Wednesday, June 8, 2011
Tuesday, June 7, 2011
Pig Murderer of Oscar Grant Will be Released Sunday, Rally City Hall 5pm


WE HAVE A DATE!!!!! RALLY ON THIS SUNDAY JUNE 12th!!! Mehserle the murderer will be released from jail on Sunday, June 12th. We will meet at the Fruitvale BART station at 3 PM, rally and then march to 14th & Broadway for arrival at approximately 5 PM. SPREAD THE WORD!!!!!! COME OUT AND HAVE YOUR VOICE HEARD! STAND UP FOR THE PEOPLE AND SAY NO TO KILLER COPS!!!!!!

Justice in Amerikkka:Kill African, 2 Years, Kill Dog, 4 Years

And so it is, Amerikkka is alive and well. True to the die hard battery. The Africans did not take it well, not well at all, the sentence given to the BART officer who murdered Oscar Grant. No one, most of all the murderer, accepts the lie the police mistook his gun for his Tazer. It is a great legal defense, after all, it worked.
The people of Oakland were mortified, traumatized and beyond belief that they had been tricked into believing justice was the American way. We were hoodwinked and bamboozled by the judge with a long train of tricknology. We understand he was the judge in the Ramparts case of LA police committing a multiplicity of crimes under the color of law, shakedown, false evidence, false confession, robbery, dope dealing, murder, money laundering. The usual. This is the American way, get over it. Get real! Stop crying crocodile tears! Denzil Dowell, Bobby Hutton, Tyrone Guyten, Melvin Black, Oscar Grant, all martyr s caught in the American way. Young people slaughtered by the police. And then we slaughter our own kind. Which is worse, them killing us or us killing us?
No one shall respect you when you don't respect yourself! You shoot each down like dogs. You have lost the human touch. You need a healing. Someone must, in the name of love, lay hands on you. You are a danger to yourself and others, thus fit for the mental ward.
You are angry with the police for killing Oscar Grant, but you give yourselves a pass when it comes to brother killing brother. No march, no rally.
Today at Academy of da Corner, I used the example of the Gay and Lesbian community in San Francisco. As you head down Market Street to the Castro District, the gay/lesbian flag is flying on the light posts. The closer you get to the Castro the bigger the flag. So you understand you are in an environment of people who have taken authority over their lives. You cannot come into their community calling the punks, dykes, bull daggers, etc. Such verbal abuse is a hate crime, a terrorist threat. You can be arrested by, yes, a gay and/or lesbian police officer.
On the other hand, there is no Red, Black and Green flying in the hood. No sign of national consciousness, that a people are alive to themselves, their soul, spirit. We must fly the national to let all people know we are a community and we shall allow no bullshit in the hood. I gave the example of when you go to Santa Rita County Jail, the inmates demand you take a shower before you hit the bunk, even though you may be exhausted from 24 to 48 hours on concrete benches and floors from holding cell to holding cell.
The police shall continue in their iniquity. They have no desire to be peace makers, they are too busy being peace breakers.
Maybe we can break them, in fact, we should disrupt the entire economic and political life of Oakland, let's make the downtown workers flee the black hoard as they did the day of the verdict in the Oscar Grant trial. Let them flee for their lives. Shall we rally everyday for justice, most of all, political justice, and especially economic justice.
Walking by Oakland City Hall tonight, we happened upon a press conference with Jean Quan, soon to be announced Mayor of Oakland. We heard her tell of the measure that she wrote in support of money for the police. The police consume 75% of the City budget. Yet there is no peace in the hood. High unemployment, low educational skills. We shouted to the the mayor-elect, "What about jobs." She mumbled some political gibberish.
Yet the president tells the world they are willing to offer schooling, jobs and housing to terrorists in Iraq, Afghanistan, Pakistan, Yemen and elsewhere if they lay down their arms and pledge alliance to the constitution of their lands. But you cannot offer schooling, jobs and housing to the boys and girls in the hoods of America to stop the killing and general mayhem?
If we offer them nothing and they persist is criminal activity, we shall send the slave catchers (police) to jail them, wherein they are worth $50,000.00 per inmate per year. Imagine, the California Correctional Officers Union is the most powerful union in the state. The officers tell the niggers, "Keep coming back. I got me a yacht , now I need one for my son, so keep coming back to jail and prison."
