Saturday, June 4, 2016

KPOO Radio will interview Marvin X on his MOVEMENT article: Will we resist America's Black Removal Plan?

Terry Collins will interview Marvin X on his recent article Will we resist America's
Black Removal Plan? The interview will air on the Spirit of Joe Rudolph Show, Tuesday, June 7, 10PM, 89.5FM, www.kpoo.com


Friday, June 3, 2016


The MOVEMENT, newsletter of the BAMBD--Special Editorial by Marvin X 

www.blackbirdpressnews.blogspot.com

The Movement Newsletter 
Black Arts Movement Business District
Oakland CA
June 3, 2016

Will We Resist America's Black Removal Plan?

The next Black Arts Movement Business District Town Hall is scheduled for Sunday, June 12/2016, 3-5pm at East Side Arts Alliance, 23rd and International Blvd, Oakland.

Table of Contents

1. Summary of BAMBD Town Hall Meeting, 5/13, Aries Jordan
2. Touchstones to stand on, Dr. Ayodele Nzinga
3. Letter from City Council President, Lynette McElhaney
4. Letter of invitation for Cultural Keepers meeting, Alessia Brisbin
5. BAMBD Notes, Marvin X
6. Reply to Marvin X, Eric Arnold
7. Business Improvement District BID, Denise Pate
8. Africa Town, Zahieb Mwongozi
9. Black Bourgeoisie Art and Opportunism, Marvin X  
10. Talks at Yenan Forum on Art and Literature, Mao Tse-Tung
11. BAMBD Tour, Ashley Chambers and Paul Cobb
12. Call for Papers: Black Arts Movement South Celebration, Dillard University, Kim McMillon

BLACK ARTS MOVEMENT BUSINESS DISTRICT
                                                 CALENDAR OF EVENTS


BAMBD Town Hall, Sunday, June 12, 3-6pm, Eastside Arts
San Francisco Juneteenth Festival, Saturday, June 18
Berkeley Juneteenth Festival, Sunday, June 19
West Oakland Juneteenth, June 25, San Pablo and Brockhurst

25th Oakland Black Expo, Saturday, July 23, Frank Ogawa/Oscar Grant Plaza

City of Oakland Cultural Keepers, Tuesday, July 26, 6-8pm, Oak Center Cultural Center, 14th and Adeline
Black Arts Movement Theatre Festival, Sept, Flight Deck Theatre, Broadway
Donald Lacy's play Color Struck, Laney College Theatre, Sept.
Black Arts Movement South 51st Celebration, Dillard University, New Orleans LA
September 9-11, 2016
 

VI

Movement Editor, BAMBD Co-founder Marvin X
WILL WE RESIST AMERICA’S 
BLACK REMOVAL PLAN?

North American Africans in the Bay Area and nationwide are at a critical juncture, although our history is the history of migration, especially since we had to flee Egypt. In his classic The Destruction of African Civilization, Chancellor Williams taught us the constant theme in our culture was migration whether due to succession rites (fights), ecological factors, i.e., famine, drought or wars over land, grazing rights or foreign invasion. The Semitic and later European invasion of the Motherland forced us from Egypt to the interior and ultimately to the West coast of Africa. Once there we reestablished the classic civilizations we had created in Kemit or Egypt. Cheikh Anta Diop revealed the similarity in Kemitic and West African linguistics and other aspects of culture such as the matriarchal family structure, burial rites, religion, etc. See Diop’s classic Cultural Unity of Africa.
Diop discussed differences in the Northern Cradle (Europe) and the Southern Cradle (Africa/Asia), expressed by the settled culture, including agriculture. The nomadic tradition is Northern with cremation the burial custom. We North American Africans adopting cremation as a burial custom, we see the level of their addiction to Northern Cradle culture.

The Southern Cradle people buried the dead along with the tools of life, for they believed in the resurrection and after life, thus their dramatic tradition was comedy as opposed to the Northern tradition of tragedy. Alas, the major theme in Northern Cradle drama is murder! Even today, this is their central theme. Check out the greatest plays of Shakespeare, Othello, MacBeth, King Lear, Richard III.

Of course the original drama of the Southern Cradle was comedy, expressed in the Osirian drama of Resurrection, based on the annual inundation of the Nile or Hapi River and the seasonal harvesting of crops, along with Ra, the Sun, and his opposite Seth or Sunset, i.e., darkness, evil. The Osirian drama of Resurrection is the prototype crucifixion drama, signifying the comedic nature of life, i.e., after darkness comes light. The Muslims say after difficulty comes ease, thus tragedy has no place in the Southern Cradle.  The Southern Cradle insists there must be joy and happiness after sadness. Check out the joy of the Second Line New Orleans funeral rites. The Osirian resurrection drama is the prototype of the crucifixion ritual, but the drama ends with resurrection and ascension, a joyful rather than sad affair. See Kersey Graves The Sixteen Crucified Saviors.

Sun Ra, the Master Black Arts Movement mystic, musician, said North American Africans are the “Latter Day Egyptian Revisionists,” He understood NAA culture is essentially Egyptian religion whether Christianity, Islam, Judaism, Yoruba, or Vudun. Dr. Ben taught us the African Origin of Judaism, Christianity and Islam.

And so we come to the present moment in our eternal sojourn that has brought us to North America as Africans caught in the American slave system (Ed Howard term). We have migrated Up South and back Down South and West, seeking freedom, justice and equality but finding only gentler, kinder versions of slavery, suffering and death, even with a smile.

We have surely enacted the Osirian drama in our sojourn in this wilderness of North America. Rev. Cone called it the ritual of the Cross and Lynching Tree (See his interview with Bill Moyers, PBS). He insists we and "they" cannot understand the American Tragedy until we come to terms  with the cross and lynching tree, until we appreciate the Strange Fruit Billie Holiday told us about. When we understand that the central theme of North American African literature is how I got ovah, how I survived, then we can appreciate we are of the resurrection tradition, alas, it is in our past, present and future. What did Maya say, "And still I rise...."

In the 1950s and 1960s we suffered Negro Removal (Urban Renewal)  and today we are knee deep in gentrification or ethnic cleansing. Have no doubt we are being cleansed from traditional neighborhoods coast to coast, from Fillmore and Hunters Point to Harlem and Brooklyn. Our condition is not solely caused by white supremacy but rather Global economic forces or the new imperialism that is, yes, multicultural. We are being removed by global corporations and nations who arrive alongside the neo domestic-colonial children (Hipsters or cleaned up hippies) and the developers whose mission is solely economic in the most capitalistic definition of the term. We are being displaced so rapidly that most communities are simply overwhelmed by the invaders in their midst (remember Kemit or Egypt, Chancellor Williams noted we were doomed when we welcomed  the invaders into our lands 6,000 years ago. Diop makes it plain the Northern Cradle Tradition was to kill the stranger, but our tradition was to welcome the strange to our very destruction. 

Alas, the invaders impregnated African women and her mulatto children suffered the classic mulatto syndrome of identity crisis best expressed by Prince "Am I Black, Am I white?") 

