Tuesday, October 12, 2010

Senator Barbara Boxer--In Search of My Soul Sister



In Search of My Soul Sister

After a lifetime of fears, doubts, ambivalence and general paranoia (my essential mental state) about the feminine gender, I recently concluded, based on six decades of interaction, that the black woman was, after all is said and done, my friend, and that she has never wanted to be anything other than my friend, helper, lover and mate, really, for eternity, if I could have ever been shackled to her that long. Yes, after thinking about my most wonderful Mother, an even more gracious and loving Grandmother (Oh, Grandma’s hands!), and after reflecting on my six sisters who probably more than anyone else helped form my ambivalence and maybe paranoia too, since I was so traumatized by their constant chatter and feminine intrigues that I would find it a simple matter upon adolescence and adulthood to ignore any words from the feminine gender, especially simple advice or wisdom, which cost me greatly on the road to success, including several failed marriages and a kind of psychic distance from my three lovable daughters.

If truth be told and certainly it is time to tell the truth at this stage in my life, I must admit that all the women in my life have been absolutely wonderful, not one ever treated me wrongly or without tenderness and unconditional love, yet my response was to dog them to no end, or rather until the end when they departed broken hearted and disgusted.

This new recognition on my part was made even plainer when my actor/singer J.B. Saunders presented me with a wonderful song “Don’t Bite The Hands That Feed You.”

J.B., also a dogger of women, perhaps even worse than myself since he had a career of pimping, had also had a revelation that it was time to reconcile with the feminine gender, or least stop the abuse, whether physical, mental or emotional. Perhaps old dogs actually do learn new tricks! J.B.’s lyrics said that our woman was indeed our friend and supporter, not someone to be dogged at every turn, for in the end we become the victim, or as another song told us “the hunter gets captured by the game.”

Of course, one truth about love is that love is a game of victims, for by its nature, love makes the beloved victim of the lover, for love is that state wherein we willingly accept to be victimized for we submit and declare to all who need to know and to some who don’t need to know that we are helplessly under the power of the beloved.

Moving from the personal to the political, we now clearly recognize that love for the Black woman had to move from the romantic to the critical in deciding who or what she represented on this stage of life. How is she connected to us and we to her—a question we had to answer about men as well, with the same if not more degree of political acumen because few men allow another man to do to us what we allow women to do, after all, women have the unique skill to get anything from us with a smile, a glance of the eye, a stride. During my brief academic career, my female students knew they could get almost any grade from me, especially if they came at me right, or simply talked right, it wasn’t always about sexual favors. And two of my students convinced me to marry them, so much for the wisdom of the professor.

But in the politics of love, we matured to the point of understanding a black face, even of the feminine gender, was not sufficient to gain our allegiance and respect. We came to recognize that politics was not about color, contrary to what we “believed” during the 60s, especially with the call for black power. Forty years later, however belatedly and detrimentally, we came to see blackness was about consciousness not color and had much to do about class as well, since class very often determines consciousness, although not always, after all, we know of several instances in our history when “house Negroes” plotted slave revolts, but generally speaking, the house Negro is not to be trusted, since he/she is more determined to preserve the house than the master.

We are reminded of that scene in the film Amistad where the Africans are being marched into town for mutiny. One African sees a Negro carriage driver and remarks, “He is our brother.” An African replies, “No, he is a white man.”

And so it is the class nature of things that must be examined with respect to loving or not loving Dr. Condi Rice—to be or not to be our sister—that is the question! Having transcended our gender fears, having made every determination to reach out in sincerity to embrace our sister in struggle, who endured with us all the horror and terror of the centuries, we must sadly reject her and everything for which she stands, for we find her political consciousness an abomination, a betrayal of our racial heritage of resistance in the face of suffering, in short genocide. Clearly, she came from us, but is no longer us, she has graduated from victim to victimizer—while some, perhaps her “classmates” on the right will call this progress and a point of pride for the “race.” Well, I remember Elijah Muhammad describing UN Undersecretary Ralph Bunche as “A Negro we don’t need,” and this most surely applies to Condi, who graduated from oppressed to oppressor. She stands at the pinnacle of imperialism, the most powerful woman in the world, yes, even more powerful than the Queen of England, for Condi literally has the world in her hands. In assuming to Secretary of State, we are humbled at her meteoric rise from the slave pit of Alabama to steering the ship of state.

Her brother Colin Powell whom she replaces for the simple reason that he was found disagreeable to the imperial throne, perhaps even in his conservatism too uppity with thoughts slightly to the left of Pharaoh, had to be replaced by Condi who shares a more amicable relationship with boss man sah, to the tragic extent that Senator Barbara Boxer voted against confirmation, saying “…Your loyalty to the mission you were given…overwhelmed your respect for the truth.”

In the darkest days of my gender fears, I never forgot the teachings of my mother’s Christian Science religion with it’s emphasis on the centrality of truth in all matters.Indeed what has gotten me in trouble with women even more than physical and mental abuse is being truthful, especially in regard to my sexual improprieties.

Condi Rice stands condemned before the world for being a liar and murderer, a person completely and utterly devoid of truth, thus her elevation to Secretary of State must be a great embarrassment to our ancestors, and her reply to Senator Boxer that her credibility and integrity was being impugned is without merit. Boxer pointed out how she contradicted the president and herself with respect to weapons of mass destruction as the cause for war against Iraq. Contrary to Dr. Rice, Saddam was not a threat to his neighbors in Kuwait, Saudi Arabia, Turkey, Iran, Jordan and Syria. He was contained and therefore not a threat to the “American people,” who, as Nelson Mandela pointed out, are the greatest threat to world peace. There was nothing to fear from Saddam but fear itself, quite similar to my gender fears I harbored for decades when I imagined female friends, mates, lovers were somehow my enemies, and were, in my tortured mind, out to get me, when in reality, I was out to get them.

Condi’s advice to President Bush has, at this point, caused the death of 1,366 Americans,10,372 wounded, also over 100,000 Iraqi dead. As Boxer noted, this is no light matter but a deception of the most despicable kind that has brought America’s credibility in the world to a new low, yet, like the President, Dr. Rice is totally unapologetic and stoic in maintaining her stance that contravenes reality.

I cannot in the name of our shared Africanity go there with her, for she long ago crossed the line of propriety. She cannot have my respect and sympathy in her dutiful defense of Pharaoh and his meanderings throughout the world in the name of global capitalism. Imagine, in the midst of the Iraqi quagmire, they are now contemplating an invasion of Iran. This American arrogance has no end except The End.

As between Senator Barbara Boxer and Condi Rice, if I had to choose my soul sister, I would rise above color in favor of consciousness, thus claim Senator Boxer as my sister.

This is no time in history to be starry-eyed idealists and continue with romantic notions about blackness. Sadly, we live in a world where what appears to be black is white and what appears white is black. Get over it and march forward into the new millennium. I shall never forget how we banned interracial couples from attending our black nationalist parties in the 60s. Amina Baraka loves to tell the story of when she and her husband were at the Black House cultural/political center in San Francisco in 1967. Amina observed my lady friend Ethna Wyatt (Hurriyah Asar) tell a white woman she couldn’t come in. The lady replied she was part Indian. Hurriyah replied, “Well, the Indian can come in but the white got to go.”