Mayor to be Jean Quan, we call upon you as your first order of business to find employment for the perennially unemployed, that you offer a general amnesty to all inmates in the City jail and Alameda County Jail. This may assuage some of the trauma and unresolved grief in the people of Oakland.
At the Rally of Friday after the sentencing of the officer, we heard expressions of deep pain and sorrow. Many said they were sick to the stomach. Many seemed shocked beyond belief that America is still a racist pig. Just as they had no mercy on Oscar Grant, they shall have none for President Obama but shall continue to crucify him for being a black man in the white house.
They shall obstruct him at every turn, making mockery of his policies. Their entire agenda is to stop him in 2012. Along they way, we shall hear their mantra NO, NO, No, No, no. No, nigger no, no nigger no. So what part you don't understand, the no or the nigger?
--Marvin X
11/8/10

Mehserle the murderer will be released from jail on Sunday, June 12th. We will meet at the Fruitvale BART station at 3 PM, rally and then march to 14th & Broadway for arrival at approximately 5 PM. SPREAD THE WORD!!!!!! COME OUT AND HAVE YOUR VOICE HEARD! STAND UP FOR THE PEOPLE AND SAY NO TO KILLER COPS!!!!!!
The Art of Elizabeth Catlett Mora

Elizabeth Cattlett Mora,
Queen Mother of the
Black Arts Movement

Sharecropper

Queen Mother Elizabeth Cattlett Mora gave me refuge
in Mexico City during my second exile as a resister to
the Vietnam war, 1969. She and her husband, Poncho (RIP)
were witnesses at my civil wedding to Barbara Hall, mother of my daughters Nefertiti and Amira. When I walked into her house,
she was working on this piece honoring the Black Panther Party. After leaving Mexico City, I did not see her again until over thirty years later when she came with Sonia Sanchez to my book party at Amiri Baraka's house in Newark, NJ.
--Marvin X

“Stargazer” (2007) by Elizabeth Catlett.
Art Spolight: Elizabeth Catlett,
“First an Outcast,
Then an Inspiration”
4 Jun 2011
Courtesy of Reginald and Aliya Browne
By CELIA McGEE
Published: April 21, 2011
While we are featuring the works of young, up-and-coming artists, this is an opportunity to get to know one of Americas most noted artist. Ms Catlett is the premier artist of our time and the exhibition which seeks to display works of new artists that are inspired by her is a fresh and exciting idea. Talking with her a bit last year in regards to the authenticity of a 1939 lithograph she did, Ms Catlett commented on how she was looking forward to this show while chastising those people forging her artwork George Bayard of Bayard Art Consulting said.
By CELIA McGEE
IN the fall of 1932, fresh out of high school, Elizabeth Catlett showed up at the School of Fine and Applied Arts of the Carnegie Institute of Technology in Pittsburgh, having been awarded a prestigious full scholarship there. But she was turned away when it was discovered that she was “colored,” and she returned home to Washington to attend Howard University.
Elizabeth Catlett
Seventy-six years later, the institution that had rejected her, now Carnegie Mellon University, awarded her an honorary doctorate in recognition of a lifetime’s work as a sculptor and printmaker. By then, after decades of living and making art in Mexico, she had become a legendary figure to many in the art world, to the point where some were even surprised to learn she was still alive.
But not everyone, and certainly not the far younger, primarily African-American artists included along with her in the show “Stargazers: Elizabeth Catlett in Conversation With 21 Contemporary Artists,” on view now at the Bronx Museum of Art. “A lot of people like her are just kind of myths,” said Hank Willis Thomas, whose gold-chain and cubic zirconia nod to both the abolitionists of the 19th century and to rappers, “Ode to CMB: Am I Not a Man and a Brother,” is in the show and shares with much of Ms. Catlett’s work a concern with the history of slavery and “the black body as commodity,” he said. “A lot of her work,” he added, “especially from the ’60s and ’70s, could pass as art of today.”
Ms. Catlett, now 96, is known for her work’s deep engagement with social issues and the politics of gender, race and deprivation. She started down this road during the Depression, when she participated in the Federal Art Project, and followed it consistently into the era of the activist Black Arts movement in the ’60s and beyond. Which is not to say she has focused on message at the expense of form: she prepared for her M.F.A. under Grant Wood at the University of Iowa (“he was so kind,” she recalled recently, and he always addressed her as “Miss Catlett”) and also studied in New York with the Modernist sculptor Ossip Zadkine and at the Art Students League, developing her own brand of figurative modernism in bronze, stone, wood, drawings and prints.