In present times, market forces cause us little time to think, plan and act, especially since we live disorganized and insecure, trusting no one, no even ourselves and our lovers, thus we cannot rally around the flag to resist the onslaught of rapidly changing demographics even while we sleep, for rents are rising, new property owners have arrived, not necessarily white, Chinese even, or Russian, Arab, African, no matter, we must adjust to market forces or move, or seek shelter under the overpasses of our lives, now pushing the shopping carts of our lives to God knows where. Remember our tradition of migration (el muhajir, the migrant). 

San Francisco’s Tenderloin District has been able to resist gentrification only because they are organized as a community, unlike the Fillmore, Mission and Hunters Point, or West Oakland, North Oakland, East Oakland, Berkeley, even Richmond, can you imagine, Richmond suffering gentrification and market rate rents. 

But Negro Removal or gentrification or ethnic cleansing  has been going on for decades and while politicians are guilty, many of our own people were on redevelopment boards and thus guilty as well. A Haitian taxi driver told me back east, "Broder, they sold us once, seem like they want to sell us again." Amiri Baraka's poem says, 

"The king sold the farmer to the ghost. 
In the middle of the Atlantic ocean 
is a railroad of human bones...."

At least former San Francisco Mayor Joe Alioto apologized for “destroying the cultural and economic vitality of the Fillmore.” Do we need to name the Black politicians and Black capitalists who sold out Harlem and other cities? Can we blame politicians for being corrupt when corruption is the name of the game? 

We thought Black Power would save us but Black Power morphed into green power for many elected politicians and black capitalists. Many went to jail and prison for corruption. The Black mayors of Newark, New Jersey are models of corruption. We are confident the current Mayor Ras Baraka will defy the Negro political tradition.

So where do we go from here, those few of us still remaining? Our condition in San Francisco is dire, at the precipice: simple market forces are pushing us on the freedom train to nowhere, a fellow traveler with our brothers and sisters who’ve been forced to evacuate Oakland, Richmond, Berkeley, fleeing to the interior of towns in the central valley, Sacramento, Stockton, Tracy, Modesto, Merced, Madera, Fresno. If we don’t learn Spanish, our condition will be problematic in these towns rapidly becoming under the political/economic control of Latinos/Latinas, but even worse is our disconnection from the land, from agribusiness.

After fifty years of Black Studies, how many students do we have who minored or majored in agribusiness in California, the richest agricultural valley in the world, that canal running north to south is like the Nile or Hapi River, yet we are deaf, dumb and blind to DE NILE thus we are not HAPI! 

The major business in the central valley is agriculture, so how do we fit in? And then there’s the critical issue of water. When we move to the central valley, how long are we going to be in the valley without water? The farmers consume 80% of the water and the almond farmers use most of that for export. This may change with the coming marijuana industry. But even that will be a corporate affair.
Brothers are still being arrested for selling marijuana even after buying it from white boys operating legal weed stores. 

A brother who has a restaurant business he inherited from his mother, is being sued by a patron who was asked to depart with his dog, even though the customer had an official card declaring his dog was for emotional support. The brother said he was going to close down because he knows he can't win against a white man and his dog! We must resist, Sonia Sanchez said resist, resist, resist. I remind people what we used to say at high school football games, "Push 'em back, push 'em back, way back!"

What then, is our Master Plan for the next five, ten, twenty, thirty, forty, fifty years? Is our cause lost or can we organize to resist and get qualified for the new economic reality. We will need to become politically engaged immediately, casting away our fears of the political process and forcing the political structure to deliver equity and the benefits due us as citizens. We should not only demand subsidized housing but the jobs that will qualify us for market rate housing. Otherwise we should shut down City Hall and all businesses that don’t hire us, especially businesses in the new technology and the restaurant business since Oakland is a five star restaurant city but how many of us are employed? Oakland, on the 50th Anniversary of the Black Panther Party, where is your radical spirit? Don't be afraid of City Hall, we, the people, own city hall. City Hall exists at the consent of the governed. You govern City Hall, City Hall doesn't govern you! The best thing I heard President of the City Council say is, "Don't exclude yourself!" Sometimes we do so because we know City Hall is full of bullshit, politricks. And they only respect the people when they come two thousand strong and pack city hall. Suddenly, they want to hear what you have to say, especially around election time which is now!

It’s shameful to travel throughout the Bay Area and rarely see Black men working. Remember Dr. Julia Hare’s book How to Find A BMW (Black Man Working)? How can men from every ethnic group work but not the Black man? The denied you union membership but somehow found a way to hire is others not even in the union? Malcolm X told you to not allow yourself to be hoodwinked and bamboozled. Elijah Muhammad used tricknology to trick the trick out of the trick! So stop being a trick and demand your equity and all the benefits due you even in the midst of Negro Removal, gentrification, ethnic cleansing or whatever this bullshit is we trapped in as the era of Obama ends and the white right wing payback era begins, whether Bernie, Hilliary or Donald. On the eve of the California primary, what is your agenda North American Africans? You better have your priorities and other items and make your demands known locally and nationally. Power concedes nothing without demands, Frederick Douglas told you, or do you remember? And remember what Harriet Tubman said, "I could have freed more slaves if they had known they were slaves!"

The City of Oakland approved the Black Arts Movement Business District but it reminds one of emancipation. We were set free but without a budget, yes, no 40 acres and a mule! So we have the BAMBD but so far no equity or benefits from developers  claiming land,properties, housing, and those Hipsters who get employed every nano second, yes, while we sleep they are planning. I wrote a proverb that said, "The devil never sleeps, he just changes shifts." We need to learn eternal vigilance and stay on our posts until properly relieved. The Japanese taught me back in my dope fiend hustling days, "Business is war!" We can laugh, smile, but business is war and we need to get on war footing or we shall surely lose the battle and the war.

After months of requesting, including appeals to the President of the City Council and the Mayor, why can’t we get banners up proclaiming the BAMBD, to say nothing of our request that vendors be able to work in the BAMBD 14th Street corridor, for economic reasons so our people see they can do for self, and don't need to sell drugs or their bodies. Surely, merchants can't complain especially when there are few merchants in the downtown area.

Since we have been repeatedly  told BAMBD is not a priority, we may need to be patient (Amiri Baraka said if we be patient too long we become a patient), at least until after the city council elections, unless we get the bright idea to protest those politicians who’ve been lagging and dragging for months. As the Black Panthers said, you are part of the problem or part of the solution. Don't push us to the edge or we'll run our own people for city council!

The BAMBD Town Hall meeting is a signal that the people want action on the district, but the district must be part of an overall plan for North American Africans in Oakland. We can’t have artists and cultural workers separated from the masses who are suffering basic issues of housing, employment, police abuse and homicide under the color of law, white supremacy curriculum in the public schools, perennial high rates of incarceration due to economic crimes.
For sure, the developers and politicians will try to buy out the artists with a few crumbs so they then feel elitist and separated from their people.