At another party with revolutionary black nationalists, a brother tried repeatedly to convince us his white woman was in fact black in consciousness, therefore should be admitted. We rejected his pronouncement, but in consciousness his woman was black and should have been admitted, especially since there were sisters at the party who harbored thoughts, if only subconsciously, similar to Condi Rice’s. As a matter of fact, I was recently told of one sister who was at this particular party who is now such a right wing fanatic that her in-laws banned her from their house, even changed their telephone number to avoid her right wing ranting.

I am not promoting interracial relationships, rather, in the tradition of my Mother, I am promoting truth and honesty which is the least we should expect from human beings with consciousness, no matter their color. But we understand that class has a way of stretching truth beyond reality, where it becomes an exercise in arrogance and sick pride, the stuff of classic tragedy. I am not into hating human beings, especially my distant sister Condi Rice, whom we must allow history and God to judge—may they have mercy on her soul.

At least Colin Powell was man enough to apologize to the world for his United Nations pseudo lecture justifying the war. Shall we await the day when Condi will admit her sins? Let us hope she is not made to do so before the World Court for crimes against humanity.

Black ain’t black

White ain’t white

Beware the day

Beware the night.

--From Wish I Could Tell You the Truth, Marvin X, BBP, 2005. Reprinted in Mythology of Pussy and Dick, toward Healthy Psychosocial Sexuality, Marvin X,BBP, 2010, $49.95.

Black Bird Press

1222 Dwight Way, Berkeley Ca 94702

jmarvinx@yahoo.com

Monday, October 11, 2010

Hussein al-Shahristani, Iraq's Minister of Oil, Marvin X's Teacher


Iraq's oil windfall


By Teymoor Nabili in
October 4th, 2010.

"Iraq Proven Oil Reserves Rise Significantly " declares the Wall Street Journal, echoing a number of other news sources.

But are they "proven"?

So far, we have only assurances from the Iraq's oil minister Hussein al-Shahristani*:

These aren't random figures, rather they were the results of deep surveys carried out by the ministry's oil reservoir company and international companies which signed contracts with Iraq.

But a few people are voicing scepticism, probably because we have seen this kind of sudden good news before.

Higher proven reserves should eventually mean a higher production quota from Opec (Organisation of the Petroleum Exporting Countries), and theoretically more revenue.
__________
* Dr. Hussein al-Shahristani was a student at the University of Toronto, Canada, in1967. While a draft resister exiled in Toronto, Marvin X met Hussein at Juma prayers at the University. Hussein and Marvin X became friends. He invited the poet to his apartment for Arabic and Islamic lessons. Hussein was president of the Muslim Students Association of the US and Canada. He explained Shia Islam to Marvin X, declaring his ideas were similar to the Muslim Brotherhood in Egypt. He appreciated Elijah Muhammad's Nation of Islam because that is what he wanted. He later became a nuclear scientist who was persecuted under Saddam Hussein because he refused to work on Saddam's nuclear weapons program.

He declined the position of Iraq's prime minister but accepted the Minister of Oil's portfolio. Hussein is a close associate of the Grand Ayatollah Sistani who refuses to meet with the American infidels.

Sunday, October 10, 2010

Wish I Could Fly Like a Hawk


Wish I Could Fly Like a Hawk


Wish I could fly like a hawk
just soar above earth
silent
gliding smooth
no noise
silent
observing all
madness below
rats scurrying
snakes in the grass
wish I could fly like a hawk
sometimes in motion still
wings frozen in flight
yet moving
wish I could be hawk
above the madness of it all
the meaningless chatter
cell phone psychosis
talking loud saying nothing
why are you breathing
jogging
without meaning purpose
no mission beyond nothingness
absorbing air from the meaningful
who subscribe to justice
let me fly above the living dead
let me soar
let me dream
imagine
another time and place
another space
this cannot be the end game
the hail marry
let me soar above it all
wings spread wide
let me glide
ah, the air is fresh up here
did I make it to heaven
did I escape hell
come with me
do not be afraid
the night is young
let us fly into the moon
see the crescent
so beautiful
let us fly into the friendly sky
wings spread wide
we are strong and mighty
the hawk.
--Marvin X
10/10/10

Obama Drama



Obama Drama
You lied, nigguh
no change
no hope
no dreams satisfied
more lies
more greed for wall street
no relief for the poor
middle class
workers
North America Africans
no mention their name
except at the black carcass (caucus) dance into oblivion
no peace
more war in Iraq Afghanistan Pakistan Yemen Somalia
war in da hood
more prison doors locked on the brothers
and sisters
no job program at all
a sham
jobs for terrorists
education for terrorists
housing for terrorists
not terrorists in the hood
who can believe such duplicity
innuendo
circumlocution
are you black are you white
to be or not to be
problem or solution
you decide
your sycophant negroes
the other white people
in black face
let them decide with you.

--Marvin X
10/10/10

Saturday, October 9, 2010

Hezbollah to welcome Ahmadinejad - Middle East - Al Jazeera English

Hezbollah to welcome Ahmadinejad - Middle East - Al Jazeera English

Hezbollah to welcome Ahmadinejad - Middle East - Al Jazeera English

Hezbollah to welcome Ahmadinejad - Middle East - Al Jazeera English

Hezbollah to welcome Ahmadinejad - Middle East - Al Jazeera English

Hezbollah to welcome Ahmadinejad - Middle East - Al Jazeera English

Last Call for Submissions to the Journal of Pan African Studies, Poetry Issue

October 15, Deadline for Submissions to Journal of Pan African Studies Poetry Issue
Guest Editor, Marvin X

The following poets have sent submissions:

Askia Toure

Amiri Baraka

Rudolph Lewis

Al Young

Ishmael Reed

Mona Lisa Saloy

Gwendolyn Mitchell

Haki Madhubuti

Louis Reyes Rivera

Bruce George

Jeannette Drake

Lamont Steptoe

Devorah major

Phavia Khujichagulia

Ayodele Nzingha

Tureeda Mikell

Eugene Redman

Fritz Pointer

J. Vern Cromartie

Greg Carr

Kalamu ya Salaam

Jerry Ward

Mary Weems

C. Liegh McInnis

Ramal Lamar

Tariq Shabazz

Felix sylvannus

Susan Lively

Paradise Jah Love

Ptah Allah El

Itibari M. Zulu

Nandi Comer

Renaldo Manuel Ricketts

Anthony Mays

Dr. Tracey Ownes Patton

Dike Okoro

Hettie V. Williams

Kola Boof

Neal E. Hall, MD

Ghasem Batamuntu

Sam Hamod

Opal Palmer Adisa

Ed Bullins
Kamaria Muntu

L. E. Scott

Chinwe Enemchukwu

Mabel Mnensa

Kwan Booth

Rodney D. Coates

Ras Griot

Everett Hoagland

Charles Curtis Blackwell

JACQUELINE KIBACHA

John Reynolds III

Gabriel Sharpiro

Darlene Scott

Jimmy Smith, Jr.

