On the occasion of Hillary Clinton winning the South Carolina primary, 2016, Marvin X presents his notes on visits to Gullahland, South Carolina. During the 60s, Marvin X spoke at Vorhees College, Denmark, South Carolina. During this time the Orangeburg Massacre of Black college students occurred, although most Americans only know of the Kent State massacre of White college students.
Shorty after Marvin's speech at Vorhees College, (a speech that was interrupted by the white College president who couldn't take any more of Marvin X. As we recall, the mike was snatched while he read Fable of the Black Bird, the number one story by Marvin X that is most loved throughout the South, even today!).
A few days after Marvin X departed Vorhees, the students revolted and the National Guard tanks rolled unto the campus. If our memory is correct, Vorhees students revolted shortly after the Orangeburg Massacre.
FYI, The Orangeburg massacre refers to the shooting of protesters by South Carolina Highway Patrol officers in Orangeburg, South Carolina, on the South Carolina State University campus on the evening of February 8, 1968.[1] The approximately 150 protesters had previously demonstrated against racial segregation at a local bowling alley. Three of the protestors, African American males, were killed and twenty-eight other protesters were injured.[2]
The event pre-dated the 1970 Kent State shootings and Jackson State killings, in which the National Guard at Kent State, and police and state highway patrol at Jackson State, killed student protesters demonstrating against the United States invasion of Cambodia during the Vietnam War.Orangeburg Massacre Remembered On This Day In Black History
According to The New York Times, on February 6, 1968, a group of students sought to integrate a local bowling alley that, at the time, only served whites. The alley's owner turned them away and called the police, leading to an encounter with officers which left some students bloodied and others needing to be sent to the infirmary at South Carolina State's campus nearby.
Two days later dozens of students gathered at the school, setting a bonfire in protest of the students' treatment by the bowling alley and brutalization by police. The fire department arrived, as did many officers, but what happened next remains unclear.
According to USA Today, one of the officers was hit with a banister thrown from one of the buildings. According to the News and Courier, it was reported that the students invited the officers fire "upon themselves by sniper fire directed at state patrolmen."
The officers then fired into the crowd, killing Delano Middleton, a high school student visiting the campus; Sam Hammond, who played football for the college; and Henry Smith, an ROTC student who was hit five times. 27 others were wounded.
In the subsequent trials and hearings related to the incident, no evidence of the protestors being armed was ever presented and none of the nine officers charged with crimes related to the shootings were ever convicted of any wrongdoing.
According to the Associated Press, the Orangeburg Massacre is being remembered on the campus of South Carolina State University today, through a panel discussion and a ceremony honoring the victims.
Scholars and men who survived the massacre have since expressed disappointment that what happened that night was never given the same kind of attention as other similar incidents on college campuses -- namely, The Kent State Shootings.
On this day, as we continue our Black History Month celebrations, we remember Delano Middleton, Sam Hammond, and Henry Smith. Their sacrifice lives on as an important reminder of how long and winding the road toward freedom and equality is in the United States of America.
The poet has gone to Beaufort, SC on several occasions over the years to write, hosted by his long time friend, Hurriyah Asar (Ethna X. Wyatt), his partner from Black Arts West Theatre and the Black House, political/cultural center, San Francisco, CA, 1966-67. We give you his impression of South Carolina.
Hurriyah Asar
From the Archives: Marvin X Speaks to the Gullah Nation, Beaufort, South Carolina, 2002
Marvin X
Speaks to the Gullah Nation, 2002
Brother
Jabari, publisher of the Gullah Sentinel, questioned Marvin X
page by page about his book IN THE CRAZY HOUSE CALLED AMERICA,
starting with the suicide of his son on March 18 of this year.
The poet said his pain was cushioned by the fact that so many of
his friends have lost sons and daughters to homicide. Dr. Nathan
Hare has written that homicide and suicide are two sides of the
same coin. Marvin's son suffered mani-depression which the late
revolutionary Dr. Franz Fanon called a "situational
disorder" caused by oppression." Of course, Dr. Fanon,
author of the classic WRETCHED OF THE EARTH, said
revolution was the solution to the mental health problems of the
oppressed.
When
Jabari turned to Marvin's essay THE INSANITY OF SEX, the poet
read the first paragraph of the essay but refused to go further
on the Christian owned radio station, although he noted that
while sitting in the shade of a tree during the Gullah Nation's
Heritage Festival on St. Helena island, he was soon joined by a
group of church women who--after X showed them his book,
immediately turned to THE INSANITY OF SEX and agreed with his
opening paragraph one hundred per cent. Jabari, one of the sole
lights in the Gullahland house of darkness, asked X about the
culture of the crack house.
The poet
said "The crack house is like a third world country: there
is no electricity, no running water, no bathroom, no toilet
paper, no food, no love. It is the worse thing since
slavery." He then had the engineer play track ten of his CD
version of ONE DAY IN THE LIFE, the drama of his addiction and
recovery. In this "Preacher Scene" the minister
describes the horrors of crack culture, ending with the lines,
"Crack is worse than slavery. Didn't the slave love his
Moma? His God? His Woman? His Children? Not the crack slave, the
crack slave is a dirty, nasty, funky slave...."
