Thursday, March 26, 2015

Marvin X goin ta University of Chicago for Sun Ra Conference, May 22, 2015

Marvin X will be heading to the University of Chicago for the Sun Ra Conference, May 22, 2015. He will probably tour the area, will stops in Detroit and Milwaukee. Who knows, he may drop down to St. Louis, visit Ferguson, Black Lives Matter! But he is deeply honored sax man David Boykin invited him to participate in this celebration of Sun Ra, the supreme BAM artistic freedom fighter whose influence was widespread in the music world, transcending socalled Jazz, influencing George Clinton, Gladys Knight and many others with his space mythology, costumes, poetry, dance and music.

Marvin X has agreed to participate in a conference on his friend and mentor, Sun Ra. He was invited to be a panelist by Chicago musician David Boykin:

Greetings Brother Marvin X - I'm a saxophonist in Chicago interested in bringing you to Chciago to participate in a panel discussion during a conference on Sun Ra and possibly arranging some other speaking engagements and possibly performing together in May of 2015, around sun Ra's Birthday May 22..... Peace. David

 Marvin X and Sun Ra outside Marvin's Black Educational Theatre, San Francisco, 1972. Both were also teaching in Black Studies at the University of California, Berkeley.

Marvin X, David Murray and Earle Davis performed with Sun Ra's Arkestra

 Sun Ra's influence on Marvin X is clear when MX created  the BAM Poet's Choir and Arkestra on the spot at the University of California, Merced, BAM Conference, 2014.

 Amiri Baraka and Marvin X were both influenced by Sun Ra who was a member of The Harlem Black Arts Repertory Theatre/School, 1966. Sun Ra's poetry appears in the BAM anthology Black Fire, edited by Baraka, aka LeRoi Jones and Larry Neal.


 Sun Ra arranged the music for Baraka's Black Mass, also the music for Marvin X's musical version of Flowers for the Trashman, renamed Take Care of Business.









Tuesday, March 24, 2015

Marvin X at Sacramento Black Book Fair, June 5-7, 2015

In 2015 the Sacramento Black Book Fair (SBBF) is introducing two new innovative “literary community participatory projects” highlighting books by authors of African descent. We are seeking the community’s participation with the following fun projects below.
2015 National African American Read-In sponsored by the Black Caucus of National Council of Teachers of English (NCTE). During the month of February, schools, churches, libraries, bookstores, community and professional organizations, and interested citizens are urged to make literacy a significant part of Black History Month by hosting an African American Read-In. Hosting an event can be as simple as bringing together friends to share a book, or as elaborate as arranging public readings and media presentations that feature professional African American writers. For more information please visit http://www.ncte.org/aari.

2015 Community Read–In March through May sponsored by the Sacramento Black Book Fair (SBBF). Our sub- themes for 2015 “Reading, a Pathway to Freedom” 50th Anniversary of the Voting Rights Act.” Therefore we are encouraging schools, churches, libraries, bookstores, community and professional organizations, and interested citizens to read and discuss at least one book selected by the SBBF planning committee based on our theme. You can purchase the books at underground bookstore, 2814 35th Street, Sacramento, CA 95817 (916) 737-3333. Tuesday through Saturday.
  • I Know Why the Caged Bird Sings by Dr. Maya Angelou (For adults and college students)
  • Child of the Civil Rights Movement by Paula Young Shelton and Raul Colon (For Preschool-2nd grade)
  • The Watsons Go to Birmingham—1963, by Christopher Paul Curtis (For elementary school age)
  • A Guide for using The Watsons Go To Birmingham—1963 in the Classroom
  • Warriors Don’t Cry: The Searing Memoir of the Battle to Integrate Little Rock’s Central High by: Melba Pattillo Beals. (For middle and high school age students)
The Community Read–In will kick-off in March and run through May 2015. Hosting a Community Read-In event can be as simple as bringing together friends to share a book, or as elaborate as arranging public readings. We are calling on parents, grandparents, students, youth groups, schools, colleges, children’s programs, and places of worship, book clubs, libraries, literary groups, bookstores, and the general public to read with us in 2015. For more information please visit our website at: http://www.sacramentoblackbookfair.com.
For more information please contact: Faye Wilson Kennedy at (916) 484-3750 or by e-mail: faye@bluenilepress.com

Marvin X Poem: Let A Million Men March

                  Powerful Poetry
The New Black Panther Party in Texas at the state capitol

 Black Arts Movement artistic freedom fighters at University of California, Merced, BAM Conference, 2014, produced by Kim McMillan and Marvin X


 BAM/Black Power freedom fighters Angela Davis, Marvin X and Sonia Sanchez

 BAM/Black Power freedom fighters Amiri Baraka (RIP), Black Panther co-founder Bobby Seale, BAM baby Dr. Ayodele Nzinga, BAM baby Ahi Baraka and Marvin X at Academy of da Corner, downtown Oakland, 14th and Broadway, renamed the Black Arts Movement District.




