Monday, August 29, 2011

A Funny Thing Happened at Berkeley High's All Class Reunion Gathering


Berkeley High's Reunion


This past Saturday, Berkeley High held an all-class reunion at San Pablo Park. Ironically, although Berkeley High has been known as an integrated school, this all class reunion was 99% North American African. I had the pleasure of the 1%, a drunk white man who somehow found me among the two thousand North American Africans and decided to sit at my feet. And then proceeded to light a cigarette. I asked him to kindly get out of my Motherfuckin' face, which his girlfriend persuaded him to do, after all, it was clear they had wondered into the park, not knowing it was a Black gathering.

FYI, the gathering was a great gathering of Berkeley Black Unity, without incident and totally peaceful, with blues music and vendors selling food and Black Art. Old school mates embraced and enjoyed the sunny day.

Briefly, I stood talking with Dr. Robert McKnight, Chair of African American Studies at Berkeley High. He requested his remarks remain off the record, but I will say Black Studies at Berkeley High is in crisis and the District is doing everything it can to eliminate it, although it is perhaps the first high school Black Studies Department in America. Dr. McKnight gave out his business card that said the following on the back:
We Ain't Going Out Like That
Join the Struggle
"Keep the Legacy Alive"
Kiswahili 1
African American Literature
African American Psychology
African American Journalism
Psycho/sociology of Black Male/female relations
Gospel Choir/Black Student Union
African Dance
African American Economics
African American History

The reality is that Black Studies is under attack across America. It is part of the general attack on Black people, although we think Black Studies is suffering because it has become disconnected from community, thus ignoring its mission to serve the community. Of course, in crisis it returns to community for support to "keep the legacy alive."

We know the radical black scholars were long ago removed from most black studies programs, especially in higher education. The tenured Negroes were brought it and have remained to this day with a Miller Lite version of Black Studies, if not a totally escapist version that stresses Pan Africanism above local or the national needs of North American Africans. After all, the radicals were removed because they focused on local and national needs, putting Black Studies in harmony with community, not white academia that never desired black inclusion or black educational upliftment. Would this not mean the liberation of community or nation time?

We hope Mr. McKnight can save black studies at Berkeley High, although he admitted he is tired, exhausted from fighting the administration at every turn. He may get the community support needed if his program can indeed relate to the critical needs facing our people at this hour.
--Marvin X

Sunday, August 28, 2011

We take Credit Cards: Beyond Religion, toward Spirituality

Black Bird Press
Now Again in Print: Marvin X Classic!
Beyond Religion, toward Spirituality, essays on consciousness, Black Bird Press, 1222 Dwight Way, Berkeley CA, 2007, reprinted 2011
.



Order now: $19.95, plu
s $5.00 for s/h.
For credit card orders: call 510-575-2225

Credit Card Logos



This is an encyclopedia of knowledge. He's a griot if there ever was one!
--Mumia Abu Jamal, Live from Death Row

Marvin X has done extraordinary mind and soul work in bringing our attention to the importance of spirituality, as opposed to religion, in our daily living. Someone�maybe Kierkegaard or maybe it was George Fox who�said that there was no such thing as "Christianity." There can only be Christians. It is not institutions but rather individuals who make the meaningful differences in our world. It is not Islam but Muslims. Not Buddhism but Buddhists. Marvin X has made a courageous difference. In this book he shares the wondrous vision of his spiritual explorations. His eloquent language and rhetoric are varied�sophisticated but also earthy, sometimes both at once.

Highly informed he speaks to many societal levels and to both genders�to the intellectual as well as to the man/woman on the street or the unfortunate in prison�to the mind as well as the heart. His topics range from global politics and economics to those between men and women in their household. Common sense dominates his thought. He shuns political correctness for the truth of life. He is a Master Teacher in many fields of thought�religion and psychology, sociology and anthropology, history and politics, literature and the humanities. He is a needed Counselor, for he knows himself, on the deepest of personal levels and he reveals that self to us, that we might be his beneficiaries.

