Part TWO: 30 Years of Teaching and Writing

Part Two: 30 Years of Teaching and Writing: The Public Career of Marvin X by James G. Spady, Philadelphia New Observer,1997

copyright (c) 1997 by James G. Spady

...The poetry of Marvin X is deeply rooted in the cosmological convictions of his ancestors and his community. His individual identity is inextricably linked to his communal identity. That is why it functions as a source of power and inspiration. Because he is open to the magico-realist perception or reality and has the authentic experiences of the streets, Marvin's works strike a chord. Nowhere is this better exemplified than in a recent collection, Love and War, 1995.

"Read Love and War for Ramadan!"--Dr. Mohja Kahf, University of Arkansas, Department of English and Islamic Literature



cover art by Emory Douglas, Black Panther Minister of Culture



He introduces the work with these words, "Love and War is my poetic story of rediscovering self love and the internal war (Jihad) to reconquer my soul from the devil who whispers into the hearts of men, Al Qur'an. But I am also mindful of socio political conditions of my people. And this reality fills me with compassion and love, forcing me once again (now that I am clean and sober) to put on the armor of God and return to the battlefield. This collection is a signal of my return to the struggle of African American liberation after an absence of nearly a decade, caused by disillusionment and drug abuse. I return with the spirit of my friend, Huey P. Newton, rip, shaking my bones. He and I were often in the same drug territory and but for the grace of God, I chould have easily suffered a fate similar to his. I came close many times. Praise be to Allah."



"Marvin X was my teacher, many of our comrades came through his black theatre: Bobby Seale, Eldridge Cleaver, Emory Douglas, George Murray and Sam Napier."
--Dr. Huey P. Newton,co-founder of the Black Panther Party



...Craft is essential to Marvin X's poetry and drama. He knows the possibilities and constraints of the form. And he also knows how to expand. He credits Sun Ra with having helped him to realize the full possibilities of theatre. Marvin read his poetry in San Ra's grand musical energy field and he closely observed Sonny's skillful exploration of our Omniverse and all of its real possibilities. Was int not Sun Ra who told Marvin X that he would be teaching at U.C. Berkeley before it happened?




Marvin X and Sun Ra, both Gemini





...Nearly 30 years ago, Marvin sought to teach the relationship of Islam and Black Art. In his published conversation with Amiri Baraka, he attempted to reconcile and provide voices and faces for the different expressions of Islam in the West.

As a skilled interviewer, he allows Askia Toure and Baraka's divergent views of Islam to be placed into the record. In the afterword he states, "I believe the Honorable Elijah Muhammad is at least ten years ahead of any Black group working for freedom, justice and equality in the hells of North America. The Islamic ideology, discipline and organizational structure permits the masses of our people to fully develop their self-identity, self defense and self-government."

Again, X is out front. He recognized the tremendous influence Islam had on the Black Arts Movement. He is a case study in that type of influence....


Elijah and Malcolm, major influences on Marvin X. He honors both men.



....Marvin X is credited with convincing Eldridge Cleaver to use his advance against royalties from the popular book Soul on Ice, to help set up Black House. The building became "the mecca of political, cultural activity in The Bay Area. Among artists featured were: Sonia Sanchez,Vonetta McGee, Amiri and Amina Baraka, Chicago Art Ensemble,
Avoctja, Emory Douglas, Sarah Webster Fabio, et al. Playwright Ed Bullins joined Marvin and Eldrdige at the Black House, along with Marvin's partner, Ethna X (Hurriyah Asar), and singer Willie Dale, Cleaver's buddy from San Quentin.

Eldridge Cleaver, see Marvin X's memoir, Eldridge Cleaver, My friend the Devil, 2009 Upon his release from Soledad prison, Marvin X was the first person he hooked up with. Later Marvin introduced him to Huey Newton and Bobby Seale.


....Marvin X is a teacher of primeval knowledge, a knower of both street poetry and book poetry. In fact, he combines the two in a powerful way. Each verse is a teach act, each stanza--a class. His use of alliteration, rhymes, assonance, dissonance and free rhymes indicates he has absorbed the teachings of the academy. Yet, the street consciousness lying in the cut of its content links him directly to the poets of the new idiom called Rap.



Black Panther co-founder Bobby Seale who attended Oakland's Merritt College along with Huey Newton and Marvin X. Bobby performed in Marvin's second play Come Next Summer before founding the Black
Panther Party.