Though that style has often been compared to Henry Moore’s, her work has always been grounded in her perspective as a black woman and artist, ruminating on communal struggle, pride, resistance, resilience and history, particularly through her depictions of the female form.
The curator of the Bronx Museum show, Isolde Brielmaier, has juxtaposed 31 of Ms. Cattlet’s works with pieces by 21 other artists — less to point out her direct influences on them, Ms. Brielmaier said, than to explore resonances between the older artist and the younger ones. The idea, she added, was to make the show about “what all the artists are thinking, and to look at the past and the future.”
Ms. Catlett herself, who is back in New York this week for a panel discussion about “Stargazers” at the museum on Friday, demurs about her influence on later generations. (She is, however, clear about the most important advice she can offer an artist, she said during her previous visit to the city, in the fall: “Never turn down a show, no matter where it is.”) She has lived much of her life, after all, on the margins of an art history she and other artists of color were not invited to help write for a very long time.
In 1947, while on a fellowship in Mexico, she married the artist Francisco Mora, whom she had met through the Taller de Gráfica Popular printmaking collective. Their left-wing political associations did not endear her to the State Department, which declared her an undesirable alien when she took Mexican citizenship in 1962. This, on top of Ms. Cattlet’s race, contributed to her relative obscurity in the mainstream American art world.
Close
The photographer Carrie Mae Weems, a generation older than most of the other artists in “Stargazers,” recalled encountering Ms. Catlett “through reading on my own,” in the late 1960s. “She wasn’t taught to me in class, as most black artists were not taught to me in class, and most women artists.”
The show gets its title from Ms. Catlett’s black-marble “Stargazer” (2007), a reclining female figure that manages to feel just as powerfully assertive as her standing red-cedar sculpture “Homage to My Young Black Sisters” of 1968, with its black-power salute. The reversal of the traditional passivity of the odalisque figure, said the Moroccan-born artist Lalla Essaydi, who upends the convention in her own work, “is definitely something I quote.” And Ms. Catlett’s more militantly upright sculptures seem to reappear in Sanford Biggers’ monumental woodcut “Afro Pick” (2005), and in Roberto Visani’s recycling of guns and other weapons into works that are street-wise, loaded with history and totemic.
In keeping with Ms. Brielmaier’s aim for the show, the impact is not always a matter of visible influence. Mickalene Thomas, for example, said her intricately bedizened paintings and pattern-happy photographs do not draw on Ms. Catlett’s work in any obvious way, but that “she’s been very inspirational.”
“I like how her draftsmanship and sculpting have informed the political impact of images she created,” Ms. Thomas said, allowing work created with a specific ideological bent to nevertheless “take the African American experience and make it universal.”
Another artist in the show, Xaviera Simmons, also talked about her intense admiration for Ms. Catlett’s formal skills, and for the fact that she is “still working in her 90s, and making art that’s so technically savvy and stunning.”
“That’s kind of diva,” Ms. Simmons said.
Ms. Simmons is friends with Ms. Catlett’s granddaughters (one of whom, Naima Mora, is known to students of another discipline as a winner on “America’s Next Top Model”). When Ms. Brielmaier decided to include her large-scale photograph “One Day and Back Then (Seated),” which shows Ms. Simmons sitting in the type of rattan chair made famous by Huey P. Newton and wearing little more than black paint and an Afro wig, “I was a little afraid of offending my best friends’ grandmother,” she said. But then again, she thought, Ms. Catlett “has her nudes” — and ultimately, “we all work in the same tradition.”
