergrad at SFSU, we are honored to have been a student when the Negro Students Association, 1964, suffered an internal struggle to become the Black Student Union and forced SFSU to establish black and ethnic studies with the mission to serve the community. A key move was simply demanding equity of funds from the Associated Students budget.

For sure,  the student struggle at SFSU was not to create a class of tenured nigguhs who are equal in psycho pathology with the Hollywood fantasy Panther, especially in their pursuit of what Dr. Nathan Hare calls the Kingdom of Africana, that mythical place that is the cause of Harold Cruse's Crisis of the Negro Intellectual that yet perpetuates the world of make believe we inhabit (Dr. E. Franklin Frazier, Black Bourgeoisie, 1962) and conspicuous  consumption.

Dr. Nathan Hare followed Frazier, yes, at Howard University,  with his sociological classic Black Anglo-Saxons. From a Pan African perspective, we can understand how Black Studies morphed into the Kingdom of Africana with knowledge of how the African colonial elite became the administrators and educators of the newly independent African nations, along  with our similar understanding of neo-slaves uplifted throughout the Third World. These newly independent nations threw off the chains of colonialism only to suffer neo-colonialism. Kwame Nkrumah said, "Neo-colonialism is colonialism playing possum!"

Again, nothing since Roots has jolted the psyche of culturally starved North American Africans and Africans throughout the Diaspora. The tragic reality is that neither Roots nor the current Panther film will ultimately assuage the very real Liberation of North American Africans and Africans throughout the Diaspora, especially those followers of Kwame Nkrumah and Kwame Toure' who called for the United States of Africa.

But let us consider what we can learn from Panther that will usher us into so-called Afrofuturism, the idea of a future world based on African mythology and a scientific vision of the future. The Black Arts Movement genius, musician, philosopher, poet Sun Ra must be the root of any serious discussion of Afrofuturism that is the foundation of deep structure Panther ideology. Alas, not only does Sun Ra's mythology inform the film but the real life Black Panther Party. Sun Ra gave a conscious return to our Kemetic mythology, yet extended the myth with his explorations into outer space with his music and theatrical productions that combined Kemetic or Egyptian mythology with an equal mythological narrative of us as space beings. See his classic film Space is the Place filmed in Oakland.

Sun Ra's Kemetic and Space myth brought an original mythology to the North American African historical and literary narrative. His Black Arts Movement associate, Amiri Baraka, approached his effort with his utilization of the Nation of Islam's Myth of Yacob, the mad scientist who created the devil white man through genetic engineering. I added to the BAM's mythological imagination with my myth-ritual dance drama Resurrection of the Dead, Black Educational Theatre, San Francisco, 1972.

Resurrection of the Dead, in BAM ritual theatre tradition, transcended drama when the "actors" took holy names in the naming ceremony and kept their names for life! Lead singer/actor Victor Willis will tell you it was the energy gained from Resurrection of the Dead that made him successful when he got to New York and ultimately become lead singer of the Village People.

If Panther wakes up the long dormant consciousness of Pan Africans, it will have done a masterful job in spite of its fantastical creation.

Finally, there are those critics who seriously questions the very idea of African royalty since the historical record is clear the African upper class was crucial in the Triangular Trade. Dr. Walter Rodney has delineated the fundamental role of kings and queens in the sale of our people to the Europeans, Arabs as well. Rodney notes how all African social institutions were corrupted to satisfy the greed of African kings and queens: the religious, judicial, military, political, economic institutions conspired to send us into that longs day journey into night. Thus, from slavery to the now, we must question socalled African royalty and most importantly those corrupt kings and queens for life known as politicians, many of whom yet rule African nations, alas, with wealth derived from the slave trade.
--Marvin X
2/17/18