His experimental verses are wholistic, historical and yet dialogical. The dynamic complexities of the situation creates in the reader an urgent need to know more. Can we expect anything elswe from a good teacher?

30 Years of Teaching and Writing: The Public Career of Marvin X

30 Years of Teaching and Writing: The Public Career of Marvin X

Copyright James G. Spady, 1997

Philadelphia New Observer

Marvin X has been teaching for a long time. He has established his tenacity. As one of the founders of the Black Arts Movement (BAM), he became a teacher in an emerging field called Black Studies. Like Sonia Sanchez, Amiri Baraka, Larry Neal, Askia Toure and others, Marvin X both contributed to and later taught those pivotal courses that constituted a new discipline.

For the last thirty years, this gifted poet, journalist, dramatist, oral historian (he appears to be the only participant in the Black Arts Movement that conducted intensive and extensive oral interviews with the key participants, as well as international political, cultural and educational leaders)and teacher, has established an unusual record. Marvin X has taught at the University of California at San Diego, Mills College, San Francisco State University, Fresno State University,
Laney and Merritt Colleges in Oakland, University of Nevada,Reno, and the University of California at Berkeley.

His peers were among the first to recognize his ability. The well-known African American man of the Arts and Letters, Amiri Baraka, refers to Marvin X as "one of the outstanding African writers and teachers in America. He has always been in the forefront of Pan African writing. Indeed, he is one of the founders and innovators of the new revolutionary school of African writing."

One of the best known playwrights in America is Ed Bullins. He refers to X as "one of the founders of the modern day Black theatre movement. He is a Black artist par excellence." The editor of Black Scholar magazine, Robert Chrisman, spoke of Marvin as "an extraordinary distinguished poet who has a powerful sense of meaningful drama"....

After high school (1962), Marvin enrolled in Oakland City College, aka Merritt College. There he met Huey Newton and Bobby Seale, who went on to found the Black Panther Party. It was at OCC that Marvin began to undergo a vital change. He listened intently as speaker after speaker addressed the ever-growing members of the cognoscente at Oakland City College. They, like many area colleges, benefited from the organizing and conscious-raising activities of the Afro American Association under the leadership of a young black lawyer, Donald Warden (now Khalid Abdullah Al Mansour). Marvin's early writings appeared in the Merritt College literary magazine.

Upon receiving the A.A. degree, Marvin went on to San Francisco State University, 1964. Marvin wrote a play for one of his English classes. The professor, legendary novelist John Gardner, was sufficiently impressed to carry it over to the theatre department. In the Spring of 1965, Marvin X's one-act play "Flowers for the Trashman" was produced at San Francisco State, a novel experience for an African American. It is even more exceptional in that it was his first play. (Published initially in Black Dialogue, Winter, 1966 and later in Black Fire, edited by Larry Neal and LeRoi Jones).

Marvin X soon met Philly playwright Ed Bullins, introduced to him by Art Sheridan, founding editor of Black Dialogue magazine. Ed and Marvin founded Black Arts West Thetre in the Fillmore. Black Arts West was certainly influenced by the Black Arts Movement in the East, mainly New York and Philadelphia.

The role of Amiri Baraka in shaping national Black consciousness can not be overemphasized. However, Marvin X, Hillary X, Ethna X, Duncan X (as they would become in a few months after joining the Nation of Islam, circa 1967), along with Ed Bullins and Farouk (Carl Bossiere, rip)were part of an indigenous Black Arts Movement....

--Continued--

London Bridges Falling Down, Falling Down

In solidarity with the family and friends of our son Mark Duggan

The PASCF extends our deepest sympathy and forthright solidarity to the family and friends of our son Mark Duggan. Between 6.15pm and 6.41pm on Thursday 4th August 2011 our 29 year old son Mark was shot dead by London Metropolitan Police gunmen in Tottenham Hale North London.

Coming two weekends before our Marcus Garvey African Family Day with its theme of African Youth Thirty Years On: State Destruction or Self-Liberation, the Tottenham Uprising of 6-7th August 2011 confirms something that was never in doubt: the capacity of our African Youth (and our wider African community) militantly to resist injustice and oppression.


