Thursday, December 25, 2014

Kareem Abdul-Jabbar: The Police aren't under attack--institutionalized racism is!



Kareem Abdul-Jabbar: The Police Aren’t Under Attack. Institutionalized Racism Is. 

Kareem Abdul-Jabbar
December 21, 2014
Time

“To every thing there is a season, and a time to every purpose.” This is the season and time when we should be resolved to continue seeking justice together and not let those with blind biases distract, diminish, or divide us. The way to honor those who defend our liberties with their lives—as did my father and grandfather—is not to curtail liberty, but to exercise it fully in pursuit of a just and peaceful society.

The way to honor those who defend our liberties with their lives — as did my father and grandfather — is not to curtail liberty, but to exercise it fully in pursuit of a just and peaceful society

According to Ecclesiastes, “To every thing there is a season, and a time to every purpose.” For me, today, that means a time to seek justice and a time to mourn the dead.

And a time to shut the hell up.

The recent brutal murder of two Brooklyn police officers, Rafael Ramos and Wenjian Liu, is a national tragedy that should inspire nationwide mourning. Both my grandfather and father were police officers, so I appreciate what a difficult and dangerous profession law enforcement is. We need to value and celebrate the many officers dedicated to protecting the public and nourishing our justice system. It’s a job most of us don’t have the courage to do.

At the same time, however, we need to understand that their deaths are in no way related to the massive protests against systemic abuses of the justice system as symbolized by the recent deaths—also national tragedies—of Eric Garner, Akai Gurley, and Michael Brown. Ismaaiyl Brinsley, the suicidal killer, wasn’t an impassioned activist expressing political frustration, he was a troubled man who had shot his girlfriend earlier that same day. He even Instagrammed warnings of his violent intentions. None of this is the behavior of a sane man or rational activist. The protests are no more to blame for his actions than The Catcher in the Rye was for the murder of John Lennon or the movie Taxi Driver for the attempted assassination of Ronald Reagan. Crazy has its own twisted logic and it is in no way related to the rational cause-and-effect world the rest of us attempt to create.

Those who are trying to connect the murders of the officers with the thousands of articulate and peaceful protestors across America are being deliberately misleading in a cynical and selfish effort to turn public sentiment against the protestors. This is the same strategy used when trying to lump in the violence and looting with the legitimate protestors, who have disavowed that behavior. They hope to misdirect public attention and emotion in order to stop the protests and the progressive changes that have already resulted. Shaming and blaming is a lot easier than addressing legitimate claims.

Witness the Aftermath of Police Shooting in Brooklyn

Some police unions are especially heinous perpetrators. New York City Mayor Bill de Blasio’s previous public support of protestors has created friction with these unions. The Patrolman’s Benevolent Association responded with a petition asking that the mayor not attend the funerals of officers killed in the line of duty. Following the murders of Ramos and Liu, an account appearing to represent the Sergeants Benevolent Association tweeted: “The blood of 2 executed police officers is on the hands of Mayor de Blasio.” Former New York governor George Pataki tweeted: “Sickened by these barbaric acts, which sadly are a predictable outcome of divisive anti-cop rhetoric of #ericholder and #mayordeblasio. #NYPD.”

This phony and logically baffling indignation is similar to that expressed by the St. Louis County Police Association when it demanded an apology from the NFL when several Rams players entered the field with their hands held high in the iconic Michael Brown gesture of surrender. Or when LeBron James and W.R. Allen wore his “I Can’t Breathe” shirts echoing Eric Garner’s final plea before dying. Such outrage by police unions and politicians implies that there is no problem, which is the erroneous perception that the protestors are trying to change.

This shrill cry of “policism” (a form of reverse racism) by Pataki and the police unions is a hollow and false whine born of financial self-interest (unions) or party politics (Republican Pataki besmirching Democrat de Blasio) rather than social justice. These tragic murders now become a bargaining chip in whatever contract negotiations or political aspirations they have.

What prompted a mentally unstable man to shoot two officers? Protestors? The mayor? Or the unjust killings of unarmed black men? Probably none of them. He was a ticking bomb that anything might have set off. What’s most likely to prevent future incidents like this? Stopping the protests which had sparked real and positive changes through a national dialogue? Changes that can only increase faith in and respect for the police? No, because the killer was mentally unfit. Most likely protecting the police from future incidents will come from better mental health care to identify, treat, and monitor violent persons. Where are those impassioned tweets demanding that?

In a Dec. 21, 2014 article about the shooting, the Los Angeles Times referred to the New York City protests as “anti-police marches,” which is grossly inaccurate and illustrates the problem of perception the protestors are battling. The marches are meant to raise awareness of double standards, lack of adequate police candidate screening, and insufficient training that have resulted in unnecessary killings. Police are not under attack, institutionalized racism is. Trying to remove sexually abusive priests is not an attack on Catholicism, nor is removing ineffective teachers an attack on education. Bad apples, bad training, and bad officials who blindly protect them, are the enemy. And any institution worth saving should want to eliminate them, too.

“To every thing there is a season, and a time to every purpose.” This is the season and time when we should be resolved to continue seeking justice together and not let those with blind biases distract, diminish, or divide us. The way to honor those who defend our liberties with their lives—as did my father and grandfather—is not to curtail liberty, but to exercise it fully in pursuit of a just and peaceful society.
 
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Abdul-Jabbar is a six-time NBA champion and league Most Valuable Player. He is also a celebrated author, filmmaker and education ambassador.