Either we jump out the box of passivity and come together to resist the storm of our removal, or pack our bags and hit the road, enacting that eternal theme of our cultural history: migration.
--Marvin X
6/3/16

The next Town Hall meeting of the Black Arts Movement Business District is Sunday, June 12, 3-6pm, Eastside Arts Cultural Center, 23rd and International Blvd. Be there or be square! Stay tuned to The Movement, newsletter of the BAMBD.
Email: bambdistrict@gmail.com

"Alice Street" official trailer

Chicago Defender: The Great Muhammad Ali dies at 74

The Great Muhammad Ali Dies at 74

muhammadealipic 
(CNN) Muhammad Ali, the legendary boxer who proclaimed himself “The Greatest” and was among the most famous and beloved athletes on the planet, died Friday in Phoenix, a family spokesman said.
Ali had been at a hospital since Thursday with what spokesman Bob Gunnell had described as a respiratory issue.

“After a 32-year battle with Parkinson’s disease, Muhammad Ali has passed away at the age of 74.
The three-time World Heavyweight Champion boxer died this evening,” Gunnell said in a statement. “The Ali family would like to thank everyone for their thoughts, prayers, and support and asks for privacy at this time.”

Ali’s daughter Hana Ali said her father was the a “humble mountain.”
And now he has gone home to God. God bless you daddy. YOU ARE THE LOVE OF MY LIFE!” she tweeted.
muhammadalipic2
Even as the former champ battled Parkinson’s, he had the same love for life and people, King said. Parkinson’s disease, which primarily affects a patient’s movement, is a “progressive disorder of the nervous system,” according to the Mayo Clinic.

Don King, the boxing promoter who was every bit as brash as Ali, told CNN that in his mind Ali will never die.

“His spirit will go on forever,” he said. “He’s just a great human being, a champion of the people, the greatest of all time.”
 
Even as the former champ battled Parkinson’s, he had the same love for life and people, King said. Parkinson’s disease, which primarily affects a patient’s movement, is a “progressive disorder of the nervous system,” according to the Mayo Clinic.
“His spirit was solid as ever,” King said. “He wasn’t the man who’d take defeat. Defeat wasn’t in his vocabulary.”
 
lailaalipic 
Hours before her famed father passed away, Laila Ali posted a throwback photo of Muhammad Ali with her daughter, Sydney, who was born in 2011.
“I love this photo of my father and my daughter Sydney when she was a baby! Thanks for all the love and well wishes. I feel your love and appreciate it!!” Laila Ali, herself a former world champion boxer, wrote.

Our Man in Toronto: Petition to Prez Obama, Bring Back Black Music Month!

Petitioning President Barack Obama

I want President Obama to bring back "Black Music Month"

"Black Music Month" was supposed to cover black music around the world including the Americas, the Caribbean, and Africa. Under President Barack Obama's tenure it was nationalized and made to only represent music made by Africans in America. We believe that Black Music Month should represent African people throughout the world. Show your support and sign this petition to reclaim Black Music Month for all African people.
See below for the open letter to President Barack Hussein Obama
This was written in 2009, updated in 2016

‘What About We People Who Are Darker Than Blue?’
Norman (Otis) Richmond (aka Jalali)
Black Music Month is going unnoticed by President Barack Obama.
President Barack Hussein Obama, the first African president of the United States will be remembered for bombing Libya and murdering its leader Muammar Gaddafi. Libya is not in the Middle East. The last time I checked it is on the African Continent.

He has also dropped a bomb on the cultural front; he is attempting to crush the unity of Africans at home and abroad. Even the former Mayor of Toronto, David Miller, proclaimed June Black Music Month during his tenure in office, but not so with Obama. By not recognizing Black Music Month and changing the name in 2009 you have taken a step backward Mr. President.

Back on 2 June 2009, President Obama did issue a statement in support of what he then and now refers to as African American Appreciation Month. In one fell swoop he took an international music and nationalized it. The music of Africans in American music is international music.

Recall, it was The Black Music Association created by Kenny Gamble, Ed Wright and others that brought together Stevie Wonder and Bob Marley and the Wailers, in concert, to demonstrate this fact. Kwame Brathwaite captured Wonder and Marley in action in a historic photo.

Sir Duke Ellington pointed out nearly a century ago that we as a people must call our music ‘Negro’ (Black) music so others could not dishonestly claim it as theirs. Black music is one of the many gifts that Africa and Africans have presented to the world.

President Obama gave a brilliant speech at El–Azhar University in Cairo in 2009. The 44th president has proven that he is one of the most intelligent, (if not the most intelligent) head of state in the history of the USA. The president’s speech was like a vintage Earth, Wind & Fire performance. However, it was just that - a performance.

Mumia Abu-Jamal pointed out, ‘But in truth Obama had them at Salaam-Alaikum, the universal Muslim greeting meaning “Peace be unto you.” Peace, it’s sad to say, is hardly a reality when one’s own government is at war with its own people.’ The recent events in Egypt and the Middle East proved Mumia to be on point.

While the President was touring the Middle East in 2009, he failed to recognize the 30th anniversary of Black Music Month. More than one person has raised the question that perhaps he didn’t know. I find this unbelievable.

In 2009 he hosted Stevie Wonder, Earth Wind & Fire and Sweet Honey in the Rock at the White House. He had even invited Odetta to sing at his inauguration; however, she joined the ancestors before that historical event.

How can a man who spent most of his adult life in Chicago claim to be totally unaware of Black Music Month? Chicago is the home of Mahalia Jackson, Martin Luther King’s musical lieutenant; Sam Cooke; Curtis Mayfield; Jerry Butler; Mavis and Pop Staples; Ernest Dawkins; R.Kelly; Common; Kanye West and Lupe Fiasco.

The June 2009 issue of Ebony Magazine, which I bought in the middle of May, was dedicated to Black Music Month. This issue has Jada Pinkett Smith on the cover, and features a photo of President Obama and the First Lady, Michelle Obama, with Queen Elizabeth II at Buckingham
Palace.

After being called out by The Caribbean World News Network, President Obama did rightly proclaim the month of June, National Caribbean American Heritage Month. President Obama issued this statement on 2 June 2009.

According to the 6 June 2009 issue of the New York Times, he signed a proclamation establishing the Ronald Reagan Centennial Commission. The commission is supposed to organize activities to mark the 100th anniversary, in 2011, of President Reagan’s birth. What about we people who are darker than blue, President Obama?

If a Ronald Reagan Centennial Commission is in order what about a Black Music Month Commission with people like Randy Weston, Deborah Cox, Dee Dee Bridgewater, Sonia Sanchez, Wes Williams aka Maestro Fresh Wes, Cassandra Smith, Amiri Baraka, Drake and Queen Latifah? Raynard Jackson of Philadelphia has opined, ‘It’s a no-brainer to do a town hall meeting with singers, producers, and songwriters during Black Music Month.’

The music of African people has been an international force since the Fisk Jubilee Singers, experts in choral-arranged Spirituals from Nashville, Tennessee, conquered Europe in 1873. Since that period Jazz, Calypso, Reggae, R&B, Hip-Hop and African beats have come to be the most popular and influential art forms in the world. Bob Marley, Louis Armstrong and Miriam Makeba are known all over this small planet we call Earth.