via theblackbottom.com
Courtesy Neogriot.com
Race in America: The Grand Denial
RACE IN AMERICA: The Grand DenialBy Dr. Marvin X
A Response to "Killing in the Pan Africa Hood"

By Rudolph Lewis
Bobby McFerrin's Beyond Words

Bobby Mcferrin's "Beyond Words"
Bluenote CD Vocals,
Bobby Mcferrin Piano,
Chick Corea Drums,
Omar Hakim Percussion,
Cyro Baptista Wooden flute,
Keith Rhodes Bass and Guitar,
Richard Bona
Reviewed by Marvin X
May 22, 2002 (c) 2002 by Marvin X
Bobby is indeed beyond words. Words cannot describe this bird from heaven singing outside my window as dawn approaches, singing sounds without words, beyond birds, beyond scatting, a world of his own, without peer, conjuring, configuring sounds that take us beyond the beyond, stopping by Brazil, getting off the boat in Africa, passing through America, stepping, prancing, dancing, chanting, floating on top of the piano and drums as they carry him along as he joins Sun Ra on some planet, maybe Jupiter, Mars, who knows where Bobby goes, but we go with him, enjoying a genius at work. What person on earth can be without the heavenly sounds of Bobby Mcferrin's Beyond Words? We are in childhood, playing in the mud, it tastes so good Mama has to whip us into the house, we don't care, whip me Mama, I gotta eat this mud. Take me, Bobby, into eternity, twist and turn at the corners of yesterday and tomorrow, never saying a word, just sounds from the Creator who blessed us with this wonder child, Bobby Mcferrin.
His persona changes from lover to friend to trickster: are we hearing the human voice or an instrument, a trumpet, flute, let it go, enjoy, stop trying to figure out the magician, we'll only get entangled up his sleeve, inside his hat, let the magic soothe, heal, stop trying to figure out what is and ain't real. Listen to the drummer tell Bobby, "I got ya [you] back, dance on, fly into the sun." And the piano says, "If you fall I will catch you, so swim, run, jump, do anything-I ain't goin [going] nowhere [anywhere]."
My overall favorite is "fertile field," beginning with a whistle; a fast paced, energetic, aggressive, up-tempo piece into Bobby Land, where few can go. Chick is with him neck and neck, along with drummer Omar--traveling the space ways (as Sun Ra would say) with equal energy. Bobby touches down in South Africa for a quick Miriam Makeba click, moves on to silence rappers, stop poets in mid sentence-vocalists, don't even come on stage; indeed, brother is beyond words, beyond this world.
Another favorite is "Pat and Joe," a brief enchanting piece featuring Richard Bona's guitar, with chorals and Bobby chanting as it glides into the sunset or over the horizon. "Mass" is also an enchanting choral piece with Bobby again chanting throughout? Percussionist Baptista completes the circle. I see the entire album as a choreographer's dream. It should make excellent music for a chorus of spiritual dancers. Maybe I'll choreograph it for my Recovery Theatre! Just thank Jesus, as Bobby does, and thank Chick Corea, piano, Richard Bona, bass and guitar, Omar Hakim, drums, Cyro Baptista, percussion, Keith Rhodes, wooden flutes. Go Bobby, go Bobby.
Now the Christians might say, "That boy [is] talking in tongues," and they would be right because essentially that is exactly what he does, transcending not only English but all other languages, for they have all failed us, yes, even the varieties of our Mother tongue-obviously they failed to keep us off the ships, which was their primary and ultimate failure-yes, a total, abysmal and horrendous breakdown of communication, reflecting a degeneration of a people's soul, heart and mind, but most importantly, a collapse of all their social institutions, instigated by the ruling classes who perverted language into a tool of deception for human exploitation, after all, language allowed humans to become chattel, persuaded African armies to capture neighbors and even their own citizens; allowed judges to falsely charge, convict and sentence millions to enslavement; language guided us to the door of no return, along with the gun and rum.
Bobby has accomplished what many poets attempt after we realize we are captives of English and seek to liberate ourselves with pure sound, grunts, wails, moans, anything but English, the oppressor's filthy tongue, so vile it is called a bastard language. Bobby has succeeded with sounds as pure as the driven snow, primal incantations, fresh as a child from the mother's womb, thus the healing power of his music: we are forced out of this world, the oppressive vowels and consonants that make up the words which are the source of our collective madness, the vehicle for transmission of myths and rituals which compose our daily lives, that allow us to behave like beasts with each other, a constant denial and misrepresentation of our Divine essence. Man in the Mirror, look at yourself lost in the Valley of the Shadow of death, in the matrix of conspicuous consumption, obsessive materiality, to the extent that you would employ wage slaves around the world so you can wear expensive shoes, that you would kill your brother in the hood and steal his shoes.