 Free Imam Jamil Al Amin, H. Rap Brown--free all the Black Liberation Army freedom fighters!

 Marvin X fought to teach Black Studies at Fresno State University, 1969, but was removed on orders of Gov. Ronald Reagan. He also had Angela Davis removed from teaching at UCLA the same year because she was a Black Communist. Marvin X was a Black Muslim. photo Fresno Bee

 Marvin X and Danny Glover were students at San Francisco State University, 1964-66. Danny was an actor in Marvin's Black Arts West Theatre on Fillmore Street, 1966.
photo South Park Kenny Johnson


Amiri Baraka's Black Arts Repertory Theatre/School, Harlem NY 1965

 UC Berkeley Black Revolutionary students Black Out!


 General Sun Ra, artistic freedom fighter


Ancestor  Revolutionary scholars Dr. John Henry Clarke and Dr. Ben

 Bay Area Black artistic freedom fighters outside Joyce Gordon Gallery, in the Black Arts District, 14th and Franklin, downtown Oakland.
 photo Gene Hazzard and Adam Turner

 Black Arts Movement generals, Amiri Baraka and Marvin X

 Black Airmen in World War II

 The Black Arts Repertory Theatre/school in Harlem, NY, founded by Amiri Baraka, Askia Toure, Larry Neal, Sun Ra, et al., 1965

 Student Menhuaim at Academy of da Corner, 14th and Broadway, downtown Oakland, renamed the Black Arts Movement District, celebrating the return of Master Teacher Marvin X.

Let A Million Men March





Black American soldiers in World War I. Marvin X's father fought in World War I
Let A Million Men March
let them march
one million strong
march their fears out the sands of time
march four hundred years of
american slime and mud off their feet
march chains off their brains
march insane to sane
march for ancestors of middle passage and triangular trade
for nat turner, vesey, prosser, tubman
for the living and the yet unborn
for wives and children forgotten, abused, abandoned
for the joy of reconciliation and reunion
for brotherhood sorely lacking and urgently requested
march for a new community of respect, peace and unconditional love
transcending hate and violence
violence in the streets and violence in the home
march against drive-by killings and turf wars
yu want turf my brother?
march for land and reparations
let them march, let them parade
for spiritual and material satisfaction
for sober thoughts and sober actions
march to end mind altered states
march to the White House gates
announce the new man has arrived
the slave died an unnatural death
the clown is dead
tom is dead
we have de cupped the beggars, tying their hands
those who oppose us, get back in the alley, shut up your chatter
let them march home refreshed by the waterfall of unity
the sun of brotherhood
the river of responsibility.
8/2/95

 from Love and War Poems by Marvin X
Blackbird Press. 1995
 Cover art by Emory Douglas, Black Panther Party Minister of Culture

“There comes a time,” Marvin X wrote, “when a man’s conscience will no longer allow him to participate in the absurd!” (Black Scholar. April-May 1971)

Monday, March 23, 2015

Black Bird Press News & Review: Dr. Nathan Hare's Foreword to How to Recover from the Addiction to White Supremacy



Black Bird Press News & Review: Dr. Nathan Hare's Foreword to How to Recover from the Addiction to White Supremacy

Malcolm X Audio Collection

MALCOLM X: THE COMPLETE AUDIO COLLECTION

 

Malcolm X was one of the most powerful and uncompromising human rights leaders the world has ever known. An incredibly articulate speaker, he explained the reality of race relations in America as nobody had ever done before. This new collection contains over 36 hours of Malcolm X speeches, debates and interviews from 1960 to 1965, both during his time in the Nation of Islam and after he split with Elijah Muhammad. In addition to well-known speeches such as "The Ballot or The Bullet" and "A Message to the Grassroots" you'll hear speeches from the last year of his life that shed light on the involvement of the FBI, the NYPD and the NOI in his assassination. The Malcolm X Audio Collection contains 44 MP3 files, easily downloaded to your computer, tablet, iPhone or iPod.