Amy ”Aimstar” Andrieux

Avotcja Jiltonilro

Poets Line Up for Journal of Pan African Studies, Poetry Issue, Marvin X, Guest EditoX


Deadline for submissions, October 15

Include brief bio and pic, MSWord attachment

to jmarvinx@yahoo.com


The following poets have sent submissions:

Askia Toure

Amiri Baraka

Rudolph Lewis

Al Young

Ishmael Reed

Mona Lisa Saloy

Gwendolyn Mitchell

Haki Madhubuti

Louis Reyes Rivera

Bruce George

Jeannette Drake

Lamont Steptoe

Devorah major

Phavia Khujichagulia

Ayodele Nzingha

Tureeda Mikell

Eugene Redman

Fritz Pointer

J. Vern Cromartie

Greg Carr

Kalamu ya Salaam

Jerry Ward

Mary Weems

C. Liegh McInnis

Ramal Lamar

Tariq Shabazz

Felix sylvannus

Susan Lively

Paradise Jah Love

Ptah Allah El

Itibari M. Zulu

Nandi Comer

Renaldo Manuel Ricketts

Anthony Mays

Dr. Tracey Ownes Patton

Dike Okoro

Hettie V. Williams

Kola Boof

Neal E. Hall, MD

Ghasem Batamuntu

Sam Hamod

Opal Palmer Adisa

Ed Bullins
Kamaria Muntu

L. E. Scott

Chinwe Enemchukwu

Mabel Mnensa

Kwan Booth

Rodney D. Coates

Ras Griot

Everett Hoagland

Charles Curtis Blackwell

JACQUELINE KIBACHA

John Reynolds III

Gabriel Sharpiro

Darlene Scott

Jimmy Smith, Jr.

Amy ”Aimstar” Andrieux

Plato Negro's Academy of da Corner





This is a historic pic--five black men reading on da corner!

photo by Gene Hazzard, Oakland Post Newspaper









Plato Negro's Academy of da Corner,
14th and Broadway, Oakland

If you want to learn about inspiration and motivation, don't spend all that money going to seminars and workshops, just go stand at 14th and Broadway and watch Marvin X at work. He's Plato teaching on the streets of Oakland.
--Ishmael Reed, poet, novelist, essayist, professor, publisher

Academy of da Corner is a free speech zone in Oakland. It is a space for people to share and release their stress, trauma and unresolved grief. It is a literacy center, a mental health peer group, a micro loan bank. Books are given out for a donation, freely or on credit. It is presently the subject of documentaries by four videographers: Adam Turner, Warren Foster, Gregory Field and Ken Johnson.


It is intergenerational, youth, adults and senior citizens stop by to express themselves. Students are teachers and teachers are students. Marvin X (aka Plato Negro) is the facilitator. Often he says nothing, only listens, but there are times when he rants, or the people rant.

Often the Academy is visited by social activists like Fania Davis, Walter Riley, Bobby Seale, Amiri Baraka; entrepreneurs Geoffrey Pete, Joyce Gordon; judges Horace Wheatley, Gordon Baranco, BART Board director Carol Ward Allen, OCCUR's David Glover, publisher Paul Cobb.
Associate professors include Ramal Lamar, Ptah Allah El and Lumukanda.

The Academy is at the crossroads of Oakland, in the midst of a war zone. Oakland Post Editor Chauncey Bailey was assassinated down the block at 14th and Alice. A young rapper was the victim of homicide half a block away. Even Plato Negro's life has been threatened by youth.

If you would like to support Academy of da Corner, drop off a donation or purchase a book by Marvin X. He's written five books this year:

The Wisdom of Plato Negro, Parables/fables, Black Bird Press, 2010, 300 pages, $100.00.

Hustler's Guide to Game Called Life (Vol. II, The Wisdom of Plato Negro), BBP, 2010, 300 pages, $100.00.

I AM OSCAR GRANT, essays on Oakland, BBP, 50 pages, 2010,$10.00.

Pull Yo Pants Up fada Black Prez and Yoself, essays on Obama Drama, BBP, 48 pages, $10.00.

Mythology of Pussy and Dick, toward Healthy Psychosocial Sexuality, BBP, 413 pages, $49.95.

Order from Black Bird Press, not available in bookstores or online:

Black Bird Press
1222 Dwight Way, Berkeley CA 94702
jmarvinx@yahoo.com
www.blackbirdpressnews.blogspot.com


Bio and Biblo of Marvin X

Marvin X (b. 1944), poet, playwright, essayist, director, and lecturer. Marvin
Ellis Jackmon was born on 29 May 1944 in Fowler, California. He attended high
school in Fresno and received a BA and MA in English from San Francisco State
College (now San Francisco State University). The mid-1960s were formative
years for Jackmon. He became involved in theater, founded his own press,
published several plays and volumes of poetry, and became increasingly
alienated because of racism and the Vietnam War. Under the influence of Elijah
Muhammad, he became a Black Muslim and has published since then under the
names

El Muhajir and Marvin X. He has also used the name Nazzam al Fitnah Muhajir.

Marvin X and Ed Bullins founded the Black Arts/West Theatre in San Francisco in
1966, and several of his plays were staged during that period in San Francisco,
Oakland, New York, and by local companies across the United States. His one-act
play Flowers for the Trashman was staged in San Francisco in 1965 by the drama department at San Francisco State University, later at Black Arts West Theatre, and was included in the anthology Black Fire (1968); a musical version (with Sun Ra's Arkestra), Take Care of Business, was produced in 1971. The play presents the confrontation between two cellmates in a jail—one a young African American college student, the other a middle-aged white man. Another one-act play, The Black Bird, a Black Muslim allegory in which a young man offers lessons in life awareness to two small girls, appeared in 1969 and was included in New Plays from the Black Theatre that year. Several other plays, including The Trial, Resurrection of the Dead,
and In the Name of Love, have been successfully staged, and Marvin X has remained an important advocate of African American theater.

In 1970, Marvin X was convicted, during the Vietnam War, for refusing
induction and fled to Canada; eventually he was arrested in British Honduras, was
returned to the United States, and was sentenced to five months in prison. In
his statement on being sentenced—later reprinted in Black Scholar (1971) and
also in Clyde Taylor's anthology, Vietnam and Black America (1973)—he argues
that

Any judge, any jury, is guilty of insanity that would have the nerve to judge

and convict and imprison a black man because he did not appear in a courtroom
on a charge of refusing to commit crimes against humanity, crimes against his
own brothers and sisters, the peace-loving people of Vietnam.

Marvin X founded El Kitab Sudan publishing house in 1967; several of his books
of poetry and proverbs have been published there. Much of Marvin X's poetry is
militant in its anger at American racism and injustice. For example, in “Did
You Vote Nigger?” he uses rough dialect and directs his irony at African
Americans who believe in the government but are actually its pawns. Many of the
proverbs in The Son of Man (1969) express alienation from white America.

However, many of Marvin X's proverbs and poems express more concern with what
African Americans can do positively for themselves, without being paralyzed by
hatred. He insists that the answer is to concentrate on establishing a racial
identity and to “understand that art is celebration of Allah.” The poems in Fly
to Allah, Black Man Listen (1969), and other volumes from his El Kitab Sudan
press are characterized by their intensity and their message of racial unity
under a religious banner.

Marvin X has remained active as a lecturer, teacher, theatrical producer,
editor, and exponent of Spirituality. His work in advocating racial cohesion
and spiritual dedication as an antidote to the legacy of racism he saw around him
in the 1960s and 1970s made him an important voice of his generation. One of his current projects is Academy of da Corner, downtown Oakland at 14th and Broadway. According the Ishmael Reed, "Marvin X is Plato teaching on the streets of Oakland. If you want to learn about motivation and inspiration, don't spend all that money going to seminars and workshops, just go stand at 14th and Broadway and observe Marvin X at work."