The great saxophonist Archie Shepp once said, ‘What Malcolm X said John Coltrane played.’ This was the expression of Africans in North America; the same thing occurred in the Caribbean and in Africa.

In the Caribbean, Walter Rodney (Guyana) and Bob Marley (Jamaica) were the concrete expressions of this phenomenon in the 1970s and early 1980s. On the mother continent, Thomas Sankara (Burkina Faso) and Fela Anikulapo Kuti (Nigeria) are examples of music and politics complimenting one another in the 1990s.

Despite this influence on the planet, it was only 37 years ago that the Black Music Association (BMA) persuaded the US government to recognize Black Music Month. In June 1979, around the time the Sugarhill Gang's ‘Rapper's Delight’ was being released; Kenny Gamble led a delegation to the White House to discuss with President Jimmy Carter the state of Black music.

At the meeting, Carter asked trumpeter Dizzy Gillespie and drummer Max Roach if they would perform ‘Salt Peanuts’, to which Gillespie replied that he'd only do so if the president, (who made a fortune as a peanut farmer) provided the vocals.

Since that great and dreadful day when Carter butchered the song, June has officially been designated Black Music Month.

It must be mentioned that in 1979, the world was witnessing a revolutionary breeze as Maurice Bishop and the New Jewel Movement seized state power in Grenada; Daniel Ortega and the Sandinistas swept the counter revolutionary forces out of power in Nicaragua like a broom; and the Shah of Iran was dethroned after being installed in power by the CIA in 1953.

The soundtrack to all of this was Gene McFadden and John Whitehead’s, ‘Ain’t No Stoppin’ Us Now’ which was released in 1979. Recall, ‘Ain’t No Stoppin’ Us Now’ was played at the 2008 Democratic National Convention on the night Illinois Senator Barack Obama accepted the Democratic Party nomination for President of the United States.

Since 1984, thanks to the efforts of the Black Music Association/Toronto Chapter, Toronto Mayors June Rowlands, Barbara Hall and Mel Lastman, successively, have recognized June as Black Music Month. On the 25th anniversary of Black Music Month, Mayor David Miller presented the proclamation at City Hall. The late Milton Blake, Jay Douglas, Michie Mee, Norman (Otis) Richmond (Jalali) and others participated in this event.

When broadcaster and community activist the late Milton Blake and Norman (Otis) Richmond created the Black Music Association's Toronto Chapter in 1984, the intention was to plug African-Canadian music makers into the international music market.

At that time, 1984, the only African Canadian that was internationally known was Oscar Peterson. Since that time Eric Mercury, Harrison Kennedy (as a member of the Chairmen of the Board), Deborah Cox, Devine Brown, Glenn Lewis, Kardinal Offishall, Drake and others have conquered the world - musically.

By not recognizing Black Music Month from 2009 until today, you have taken a step backward, Mr. President. Grenadian Prime Minister Maurice Bishop told us 30 years ago, ‘Forward Ever. Backwards Never’. One of the greatest Africans to ever grace the planet, Ghana’s Kwame Nkrumah, said the same thing 20 years before that.

* Norman (Otis) Richmond (aka Jalali) can be heard on Saturday MorninLive every Saturday onhttp://radioregent.com/ 10am to 1pm and Diasporic Music on Uhuru Radio every other Sunday 2pm to 4pm,www.uhururadio.com
* Please send comments to editor[at]pambazuka[dot]org or comment online at Pambazuka News.

Friday, June 3, 2016

Marvin X reviews the film Muhammad Ali staring Will Smith


Ali 
Starring Will Smith Directed by Michael Mann
MPAA: Rated R for some language and brief violence.
Runtime: 158
Country: USA
Language: English
Color: Color

Reviewed by Marvin X (12/28/01)


In honor of Muhammad Ali, who died June 3, “Ali,” a biopic about the boxing icon and activist, will return to theaters this weekend. The move by Sony Pictures follows a similar one with Prince's 1984 movie, "Purple Rain," after the musician's death in April.

“With the passing of Muhammad Ali, we have received many requests for this film to return to theaters, in celebration of his life,” Rory Bruer, the studio’s distribution chief, said in a statement. “The film truly honors everything that made Ali one of the central figures of our time, a man who commanded his sport but whose personal faith and principles made him mean so much more.”






""A notable and articulate advocacy of black conscientious objection came from the Nation of Islam. In 1942 Elijah Muhammad was arrested in Chicago and convicted of sedition, conspiracy and violation of the draft laws. After serving time in a federal penitentiary until 1946, Muhammad continued in his beliefs. Two decades later he vigorously urged his followers to refuse participation in the Vietnam War. Among those who listened were world heavyweight boxing champion Muhammad Ali and Marvin X."
-
Lorenzo Thomas, University of Houston, from preface to Love and War (poems) by Marvin X, Black Bird Press, 1995

Ali 
Starring Will Smith Directed by Michael Mann
MPAA: Rated R for some language and brief violence.
Runtime: 158
Country: USA
Language: English
Color: Color

Reviewed by Marvin X (12/28/01)

Cast overview, first billed only:
Will Smith .... Cassius Clay / Muhammad Ali
Jamie Foxx .... Drew 'Bundini' Brown
Jon Voight .... Howard Cosell
Mario Van Peebles .... Malcolm X
Ron Silver .... Angelo Dundee
Jeffrey Wright (I) .... Howard Bingham
Mykelti Williamson .... Don King
Jada Pinkett Smith .... Sonji
Nona M. Gaye .... Belinda
Michael Michele .... Veronica
Joe Morton .... Chauncy Eskridge
Paul Rodriguez (I) .... Dr. Ferdie Pacheco
Barry Shabaka Henley .... Herbert Muhammad
Giancarlo Esposito .... Cassius Clay, Sr.
Laurence Mason .... Luis Sarria 
Some things in life are a cause for hesitation-we know we're not walking on solid ground, yet we go forward into the unknown like a brave soldier ordered into battle. This is how I approached ALI, knowing this movie was bound to touch me in a personal way, since Muhammad Ali and I were the two best known Muslims who refused to fight in Vietnam or anywhere for the white man. Ali was in sports, I was part of the Black Arts Movement, also associated with the Black Panthers. Elijah told Ali to give up sports, that the world was not made for sport and play.

Ali refused. Elijah told me to give up poetry, that he was after the plainest way to get truth to our people: poetry, he said, was a science our people didn't understand. I refused. Was Elijah right? Look at the present condition of Ali. Look at the present proliferation of poetry: gansta rap poetry has contributed to the desecration of black people. How did we go from revolutionary BAM poetry to the reactionary rap songs about bitch, ho and motherfucker? Sonia Sanchez says the rappers simply put on stage what was happening in the black revolutionary movement and our community in general: the disrespect of women. Even spoken word is at a pivotal point of becoming crassly commercial, promoted in night clubs along with alcohol and other drugs.