Only by returning to our aboriginal language can we liberate ourselves from this oppressive social order and begin anew, a new consciousness, a new mind, a new soul. This is precisely why the Christians talk in tongues; talk their holy language, the language of the Ghost, the unseen source from the primal essence of our soul. When the Christians heard me recite Arabic at my son's funeral, they said, "That boy [is] talking in tongues." Indeed, Arabic and tongues are the same sound, same vowels and consonants. And we ain't Arabic, but Arabic derives without doubt from the ancient Himyaritic of Ethiopia, source of the first man, we are told. Why would the first man come from there but not his language, and his religion, for that matter? Ethiopia is the source of Judaism, Christianity and Islam as well: the Kushites or Blacks from Ethiopia were the aboriginal Arabians, who dwelled there before the Semites, inhabiting the land from the Persian Gulf to Yemen, to Jerusalem, where they were known as the Canaanites, brothers of the Egyptians/Ethiopians. Diop, Dr. Ben, Rogers, DuBois and other have written on this subject.
Bobby shows us how to transcend this world and all therein. As Jesus said, we can be in this world, but not of it. Alas, silence would be better than bitch, ho and motherfucker. But these words are not nearly as detrimental as the outright abject, obscene, profane defilement of truth used by political leaders such as Bush, Powell, Rice and Rumsfeld, and the hypocritical language of religious leaders who pimp, rob and exploit believers, promising them residue from slavery in the form of a fictionalized, juvenile, fabricated, imaginary heaven in the sky after they die. You religious swine, how dare you cry about the use of bitch, ho and motherfucker by me, rappers or anybody, while you have sex with your own children, murder in the name of God, sell drugs in the name of God, Christians and Muslims alike around the world, from Afghanistan to Colombia. If our tongues are vile, imagine what your souls look like! May God have mercy on you vipers. And let us not neglect to mention the deceptive language of the media-pharaoh's magicians, whose gross sins of commission and omission keep the people deaf, dumb and blind-as the media Mongols confessed after 911-yet they continue in their inordinacy, blindly wandering on, as the Qur'an says. The Qur'an also says, "Will you hide the truth while you know?"
So let us go then, beyond words, beyond the ship, beyond the shore, beyond the forest up the mountain path where the Divine awaits us to come be one and indivisible, to be pure, holy, righteous and free while we live. Bobby is calling us to go there: go Bobby, go Bobby.
Marvin X is one of the founders of the Black Arts Movement, poet, playwright, essayist, author of 30 books. He is called the USA's Rumi (Bob Holman), Plato teaching on the streets of Oakland CA (Ishmael Reed), the father of Muslim American literature (Dr. Mohja Kahf), One of the founders and innovators of the revolutionary school of African writing (Amiri Baraka).He is available for reading/ performance/ lectures on a variety of topics. He lectures and reads his poetry from coast to coast.
jmarvinx@yahoo.com. Visit http://www.blackbirdpressnews.blogspot.com.
Comment on Why I'm A Narrow Minded Black Nationalist
Comment on Marvin X's Why I'm a Narrow Minded Black Nationalist
Comment from Gerald Ali, United Kingdom
Well written, states the case clearly, but one point lacking, where ??? What part of the usa/usa would be good to found such a nation ?? My view from outside the usa/usa is south..... The gulf is an opening to the world, by water, Mexico... and below is an opening to trade, which in this world is needed by all nations, below in south America, the Caribbean, are more of African descent. All nations need farmers, hamlets, villages [where so many of the earths people actually live] towns, but in a future world do they/ will they need cities or are they of the past ??? Or can a society be reconstituted differently, can the barriers between town and country be broken/removed and yet the nation still be organised ???
Children are ''alienated' from the earth, most particularly by city life...... End the alienation, they will grow up as full human beings.... Karl Marx said the proletariat was ''alienated from the means of production, in bourgeois society''', some are small minded, literalists, they do not apply the concept, so do not realise its full meaning. The earth is itself the means of production of human life and all that sustains it. As with all other life......So the call was not just for the proletariat to take control of the means of production in the cities, but for people generally to take control of the earth from the bourgeois class....
So what in full reality, as a living entity is a nation. ??? Migration south, till a majority is reached in one, possibly more states, but it will need farmers, village people, workers etc. Any American is open to live in any state of the 50 in the union. Will it need to be organised migration, that is what or should be under discussion.