Bibliography
* Lorenzo Thomas, “Marvin X,” in DLB, vol. 38, Afro-American Writers after
1955: Dramatists and Prose Writers, eds. Thadious Davis and Trudier Harris,
1985, pp. 177–184.
* Bernard L. Peterson, Jr., “Marvin X,” in Contemporary Black American
Playwrights and Their Plays, 1988, pp. 332–333. “El Muhajir,” in CA, vol. 26,
eds. Hal May and James G. Lesniak, 1989, pp. 132–133
--Michael E. Greene




poet; playwright; educator; activist

Personal Information

Born Marvin Ellis Jackmon on May 29, 1944, in Fowler, California; married; five
children
Education: Oakland City College (now Merritt College), AA, 1964; San Francisco
State College (now University), BA, 1974, MA, 1975.

Career

Soul Book, Encore, Black World, Black Scholar, Black Dialogue, Journal of Black Poetry, Black theatre, Negro Digest/Black World, Muhammad Speaks and other magazines and
newspapers, contributor, 1965-; Black Dialogue, fiction editor, 1965-; Journal
of Black Poetry, contributing editor,1965-; Black Arts/West Theatre, San
Francisco, co-founder (with Bullins), 1966; Black House, San Francisco,
co-founder (with Bullins and Eldridge Cleaver), 1967; Al Kitab Sudan Publishing
Company, San Francisco, founder, 1967; California State University at Fresno,
black studies teacher, 1969; Black Theatre, associate editor, 1968; Muhammad
Speaks, foreign editor, 1970; Your Black Educational Theatre, Inc., San
Francisco, founder and director, 1971; University of California, Berkeley,
lecturer, 1972; Mills College, lecturer, 1973, San Francisco State University, 1974-5, University of California, San Diego, 1975, University of Nevada, Reno, 1979, Laney and Merritt Colleges, Oakland, 1981, Kings River College, Reedly CA, 1982.

Life's Work

Formerly known as El Muhajir, Marvin X was a key poet and playwright of the
Black Arts Movement (BAM) in the 1960s and early 1970s. He wrote for many of
the leading black journals of the time, including Black Scholar, Black Theater
Magazine, and Muhammad Speaks. He founded Black House with Ed Bullins (1935--)
and Eldridge Cleaver (1935-1998), which served for a short time as the
headquarters of the Black Panther Party, the militant black nationalist group,
and a community theatrical center in Oakland County, California. Always a
controversial and confrontational figure, Marvin X was banned from teaching at
state universities in the 1960s by the then state governor, Ronald Reagan
(1911--). When asked in 2003 what had happened to the Black Arts Movement,
Marvin X told Lee Hubbard: "I am still working on it...telling it like it is."
Marvin X was born Marvin Ellis Jackmon on May 29, 1944, in Fowler, California,
an agricultural area near Fresno. His parents were Owendell and Marian
Jackmon; his mother ran her own real estate business. Details about when and
why he changed his name are scarce, but he has been known as Nazzam al Fitnah
Muhajir, El Muhajir, and is now known simply as Marvin X. Marvin X attended
Oakland City College (Merritt College) where he received his AA degree in 1964.
He received his BA in English from San Francisco State College (San Francisco
State University) in 1974 and his MA in 1975.

While at college Marvin X was involved with various theater projects and
co-founded the Black Arts/West Theater with Bullins and others. Their aim was
to provide a place where black writers and performers could work on drama
projects, but they also had a political motive, to use theater and writing to
campaign for the liberation of blacks from white oppression. Marvin X told Lee
Hubbard: "The Black Arts Movement was part of the liberation movement of Black
people in America. The Black Arts Movement was its artistic arm...[brothers]
got a revolutionary consciousness through Black art, drama, poetry, music,
paintings, artwork, and magazines."

By the late 1960s Marvin X was a central figure in the Black Arts Movement in
San Francisco and had become part of the Nation of Islam, changing his name to
El Muhajir and following Elijah Muhammad (1897-1975). Like the heavyweight
boxing champion Muhammad Ali (1942--), Marvin X refused his induction to fight
in Vietnam. But unlike Ali, Marvin X, along with several other members of the
Nation of Islam in California, decided to evade arrest. In 1967 he escaped to
Canada but was later arrested in Belize. He chastised the court for punishing
him for refusing to be inducted into an army for the purpose of securing "White
Power" throughout the world before he was sentenced to five months'
imprisonment. His statement was published in the journal The Black Scholar in
1971.

Despite his reputation as an activist, Marvin X was also an intellectual, and a
celebrated writer. He was most concerned with the problem of using language
created by whites in order to argue for freedom from white power. Many of his
plays and poems reflect this struggle to express himself as a black
intellectual in a white-dominated society. His play Flowers for the Trashman
(1965), for example, is the story of Joe Simmons, a jailed college student whose
bitter attack on his white cellmate became a national rallying call for many in
the Nation of Islam and other black nationalists. Marvin X's own poetry is
heavy with Muslim ideology and propaganda, but it is supported by a sensitive
poetic ear. Perhaps his greatest achievement as a poet is to merge Islamic
cadences and sensibilities with scholarly American English and the language of
the black ghetto.

Like his close friend Eldridge Cleaver, in the late 1980s and 1990s Marvin X
went through a period of addiction to crack cocaine. His play One Day in the
Life (2000) takes a tragicomic approach to the issue of addiction and recovery,
dealing with his own experiences with drug addiction and the experiences of
Black Panthers, Cleaver, and Huey Newton (1942-1989). The play has been
presented in community theaters around the United States as both a stage play
and a video presentation.

After emerging from addiction Marvin X founded Recovery Theatre and began organizing events for recovering addicts and those who work with them. His autobiography, Somethin' Proper (1998) includes reminiscences of his life fighting for black civil rights as well as an
analysis of drug culture. Drug addiction and "reactionary" rap poetry are two
areas of black culture that he has argued have "contributed to the desecration
of black people."

In the late 1990s Marvin X became an influential figure in the campaign to have
reparations paid for the treatment of blacks under slavery. He organized
meetings, readings, and performances to promote black culture and civil rights.
He has worked as a university teacher since the early 1970s, as well as giving
readings and guest lectures in universities and theaters throughout the United
States.

Marvin X has also received several awards, including a Columbia
University writing grant in 1969 and a creative writing fellowship from the
National Endowment for the Arts in 1972.

Awards

Columbia University, writing grant, 1969; National Endowment for the Arts,
grant, 1972; Your Black Educational Theatre, training grant, 1971-72. Recovery Theatre received grants from San Francisco Mayor Willie Brown's office, Grants for the Arts, Marin County Board of Supervisors, Sacramento Metropolitan Arts Commission.

Works

Selected writings

Books

* Somethin' Proper: The Life and Times of a North American African Poet,
Blackbird Press, 1998.
* In the Crazy House Called America, Blackbird Press, 2002.
* Wish I Could Tell You the Truth, essays, BBP, 2005
* How to Recover from the Addiction to White Supremacy, a manual based on the
12 Step/Pan African model, 2006.
* Beyond Religion, toward Spirituality, BBP, 2007
* Eldridge Cleaver, My Friend the Devil, a memoir, 2009
* The Wisdom of Plato Negro, Parables/fables, 2010
* Hustler's Guide to the Game Called Life (Volume II, The Wisdom of Plato
Negro, 2010
* Mythology of Pussy and Dick, toward Healthy Psychosocial Sexuality, 2010
* Pull Yo Pants Up fada Black Prez, essays on Obama Drama, 2010
* I AM OSCAR GRANT, essays on Oakland, 2010

Plays
* Flowers for the Trashman (one-act), first produced in San Francisco at San
Francisco State College, 1965.
* Come Next Summer, first produced in San Francisco at Black Arts/West Theatre,
1966. Pre-Black Panther Bobby Seale played leading role in Come Next Summer.
* The Trial, first produced in New York City at Afro-American Studio for Acting
and Speech, 1970.
* Take Care of Business, (musical version of Flowers for the Trashman) first
produced in Fresno, California, at Your Black Educational Theatre, 1971.
* Resurrection of the Dead, first produced in San Francisco at Your Black
Educational Theatre, 1972.
* Woman-Man's Best Friend, (musical dance drama based on author's book of same
title), first produced in Oakland, California, at Mills College, 1973.
* In the Name of Love, first produced in Oakland at Laney College Theatre,
1981.
* One Day in the Life, 2000.
* Sergeant Santa, 2002.