Marvin X notes on the fantasy Panther film and the Black Panther Party reality



Power to the people on the b day of my superhero Dr. Huey P. Newton, co-founder of the Black Panther Party in Oakland, California. Oakland, City of Resistance to US domestic colonialism, no matter your numbers, we call upon you to be inspired to stand on the shoulders of the BPP and be fearless in the face of US domestic colonialism and globalism. Huey said I was his teacher, and maybe I did teach the BPP some theatrical techniques as per costumes and art as propaganda. And as he noted, many BPP comrades came through my black theatre, e.g., Bobby Seale, Emory Douglas, Eldridge Cleaver and Samuel Napier. But for me, Huey taught fearlessness, the most important lesson in revolution. Once the fear of death, jail, prison, exile is expelled from the heart of the revolutionary, the show beings and ends in death or freedom. I'd rather be dead than a slave to any man. Long live Dr. Huey P. Newton and all the BPP comrades, especially the often forgotten rank and file! Power to the People. --Marvin X/El Muhajir, co-founder of the Black Arts Movement
and Oaktown's Black Arts Movement Cultural and Business District.
2/17/18


Hollywood Panther fiction and Black Panther Party reality

Power to the people on the b day of Dr. Huey P. Newton, co-founder of the Black Panther Party in Oakland, California. Oakland, City of Resistance to US domestic colonialism, no matter your numbers, we call upon you to be inspired to stand on the shoulders of the BPP and be fearless in the face of US domestic colonialism and globalism. Huey said I was his teacher, and maybe I did teach the BPP some theatrical techniques as per costumes and art as propaganda. And as he noted, many BPP comrades came through my black theatre, e.g., Bobby Seale, Emory Douglas, Eldridge Cleaver and Samuel Napier. But for me, Huey taught fearlessness, the most important lesson in revolution. Once the fear of death, jail, prison, exile is expelled from the heart of the revolutionary, the show beings and ends in death or freedom. I'd rather be dead than a slave to any man. Long live Dr. Huey P. Newton and all the BPP comrades, especially the often forgotten rank and file! Power to the People. --Marvin X/El Muhajir, co-founder of the Black Arts Movement
and Oaktown's Black Arts Movement Cultural and Business District.
2/17/18

FRIDAY, FEBRUARY 16, 2018
_____________________________________________________________________________________________

'Panthers' fiction, and the harsh Black Panther reality

Nayaba Arinde | 2/15/2018, 8:44 a.m.
Sumptuous scenes and luscious garments quietly screaming African strength and pride in every seam and fold worn by stoic warriors ...
(Above) Former Black Panther Political Prisoner of War, 
Sekou Odinga
 
Sumptuous scenes and luscious garments quietly screaming 
African strength and pride in every seam and fold 
worn by stoic warriors with powerful speeches is the Marvel 
Studios-Walt Disney production of “Black Panther.”
 