Reply by Marvin X
The south is the North American African homeland, although we claim the planet earth and the universe. The south has access to the sea, such as the Carolinas, Georgia, Mississippi, Florida, Louisiana, Alabama, etc. Yes, we must be on land as the original means of production. There may be a need for city states where we are in abundance, such as Brooklyn, Harlem, South side of Chicago, Atlanta.
In many areas of the south we are the majority or near majority, it would not take a great effort to buy the whites out, a reverse gentrification. But what is most important is for us to first have a revolution in consciousness, to detox and recover from our addiction to white supremacy Type II (Dr. Nathan Hare). We cannot live in a nation with reactionary values and behavior, we must rid ourselves of negative conduct, such as expressions of self hatred, jealousy, envy, greed, yes, those tragic flaws that cause the destruction of society.
Even now, throughout the south, North American African politicians, religious leaders and educators are under indictment for improprieties. We want to exercise devil minded behavior that must be outlawed in the "Republic of New Africa." Those who persist in such behavior would be banished back to white America. As we did in Africa, we can have a society with no police and no jails. Our economic system would be based on Gross National Happiness, rather than gross national product. It must be a fair market system rather than free market. There must be a living wage for workers. Under the pain of death or banishment, partner violence, verbal abuse and emotional abuse would be outlawed.
Spirituality would be the order of the day, as opposed to religion. As per gender, unity and equality in diversity would be the law. We must recognize men and women are different beings. Men do not bleed five days per month, nor do they get pregnant. This does not make them unequal, only different. Leadership would be based on knowledge, not gender.
In our foreign relations, Pan Africanism would be our first priority, to have functional unity with our people in Africa and throughout the Americas, or where ever we are throughout the earth and in the universe. We recognize our people from outer space.
We would maintain a symbiotic relationship with the United States of America, for we may need assistance for the next 25 to 50 years, just as the US assisted Israel and shall soon assist the Palestinians. We would most certainly have relations with all nations in the Americas, especially such progressive countries as Cuba, Bolivia, Nicaragua, Venezuela and Brazil, but wherever African people are, e.g., Haiti, Jamaica, Puerto Rico, Trinidad, Columbia, Guyana, etc.
These matters are for our thinkers and planners to configure. Blacks have been migrating back to the south for years.
Now there are those North American Africans in the south who are in denial about the white man, who imagine they know how to deal with him since they've been doing so for centuries.
We say many of them are in denial, if not simple ignorance. Many of our people in the south are in virtual slavery, mental and physical, ignorant wage slaves who must maintain three minimum wage jobs to survive. Yes, one can live in a mansion for $100,000, but outside the mansion is a hostile environment, steeped in racism and religiosity. Must we repeat the words of Harriet Tubman, "I could have freed more slaves if they had known they were slaves"?
If we are to prevent the Second Civil War, separation is in order, the same that must occur between a husband and wife who have found themselves disagreeable to live with in peace.
Let us move expeditiously toward Nation Time. But we have no desire to be in a nation of reactionary Negroes who want to party and bullshit. Those welcome must desire radical consciousness, spiritual, political, economic and cultural.
--Marvin X
6/7/11
Elijah Muhammad, Messenger of Allah to the Socalled Negro


OBITUARY
Elijah Muhammad Dead; Black Muslim Leader, 77
Special to THE NEW YORK TIMES
The death of the 77-year-old "Messenger of Allah," as his followers called him, came as thousands of Muslims were gathering in Chicago for their biggest annual religious celebration, Saviour's Day, scheduled for tomorrow.
Mr. Muhammad suffered from heart trouble, bronchitis, asthma and diabetes. He entered Mercy Hospital Jan. 30.
Mr. Muhammad was considered by Black Muslims as the "Last Messenger of Allah." Strict adherence to that belief might cause some problems of succession, but it is expected generally that one of his sons will assume the leadership.
Mr. Muhammad is survived by six sons and two daughters.
Built Religious Body
By C. Gerald Fraser
In his 41 years as its spiritual leader, Elijah Muhammad molded the Nation of Islam into a significant religious body.
At the same time, he developed the Nation of Islam's empire of schools in 46 cities, restaurants, stores, a bank, a publishing company that prints the country's largest circulating black newspaper, and 15,000 acres of farmlands in three states that produce beef, eggs, poultry, milk, fruit and vegetables delivered across the country by Nation of Islam-owned truck and air transport.