Poetry, Proverbs, and Lyrics

* Sudan Rajuli Samia (poems), Al Kitab Sudan Publishing, 1967.
* Black Dialectic (proverbs), Al Kitab Sudan Publishing, 1967.
* As Marvin X, Fly to Allah: Poems, Al Kitab Sudan Publishing, 1969.
* As Marvin X, The Son of Man, Al Kitab Sudan Publishing, 1969.
* As Marvin X, Black Man Listen: Poems and Proverbs, Broadside Press, 1969.
* Black Bird (parable), Al Kitab Sudan Publishing, 1972.
* Woman-Man's Best Friend, Al Kitab Sudan Publishing, 1973.
* Selected Poems, Al Kitab Sudan Publishing, 1979.
* (as Marvin X) Confession of a Wife Beater and Other Poems, Al Kitab Sudan
Publishing, 1981.
* Liberation Poems for North American Africans, Al Kitab Sudan
Publishing, 1982.
* Love and War: Poems, Black Bird Press, 1995
* In the Land of My Daughters, 2005.
* Sweet Tea, Dirty Rice, poems, 2010 (late)

Other
* One Day in the Life (videodrama and soundtrack), 2002.
* The Kings and Queens of Black Consciousness (video documentary), 2002.
* Black Radical Book Fair, San Francisco, DVD, 2004
* Love and War (poetry reading published on CD), 2001.
Further Reading
Periodicals
* African American Review, Spring, 2001.
* Oakland Post Newspaper
* San Francisco Bay View newspaper
On-line
* "Chicken Bones: A Journal," www.nathanielturner.com/marvinxtable.htm (April
13, 2004).

* "El Muhajir," Biography Resource Center, www.galenet.com/servlet/BioRC (April
16, 2004).

* "Marvin X," Biography Resource Center, www.galenet.com/servlet/BioRC (April
16, 2004).

* "Marvin X Calls for General Strike on Reparations,"
www.frontpagemag.com/Articles/ReadArticle.asp?ID=4714 (April 13, 2004).

— Chris Routledge

The Marvin X archives are at the Bancroft Library, University of California,
Berkeley.



Friday, October 8, 2010

Preview #11, Journal of Pan African Studies, Poetry Issue


















Preview #11, Journal of Pan African Studies,
Poetry Issue

NEWS,VIEWS, REVIEWS
A Pan African Dialogue on Cuba
From Black Bird Bird Press

As we see with the Oliver Stone movie South of the Border, the winds of radical change are blowing throughout the Americas, so as North American Africans we are obligated to be informed on the rapidly developing events in the Americas, not only in the USA, though a little wind of change is blowing here with the election of the first North American African descendant of slavery and colonialism. In Bolivia the first indigenous man was elected president since 500 years ago. So there is a paradigm shift happening requiring us to think out of the box of Pax Americana. In short, we must radicalize and revolutionize our thinking, planning and actions, simply to be in harmony with our brothers and sisters throughout the Americas who are dumping Yankee imperialism and white supremacy domination and ownership of their people's labor and natural resources. We must do the same here in the belly of the beast. In this spirit, we present the following dialogue on Cuba that took place some months ago among the intellectuals.
--Marvin X


Dead Prez on Sanctions Against Cuba and Zimbabwe

INTERNATIONALLY acclaimed hip hop group Dead Prez recently announced
plans to make a song that would call for the lifting of the US-EU
sanctions against Zimbabwe, as well as the US blockade on Cuba. En route
to Washington DC, one of the group’s lyricists, brother Mutulu Olugbala
whose stage name is M-1 gave The Herald’s US correspondent, Obi Egbuna
(OE) an exclusive interview and shared the reasons behind the decision
for a song focusing on both Zimbabwe and Cuba.

OE: Brother Mutulu, thank you for granting The Herald this interview.
Could we begin by having you share the reason for doing a song
concerning US-EU sanctions on Zimbabwe and the US blockade on Cuba?

M-1: In the case of Zimbabwe, the US-EU sanctions are approaching 10
years very rapidly, and the monstrous US blockade on Cuba, is
approaching 50 years old.

This tactic being used by our former colonial and slave masters to
politically isolate countries and stifle their economic growth and
ability to strengthen basic infrastructure is as destructive as war,
military invasions (and) natural calamities like hurricanes and
tornadoes. But (it) hasn’t received the same attention.

We feel the US Government is extremely hypocritical when it labels both
Zimbabwe and Cuba dictatorships, boldly claiming both countries deprive
its people basic democratic freedoms.

However, the international community vehemently opposes US-EU sanctions
on Zimbabwe and the US blockade on Cuba and the White House, US Senate
and Congress won’t budge at all.

I sincerely hope this song will not only bring more awareness to the
suffering these policies have caused in Zimbabwe and Cuba, but also
celebrate the resilience of the leadership and people on the ground in
these countries, who overcome daily challenges therefore standing firm
in the face of adversity.

OE: Brother Mutulu, the timing of the decision to do this song will be
received very well in Zimbabwe and Cuba.

In Zimbabwe Akon, Sizzla Kalonji and Maxi Priest have all performed
there recently, and in Cuba earlier this year Kool and the Gang
performed and received an award. Will Dead Prez do this song alone or
reach out to other artistes to have more impact?

M-1: We will definitely reach out to the artistes you mentioned who
performed in Zimbabwe and the artistes who we know have performed in
Cuba. We also want to involve artistes in both Zimbabwe and Cuba because
in the final analysis who else can speak better for their leaders and
people?

I was amazed when I was told that Zimbabweans affectionately refer to
their country as the land of musicians, and we know in the case of
Cuba, it would be hard to find a country that has used art in a
revolutionary framework better than they have.

I am getting excited just thinking of the potential of this song. It
will cross genres and generations, and complement the genuine efforts
of countless freedom fighters who dedicated their lives to building
bridges between people driven by an unyielding passion for freedom and
justice.

OE: Brother Mutulu, what in your opinion are the broader implications
of having the first US president of African descent extending sanctions
on Zimbabwe two years in a row, and approaching lifting of the US
blockade on Cuba on the Democratic Party’s timetable, instead of the
ties of the world community?

M-1: First and foremost, it is important for President Obama to look at
Zimbabwe and Cuba as a US Democrat and not an African; therefore he is
mainly preoccupied with US interests in both nations, not what is in
the best interest of the masses.

If he is not challenged he will maintain the course of his
predecessors. Frederick Douglas taught us, "Power concedes nothing
without demand", therefore we must intensify the battle to lift US-EU
sanctions on Zimbabwe and the US blockade on Cuba in the streets of the
United States.

In our case as artistes, until we match the pressure of the
international community in relationship to US policy on Zimbabwe and
Cuba, the US government will go on with business as usual.

If we don’t aggressively confront President Obama about lifting US-EU
sanctions on Zimbabwe and the US blockade on Cuba, we give the
impression his failure to do so has our political blessing.