All of which are represented in his Radical Spirituality�a balm for those who anguish in these troubling times of disinformation. As a shaman himself, he calls too for a Radical Mythology to override the traditional mythologies of racial supremacy that foster war and injustice. If you want to reshape (clean up, raise) your consciousness, this is a book to savor, to read again, and again�to pass onto a friend or lover.
�Rudolph Lewis, Editor, ChickenBones: A Journal

Marvin X is available for readings, lectures and performance. jmarvinx@yahoo.com
www.blackbirdpressnews.blogspot.com

Saturday, August 27, 2011

Keyshia Cole Rocks Oakland


photo Princess O. Davis


Keyshia Cole Day in Oakland

Marvin X reads poem dedicated to Keyshia Cole. The poet was accompanied
by Aries and Toya Jordan. As he ended his reading, Keyshia came on stage and the crowd went wild. Keyshia gave a wonderful micro-concert that revealed her awesome talent. Her remarks showed her love of community and she promised this is just the beginning of her giving something back. We need more conscious artists to advance the cultural revolution among North American Africans.





Keyshia Cole's event organizer was Muhammida el Muhajir,
daughter of Marvin X.

photo Princess O. Davis

Muhammida El Muhajir
Hip Hop, the New World Order





British Hip Hop Interviews Hip Hop Producer, Muhammida El Muhajir

Written by Esh
Thursday, 17 March 2011
Muhammida El MuhajirMuhammida El Muhajir was the first person to make a documentary about global Hip Hop. I was lucky enough to get hold of her and find out about her amazing experiences around the world.

Introduce yourself…

Muhammida:
My name is Muhammida El Muhajir and I’m a producer and the director of the documentary Hip Hop: The New World Order.

Why did you make the movie?

Muhammida:
I was initially inspired to make the film, primarily because here in America we don’t get a lot of information on things that are happening outside of our country, unless it’s… tragedy, you know, we don’t really hear about what young people in other countries are doing. You can find out but you really have to do a lot of research.

Whereas I feel in the international countries they all are aware of what’s happening in America, with American youth and our pop culture, and I just knew that Hip Hop was having a really tremendous impact on young people here in our country, and I imagined it was having similar impacts in other countries as well, but we just didn’t get a lot of the information.

Being here, you’d be at nightclubs and you’d see these Japanese kids, all decked out with timbs and gold teeth, so what’s happening over there that they are so into it. Also here in the States, for the most part, Hip Hop was looked at pretty negatively, you know, it’s very violent, it talks about women, all things that are very true, but I don’t think people were looking at the positive influences it was having.

How did you go about deciding which countries and artists to put in the film?

Muhammida El MuhajirMuhammida:
As far as the countries, I thought about places that it was interesting, that Hip Hop was there, or places where it was really popular. So, those were the countries that I went to: I went to Japan, Cuba, France, UK, Germany, Holland, South Africa and Brazil. So, again just being on this side of the water I didn’t have a lot of information about which artists were really big. Usually I would have one or two contacts and once I got to the country I’d find out who’s who and what’s what and be led to the right people like some kind of crazy Hip Hop domino effect.

You made some good contacts then?

Muhammida:
Most of the artists that I interviewed and started some sort of relationship with, they for the most part are like the forefathers of Hip Hop in their respective countries. So it just so happened that those people are the people who set the foundation for Hip Hop in many of their countries. So we talk about Japan, DJ Muro, Zeebra, K Dub Shine, all those guys who are still very influential in the Hip Hop scene there, but were there at the beginning. That goes for pretty much each country.

The documentary was a totally independent project so it’s been about 10 years - I’ll stop and I’ll go off on some other project and come back to it. But now it’s like a historical reference. I think that there are a lot of other documentaries that have come out since that time, but I don’t think anything really touches on all those people and all those countries and really shows it - it was a guerilla style project so very intimate - you, me, my little camera and these guys at their homes or in their studios or in their car so you get a kind of birds eye view of these guys talking about their experience, and just seeing them, eating balls of super noodles or whatever it is. It was an interesting glimpse into their lives.

I interviewed the director of The Furious Force of Rhymes, Joshua Atesh Litle, who was the 2nd person to do a global Hip Hop documentary…

Muhammida:
Actually I think I was the first person to do it. Mine came out in various stages, but before I started on my project I have never really seen or heard something similar, maybe something about Hip Hop in Cuba or little things… but I think what people have done has been amazing and just to see the growth and the interest in international Hip Hop, I am really excited about that.

So you’re still a fan of international Hip Hop?

Muhammida:
Yes.