Tuesday, December 23, 2014

Black Bird Press News & Review: Marvin X letter to the Oak'Town Passions

Black Bird Press News & Review: Marvin X letter to the Oak'Town Passions

Marvin X letter to the Oak'Town Passions

 

My dear brothers, and most especially my brother Mack (Fresno projects with me, ringing chickens heads in backyard), I refuse to perform at Laney without your participation. Enough said. You must be there February 7, 2015, at the Laney celebration of the 50th Anniversary of the Black Arts Movement, West coast style. West Oakland in da house! 510-200-4164

Black Bird Press News & Review: Deadline to submit material for Black Arts Movement edition of Journal of Pan African Studies

Black Bird Press News & Review: Deadline to submit material for Black Arts Movement edition of Journal of Pan African Studies

The Brothers' Network Art in This Cultural Moment

  
"The voice of the intelligence...is drowned out by the roar of fear. It is ignored by the voice of desire. It is contradicted by the voice of shame. It is biased by hate and extinguished by anger. Most of all, it is silenced by ignorance."
--Dr. Karl Menninger
Founder's Message

Art In This Cultural Moment

In mid-2014, Brothers' Network Board Member and Tony-nominated actor Colman Domingowas summoned to play a role in a film by Ava DuVernay, an established filmmaker who was working on a film about Martin Luther King. At the time, Mr. Domingo was scheduled to star in a three-week run of his own autobiographical one-man show, "A Boy and His Soul," at the Philadelphia Theatre Company. After much reflection and lots of thought, Mr. Domingo postponed the engagement in order totake the role.
At left: Brothers' Network Creative Director Gregory T. Walker with Ava DuVernay, director of the new film "Selma," at the Ritz-Carlton Hotel in Philadelphia.
The change of engagement left his friends, admirers and fellow Brothers' Network members in Philadelphia a bit bereft, for the opening of the show was to have been the centerpiece of The Brothers' Network's annual Black-Tie Gala Fundraiser, featuring a performance of the show and an exclusive post-performance conversation with Mr. Domingo.
Nonetheless, we were excited over Mr. Domingo's change of plans, and the reason why will open in New York, Los Angeles and Atlanta on Christmas Day.
Principals in "Selma"
 

Colman Domingo (second from left) plays The Rev. Ralph David Abernathy in "Selma."

The Ava DuVernay film "Selma," produced by Oprah Winfrey and featuring Colman Domingo as The Rev. Ralph David Abernathy, opens in New York and Los Angeles on Dec. 25, in theaters across the United States Jan. 8, and later in the year in Europe and the United Kingdom. The film received four Golden Globe nominations, including Best Picture-Drama, Best Actor-Drama, and Best Director for Ms. DuVernay, the first black woman to be so honored. 

For more information about this film, follow @TheBroNet and @avaetc on Twitter and search on #SELMAmovie and #BlackArtMatters.

Mike Dennis, Chris Norris and Gregory Walker
 

Above: Mike Dennis of Reelblack, Christopher Norris of Techbook Online Corporation and Gregory T. Walker.

The Brothers' Network has worked in conjunction with Reelblack and Ms. DuVernay's company, AFFRM, to build audiences for the work of this gifted filmmaker, and I recently had the opportunity to sit and talk with her about her own career from publicist to film producer, her filmmaking process, and the brilliance of Colman Domingo.

The genius of "Selma" arises from its capturing of the intellectual discourse and dialogue among the leaders of the Civil Rights Movement. Listen as they carefully plan the strategy for the movement and the march. No other film has captured the intellectual capacity of not only Dr. King, but also The Rev. Ralph Abernathy, James FarmerJohn Lewis, and Bayard Rustin as they prepared for what became a watershed moment in the history of the Civil Rights Movement and a spur to the passage of the Voting Rights Act. Ms. DuVernay gets the language right.
This is another moment in time that reinforces and re-emphasizes the importance of The Brothers' Network's mission, vision and values, which underscore the intersection of art, life and culture through works that engage and examine the thinking of black men such as Dr. King and the Civil Rights Movement leaders and organizers featured in "Selma." 
Cast in unity exercise
 

The cast of "Selma" engages in a unity exercise during filming.

We could not be happier or more proud of Ava DuVernay selecting Mr. Domingo to play The Rev. Ralph David Abernathy in the film "Selma." He is seen by Dr. King's side in nearly every frame of the film. We encourage you to see "Selma," listen to its language, and learn about the role of history as it relates to the matters of today. On Christmas Day, we invite our brothers and friends in New York, Atlanta and Los Angeles to see this  informative, engaging, and enlightening film that you can view alone or with friends.Do not miss this film. Purchase your tickets now for screenings on Christmas Day in Los Angeles, New York and Atlanta.
The Brothers' Network will invite its members and friends to a conversation about the film shortly after it opens in cities across America in January.
-Gregory T. Walker, Creative Director, The Brothers' Network

Chicago Artists: Black Lives Matter












As Black Lives Matter protests have captivated the nation over the past month, artists in Chicago used a different kind of medium to shed light on America’s racial divide.

And they took over a whole train line on Friday to do it. A group of more than 100 artists gathered at a downtown train station just before the 5 p.m. rush hour commute, boarding every Red Line train in both directions to demonstrate with signs, chants, and performances.

According to spoken word artist and activist Ayinde Cartman, the protesters were met with a range of responses. Some train riders simply put in their headphones or avoided eye contact, while others took part in chants and a few even asked how they could be a part of future demonstrations.

The goal of organizers, according to a news release, was to “creatively and peacefully engage train riders who may otherwise be distracted our checked out, particularly as many move onto their holiday break.”

“The intention was to disrupt, and in the most productive and constructive way possible,” Cartman told HuffPost. “We were trying to include you, rather than separate you from the movement. On the train, folks didn’t have a choice but to experience it.”