X then
said, "I want to say this to the Christian community: see,
I lived in Reno, Nevada while teaching at the University of
Nevada and the preachers in Reno never said anything against
gambling and prostitution--which are legal. Now, members of the
audience who have watched my play wanted to know why the pastors
in the community never preach a sermon like the preacher in my
play. On more than one occasion, a member of the audience stood
to testify that many preachers cannot give a similar sermon
because the church is compromised due to the fact that mothers
in the church have sons and daughters who are contributing money
from the drug trade to the church and if the preacher said
anything he wouldn't have a congregation in many urban centers.
And maybe in rural centers as well."
Marvin X
was asked about education. He said Johnny and Johnnymae can sell
dope, weigh dope, package dope, count dope money, but the
teachers tell us Johnny and Johnnymae can't do math, can't read,
can't do chemistry. This is a lie and the fact that youth
remember hours of rap songs word for word is a testament to
their intelligence.
Ethna X. Wyatt, aka Hurriyah Asar, co-founder of Black Arts West
Theatre and Black House, political/cultural center, along with
Eldridge Clever and playwright Ed Bullins, 1966-67, San Francisco
This pic is from Black Dialogue Magazine, one of the critical
journals published in the Bay Area Black Arts Movement, along
with SoulBook, Journal of Black Poetry and Black Scholar.
Marvin X contributed to all the above journals, as well as
Negro Digest/Black World, Muhammad Speaks Newspaper
and Black Theatre Magazine, a publication of the New Lafayette
Theatre, Harlem, NY.
Hurriyah Asar on her land. She followed
her dream. Didn't let no man mess up
her dream of owning land. She has hosted Marvin X on several
occasion, providing him a writing retreat in beautiful
Gullahland, SC.
Marvin X spent his final day in Gullah land swimming in the Atlantic ocean off the coast of St. Helena Island. He listened to the pain of a mentally disabled Gullah woman who was camping near the ocean and was a friend of his host, Sister Hurriyah Asar, a landowner in Gullah country who is one of the Queens of the Black Arts Movement, having been a key player at Black Arts West Theatre in San Francisco and at the Black House/Political/Cultural Center, visited by the likes of Amiri and Amina Baraka, Sonia Sanchez, Bunchy Carter, Huey Newton, Bobby Seale, Lil Bobby Hutton, Eldridge Cleaver, Askia Muhammad Toure, Sarah Webster Fabio, Chicago Art Ensemble and others.
Theatre and Black House, political/cultural center, along with
Eldridge Clever and playwright Ed Bullins, 1966-67, San Francisco
This pic is from Black Dialogue Magazine, one of the critical
journals published in the Bay Area Black Arts Movement, along
with SoulBook, Journal of Black Poetry and Black Scholar.
Marvin X contributed to all the above journals, as well as
Negro Digest/Black World, Muhammad Speaks Newspaper
and Black Theatre Magazine, a publication of the New Lafayette
Theatre, Harlem, NY.
Hurriyah Asar on her land. She followed
her dream. Didn't let no man mess up
her dream of owning land. She has hosted Marvin X on several
occasion, providing him a writing retreat in beautiful
Gullahland, SC.
Marvin X spent his final day in Gullah land swimming in the Atlantic ocean off the coast of St. Helena Island. He listened to the pain of a mentally disabled Gullah woman who was camping near the ocean and was a friend of his host, Sister Hurriyah Asar, a landowner in Gullah country who is one of the Queens of the Black Arts Movement, having been a key player at Black Arts West Theatre in San Francisco and at the Black House/Political/Cultural Center, visited by the likes of Amiri and Amina Baraka, Sonia Sanchez, Bunchy Carter, Huey Newton, Bobby Seale, Lil Bobby Hutton, Eldridge Cleaver, Askia Muhammad Toure, Sarah Webster Fabio, Chicago Art Ensemble and others.
When black
clouds appeared, Marvin X knew the hour had arrived for him to
depart Gullah country. After all, he had enjoyed the people, the
land, the sea, the creeks, the chickens, geese, goats, calves,
and dogs. Being a country boy from Central Calif, he talked to
the animals and they to him. But he leaves Gullahland with a
heavy heart, for if the ancestors have given the descendents of
slavery any part of America, it is this beautiful land, these
islands in the sun.
--Marvin X, November 12, 2002, Beaufort, South Carolina.
FYI, the last time Marvin X visited Gullahland, his friends told him not to say anything while there. "Just chill, don't say shit. We're not going to give you a book party or help promote your book. Go swim in the ocean." Since his hosts exhibited such fear of the white supremacy powers, he followed their request. He visited the Yoruba African Village in Sheldon and interviewed the new king or Oba.
Alase Oba Adefunmi Adejuyige speaking at Black Power Babies Discussion
in Brooklyn, New York. Marvin X on right. Marvin invited the Oba/King to Black Power Babies, produced by his daughter Muhammida El Muhajir. Parents and children held
dialogue on their role in Black Arts/Black Power movement of the 60s. The Oba's
father, Serjiman Olatunji, was the main personality who spread Yoruba
culture in America. He officiated the wedding of Amina and Amiri Baraka.
Many BAM poets were influenced by Islam and Yoruba culture and
religion. See Amiri Baraka's play A Black Mass which utilized Islamic
and Yoruba mythology is his interpretation of the Nation of Islam's myth
of Yakub.
One one occasion after completing the draft of his manual How to Recover from the Addiction to White Supremacy in Beaufort, he went to Staples to make copies. The clerk, a sister, asked where he was from? He said here. She replied, "No, you're not from here."
"Why you say I'm not from here?"
"Cause we don't say white ssupremacy down here. We know it, but we don't say it."