I haven’t had an opportunity to see your movie in full yet…

Muhammida El MuhajirMuhammida:
Part of that problem is, as I said, it was a totally independent project so it has not been distributed yet, so I’m working on that for next year. Again, I put it on the back burner, but now it is a historical reference piece and when people are studying the art and the culture of Hip Hop, it can be a very useful reference, in addition to a lot of the other projects that you mentioned and have highlighted.

What year did you begin with the film?

Muhammida:
I went to Japan in 1998, that was the first country I went to. It wasn’t like an ongoing project where I shot continuously. I was working full time, so maybe I’d take a holiday and go to another country. It was my own money, I’d raise money… so it was shot over a period of about three years.

Hip Hop has a political angle, did you put that in your film too?

Muhammida:
What I put in my film was, I really tried to show how in each country people are using this art form. For what forms of expression is Hip Hop being used as a vehicle? So all the things that people here hate about Hip Hop are really the things that make it uniquely American. Those are all the things that are part of American culture and society that people are hating… It’s really not the Hip Hop. Hip Hop is a gun that you could use to kill, to do violence, or it could be used to protect your family… it’s not Hip Hop itself that’s violent or negative or misogynistic, it’s really the American experience.

Here, we are one of the most violent countries in the whole world. So that experience is going to be reflected in our Hip Hop. I think that other countries where materialism and consumerism and all those issues are not a factor - their Hip Hop does not reflect that. No other place in the world is like it is here in America. I dig that people were using it as a political platform. Artists like Racionas MCs in Brazil - when (former Brasilian president) Lula ran, he tapped into their power and popularity, and that’s a huge force, that can be used for positivity and really it’s become a youth movement.

I titled my film Hip Hop: The New World Order because I saw it as this new force and this new movement. If it was used in the proper way it could really make a lot of social change.

Muhammida El Muhajir

So being in New York, the Hip Hop capital, do you get a lot of attention for the film?

Muhammida:
Well definitely in the past, people are looking for it. I get calls every week or so from Universities or somewhere that’s looking to purchase it or screen it and I’ve screened in the past and got lots of press internationally. The people are definitely waiting for it to come…

The title, Hip Hop: The New World Order, has some interesting parallels with the music right now…

Muhammida:
Speaking about conspiracy theories and things like that, people here are looking at this commercial sort of Hip Hop in America as a way to forward some of those capitalism platforms and promote all the things that being in a capitalist country, benefits the system, the consumerism, the ‘me me me’ attitude. Just a lot of those things that are characteristics of this society and help it propel forward whether it’s positive or negative.

Then you hear stories about this artist or that artist who are part of the Masons, all those things, on YouTube, so you never know… Part of this New World Order is that we gonna have this common government and common financial and political system, and I thought it was kind of a play on that with Hip Hop because traveling around the world, you see that through Hip Hop, kids are having this commonality of language, of style, of dress. Because I was down with Hip Hop, I was immediately connected to other people - despite language barriers or anything else we had that in common and that immediately bonded us.

Tell me about your personal experiences of Hip Hop before you made the movie…

Muhammida El MuhajirMuhammida:
I grew up with Hip Hop. I am about the same age, maybe a couple of years younger than what we consider modern day Hip Hop. I am a fan, an observer, an analyst I would say, all those things. I worked in the music industry, I worked in the film industry, I was a casting director. I’ve been involved in Hip Hop and in music in a lot of different levels working with artists and record labels so I’ve had a very close relationship with the music and the culture.

Which artists would you recommend right now?

Muhammida:
I have always loved artists who have been able to really combine social commentary with the art and do it a very cool way so it’s not totally preachy, but you can jam to it to. So I always loved Dead Prez for that, they’ve really been at the forefront of that. I love Mos Def, and some of the new guys out here like Lupe, and I’m still following some of the international artists, mainly the ones that are featured in my film, Anónimo Consejo in Cuba, Oxmo Puccino, he just put out a live album…

I mentioned the relationship I had with some of the artists. Oxmo Puccino was in New York and I filmed him just at a café somewhere in New York, it was just crazy. And with Zeebra riding around in his jeep in the streets of Toyko. I love to see the growth that those artists have had… Roots Manuva in London. People who are really innovators in the music and the culture, worldwide - Blak Twang in the UK. A few months ago I ran into DJ Vadim on the streets of New York. These are people who are like the major power players in international Hip Hop, and I was really grateful to have them all as part of the project.