Certainly, this is no atmosphere to teach truth which is the poet's sole duty, not to be a buffoon or entertainer. Poetry is a sacred art: in the beginning was the word and the word was with God’. One club owner stopped a successful poetry night when it became a butcher shop, patrons trading poetry for sex, more or less’. Academic poetry never made it in the hood, since it is essentially a foreign language. Thank God for poetry slams, they have allowed the masses to appreciate poetry, seizing it from the academic barbarians who killed the word in abstract nonsense only a rocket scientist or linguist can understand. Perhaps, this was Elijah's point to me. But, finally, all poetry uses devices such as metaphor and simile which may confuse rather than "make it plain" in the style of Elijah and Malcolm, even though they too used these devices. Elijah didn't stop Muhammad Ali from being a poet!


"Refusing induction, Marvin X fled to Canada. 'I departed from the United States "to preserve my life and liberty, and to pursue happiness".' "-loc. cit.

Malcolm X recruited Cassius Clay into the Nation of Islam. Malcolm's oratory influenced me to consider Elijah's Islamic Black Nationalism while I was a student at Oakland's Merritt College, along with Huey Newton, Bobby Seale, Ernie Allen and others who became the new black intelligentsia, the direct product of Malcolm, Patrice Lumumba, Kwame Nkrumah and Elijah. When Malcolm X spoke before seven thousand students at U.C. Berkeley's Sproul Plaza (1964), I was in the audience. When he was assassinated, we wore black armbands to express our grief at San Francisco State University, actor Danny Glover among us. In truth, we were too confused to do more, which was the devil's purpose: confuse, divide and conquer.

Although Ali and I were followers of the Honorable Elijah Muhammad, Ali followed closer to the letter than I-I followed the spirit of Elijah. Elijah told us to resist the draft, go to prison if necessary. Ali followed orders-but I was under the influence of my Panther friends who said we should not only resist the draft, but resist arrest as well-so rather than go to jail, I fled to Toronto, Canada, joining other resisters. But before I went into exile, I met Muhammad Ali at the Chicago home of the Honorable Elijah Muhammad. After Eldridge Cleaver was placed on house arrest for allegedly causing a riot at a Black Power conference on the campus of Fisk University in Nashville, Tenn. (along with Stokely Carmichael, H. Rap Brown, Kathleen Neal, later Cleaver), Ramparts magazine permitted me to interview Ali in place of Cleaver who was a staff writer. To the disappointment of Ramparts, Cleaver and myself, Elijah called Ali into a room.

When he returned, he said to me, "Brother, the Messenger said not to do the interview." He added, "This is the man I'm willing to die for-what he says, I do." So I didn't get the interview. I returned to California with the disappointing news. Ramparts eventually did a story on Ali. This was 1967-a few months later I was exiled in Toronto. After Toronto, I went underground to Chicago, arriving in time to see troops occupy the south side and the torching of the west side, following the assassination of Dr. Martin Luther King, Jr. In Oakland, the Black Panthers responded to the death of Martin Luther King, Jr. by staging a shootout with the police in which Eldridge Cleaver was wounded and Little Bobby Hutton murdered. With the FBI on my heels, I left Chicago and arrived in Harlem, joining the Last Poets, Nikki Giovanni, Sonia Sanchez, Askia M. Toure', Don L. Lee, Amiri Baraka, Ed Bullins, Sun Ra, Milford Graves, Barbara Ann Teer and others for the second Harlem Renaissance. But my draft problems weren't over-coming back from Montreal, Canada one weekend, I was apprehended at the border and returned to California for trial-I resisted a second time, fleeing to Mexico City before sentencing. It is now 1970.

In Mexico City, I met the sons of Muhammad Ali's manager, Herbert Muhammad (son of Elijah Muhammad), who were attending the University of the Americas. The sons, Elijah and Sultan, were in a kind of exile from the madness of Black Muslim Chicago-they didn't receive Muhammad Speaks newspaper, of `which I was now foreign editor and their father manager-so I gave them my copies. They were talk of the town. The African American ex-patriot community informed me Elijah's grandsons didn't believe his teachings. I discovered they were right about Elijah, nicknamed Sonny, who was caught bringing marijuana across the border, among other things. I arrived at their casa for a party to see Sonny dancing with a white woman. Sonny let me use his birth certificate to cross the border to get my woman. Yes, I was "Elijah Muhammad." But as I crossed the border, my woman was on a plane to Mexico City. At least Sultan had a Mexican girl. Sultan eventually became the personal pilot for his grandfather, Elijah Muhammad. After journeying to Belize, Central America, against the advice of my Mexico City contact, revolutionary artist Elizabeth Catlett Mora, I was arrested for teaching black power and "communism," deported to the US and served five months in federal prison for draft evasion. With this background, I entered the cinema to view Ali, the story of a man and a time that shook America and the world.

"For his court appearance, Marvin X prepared an angry and eloquent statement, which was later published in Black Scholar (April-May 1971), 'There comes a time’when a man's conscience will no longer allow him to participate in the absurd.' He recalled with disgust the Supreme Court's 1857 Dred Scott decision which pronounced that 'a black man has no rights which a white man is bound to respect.' And in ringing tones he challenged the court's authority to contravene his religious and philosophical principles, 'But there you sit’with the blood of my ancestors dripping from your hands! And you seek to judge me for failing to appear in a court for sentencing on a charge of refusing induction, of refusing to go l0,000 miles to kill my brothers in order to insure the perpetuation of White Power in Southeast Asia and throughout the world.' " --loc. cit. ALI

The name Muhammad Ali means the one who is most high and worthy of much praise. In Ali, we saw a man arise from "Clay" or dirt to become the most recognized person on earth. Will Smith deserves much praise for his portrayal of Ali, bringing him alive, making him believable. This was no easy task because of the character's complexity as folk hero with many dimensions: athlete, religious militant, poet, lover man. As athlete we must give credit to the camera man for so many close-ups that transformed and reinforced Will Smith's image as Ali. Actually close-ups seemed to be the dominant camera angle throughout the movie and they worked to bring forth the beauty of the African skin tones as well as reflect character in various situations. The camera catches Ali's third wife Veronica Porche (Michelle Michael) at an angle that reflects the absolute golden beauty of her skin as she and Ali stroll in the African sun. There are great pan shots of people in the streets of Ghana and Zaire. The sound was awesome when Ali was in the ring punching or getting punched. The sound vibrated our bodies, making us a virtual part of the movie.

We meet Ali as he was meeting Malcolm X (Melvin Van Peebles) and being converted to a Black Muslim. Malcolm converted an entire generation, especially youth in the north. Martin Luther King, Jr. reigned in the south, having almost no influence with us college students. We looked upon Martin as the chief bootlicker of the white man. As Malcolm, Melvin Van Peebles did a credible job. Of course he is no Denzel Washington (Spike Lee's Malcolm X), but at least he looked like Malcolm-although his delivery was weak-he lacked the fire of Denzel, but was acceptable and his relationship with Muhammad Ali clearly established an intimate friendship until they were forced apart by Nation of Islam politics which the movie pointed out was not apart from U.S. government politics of intervention and neutralization.