OE: Brother Mutulu, inside the United States we saw the leader of the
National Action Network, Reverend Al Sharpton recently organise a march
in commemoration of the historic March on Washington in 1963 where Dr
Martin Luther King, Jr made the "I have a dream" speech.

Because Zimbabwe and Cuba were both liberated through armed struggles,
do you think that's what makes Africans born and raised in the US who
consider non-violence as a cardinal principle reluctant to embrace
these nations?

M-1: This is a rational explanation but nevertheless is not acceptable.
The most moderate and conservative elements in our community all
celebrate the Civil War as the driving force in relationship to
abolishing slavery, but ignore 200 slave revolts in response to forced
free labour, rape and torture.

These same groups amongst our people have also written the Deacons for
Defence out of the history of the civil rights movement. You have
touched on overcoming the colonial and slave mentality, therefore
embracing all genuine forms of resistance, because you celebrate true
progress regardless of the political manner in which it was brought about.

Zimbabwe defeated the second most powerful European army on the African
continent, and Cuba launched a guerrilla war from the Sierra Maestra
Mountains. This meant both countries overcame almost insurmountable
odds to attain independence. Both stories bring tears to my eyes, and
must be taught to our children without apology or hesitation.

OE: Brother Mutulu, what would you say to this generation of Zimbabweans
and Cubans who might not appreciate Dead Prez wanting to stand with
them, and would like the opportunity to relocate to the US?

M-1: The inability of the formerly enslaved and colonised to fully
contextualise their political significance and succumb to pressure is
part and parcel of the struggle to defend your sovereignty.

Our artistic mission is to capture for the African world, the true
plight of the African in the United States, which defiantly contradicts
the colonialist and imperialist version of our story.

This will make not only this generation of Zimbabweans and Cubans, but
all young people not yet in touch with their fighting spirit realise
that the battlefield for oppressed people is truly heaven on earth.

OE: Thanks for your thoughts and time!M-1: Long live the heroic people
and leadership of Zimbabwe and Cuba!

obiegbuna15@yahoo.com


Letter to the Editor:

Dear brother Marvin:

I applaud your decision to initiate a sober, objective and dispassionate discussion regarding the plight of the black majority in Cuba. For decades, as you know, I have dedicated myself to bringing awareness on this serious issue to black progressives all over the world. Now, at last, a section of the Black Left has began to take a much more critical view of events in Cuba, and that can only help to consolidate a real pan-african vision that includes us all. Again, dear brother, thank you for being an objective voice appealing to reason rather than passion, facts rather than ideological credo. Warm fraternal regards to you and all of the brothers and sisters who are helping you in that noble endeavor.

Carlos MOORE


Afro-Cubans Push Back
by Carlos Moore

Prominent black Americans condemn Cuba on racism

A group of prominent black Americans has for the first time publicly condemned Cuba's rights record, demanding Havana stop its "callous disregard'' for black Cubans and declaring that "racism in Cuba . . . must be confronted."

"We know first-hand the experiences and consequences of denying civil freedoms on the basis of race," the group said in a statement Monday. "For that reason, we are even more obligated to voice our opinion on what is happening to our Cuban brethren."

Among the 60 signers were Princeton professor Cornel West, actress Ruby Dee Davis, film director Melvin Van Peebles, former South Florida congresswoman Carrie Meek and Dr. Jeremiah Wright, former pastor of President Barack Obama's church in Chicago.

African-American group challenges Cuba on race

Why the delayed outcry?

"All that is needed for evil to triumph is for good men to do nothing.''
Edmund Burke

A group of 60 African-American leaders, influenced by Brazil's Abdias Nascimiento, a self-proclaimed admirer of Fidel Castro, condemned racism in Cuba. Congratulations.

Claim of Cuban racism rejected

Pro-government Cuban writers and artists Friday rejected allegations by African-Americans of racism and repression on the island, calling the charges ``delusional'' and part of ``an anti-Cuban campaign.''

The reply came as four Afro-Cuban dissidents thanked the Americans for their support, and four prominent academics from the English-speaking Caribbean condemned Cuba's ``continued racial prejudice.''

The allegations issued Monday by 60 African-Americans touched a raw nerve because it was the first time that U.S. blacks, historically supportive of the Castro government, criticized the island's civil rights record and supported Afro-Cuban dissidents.


In a landmark ``Statement of Conscience by African Americans,'' 60 prominent black American scholars, artists and professionals have condemned the Cuban regime's apparent crackdown on the country's budding civil-rights movement.

``Racism in Cuba, and anywhere else in the world, is unacceptable and must be confronted,'' said the document, which also called for the immediate release of Dr. Darsi Ferrer, a black civil-rights leader imprisoned in July.

The U.S. State Department estimates Afro-Cubans make up 62 percent of the Cuban population, with many informed observers saying the figure is closer to 70 percent. Traditionally, African Americans have sided with the Castro regime and unilaterally condemned the United States, which, in the past, explicitly sought to topple the Cuban government. But this public rebuke of Castro's racial policies may well indicate a tide change and a more-balanced attitude.

Representing a wide spectrum of political opinion, the document was signed by Cornel West, Princeton University scholar; Ruby Dee, famed actress; Susan Taylor, former Essence magazine editor and current president of the National CARES Mentoring Movement; Julianne Malveaux, Bennett College president; Claudia Mitchell-Kernan, UCLA vice chancellor; the Rev. Jeremiah Wright, pastor emeritus of Chicago's Trinity Church; retired U.S. Rep. Carrie Meek; Kathleen Cleaver, former Black Panther activist; Ron Walters, former presidential campaign manager for Jesse Jackson and current director of the African American Leadership Institute; movie director Melvin Van Peebles; and Betty Ferguson, former Miami-Dade County commissioner.

Deepening inequalities

What could have caused that reversal? Changing demographics in America and the election of a black U.S. president seem to have spurred African-American curiosity about the fate of Afro-Latins south of the border. Through that process, many U.S. blacks have realized that Castro, once admired for thumbing his nose at America, is now an 82-year-old dictator struggling to prolong five decades of absolute power through terror and policies that deepen racial inequalities in Cuba.

Victoria Ruiz, U.S. representative of the islandwide civil-rights group, Citizens Committee for Racial Integration, says Cuba's black movement -- vigorously suppressed in the 1960s, at the early stage of the revolution -- was resurrected in the 1990s. She complains that young, black Cubans suffer aggressive racial profiling by police. She claims that about 70 percent of Afro-Cubans are believed to be unemployed, a staggering figure by any standard. And 85 percent of Cuba's jail population is estimated to be black, Ruiz reports.


Representing 25-odd different groups, black dissidents in Cuba argue that racial disparities on the island are worsened by the Obama administration's recent decision to allow Cuban Americans to freely send remittances (worth an estimated $1.5 billion yearly) to their relatives. More than 85 percent of Cuban Americans are white, they say, so the beneficiaries in Cuba of the new remittances policy will also be white. ``These remittances could morph into start-up investment capital for its recipients, thus creating a de facto new race-class inside of Cuba,'' says Enrique Patterson, U.S. spokesman for the Progressive Circle Party, a major multiracial, black-led dissident group.

Clearly, Cuba's black-led, multiracial opposition movement is an open embarrassment to the Castro regime. But it is also a disquieting development for the traditionally right-wing, anti-Castro organizations around the world that have long claimed to be the heralds of the battle for ``freedom and democracy'' in Cuba. Taken by surprise by this new and apparently growing opposition force in the island, many white exiles are exhibiting confusion and frustration. When not openly hostile, the right-wing representatives of the predominantly white Cuban-American exile community seem unsure how to respond.