Elijah Muhammad did not create the Nation of Islam but he built it on a number of principles. Among them: Islam is the true religion, "knowledge of self" is vital, "doing for self" is necessary, the black man is supreme and the white man is "the devil."
These principles caught the imagination of thousands of mostly young, male and female, lower-class black American former Christians who became followers of Mr. Muhammad. And recently, black professionals--physicians, police officers and the college-educated, for example--have joined the movement. Estimates of membership range from 25,000 to a high of 250,000 claimed by the movement.
These principles also brought down upon the Nation of Islam scorn from black and white Americans. But Elijah Muhammad contended that to call whites "blue-eyed devils" was neither to hate them nor to teach hate. "They say that I am a preacher of racial hatred," Mr. Muhammad once said, "but the fact is that the white people don't like the truth, especially if it speaks against them. It is a terrible thing for such people to charge me with teaching race hatred when their feet are on my people's neck and they tell us to our face that they hate black people. Remember now, they even teach you that you must not hate them for hating you."
Comments by Marshall
Many blacks did not buy that explanation. Supreme Court Justice Thurgood Marshall, a black liberal and a civil rights lawyer in 1959, said then that Mr. Muhammad's organization was "run by a bunch of thugs organized from prisons and jails and financed, I am sure, by Nasser [Gamal Abdel Nasser of Egypt] or some Arab group." Justice Marshall added that followers of Mr. Muhammad were "vicious" and a threat to the Federal Bureau of Investigation and state law enforcement agencies.
The negative view was shared by most blacks described by the press as "black leaders." But a black conservative, George Schuyler, a columnist for The Pittsburgh Courier, held the view more common to many among the black masses. "Mr. Muhammad," Mr. Schuyler wrote in 1959, "may be a rogue and a charlatan, but when anybody can get tens of thousands of Negroes to practice economic solidarity, respect their women, alter their atrocious diet, give up liquor, stop crime, juvenile delinquency and adultery, he is doing more for Negroes' welfare than any current Negro leader I know."
There were thugs, dope addicts and prostitutes in the Nation of Islam. But their conversion from criminal to believer was viewed in black communities as a near miracle. Blacks were awed by the discipline, and admired the orderliness the followers displayed. Where home, school and church had failed many of the followers, Mr. Muhammad had succeeded.
The opportunity to be "somebody" was one of Mr. Muhammad's major offerings to black men and women who joined the Black Muslims--the name given the group by Dr. C. Eric Lincoln, chairman of the department of religion and philosophical studies at Fisk University and author of "The Black Muslims in America."
Dr. Charles V. Hamilton, a political scientist and member of the Columbia University faculty, said Elijah Muhammad "was one of the few who has been able to combine religion and race with a rather continuing economic influence."
Fard Founded Nation
Actually, the concepts preached and practiced by Mr. Muhammad were handed to him by the founder of the Nation of Islam, W. D. Fard, or Master Farad Muhammad. Where Mr. Fard came from and where he went when he dropped out of sight are unknown. But in a 1930 Depression-ridden Detroit, "The Prophet," as he was known to customers who bought the fabrics he peddled from door-to-door, created the Temple of Islam.
He told those who listened that he had come to "wake the Dead Nation of the West," that he would teach the truth about the white man, that blacks must get ready for Armageddon--the inevitable confrontation between black and white--that black men were not to be called "Negroes" and that Christianity was the religion of the slavemasters.
Mr. Fard established Temple No. 1 in Detroit, the University of Islam--the temple's elementary and secondary school, Muslim Girls Training Class and the Fruit of Islam-- the elite corps of males assigned to protective and disciplinary functions.
As was his practice, Mr. Fard gave his followers their "original" name, and the man who came to him as Elijah Poole received the name Elijah Muhammad. Mr. Fard selected a Minister of Islam and a staff of assistant ministers. Elijah Muhammad, as one of the assistants, became very close to Mr. Fard, and after Mr. Fard disappeared in 1934, Elijah Muhammad became the Minister of Islam.
Mr. Fard has since been deified as Allah and his birthday, Feb. 26, is observed throughout the Nation of Islam as Saviour's Day.