We see the agents inside the NOI. Of course the NOI, along with the Black Panthers, was the main black organization on the FBI's list of subversives. Hoover and his Cointelpro was determined to prevent the rise of a black messiah who could unite African Americans. Malcolm and Martin were marked for elimination. Muhammad Ali slipped through to become hero of the Afro-Asian, Islamic world. After all, he defied the American government in a manner no one has until Osama Bin Laden. We have to draw the parallel between these two because they are heroes of the oppressed, especially the oppressed Muslim masses of Africa and Asia. The movie gave us the impression Ali was more a hero in Africa than with African Americans. One wonders whether this was deliberate, to dampen Ali's image in the eyes of the hero starved African American community. Let's be clear, Ali was in the tradition of the defiant, rebellious bad nigguh: Nat Turner, Denmark Vesey, Gabriel Prosser, Jack Johnson, Paul Robeson. Ali was doing all right until he sent a shout out to the world, "No Viet cong never called me a nigguh."And we hear Danny Glover may be added to America's bad nigguh list, since Oliver North is encouraging Americans to boycott his movies because Danny made statements against military tribunals. Ali made it crystal clear he was going to say and do whatever the hell he wanted. America made him pay the price for being a free black man. What if the other mentally enslaved black men followed suit?

Jada Pinkett Smith as Ali's first wife, Sonji, was rather conservative in light of the character who was quite simply a so-called Negro who rejected Islam, initially accepting it solely because of her man. I wanted her to be more of a slut, a hard headed, stiff necked, rebellious negress. She was some of that, but maybe the script limited her because I know she has the talent as an actress to be more of a bitch than she was. Belinda (Nona Gaye), his second wife, was more sassy than Sonji in some ways, especially in her condemnation of Herbert Muhammad (Shabaka Hemsley), Ali's manager and the NOI, particularly when Ali was nearly broke. Her critical remarks were utterly shocking since they came from someone who grew up in the Nation of Islam. For a Muslim woman, she was equal in boldness with Ali.

Herbert Muhammad is one of the classic characters in NOI history and Shabaka did a fairly good job representing him, although we don't get the sense he was one of the most powerful men in the NOI and the first prominent black fight manager. If there had not been a Herbert Muhammad, there probably would not have been a Don King.

The character Elijah Muhammad (Albert Hall) was rather weak and one dimensional, mostly negative. Realistically, it is impossible to downplay Elijah Muhammad in the drama of African America. He educated two of our greatest heroes, Malcolm and Ali, not to mention Farrakhan and even myself and thousands more brothers and sisters throughout this wicked land. Don't make me quote writer Fahizah Alim, "Elijah Muhammad was like a momma, even if she was a ho' on the corner telling lies to get money to feed us, she gave us life and kept us living until we could stand on our feet’" Basically, we see him suspending Malcolm and later Ali. I think the best supporting actor in this film would have to be Jamie Foxx as the legendary Drew Bodini, Ali's sideman. He was beyond belief as the tragic-comic Bodini, who seemed to inspire much of Ali's poetry and serve as cheerleader and confidant. Howard Bingham (Jeffery Wright), Ali's friend and photographer, should have served as sane counterpoint to the insane antics and witchcraft of Bodini, but he remains muted behind his camera, although we know by nature the photographer sees everything and often advises his client, constantly whispering words of wisdom from his vantage point.

These characters were poets above all else, beginning with Malcolm, although we heard very little of his rhetoric, then Ali, Bodini, Don King (Mykelti Williamson). How Don King escaped the rat image is beyond me, but he did by donning the poet's persona. We must give Don credit for ushering in the age of the multimillion dollar fight purse. But we had to sigh a little sadness that the murderous land of Mubutu's Zaire was the scene of the Rumble in the Jungle, as if anywhere else in Africa was any different, i.e., devoid of a dictatorial regime. In Africa, Nkrumah taught, every state is a military state! Last but not least, Jon Voight (Howard Cossell), must be given credit for bringing the legendary Cossell to life, but it is clear Ali made Cossell, not the other way around, and in no way were they equals: Cossell, as media pimp, represented America at its worst --Ali's verbal sparring made Howard Cossell's world larger than life and sometimes smaller when Cossell made the mistake of asking Ali if he was the man he used to be. Ali retorted, "Howard, your wife said you ain't the man you used to be..."
The music score weaved in and out of the action at proper moments, making it delightful and meaningful, although it's hard to imitate Sam Cooke. The scenes in Africa made us feel the universal love for Ali, especially when the people were chanting "Ali" -again, the sound reached inside us, grabbing us into itself. Finally, we must credit Will Smith for transforming himself into all the things that make up Ali, his political consciousness, his religiosity, his morality and immorality, his media savvy and especially his poetry. Of course director Michael Mann must be credited with shaping the entire film. It was long but I didn't want it to end, especially when it did with the Rumble in the Jungle, the Foreman/Ali match in Zaire.

 But Ali's story is so much a part of modern American history that it could have gone on forever. Imagine him commenting on the events of 911. We understand that he has been requested to make public service announcements supporting America's war on terrorism. Would this be a more dramatic ending: the people's champ who fought against oppression, finally broken down to a servant of the oppressor? It may or may not be dramatic, but the tragic truth is that Ali is a member of Warith Din Muhammad's sect that was known for flag waving long before 911. Even before his transition in 1975, Warith had rejected the teachings of his father, the Honorable Elijah Muhammad, in favor of orthodox Islam, dismissing the Black Nationalism of Elijah for Americanism, so it is not whack for President Bush to call upon Ali to be the "voice of America" to the Muslim world, nor for Ali to accept. Remember when my friend, Eldridge Cleaver, returned from exile waving the flag-the radical community was horrified one of their leaders had sold out.

Let ALI end with the Rumble in the Jungle. One purpose of that fight was to reestablish ties between Africa and African America. This was of great significance for Pan Africanism, including the therapeutic healing of divisive wounds in the colonized psyche of Africans and African Americans. As I said, Ali was indeed bigger than America-the first Muslim heavyweight champion of the world, the first African American athlete to unabashedly recognize our Motherland by staging a fight there. Ali was a man of the times, not by blending or following, but leading the way. The hero is first of all a leader. He extends the mythology of his people, like Coltrane taking us to A Love Supreme. Ali's mission was transcending our colonial education, breaking the bonds of our Christian mentality with its impediments of passivity and submission, although Martin Luther King, Jr. attempted to transform the Christian myth-ritual with his liberation theology. Ali's athletic prowess and discipline, his political consciousness, was an example for all fighters, especially freedom fighters around the world. If indeed, our hero has been co-opted, let us be mature enough to realize humans are not made of stone and we know in real life people change, not always for the good-thus the danger of hero worship and thus the Islamic dictum: nothing deserves to worshipped except Allah.

Chapter 30 contains notes by Marvin X


 Marvin X at his Academy of da Corner, 14th and Broadway, Black Arts Movement Business District, downtown Oakland CA

for more on Marvin X, please go to his blog www.blackbirdpressnews.blogspot.com
email: jmarvinx@yahoo.com
Marvin X is available for speaking engagements, performance and readings, email him or go to his blog to see his 2016 tour schedule. 