MALCOLM X COLLECTION TRACK LISTING:

1. Barry Gray Interview (March 10, 1960) - 41:09
2. Lecture in Atlantic City, NJ (1960) - 25:19
3. Lecture in Atlanta, GA (1960) - 28:00
4. The Embassy in Los Angeles (April 16, 1961) - 1:17:39
5. Open Mind Discussion (April 23, 1961) - 56:33
6. Eleanor Fischer Interview (1961) - 31:03
7. Malcolm X on the History of Africa (1962) - 2:25:32
8. Bayard Rustin Debate (February 15, 1962) - 33:28
9. Dick Elman Interview (May 1, 1962) - 12:27
10. The Crisis of Racism (May 1, 1962) - 14:30
11. Ronald Stokes Memorial Service (May 5, 1962) - 39:43
12. Black Man's History (December 12, 1962) - 1:29:01
13. Michigan State University (January 23, 1963) - 47:12
14. City Desk Interview (March 17, 1963) - 28:15
15. Race Relations In Crisis (June 12, 1963) - 1:39:29
16. Abyssinian Baptist Church (June 12, 1963) - 26:50
17. Kenneth Clark Interview (June 30, 1963) - 13:06
18. Harlem Unity Rally (August 10, 1963) - 2:05:23
19. James Baldwin Debate (September 5, 1963) - 27:44
20. Ford Hall Speech (October 10, 1963) - 54:16
21. Malcolm X at UC Berkeley (October 11, 1963) - 39:53
22. UC Berkeley Speech (October 11, 1963) - 46:40
23. Austin Clarke Interview (October 13, 1963) - 1:04:50
24. A Message to the Grassroots (November 10, 1963) - 43:31
25. A Visit From the FBI (February 4, 1964) - 8:30
26. Declaration of Independence (March 12, 1964) - 7:22
27. The Black Revolution (April 8, 1964) - 45:13
28. The Ballot or the Bullet (April 12, 1964) - 52:48
29. Return from Mecca Press Conference (May 21, 1964) - 14:52
30. Militant Labor Forum (May 29, 1964) - 1:04:56
31. Bob Kennedy Interview (June 25, 1964) - 21:42
32. Robert Penn Warren Interview (June 2, 1964) - 1:00:40
33. John Nebel Interview (June 20, 1964) - 3:37:59
34. Comments in Paris (November 23, 1964) - 13:38
35. Oxford Union Debate (December 3, 1964) - 31:30
36. HARYOU - ACT Forum (December 12, 1964) - 49:37
37. Abdulrahman Mohamed Babu Introduction (December 13, 1964) - 1:09:44
38. Harvard Law School Forum (December 16, 1964) - 48:27
39. Fannie Lou Hamer Introduction (December 20, 1964) - 25:37
40. SNCC Civil Rights Workers (January 1, 1965) - 14:13
41. Front Page Challenge (January 5, 1965) - 13:05
42. Prospects for Freedom in 1965 (January 7, 1965) - 1:15:24
43. On Afro - American History (January 24, 1965) - 45:10
44. After the Firebombing (February 14, 1965) - 1:23:54

TOTAL RUNNING TIME: 36 hrs


Click here to DOWNLOAD the
Malcolm X Audio Collection


OR

Click on the PayPal logo below to order the Malcolm X Audio Collection on DVD!


FREE 800-page Malcolm X eBook With Any Order!
Click on the text above to order the Malcolm X Audio Collection and either receive a link to download the collection or have the MP3 files mailed to you on a DVD. All audio is easily transferred to your computer or iPod. For more information, or if you have ANY questions about the audio collection, please contact me.

MALCOLM X: THE BALLOT OR THE BULLET (April 12, 1964)

Saturday, March 21, 2015

The Black Students Union at San Francisco State University started it all!


 Black Students Union leaders at San Francisco State University, Jerry Varnado and Jimmy Garrett



The Black Student Union at San Francisco State University was the first at any school anywhere. Its official history has not yet been written, but the oral history is being kept alive by two men in their mid-60s talking about the mid-'60s.

They are Jimmy Garrett and Jerry Varnado, who cooked up the concept - a college advocacy group that would work toward civil rights everywhere - and barnstormed it around to other colleges and high schools. The pair met as undergraduate activists in early 1966 and met most recently at Garrett's house a few doors off Martin Luther King Jr. Way in North Oakland.

"We did manage to play a role in a broader movement," says Varnado, a retired attorney who lives in the Oakland hills. "There are Black Student Unions all over the world. I went to the London School of Economics to visit the Black Student Union."

"The group at San Francisco State is the first that we know to use that term," says Akinyele Umoja, associate professor of African American studies at Georgia State University in Atlanta and a leader at the National Council for Black Studies. "Later on, there was a conference in California where black students at other campuses all adopted that name."

It was more than a name, and the lasting acronym BSU. "That activity that they were leaders in didn't just shift San Francisco State. It shifted the access and the academic context of every university in the country," says Kenneth Monteiro, dean of the College of Ethnic Studies at San Francisco State.

The first and still the only academic department of its kind in the country, the College of Ethnic Studies is celebrating its 40th anniversary this school year. The College of Ethnic Studies came out of the black studies department, which came out of the famed student strike of 1968-69, which came out of the BSU, which came out of a wager that Garrett made in Los Angeles shortly after the Watts Riots of 1965.