Elijah Muhammad's ascent is another instance of a black man from a small Southern town who achieved national eminence as a religious leader. He was born in Sandersville, Ga., on Oct. 7, 1897. His parents were sharecroppers--and former slaves. His father, Wali Poole, was also a Baptist preacher, and Elijah was one of 13 children.
His formal education ended at the fourth grade, and at 16 he left home. In 1919 he married Clara Evans and in 1923, with two children, they moved to Detroit. A series of jobs included work on a Chevrolet assembly line.
The Detroit experience was as critical to his later activities as were his modest beginnings. Mr. Fard and Mr. Muhammad were building a Northern urban movement in bad economic times with predominantly Southern-born blacks.
At various times in Detroit during the nineteen-thirties Communists, anti-union, pro- Ethiopian and pro-Japanese elements tried to co-opt the movement. In this period Elijah Muhammad was arrested for contributing to the delinquency of a minor because he sent his children to the University of Islam instead of to Detroit's public schools. And finally, internal turmoil within the Detroit temple caused Mr. Muhammad to move to Chicago, where he established Temple No. 2.
Along with non-Muslims, Elijah Muhammad was arrested in Chicago in 1942 and charged with sedition and violation of the Selective Service Act.
Cleared of the sedition charges, he was convicted of exhorting his followers to avoid the draft and he was sent to Federal prison in Milan, Mich., for about four years. He was credited with controlling the Nation of Islam from his prison quarters.
Role of Malcolm X
It was a man who joined the Nation of Islam in prison, however, who gave the movement its greatest exposure. El Hajj Malik El-Shabazz--Malcolm X.
Malcolm X joined the Nation of Islam in a Massachusetts prison. He was released from jail in August, 1952, and his rise paralleled the period of most significant growth in black awareness.
Malcolm X was Elijah Muhammad's most prominent apostle. Malcolm X was the chief spokesman, the main recruiter; he brought the heavy-weight boxing champion Muhammad Ali into the movement. But by 1963 Malcolm X was disenchanted, while denying that he was a rival of Mr. Muhammad for top leadership. He believed Mr. Muhammad's religious interpretations that excluded Caucasian Moslems too narrow, and he was concerned by the Black Muslims' policy of non-engagement in civil rights and political affairs.
In the 10 years since Malcolm X's assassination by three said to be Black Muslims, Elijah Muhammad ruled his movement from its Chicago headquarters. (Occasionally, he spent time in Phoenix, where the climate relieved some of his asthmatic discomfort.)
Mr. Muhammad, a small man about 5 feet 5 inches tall with a high, thin voice, held court in his offices, listening to aides, weighing their reports by balancing what they said with the qualities he saw in them as individuals. He was serious but witty and verbally creative. He illustrated many of his spiritual lessons about the need of blacks to elevate their behavior, as he saw it, with little humorous dramatic sketches.
Although Mr. Muhammad personally enjoyed disasters that befell whites, seeing them as Allah's work, he sought to prevent any public expression of Muslim enjoyment of the event. Thus, he suspended Malcolm after Malcolm X had said of the assassination of President Kennedy that the "chickens had come home to roost."
He prevented Black Muslims from participating in the country's political process, including any political activity on behalf of a separate state, because, he contended, what was to be achieved by the Nation of Islam was to be achieved divinely, though natural catastrophes and warring among whites on a national and international scale.
Relations with American black Moslem groups have become increasing hostile since the assassination of Malcolm X. Black Muslims were accused of killing seven persons associated with the Hanafi Muslims in Washington two years ago. And Sunni Muslims in Brooklyn were said by the police to have tried to steal guns from a sporting goods store to prepare for a war with Black Muslims.
In recent years, Mr. Muhammad moderated the anti-white tone of the religion. He remarked last year that "The slavemaster is no longer hindering us, we're hindering ourselves. The slavemaster has given you all he could give you. He gave you freedom. Now get something for yourself."
Elijah Muhammad was a mystic. But his mysticism was applied; it always had a quite earthly purpose. Forerunning transcendental meditation and other modern popular sects, he saw the need for 20th-century religions to declare themselves based on science, not faith. Islam was a science and a "way of life," not a religion, he said. Yet, he would refer to the Mother Plane, a mysterious space ship with superior beings, giant black gods or something like that, that patrolled the universe, keeping an eye on the devil and ready to rescue Black Muslims from Armageddon.
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