“With all the excitement around the ‘Black Panther’ film, we’d like to 
acknowledge the real Black Panthers,” said veteran Black Panther activist 
Sadiki "Bro. Shep" Olugbala, noting names such as Mumia Abu Jamal, Mutulu 
Shakur (Tupac’s father) and Jalil Muntaqim.
Dequi kioni-sadiki explained, “Hollywood already knows it will make tons 
of money from the marketing of the iconic-named ‘Black Panther’ movie. 
What isn’t as equally known is that 13 members of the real-life Black 
Panthers are serving indeterminately long prison sentences and repeated 
parole denials in federal and state prisons across this country as U.S.-
held political prisoners from the 1960s and ’70s war on Black liberation.”
Kioni-sadiki, the chair of The Malcolm X Commemoration Committee, 
continued, “These real-life Black Panthers, like their fictionalized movie 
namesake, are committed to and struggled for Black self-determination 
against imperialism, colonialism and capitalism. These real-life Black 
Panthers also have pride in the glories of African history, identity and 
culture, serving and defending the Black nation with a legacy of free 
breakfast programs, health clinics, drug abuse treatment, food pantries, 
clothing drives, challenging of police terror and murder of unarmed Black 
people and other survival programs since co-opted by the government. 
Sadly, many of them have paid for protecting Black people with their 
lives, freedom and multiple generations of family separation. For these 
real-life Black Panthers, the struggle for Black/New African independence 
and self-determination is anything but a ‘feel-good’ moment of Hollywood 
fiction. Perhaps, we ought to be asking our real-life Black Panthers their 
thoughts on this movie, and the irony of a much-maligned, demonized, 
distorted and threatening to the status quo name and idea like the Black 
Panthers now being so very mainstream.”
There is most definitely a burgeoning excitement surrounding this already
 pre-ticket sale record-breaking movie featuring Chadwick Boseman, Lupita 
Nyong’o, Angela Bassett and Michael B. Jordan in the fictional African nation of Wakanda.
Reports state that there were at least 100 #BlackPantherChallenge 
campaigns to bring African-American youth to see the movie cost-free. 
Tuesday, Feb. 13, 2018, Sen. Jesse Hamilton and his The Campus 
initiative partnered with Reel Works to take students from Brownsville’s 
PS 284 to a pre-screening at the Academy of Motion Picture Arts and 
Sciences.
Some of those students have already stated that they felt inspired seeing 
an all-Black cast and a fiercesome Black superhero. This accompanied by 
a palpable Black pride flowing throughout this city and beyond makes for 
fervent conversations on social media and vibrant dialogue in the real world and digital and print media. All hail journalists such as WPIX 11’s Ojinka Obiekwe, who wore 
beautiful Topefnr African print and velvet headties several times this week. 
While interviewing the cast on the red carpet at Tuesday’s Manhattan 
premiere, she asked, “Did I mention that it is Black Panther week? All 
week.”
There is a new energy vibrating. Observers are asking will all this trending 
pride with African warrior symbolism translate into action—education 
curriculum, political and cultural exchanges?
Sekou Odinga describes himself as a former political prisoner of war. 
He explained, “Although fictional, the new film ‘Black Panther’ is a 
reminder that there was in our recent history some real live heroes 
known as Black Panthers. Black men and women who were members 
of the Black Panther Party. Who took it upon themselves to feed our 
Black children before they went to school, who created free health 
clinics, who protected our elderly from those who would rob or mistreat 
them. Soldiers who fought to protect our Black community from abusive 
and murdering police across this nation. Many of those heroes now are 
political prisoners still being held captive after 25, 30, 40 and more years 
for fighting back. We Black and justice-loving people owe it to our political 
prisoners and to ourselves to work to free them and to make sure they 
are never forgotten. Free all our political prisoners and prisoners of war!”
“As people go to see this fictional movie on the big screen, we hope they 
will be inspired to learn about the real Black Panthers, many of whom are 
our political prisoners, who have been incarcerated for 40 years,” said 
Brooklyn Assemblyman Charles Barron, who often describes himself as 
an elected revolutionary and still a Black Panther. He continued, “I hope 
they are inspired to join our struggle to fight for our liberation. As they 
enjoy the film, they can be encouraged to learn about Imam Jamil Abdullah 
Al-Amin, Assata Shakur and Sundiata Acoli—and so many of our other 
political prisoners and prisoners of war behind the wall in America. They 
fought for us. For that some of them have been in prison for 40 years. 
We want them home.”
Former New Black Panther Party Youth Minister Divine Allah said, “As 