A winning bet

"The bet was that you could build a black student movement on a predominately white campus," says Garrett, 67, also a lawyer and the retired dean of instruction at Vista Community College (now Berkeley City College). "That was a bet that a couple of people in SNCC (Student Nonviolent Coordinating Committee) made. I bet that it could happen."

In his early 20s, Garrett was already a veteran Freedom Rider and youth activist. He came to San Francisco because he had family here, and he came to S.F. State specifically to organize. Being enrolled in classes was mainly a way to avoid Vietnam.

"When I got to San Francisco State, I did an analysis," says Garrett, who broke the black student population into three categories: the Negro Student Association (NSA), an organized club inclusive of all black students; the fraternities and sororities; and the radical Black Nationalists.

"Then there were people like me who didn't know what they were," Garrett says. "Whatever I was, it wasn't one of those."

Strategy sessions

Varnado was one of those. A 21-year-old freshman from segregated Mississippi, by way of the Air Force, he was chapter president of Alpha Phi Alpha, a black fraternity, and active in the NSA. He may have met Garrett at a party at the frat house on Capitol Avenue in the Ingleside district, but he isn't sure. They started having strategy sessions in a corner of the campus library. Two became three. Three grew to five, then to eight.

Whatever it was they were on to, it needed its own name, and that took two or three weeks of meetings to settle. Otherwise, there were no membership rules or bylaws or articles of incorporation filed in the student activities office.

"We didn't plan all this stuff," Varnado says. "It just started happening and it grew."
According to "Blow It Up!" Dikran Karagueuzian's account of the 1968 campus revolt, the name Black Student Union was attributed to a student named Tricia Navara. The book suggests that it was just a matter of renaming the NSA, which is the way Varnado and Garrett tell it.

"For all practical purposes, the BSU and the NSA were the same," says Varnado. But Dean Monteiro says that the BSU formed as a wholly separate entity.

"That was a tough moment," says Monteiro, who was too young to be there but has studied the chronology. "The Negro Student Association was not moving along as if it needed to be defunct."
But it couldn't keep up with the BSU under Garrett, who "soon moved into politics and made the BSU the most powerful pressure group on campus," according to "Blow It Up!"

"Our thing was not simply to understand the world. Our duty was to change it," Garrett says. "Everybody on the campus who identified themselves as a black person, whether they were a student, faculty, worked in the yards, you were a member of the Black Student Union by definition."
Garrett was the first chair, and Varnado was the on-campus coordinator. Word got around, and soon their expertise was being sought at other campuses.

"We had a student who called us from Stanford and he said, 'There's only six or seven of us, can we set up a Black Student Union?' " Garrett says. "We worked at every institution that would open space for us: community college, high school, elementary school."

College outreach

Within a year, the BSU was at every state college in California. There were BSU sweatshirts, BSU dances, but the most important aspect was the BSU outreach into high schools with tutorials and college prep programs.

"Having the name Black Student Union, we were not afraid to go to the ghetto. We were not afraid to go to Hunters Point," says Varnado. "We tried to recruit students to come to college. We wanted them to join the BSU also, but the primary reason was for them to get an education."

The BSU pressed campus administrators for a more liberal admissions policy. A year after its launch, the black population at San Francisco State had doubled, Garrett says, and a year after that, it doubled again.

"Enrollment was increased and many lives were changed because of the outreach they did," says Umoja of the National Council of Black Studies. "BSUs in the late '60s and early '70s provided a key role for tens of thousands of black kids in the United States."

Much of that was the result of the student strike to institutionalize minority curriculums. The walkout started Nov. 6, 1968, and ended March, 21, 1969, making it the longest campus strike in U.S. history. By then, Garrett had moved on toward graduate school in the East, but Varnado wasn't going anywhere. He liked S.F. State so much that he changed his major to prolong his undergraduate career.
During the strike, he was arrested many times and ended up spending a year in County Jail. But it ended well. He proceeded directly from jail to law school at Hastings, though he doesn't recall ever filling out an application. That was the power of the BSU at S.F. State.

A new plaque

If you go out to the Outer Sunset campus looking for the history of the BSU, you won't find much. There is the BSU headquarters in Cesar Chavez Student Center, and there is a commemorative rock hidden in the Quad with a plaque that vaguely honors the strike but doesn't mention the BSU.
Next month, a historic plaque that speaks specifically to the BSU and its sister in arms, the Third World Liberation Front, will be mounted in the front lobby of the ethnic studies building.
Garrett and Varnado will be proud to see it, but they're more proud of what stands behind it.
"I'm just happy that the ethnic studies department is still in existence at San Francisco State," Varnado says. "It's beyond anything that I could have imagined."

Garrett breaks it down to numbers: "Six thousand students take those courses every semester."