Contextualising the current uprising

There is a rising amount of injustice and oppression around at the moment. The racist ruling class is making working people (Africans especially) pay for the destructive structure and operation of a capitalism increasingly dominated by finance capital. This system commoditises everything (including nothing) in pursuit of super profits. When this blows up in its face with bogus AAA instruments proving to be what they always were - worthless - it is the capitalist state that 'saves' the finance sector and the economy as a whole. It has to do so by printing and borrowing money.

Ideologically right wing capitalists then attack the state for being too large and too debt-burdened. They demand 'cuts' to 'save the nation and posterity.' Poor people pay. The objective noose around the neck of capitalism tightens. The right wing demands tax cuts for the rich. The banks, for their part, as part of 'rebuilding their balance sheets' virtually refuse to lend or lend at interest rates of way above that at which they borrow. The banks pay next to nothing on savings. The finance houses (banks by another name) make super profit by attacking money (the national currencies of all nation-states are commodities that are not just traded but attacked for profits).

This completely irrational aspect of the system cannot be curbed because finance capital is king. And so the crisis deepens. The USA and the EU/Euro Zone and the UK (Sterling) are in trouble. So is Japan (its industrial production-based miracle has run its course). So too is China, the leading lender into this system and itself a social powder keg. The question there is: can a Communist/(Stalinist) party structure successfully manage a corrupt capitalist economy in which workers are exploited in myriad un/traditional ways? Those (like Ghaddafi) who dare to propose currency (absolutely not system) alternatives get targeted for murder/regime change. Well serious!

State oppression brings people’s resistance

Injustice and oppression reign on the streets of the UK (and elsewhere) as well. The Metropolitan Police is not only in bed with the corporate criminals like News International, taking bribes left right and centre. It also has its officers killing, humiliating and criminalising Africans. If they can get away with shooting our sons Derrick Bennett, Azelle Rodney and a Brazilian, Jean Charles de Menezes (shot some 7/8 or more times in the head in public) why not the killing of Smiley Culture (What were handcuff marks doing on his wrists if he stabbed himself to death using a knife with body-penetrating force?) and why not Mark Duggan on Thursday 4th August. Eye witnesses say Mark was shot dead by armed police after being 'subdued' and fully under their control. The bullet he is alleged to have fired is now being said to have come from a police issued firearm. It is now officially admitted that the media facilitated the police in the telling their usual lies that Mark had shot one of them before himself being shot dead. If Mark's unlawful killing was fuel, the open assault upon a young African sister towards the end of a peaceful demonstration was more fuel, and lighted match.

On top of that, we have a national DNA data base with African people massively over-represented on it! We have Joint Enterprise Statute, dangerous in conception being abused by the police, the state prosecution services and the courts! The Police are in Schools - taking names and information, managing the long-term criminalization of another generation of an entire community as they participate in process of rampant exclusion and false charging of African Youth!

Perhaps more than ever and disproportionately at the expense of African people, the police are dealing in drugs and facilitating gangs of many sorts! The police are abusing stop and Search powers exploiting fears about gun and knife crime in trying to justify this humiliating outrage?

Late on Saturday 6th August PASCF members witnessed a search on Railton Road, Brixton (Starting point of the Brixton Uprising of 1981 provoked by the Swamp 81 stop and search Operation!) The victim of that search was an African who appeared well into middle age. One of the police men doing the search had on surgical gloves and only barely avoided stripping the man, so invasive was he. Our member asked that policeman if, having found no evidence of a crime, he had ever had reasonable grounds for suspecting the African and as he walked off he said the African man would tell us what it was about. The poor victim had no idea what the search had been about. He had been asked for a search and had felt obliged to say 'yes'.

On 8th August the Hackney part of the ongoing Uprising followed immediately upon precisely one of these lawless fishing exhibition type searches by Metropolitan Policemen.

Youth are the spark of the revolution

Of course the struggle continues with London in flames. So far our children are rising up in Tottenham, Enfield, Islington, Waltham Forest, Walthamstow, Wood Green, Camden, Harlesden, Shepards Bush, Ealing, Queensway, Ladbroke Grove, Notting Hill, Chelsea, Hounslow, Croydon, Brixton, Loughborough Junction, Crystal Palace, Tooting, Streatham, Clapham, Merton, Camberwell, Peckham, Lewisham, Catford, Lee, Blackheath, Woolwich, Surrey Quays, Old Kent Road, Tower Bridge, Bromley, East Dulwich, Ilford, Chingford, Dalston, Hackney, Canning town, East Ham, Barking, Isle of Dogs, Oxford Circus, Bristol, Birmingham, Wolverhampton, West Bromwich, Nottingham, Liverpool, Manchester, Surrey and Suffolk. In addition to militarily defeating the British police force, they summoned Parliament, the Prime Minister, the Home secretary, the Mayor of London and other officials all of whom were on holiday.