Cuba's new opposition has made no moves to elicit their support either, said Ruiz, whose Citizens Committee for Racial Integration, a multiracial organization, is led by the moderate black intellectual Juan Madrazo Luna. The Progressive Circle Party, another large dissident movement led by Afro-Cuban academic Manuel Cuesta Morúa, a self-identified Social Democrat, has shown no inclinations it desires such support either.

Patterson believes that it may very well be the absence of right-wing exile support for these social-democratic oriented and multiracial movements that now spurs African Americans to rush to their defense. ``Therefore, the time has come for Washington to directly engage the island's majority about matters that will affect bilateral relations in the future,'' he said.



Carlos Moore, ethnologist and political scientist, is author of Pichón: Race and Revolution in Castro's Cuba.


Human Rights in Cuba: A missed shot on the wrong flank
by Pedro de la Hoz

THE December 1 edition of Miami’s El Nuevo Herald published a full report on an "African-American Statement in Support of Civil Rights in Cuba," which accuses our country of currently being a racist society, drawing on an alleged increase in civil and human rights abuses of Cuban activists with the courage to raise their voices against the island’s racist system. It stated that "those isolated and courageous defenders of civil rights have been subjected to unprovoked violence, intimidation on the part of the authorities and imprisonment."
The documents had been hastily circulated a few hours before to procure signatures that would give visibility to something cooked up by Carlos Moore, an individual of Cuban origin who, for years now, has presented himself as a "specialist on racial issues" and has made a living in the United States and Brazil at the cost of manipulating Cuban realities. Prior to its publication, Moore had managed to con a respectable activist from the African-Brazilian movement, making him believe that legal action taken by the Cuban authorities against one of the beneficiaries of funds from the anti-Cuba policies of various U.S. administrations, was because the subject is black. He kidded other people who received the statement into believing the same story. Someone of the prestige of the African-American poet and playwright Amiri Baraka (LeRoi Jones) commented on the communiqué as follows: "Moore has been promoting this type of vicious provocations since the 60s… Apparently certain African Americans who signed his petition are unaware of Moore’s historical pull."

James Early, another outstanding figure who has traveled to Cuba on many occasions and who works in the Smithsonian Institute, stated that he did not trust Moore’s motives for involving himself in the issue of race in Cuba and stressed that "the letter is not in line with what I and other African-American activists found in our recent visit from September 14 to 22, during which we had frank and open conversations with Cuban citizens and government officials." Early also noted that "Cuban citizens and their political representatives are discussing how to improve their socialist revolution." So eloquent is the letter in the method it uses to distort racial issues, that one of its signatories addressed the media on Monday, December 7. Makani Themba-Nixon, director of the Praxis Project, asked for his name to be withdrawn from the documents, on the grounds that the accusatory letter against Cuba "is being manipulated to help to detract legitimacy from the important social project that is underway in that nation." A group of Cuban intellectuals, solely directed by our consciences and in a personal capacity, came together to share our point of view on the issue with African-American colleagues. Because this is about airing, in all seriousness and with arguments, human rights in our country, and about making it known that the statement issued in the United States is a missed shot on the wrong flank.
Translated by Granma International


North American African Activists, Intellectuals and Artists Speak



To U.S. Citizens: WE STAND WITH CUBA

RE: CONTINUED SOLIDARITY WITH THE CUBAN REVOLUTION

http://www.petitiononline.com/withcuba/petition.html

For endorsement and inquiries just e-mail: blackeducator@africamail.com

We, the undersigned, express our continuing solidarity with the Cuban Revolution. Cuban expatriate Carlos Moore and the other signers of the December 1, 2009 ACTING ON OUR CONSCIENCE: DECLARATION OF AFRICAN AMERICAN SUPPORT FOR THECIVIL RIGHTS STRUGGLE IN CUBA do not speak for or represent the vast majority of Black radicals/progressives, nor the sentiment of the masses ofAfrican Americans in the United States.

This December 1st Declaration ironically makes no mention of the 50 year US blockade against Cuba, and how it seeks to derail the progress made by Cuba thus far toward eradicating the racism created by its former colonizers - Spain and the United States.We are disappointed that the signers of the Declaration, many whom have made important contributions to the African American struggles against racism and for democracy, connected their charge of racism to the claims of Dr. Darsi Ferrer Ramirez and Carlos Moore, two known opponents of Cuba's revolutionary system.

Apparently, like many opportunists both Carlos Moore and Dr. Darsi Ferrer Ramirez, who resides in Cuba, saw the opportunity to solicit support for their position from this select group of high profile and "credible" sectors of the African American community. This action is divisive and misguided. We, the undersigned, believe that the Carlos Moore originated petition is designed to create a wedge in the African American support base for Cuba.

Moore's petition is also an attempt to dismiss Cuba as a modern example of how socialism is a practical system that ensures an equitable distribution of its resources for ALL Cubans.For more than forty years, Carlos Moore has opportunistically roamed the globe spreading lies and slander about Cuba. Like Moore, Dr. Darsi Ferrer, who ran into trouble when he attempted to set up a medical clinic outside the state run medical system, has also sought to use race to undermine the gains, institutions and anti-racist direction brought about by the Cuban Revolution.


In 2006, Dr. Ferrer went to the US interest-section and was given a US-monitored email account (i.e. access to a CIA manipulated portal). Dr. Ferrer's reactionary blog along with links to reactionary websites such as Capital Hill Cubans, Blog for Cuba and kill castro.com can be found at http://blogacionpordarsiferrer.blogspot.com/ . Moore, and the signers of the Declaration, ignore the decades-long struggle waged by the Cuban government against all forms of racism. This includes ignoring/denying Cuba's internationalist support of African, Caribbean and African American liberation struggles. Moreover, Moore and his followers ignore the historical and present-day fact that Afro Cubans have not been a mere passive force, but have been and are central in the struggles to make and advance the Cuban Revolution.

This attack on Cuba is an attack on a country that stood fast to its democratic, socialist, anti-racist and internationalist principles despite the great pressures from US and world imperialism, which has forced other countries to abandon these positions. It is clearly no coincidence that this attack on Cuba, comes at a time when so many throughout the US and internationally are being victimized by the policies and crises of capitalism and are seeing responses in Cuba and other countries throughout Latin America that seek to address the needs of the masses of people and not the banks and ruling classes as is being done in the US. This attack on Cuba is an attack on efforts to forge Black and Brown working class unity as the cornerstone of the democratic and socialist revolutions developing throughout Latin America.

It also furthers the US efforts to divide African Americans and Latinos as the major growing challenge to oppressive US domestic and foreign policies. For five hundred years prior to the Cuban Revolution, racism was the norm in Cuban society. To expect that it would completely disappear even in fifty years is a pipe dream. Indeed, as Fidel Castro, noted in 2003 in a dialogue in Havana with Cuban and foreign teachers:" Even in societies like Cuba, that arose from a radical social revolution where the people had reached full and total legal equality and a level of revolutionary education that threw down the subjective component of discrimination, it still exists in another form. "Fidel, as noted in the December 2, 2009 "Message From Cuba To Afro-American Intellectuals and Artists," described this as objective discrimination, a phenomenon associated with poverty and a historical monopoly on knowledge.