Even some of the American artists like Questlove who was in Tokyo when I shot him. Method Man, who really gave a humorous perspective on international Hip Hop with his experiences travelling abroad… Dead Prez were also in the film and I shot them in South Africa, they were pretty much the first US artists to go to South Africa and do a concert. Some really historic things happening in Hip Hop are incorporated into the piece.

I cant wait to see it!

By: Esh | IBMCs on Facebook

Trailer on youtube:



Tuesday, August 23, 2011

Keyshia Cole in Oakland, Thursday, Frank Ogawa Plaza

Keyshia Cole

Oh, Sister Keyshia

Oakland loves you

Like you love Oakland

We honor and respect you

Your creativity, your humanity

The wisdom of your life

Lessons of love between you and your mom and family

All sisters and brothers need to know and master

The unconditional love that is you

The faith and determination

We love your inspiration

We need your love lessons right now in Oakland

We need you to let your little light shine

So we can see through the dark moments that consume us

When love is gone and bitterness makes us drunk

Hateful and spiteful, jealous and envious

Oh, Sister Keyshia

Sing us a happy song

How you got ova

In spite of all the blocks in your path

All the rats and vermin, the roaches and flies

Couldn’t turn you round

Just made you stronger

Made you the beautiful woman we love.

--Marvin X

8/25/11.



Thursday, August 18, 2011

Notes on Teaching Youth


Notes on Teaching Youth

By

Marvin X



Be humble at all times, your future is in your hands, no matter what else, you will not be here always, a new generation is upon us that must be taught our traditions, all the technology of the global village, high finance, the essentials of capitalism no matter if we call ourselves Communist, Socialist, Pan African, Muslim, Christian, Buddhist, Hindu.

There must be some economic system whereby men and women can engage in commerce, sell, barter, consign. We don’t give a damn what you call it; just organize a way to deliver goods and services to the people.

We only know this: no one should starve in the village, nor be homeless, or illiterate, or in ill health without a medical plan.

Your children shall need your counsel and advice always, so be there for them, first setting example, we know words are cheap. Let the children see us doing the right thing for ourselves, and then they will know what to do, more than likely they are doing the right thing already, just might need a little common sense advice.

In teaching youth, we should consider their level, not our superior educations, whether academic or self taught in the model of Merritt College students Huey P. Newton, Bobby Seale, Ernie Allen, Marvin X, et al.

Was not the purpose of those rallies on the steps of the old Merritt College on Grove St. /Martin Luther King, Jr. to “break it down to the masses”? And so we must break down abstract terminology such as freedom, slavery, racism, capitalism, socialism, Pan Africanism, white supremacy.

Give definitions, break words into syllables. Do not assume a twenty-five year old male or female has any knowledge of the above subject matter. Do not assume they can read. Do not assume they have traveled ten miles out of their turf. Do not assume youth living in Newark have visited New York. Do not assume youth in Oakland have visited San Francisco. I took a twenty-five year old female to San Francisco recently, who grew up in Berkeley/Oakland. When we came up from the BART or rapid transit system, she said, “Wow, look at these big buildings. Wow, they are so tall. Wow, look at all these people on the street. Look at these big banks on every corner. And they treated me so nice at the bank, not like Oakland and Berkeley. I didn’t know this world existed. I have to come over here more often."

Mayor Jerry Brown, now California Attorney General, used to say Oakland was closer to San Francisco than San Francisco, in his racist attempt to gentrify West Oakland. But how often do West Oakland youth get on the BART for a visit to San Francisco, one of the most beautiful cities in the world, a romantic city based on tourism, yet how many youth are plugged into the multi-billion dollar tourist industry, mainly they are at the wharf as dummies, robots and hip hop dancers. Thank God for that.

But how shall we teach them economic self sufficiency? Get a job and be pimped for life? Become a wage slave and teach your children to go to college so they can also become a cog in the wheel of capitalism and slavery (C. Eric Williams, who himself became a victim of capitalism and slavery as prime minister of Trinidad, see Marvin X, The Black Power Revolt In Trinidad, Journal of Black Poetry, circa 1972).

Micro Credit Loans for Youth


This is a process of loaning small amounts of money, say one hundred to three hundred dollars to youth so they can “come up” in a legal endeavor, not selling drugs, pimping, murder, but some project to deliver what the people need, such as food, clothing, shelter.

Visit the cities of America and we shall see what needs are addressed on the street, not to speak of inside businesses.