Other Movie Reviews by Marvin X on AALBC.com include:
Ali - http://www.aalbc.com/reviews/ali.htm
Baby Boy - http://www.aalbc.com/reviews/baby_boy.htm
Traffic - http://www.aalbc.com/reviews/traffic.htm

The MOVEMENT, newsletter of the BAMBD--Special Editorial by Marvin X

The Movement Newsletter 
Black Arts Movement Business District
Oakland CA
June 3, 2016

Will We Resist America's Black Removal Plan?


The next Black Arts Movement Business District Town Hall is scheduled for Sunday, June 12/2016, 3-5pm at East Side Arts Alliance, 23rd and International Blvd, Oakland.

Table of Contents

1. Summary of BAMBD Town Hall Meeting, 5/13, Aries Jordan
2. Touchstones to stand on, Dr. Ayodele Nzinga
3. Letter from City Council President, Lynette McElhaney
4. Letter of invitation for Cultural Keepers meeting, Alessia Brisbin
5. BAMBD Notes, Marvin X
6. Reply to Marvin X, Eric Arnold
7. Business Improvement District BID, Denise Pate
8. Africa Town, Zahieb Mwongozi
9. Black Bourgeoisie Art and Opportunism, Marvin X  
10. Talks at Yenan Forum on Art and Literature, Mao Tse-Tung
11. BAMBD Tour, Ashley Chambers and Paul Cobb
12. Call for Papers: Black Arts Movement South Celebration, Dillard University, Kim McMillon


BLACK ARTS MOVEMENT BUSINESS DISTRICT
                                CALENDAR OF EVENTS


BAMBD Town Hall, Sunday, June 12, 3-6pm, Eastside Arts
San Francisco Juneteenth Festival, Saturday, June 18

Berkeley Juneteenth Festival, Sunday, June 19

West Oakland Juneteenth, June 25, San Pablo and Brockhurst

25th Oakland Black Expo, Saturday, July 23, Frank Ogawa/Oscar Grant Plaza

City of Oakland Cultural Keepers, Tuesday, July 26, 6-8pm, Oak Center Cultural Center, 14th and Adeline

Black Arts Movement Theatre Festival, Sept, Flight Deck Theatre, Broadway

Donald Lacy's play Color Struck, Laney College Theatre, Sept.

Black Arts Movement South 51st Celebration, Dillard University, New Orleans LA
September 9-11, 2016
 

VI

Movement Editor, Marvin X

WILL WE RESIST AMERICA’S 
BLACK REMOVAL PLAN?

North American Africans in the Bay Area and nationwide are at a critical juncture, although our history is the history of migration, especially since we had to flee Egypt. In his classic The Destruction of African Civilization, Chancellor Williams taught us the constant theme in our culture was migration whether due to succession rites (fights), ecological factors, i.e., famine, drought or wars over land, grazing rights or foreign invasion. The Semitic and later European invasion of the Motherland forced us from Egypt to the interior and ultimately to the West coast of Africa. Once there we reestablished the classic civilizations we had created in Kemit or Egypt. Cheikh Anta Diop revealed the similarity in Kemitic and West African linguistics and other aspects of culture such as the matriarchal family structure, burial rites, religion, etc. See Diop’s classic Cultural Unity of Africa.
Diop discussed differences in the Northern Cradle (Europe) and the Southern Cradle (Africa/Asia), expressed by the settled culture, including agriculture. The nomadic tradition is Northern with cremation the burial custom. We North American Africans adopting cremation as a burial custom, we see the level of their addiction to Northern Cradle culture.

The Southern Cradle people buried the dead along with the tools of life, for they believed in the resurrection and after life, thus their dramatic tradition was comedy as opposed to the Northern tradition of tragedy. Alas, the major theme in Northern Cradle drama is murder! Even today, this is their central theme. Check out the greatest plays of Shakespeare, Othello, MacBeth, King Lear, Richard III.

Of course the original drama of the Southern Cradle was comedy, expressed in the Osirian drama of Resurrection, based on the annual inundation of the Nile or Hapi River and the seasonal harvesting of crops, along with Ra, the Sun, and his opposite Seth or Sunset, i.e., darkness, evil. The Osirian drama of Resurrection is the prototype crucifixion drama, signifying the comedic nature of life, i.e., after darkness comes light. The Muslims say after difficulty comes ease, thus tragedy has no place in the Southern Cradle.  The Southern Cradle insists there must be joy and happiness after sadness. Check out the joy of the Second Line New Orleans funeral rites. The Osirian resurrection drama is the prototype of the crucifixion ritual, but the drama ends with resurrection and ascension, a joyful rather than sad affair. See Kersey Graves The Sixteen Crucified Saviors.

Sun Ra, the Master Black Arts Movement mystic, musician, said North American Africans are the “Latter Day Egyptian Revisionists,” He understood NAA culture is essentially Egyptian religion whether Christianity, Islam, Judaism, Yoruba, or Vudun. Dr. Ben taught us the African Origin of Judaism, Christianity and Islam.

And so we come to the present moment in our eternal sojourn that has brought us to North America as Africans caught in the American slave system (Ed Howard term). We have migrated Up South and back Down South and West, seeking freedom, justice and equality but finding only gentler, kinder versions of slavery, suffering and death, even with a smile.

We have surely enacted the Osirian drama in our sojourn in this wilderness of North America. Rev. Cone called it the ritual of the Cross and Lynching Tree (See his interview with Bill Moyers, PBS). He insists we and "they" cannot understand the American Tragedy until we come to terms  with the cross and lynching tree, until we appreciate the Strange Fruit Billie Holiday told us about. When we understand that the central theme of North American African literature is how I got ovah, how I survived, then we can appreciate we are of the resurrection tradition, alas, it is in our past, present and future. What did Maya say, "And still I rise...."

In the 1950s and 1960s we suffered Negro Removal (Urban Renewal)  and today we are knee deep in gentrification or ethnic cleansing. Have no doubt we are being cleansed from traditional neighborhoods coast to coast, from Fillmore and Hunters Point to Harlem and Brooklyn. Our condition is not solely caused by white supremacy but rather Global economic forces or the new imperialism that is, yes, multicultural. We are being removed by global corporations and nations who arrive alongside the neo domestic-colonial children (Hipsters or cleaned up hippies) and the developers whose mission is solely economic in the most capitalistic definition of the term. We are being displaced so rapidly that most communities are simply overwhelmed by the invaders in their midst (remember Kemit or Egypt, Chancellor Williams noted we were doomed when we welcomed  the invaders into our lands 6,000 years ago. Diop makes it plain the Northern Cradle Tradition was to kill the stranger, but our tradition was to welcome the strange to our very destruction. 

Alas, the invaders impregnated African women and her mulatto children suffered the classic mulatto syndrome of identity crisis best expressed by Prince "Am I Black, Am I white?") 

In present times, market forces cause us little time to think, plan and act, especially since we live disorganized and insecure, trusting no one, no even ourselves and our lovers, thus we cannot rally around the flag to resist the onslaught of rapidly changing demographics even while we sleep, for rents are rising, new property owners have arrived, not necessarily white, Chinese even, or Russian, Arab, African, no matter, we must adjust to market forces or move, or seek shelter under the overpasses of our lives, now pushing the shopping carts of our lives to God knows where. Remember our tradition of migration (el muhajir, the migrant). 