Not only do our young people presently have the capitalist state on the run but they are demonstrating its logistical limitations for all who have eyes to see. The political pity is that Marx’s working class/proletariat - theoretically history’s appointed "grave diggers of capitalism" - is visible only as one source, along with Black Members of Parliament, of scared, inane and reactionary comments about the spreading Uprising.


Pan-Afrikan Society

Commmunity Forum

07944-204-955

www.pascf.org.uk; pascfevents@gmail.com

Statement of the PASCF on the London Uprisings

11th August 2011

GET YO MIND RIGHT, A Video by Marvin X

Get Yo Mind Right is Marvin X's version of the barber shop, shot in East Oakland, 38th and MacArthur. The videographer and editor is Pam Pam. Marvin must not only pay for his haircut but the young barbers force him to teach on a variety of subjects, politics, religion, history, manhood and other topics. We also see the neighborhood psychopath doing his thing. One barber is a young Black Panther baby; a customer from Philadelphia is a disciple of Noble Drew Ali's Moorish Science Temple. A youth explains why he wears the do rag and cap. Enjoy this video that Fahizah Alim of the Sacramento Bee called "the Real Barbershop."

Marvin X at the Philadelphia International Locks Conference

Black Males in America

August 9, 2011

Black Males in America, Setting a Path for a Better Future

“To be a poor man is hard, but to be a poor race in a land of dollars is the very bottom of hardships.” W.E.B. DuBois

It has become somewhat cliché to refer to the harsh realities of being a Black male in America as the “Black Male Crisis.” After all, as far back as the 1980’s newspapers and magazines were running features describing the evisceration of African-American men from society. Conferences were held, research reports issued, and some states established commissions; all with the singular purpose of identifying measures to improve conditions for Black men. Despite these good intentions, three decades later, Black males are in a precarious state in America and against the backdrop of a historic recession their prospects are dim unless we move aggressively to alter their course.

Just how bad is it for Black men? A recent report issued by the College Board reached a stunning and sobering assessment of the quality of life for Black males. The report titled “The Educational Experiences of Young Men of Color,” reviewed the current research on educational pathways. The report notes that unemployment is the most likely postsecondary destination for Black males who do not end up incarcerated or meet an early death.

At the CBCF, we have aligned some of our policy initiatives to address issues around young Black men. This work continues today as we continually engage the policy process on issues such as mass incarceration, a more rational drug policy, the improvement of our public schools and job training and employment.

Corporate leadership and wealthy citizens can and must play a pivotal role in providing opportunities for young black males; through training and employment. Just last week New York City Mayor Michael Bloomberg announced that he would invest $30 million of his personal wealth behind a city initiative aimed at improving the lives of young minority males.

To find out more on the issue of Black males, read the landmark publication by senior research analyst at the Congressional Black Caucus Foundation Ivory Toldson, Ph.D., “Breaking Barriers: Plotting the Path to Academic Success for School-age African-American Males.” http://cbcfinc.org/newsroom/press-room.html.

You are invited to join Dr. Toldson as he releases a follow up of the report “Breaking Barriers Two(BB2) during CBCF’s 41st Annual Legislative Conference (ALC) from September 21-24 in Washington, DC.: The 88-page research report focuses on the roles that schools and communities can play in promoting academic success among African-American males and reducing the disproportionate contact that young black males have with the juvenile justice system. Rep. Cedric Richmond (LA-02), a panel of experts and foundation executives will join Dr. Toldson to discuss national strategies to improve educational outcomes for African-American males.In addition to the release of BB2, the Conference will offer a half dozen issue forums and brain trust sessions confronting this issue and seeking viable solutions. To find out more and to register for ALC visit us @www.alc11.org.


Meanwhile, what can you do? Get involved, share your thoughts with your member of Congress and the White House and voice your opinion. When citizens are informed, engaged and active participants in moving the country in the right direction, our nation is that much stronger.

Darcus Howe BBC News Interview On Riots