On the street youth sell T shirts, incense, oils, jeans and other urban gear. They sell books, especially in New York. And there are Latin youth selling fruit, vegetables, DVDs and CDs, black youth do this also to a high degree, to the point police do not harass them since they are doing something for self and not causing mayhem.

Absent Fathers



No matter the age of your children, connect with them, they need you, whether they say so or not, no matter if your children are 20, 30, 40, 50, they need you, your guidance, wisdom, love and attention. Sons need you, daughters need you. Tell them what a man must do to be a man. Ask their forgiveness for your unmanly or unwomanly actions. And clean up your act. Do better. Make a visible recovery from your wretchedness. Let your children see that you love them and that your love is unconditional, no matter what they do, success or failure, you are with them to the very end of time.

Black on Black Crime



Black on black crime is symptomatic and problematic of the perilous condition under which we live on a daily basis in the hell holes of America. We shall continue killing each other until we come to know who we are as Divine beings in Human form, that our bodies are the temple of the Divine, our bodies and minds, thus we should delete all negative thought such as hatred, jealousy, envy, and other negative thoughts that prevent us from enjoying the Divine plane of life.

On the matter of murder, my wise adviser told me, “When you kill your brother, you kill yourself. Two of you are dead. The killer is a dead man walking. As the Bible says, As Thou Hast Done, So Shall It Be Done to Thee.

Don’t be hypocritical, youth and adults. I know so many youth and adults who have lost loved ones to violence. No one is rioting over their loved ones, no one is protesting their lost. No one cares. The relatives and friends suffer in silence. They cannot discuss their grief with anyone, no one wants to know of their lost.

There are few mental health and grief counselors in the hood. The Oakland Grief Centers the City set up are a good example of what must be done to alleviate the trauma of life in the Wilderness of North America. What can we expect? More importantly, what can we do to advance our agenda for the masses, the wretched of the earth? No struggle, no progress, power concedes nothing without a demand, it never has and never will—our great ancestor Frederick Douglas told us this in the 19th Century.

There must be a higher level of organizing than rioting through the streets. If and when they come down on the people, do you have food, water, generators in reserve? Do you realize one flush of your toilet consumes five gallons of water? Do you have five gallons of water to drink, let alone in your toilet? Have you heard drought and famine are coming? Are you prepared? They taught us in Boy Scouts to be prepared.

Of Scholars and Teachers



Oh, my God, in the spirit of David Walker, let the poor righteous teachers do their duty to children and youth. We honor them and pray they shall remain on their posts, teaching the uncivilized youth who truly seek wisdom and knowledge. One need only converse with them in a moment of quiet, such as jail, prison or a depressed moment in the hood, away from peers and parents, on the street as I have encountered so many times on the streets of Oakland, especially at 14th and Broadway, my outdoor classroom, aka, Academy of da Corner, and the main scene of rioting over the New Year’s Day murder of Oscar Grant by the BART police.

Teachers and scholars must teach a new way. A radical approach is needed at this time, surely we all agree on this? We must at least have food, clothing and shelter, basic needs. All else is talk, hype, sham, don’t believe the hype!

Shall our children and youth be homeless, abandoned, school dropouts, prison bound, or shall we speak to them with parental authority, warning them of death on the streets, in unsafe sexual encounters, hanging out with drinking and gambling buddies. And please consider the tone test when encountering the police. They can kill you, jail you or release you, depending on your tone of voice. You must pass the tone test with another brother and sister as well. Everybody is on edge, stressed, so watch your tone of voice, watch how you look at people, don't stare. Many people come on the street in a mind-altered state, thus they often imagine you have said something you didn't actually say, or they assume you were staring at them when you weren't. So be cool on the street. Teach youth how to act to survive in the urban jungle. There is no other lesson.

Take Advantage of Obama Drama


Youth should take full advantage of this critical moment of change in the history of America and the world. In the next few months, take advantage of economic and educational opportunities the government will offer as a way out of the depression caused by greed and other cancers of the addiction to white supremacy, especially during Obama's reelection campaign. He will spend a billion dollars to get reelected or reselected, so figure out how much of that billion you can get hustling Obama gear, T-shits, caps, buttons, photos, etc. Don't sit around like a frog on a lily pad. You can copy color pictures of Obama for 35 cents, get picture frames from the dollar store, then sell them for $5.00-10.00 or more. Life is a thinking man's game, so think! You can do it, your ancestors did!

--El Muhajir/Marvin X