another display of the ‘carrot-on-a-stick’ or ‘worm-on-a-hook’ trick is 
presented to the [Black] masses, many who have a real-life connectedness 
to the backstory of fighting to defend and fighting to liberate, our people 
are left scratching their heads. I can recall a scene from the classic martial 
arts film, ‘Enter The Dragon,’ when a Black actor, yet real life martial artist, 
was confronted by another character and main villain in the film, who 
ironically fought with a clawed hand. In the onset of a fight scene between 
the two, the Black actor Jim Kelly fires off a verbal display of coolness 
before they engage in battle. With his self-styled sharpness he utters 
the words, ‘Man you come right out of a comic book!’ Although his 
character in the film would lose against this fight with his enemy Mr. 
Han, Jim Kelly went on to become one of the baddest Black martial 
artists in the world. Due to the inner workings of Hollywood and its 
treatment of Blacks, to a degree his legend is/was overshadowed by 
the likes of Bruce Lee and David Carradine. These individuals are 
imprinted upon the minds of a lot of people…Here we are in 2018 
faced with a sprinkle of the same magic dust that leaves us only 
connected to the screened character and not the real-life thing. Yes, 
we had Wesley Snipes, but we also had Robert Townsend. Throughout 
their careers, both of these actors gave us a glimpse of how working in 
and around the industry could be utilized for Black empowerment. One 
was a comical sketch of the shuffling—Hollywood shuffle—that goes on 
in the industry, and another was a real-life walk, the great and mighty 
walk, with one of our ancestors, Dr. John Henrik Clarke. In my assessment,
their goal was to present imagery and a true-to-life narrative for viewers 
to connect with, making it clear that in real life/real time we have the 
opportunity to connect with living examples of greatness.” 
Saying that people have become “event junkies devoid of analysis,” Allah 
said, “The images have always been here. All one has to do is read, 
research and study beyond the want for an industry-backed and driven 
symbolic view of our collective greatness, our collective power, our 
collective strength and heroism. As we flock to the cinema over the next 
few days, hopefully we go in and come out looking to connect with real 
life Black Panthers. Hopefully we go beyond the screening of ‘greatness’ 
and work to embody and inspire greatness in our communities.”
Olugbala remarked, “As an advent reader of Marvel during my youth I 
can distinctly remember great feelings of Black pride when the Black 
Panther comic-book character debuted in a Fantastic Four issue during 
the summer of 1966. In the autumn of the same year while using the 
Lownes County Black Panther logo as the symbol for SNCC, Kwame Tore
 aka Stokley Carmichael gave his famous Black Power speech at U.C. 
Berkeley, which was then followed that October in Oakland when Huey 
Newton and Bobby Seale named their movement the Black Panther Party 
for Self-Defense. Then, as with today’s Marvel ‘Black Panther’ movie, 
there was and is a need for more positive and intelligent Black images, 
which cannot only help bring pride of self to our Black youth but which 
hopefully will inspire them to do as I did at the age of 19, when I joined 
the Black Liberation movement as a member of the Black Panther Party. 
Hopefully this film will also answer the call for its producers to give back 
a substantial amount of the profits to the Black community and to remind 
this nation that there are still real-life Black Panthers being held captive 
as U.S. political prisoners.”
Olugbala also said that fellow “veteran members of the original New York State 
Chapter of the Black Panther Party will be present along with comrades, friends, 
family and other concerned community activists at the ‘Black Panther Movie Red 
Carpet & Special Fans Opening Night’ at the AMC Empire Theater in Times Square…
and at other selected NYC wide theaters throughout this upcoming holiday weekend 
to provide information on the real-life Black Panther exiles and U.S.-held Panther 
political prisoners who still, after over 50 years, collectively and unjustly remain 
behind bars long after the Black Panther comic book character was introduced by 
Marvel in 1966, which was the very same year that the Black Panther Party was born.”
As New Yorkers celebrate the 50th anniversary of the New York State Black Panther 
Party, Olugbala concluded, “We are also in complete unity with the petition and efforts 
which are demanding that Marvel Studio and Walt Disney righteously give back at 
least 25 percent of its well anticipated ‘hundreds of millions of dollars’ in ‘Black 
Panther’ movie profits to help support the many needs of our Black and oppressed 
communities.” 

  Image may contain: 1 person, smiling, standing and shoes 
If you would like to come join us this weekend to help "Free The Panthers" 
please contact:
 FreeThemAll2016@gmail.com  ~  mxcc519@verizon.net  ~  Panthershepcat@aol.com  ~  nycjericho@gmail.com