San Francisco’s Tenderloin District has been able to resist gentrification only because they are organized as a community, unlike the Fillmore, Mission and Hunters Point, or West Oakland, North Oakland, East Oakland, Berkeley, even Richmond, can you imagine, Richmond suffering gentrification and market rate rents. 

But Negro Removal or gentrification or ethnic cleansing  has been going on for decades and while politicians are guilty, many of our own people were on redevelopment boards and thus guilty as well. A Haitian taxi driver told me back east, "Broder, they sold us once, seem like they want to sell us again." Amiri Baraka's poem says, 

"The king sold the farmer to the ghost. 
In the middle of the Atlantic ocean 
is a railroad of human bones...."

At least former San Francisco Mayor Joe Alioto apologized for “destroying the cultural and economic vitality of the Fillmore.” Do we need to name the Black politicians and Black capitalists who sold out Harlem and other cities? Can we blame politicians for being corrupt when corruption is the name of the game? 

We thought Black Power would save us but Black Power morphed into green power for many elected politicians and black capitalists. Many went to jail and prison for corruption. The Black mayors of Newark, New Jersey are models of corruption. We are confident the current Mayor Ras Baraka will defy the Negro political tradition.

So where do we go from here, those few of us still remaining? Our condition in San Francisco is dire, at the precipice: simple market forces are pushing us on the freedom train to nowhere, a fellow traveler with our brothers and sisters who’ve been forced to evacuate Oakland, Richmond, Berkeley, fleeing to the interior of towns in the central valley, Sacramento, Stockton, Tracy, Modesto, Merced, Madera, Fresno. If we don’t learn Spanish, our condition will be problematic in these towns rapidly becoming under the political/economic control of Latinos/Latinas, but even worse is our disconnection from the land, from agribusiness.

After fifty years of Black Studies, how many students do we have who minored or majored in agribusiness in California, the richest agricultural valley in the world, that canal running north to south is like the Nile or Hapi River, yet we are deaf, dumb and blind to DE NILE thus we are not HAPI! 

The major business in the central valley is agriculture, so how do we fit in? And then there’s the critical issue of water. When we move to the central valley, how long are we going to be in the valley without water? The farmers consume 80% of the water and the almond farmers use most of that for export. This may change with the coming marijuana industry. But even that will be a corporate affair.
Brothers are still being arrested for selling marijuana even after buying it from white boys operating legal weed stores. 

A brother who has a restaurant business he inherited from his mother, is being sued by a patron who was asked to depart with his dog, even though the customer had an official card declaring his dog was for emotional support. The brother said he was going to close down because he knows he can't win against a white man and his dog! We must resist, Sonia Sanchez said resist, resist, resist. I remind people what we used to say at high school football games, "Push 'em back, push 'em back, way back!"

What then, is our Master Plan for the next five, ten, twenty, thirty, forty, fifty years? Is our cause lost or can we organize to resist and get qualified for the new economic reality. We will need to become politically engaged immediately, casting away our fears of the political process and forcing the political structure to deliver equity and the benefits due us as citizens. We should not only demand subsidized housing but the jobs that will qualify us for market rate housing. Otherwise we should shut down City Hall and all businesses that don’t hire us, especially businesses in the new technology and the restaurant business since Oakland is a five star restaurant city but how many of us are employed? Oakland, on the 50th Anniversary of the Black Panther Party, where is your radical spirit? Don't be afraid of City Hall, we, the people, own city hall. City Hall exists at the consent of the governed. You govern City Hall, City Hall doesn't govern you! The best thing I heard President of the City Council say is, "Don't exclude yourself!" Sometimes we do so because we know City Hall is full of bullshit, politricks. And they only respect the people when they come two thousand strong and pack city hall. Suddenly, they want to hear what you have to say, especially around election time which is now!

It’s shameful to travel throughout the Bay Area and rarely see Black men working. Remember Dr. Julia Hare’s book How to Find A BMW (Black Man Working)? How can men from every ethnic group work but not the Black man? The denied you union membership but somehow found a way to hire is others not even in the union? Malcolm X told you to not allow yourself to be hoodwinked and bamboozled. Elijah Muhammad used tricknology to trick the trick out of the trick! So stop being a trick and demand your equity and all the benefits due you even in the midst of Negro Removal, gentrification, ethnic cleansing or whatever this bullshit is we trapped in as the era of Obama ends and the white right wing payback era begins, whether Bernie, Hilliary or Donald. On the eve of the California primary, what is your agenda North American Africans? You better have your priorities and other items and make your demands known locally and nationally. Power concedes nothing without demands, Frederick Douglas told you, or do you remember? And remember what Harriet Tubman said, "I could have freed more slaves if they had known they were slaves!"

The City of Oakland approved the Black Arts Movement Business District but it reminds one of emancipation. We were set free but without a budget, yes, no 40 acres and a mule! So we have the BAMBD but so far no equity or benefits from developers  claiming land,properties, housing, and those Hipsters who get employed every nano second, yes, while we sleep they are planning. I wrote a proverb that said, "The devil never sleeps, he just changes shifts." We need to learn eternal vigilance and stay on our posts until properly relieved. The Japanese taught me back in my dope fiend hustling days, "Business is war!" We can laugh, smile, but business is war and we need to get on war footing or we shall surely lose the battle and the war.

After months of requesting, including appeals to the President of the City Council and the Mayor, why can’t we get banners up proclaiming the BAMBD, to say nothing of our request that vendors be able to work in the BAMBD 14th Street corridor, for economic reasons so our people see they can do for self, and don't need to sell drugs or their bodies. Surely, merchants can't complain especially when there are few merchants in the downtown area.

Since we have been repeatedly  told BAMBD is not a priority, we may need to be patient (Amiri Baraka said if we be patient too long we become a patient), at least until after the city council elections, unless we get the bright idea to protest those politicians who’ve been lagging and dragging for months. As the Black Panthers said, you are part of the problem or part of the solution. Don't push us to the edge or we'll run our own people for city council!

The BAMBD Town Hall meeting is a signal that the people want action on the district, but the district must be part of an overall plan for North American Africans in Oakland. We can’t have artists and cultural workers separated from the masses who are suffering basic issues of housing, employment, police abuse and homicide under the color of law, white supremacy curriculum in the public schools, perennial high rates of incarceration due to economic crimes.
For sure, the developers and politicians will try to buy out the artists with a few crumbs so they then feel elitist and separated from their people.

Either we jump out the box of passivity and come together to resist the storm of our removal, or pack our bags and hit the road, enacting that eternal theme of our cultural history: migration.
--Marvin X
6/3/16

The next Town Hall meeting of the Black Arts Movement Business District is Sunday, June 12, 3-6pm, Eastside Arts Cultural Center, 23rd and International Blvd. Be there or be square! Stay tuned to The Movement, newsletter of the BAMBD.
Email: bambdistrict@gmail.com