The criticisms about the presence of racism in Cuba are being addressed within the framework of the Cuban Government and civil society. There is and has been fierce debates and policy changes INSIDE these structures when it comes to eradicating 500 years of racism in Cuba. Cuba's policies against any form of discrimination and in favor of equality are grounded in the Cuban Constitution. According to Afro Cubans:" As never before in the history of our nation, black and mestizo Cubans have found opportunities for social and personal development in transformative processes that have been ongoing for the past half a century. These opportunities are conveyed through policies and programs that made possible the initiation of what Cuban Anthropologist Don Fernando Ortiz, called the non- deferrable integration phase of Cuban society." (Message from Cuba to African American Intellectuals and Artists, 12/2/09)

The people of Cuba, in electing their representatives to the National Assembly, have chosen a very diverse group, including dozens of Black Cubans prominently working in many key roles. Indeed, the National Assembly of Cuba is so racially diverse that if Cuba was "suffering" from racism, how did these brothers and sisters get elected? Unlike when the Congressional Black Caucus was formed in 1970, this effort came out of the necessity here in the United States to continually defend the hard won Civil liberties and there rights to equal opportunities waged for centuries by African Americans. Unlike the signers of the December 1, 2009 Declaration, we have not forgotten that in the struggles against colonialism and apartheid, when Africa called, Cuba answered.

Unlike other friends of Africa, Cuba provided assistance to the people of Southern Africa, without brokering one deal for access to resources or anything else. Cuba‘s solidarity with the people of Southern Africa in the 1987/88 Battle of Cuito Cuanavale in Angola was the decisive turning point in the defeat of apartheid. We remember and applaud Cuba's provision of teachers, technicians, doctors and other medical personnel along with free medical training to the young people of Latin America, the Caribbean, Africa and Asia. During the past forty years, more than 35,000 African youth have been trained free of charge while studying in Cuban medical and technical schools as well as universities.

We the undersigned believe that the true callous disregard for the rights of citizens is taking place here in the United States, with Hurricane Katrina being the most glaring proof. In contrast Cuba was among the first countries to offer human and material aid during this crisis in 2005, aid that was in turn rejected by the U.S. government. The U.S. Government continues to spend billions of dollars on war abroad while neglecting African Americans and the poor who are generally subjected to substandard health care and education, the lack of decent and affordable housing, urban street violence and police brutality, crippling unemployment and jobs that people need to live decently.

Cuba is the ONLY country in the world to provide free medical training to United States students wishing to become doctors; providing full scholarships that include tuition, room, board and ALL incidentals. Many of these students are African Americans whose dreams of becoming doctors in order to serve their communities would never have been realized.

We the undersigned call on African Americans to stand up in support of the Cuban Revolution and call on the U.S. Government to end its blockade on the Cuban people. We also call for African Americans to build a united front in the United States that addresses the ongoing historical callous disregard for the rights of African Americans and all people who are subjected to gross negligence in America. We call on the signers of Carlos Moore's Declaration to withdraw their names as an act of solidarity with the Cuban Revolution and recognition of the valiant and consistent efforts by Cuba to eradicate racism. In closing we reaffirm our respect for the Cuban people's right to self-determination and sovereignty.

We the undersigned STAND WITH CUBA! Long Live The Cuban Revolution!

Abayomi Azikiwe, Detroit Editor, Pan-African News Wire
S. E. Anderson- Brooklyn, NY Activist/Educator/ Black Left Unity Network*
Kazembe Balagun, New York, NY Writer/activist/ Outreach Coordinator -Brecht Forum
blackmanwithalibrary.com
Amina & Amiri Baraka, Newark, NJ Activists/Writers/ Educators
The Rev. Luis Barrios, PhD, New York, NY
Afro-Boricua- Human Rights Activist, Priest & Professor
Department of Latin American Studies
John Jay College of Criminal Justice- City University of New York
Judy Bourne, JD, US Virgin Islands Activist Attorney
Jean Damu, San Francisco, CA
Journalist Lena Delgado de Torres, Binghamton, NY Doctoral Candidate, Sociology Department Binghamton University
James Early, Washington, DC Board Member of Trans Africa, Institute for Policy Studies and US-Cuba Cultural Exchange and Director of Cultural Heritage Policy at the Center for Folklife and Cultural Heritage at the Smithsonian Institution
Herman and Iyaluua Ferguson- North Carolina/New York Activists/Educators /Malcolm X Commemoration Committee
Franklin Flores, New York, NY Artist/Activist, Casa De Las Americas NYC
Joan P. Gibbs, Esq.- Brooklyn, NY National Conference of Black Lawyers
Gerald Horne, JD, PhD- Austin, TX, Activist/Historian/ Author
Basir Mchawi, Bronx, NY Chair of the International African Arts Festival
Rosemari Mealy, JD, PhD- Brooklyn, NY Educator/Activist/ Author of Fidel and Malcolm X: Memories of a Meeting
Saladin Muhammad- Rocky Mount, NC Black Workers For Justice
Tony Menelik Van Der Meer- Boston, MA, Activist/Educator • Africana Studies Department University of Massachusetts Boston
Norman Richmond, Toronto, Canada Activist/Radio Journalist
Prof. Harold Rogers, Chicago, Il Chair, Emeritus, African American Studies Dept
City Colleges of Chicago
Aishah D. Sales, Adjunct Professor, Peekskill, NY Dept. of Mathematics Westchester Community College (SUNY)
William W. Sales, Jr., PhD.- Peekskill, NY Associate Professor Africana Studies Department Seton Hall University
Brenda Stokely, Brooklyn, NY Million Worker March Movement, Labor/Community and Anti-war Activists
Tim Thomas, Oakland, CA Community Building Program Manager Habitat for Humanity East Bay
Willie Thompson, San Francisco, CA Professor of Sociology, Emeritus, City College of San Francisco
Askia Toure, Boston, MA Activist/Poet
Tontongi, Boston, MA
Editor of the Review Tanbou, Boston, Massachusetts
Roy Walker- Chicago, IL Advocate of Philosophical Consciencism
Michael Tarif Warren, Brooklyn, New York
Activist Attorney
Hank Williams- New York City Freedom Road Socialist Org/OSCL and CUNY Graduate Center
Marvin X, editor/publisher Black Bird Press

Chinua Achebe Wins Prize

Chinua Achebe, author of “Things Fall Apart,” has been selected to receive the 2010 Dorothy and Lillian Gish Prize for his “unprecedented impact in literature.”

Achebe, professor of Africana studies at Brown University, has written more than 20 books, often using his writing to forge a better understanding of modern-day Africa, said Brown on Friday.
The 80-year-old author has founded a number of magazines for African art, fiction and poetry. As editor of Heinemann Publishing’s “African Writers Series,” Achebe has
worked to bring post-colonial African works to a larger audience.
“When I was a boy growing up in Nigeria, becoming a novelist was a far-away dream,” said Achebe. “Now it is a reality for many African writers, not just myself.”
The Gish prize will award Achebe approximately $300,000 and a silver medallion for his “outstanding contribution to the beauty of the world and to mankind’s enjoyment and understanding of life.” Other Gish prize winners include
Pete Seeger, Robert Redford and Bob Dylan.
Achebe will be honored on Oct. 27 at the Hudson Theater in New York City.

SOURCE: African Sun Times


October 15 deadline for submission of poetry to the Journal of Pan African Studies Poetry Issue
Guest Editor, Marvin X. Email poetry to jmarvinx@yahoo.com, include brief bio and pic, MS Word attachment.