Sunday, February 26, 2012

From the Archives of Nefertiti El Muhajir



Nefertiti, Cornell West and Amiri, daughters of Marvin X. Far left is the Honorable John Douimbia, Marvin X's mentor. Photo is from the King's and Queens of Black Consciousness concert, produced by Marvin X, April 1, 2001.





August 4, 2010


The thickness and softness of the quilt reminds me of the warmth and security that I have always felt in my youth. Blessings and honor and peace be upon all of humanity. Reconnect with your faith. Reconnect with your history. Reconnect with things which will lead to your progression.


I was back in Houston, sitting on the couch, looking out the window at the big magnolia tree in the front yard. As I sat on the couch and snuggled in my thick, warm, quilt, I sighed and reflected, “Life is good.”

The quilt felt warm, and even thought it wasn’t exactly what I wanted, I had one. I had obtained a piece of history, a piece of my ancestors, my grandmothers, my people. A piece of the country, rural America; although I now lived in the big city of Houston, and I was raised in a small town in California, but my roots run deep in the red, powdered soil of Texas.

I had always wanted a quilt. My great grandmother, Momma Lue, used to make quilts and my grandmother had many of them in her home. Momma Lue had made many quilts for many of her grandchildren, but being that I was a great grandchild, it wasn’t likely that I would ever get one from her. My recollections of Momma Lue, who lived to be 104, were of her chewing tobacco, going fishing and living a very independent life. So I guess the quilting was another phase in her life that I never got a chance to see her partake in.

On the day that I purchased my quilt, I was making one of my rare 6 hour trips from Monroe, Louisiana to Houston. It was just me, my loud music and my trusted companion—MY GARMIN GPS. Outside of individuals, that little thing is by far the best gift I have ever received in my life (thanks to my beautiful sisters). But as usual, my music was blaring so loud that I didn’t hear her say, “Turn left,” and I kept straight.

I kept straight until I began to realize the unfamiliarity of my location. “Got diggity dog,” I thought, “I did it again, I missed my turn.” I decided not to do what I did the last time I missed this same turn, I didn’t turn around and go back to the freeway; the turn-around was too long and I wanted to stay on schedule.

So I thought I’d use my head and take the back roads. I was still in Louisiana, right before crossing into Texas. Driving along the tree lined roads of Louisiana always stirred up the most joyful and painful emotions within me. I reflected on the beauty of God’s creation, for the scenery was breathtaking if you choose not to take anything for granted. I loved seeing the greenery, the red dirt and the vast farm lands that had the unmet potential to feed the world. I reflected on how this land was considered by many African American conscious thinkers as “black land,” the land we should receive if ever awarded reparations. But at the same time I also thought of the blood, the sweat and the tears that fertilized the beauty of the land. I reflected on the sounds of dogs, chains, whips, the cries of mothers and fathers, the panting breaths and the racing heart beats of those who sought to be free and the incarcerated minds of pale men who sought to deny freedom.

I saw a sign, as I dashed down the road at my preferred and now legal speed of 70 mph. No music now, I needed to concentrate, I didn’t know where I was. Yes it was still day, but I can never travel those roads and assume nothing will happen to me. I don’t travel them laden with fear, but laden with a knowing of what happened in the past always has the potential to happen again.

I saw a sign, “Quilts for Sale.” But my thoughts raced just as quickly as my car did, “I want a quilt from a little old black woman, and that professional looking sign is an indication that a white family lives there.” I kept zooming and I saw a black man at the next house clearing his land, and then I saw two black women in the next yard running their mouths, and I zoomed by and I saw a young guy with his pimped out ride in the next house, along with an ambulance that was pulling up to the yard. “Slow down Nef, turn around. Ain’t no white woman living all the way back in these woods with all of these black people.” I was also conscious of the fact that I’d never make it to Houston when I wanted to. But it didn’t matter, I was not on a time frame, no one was expecting me, I’d get there when I did.

Walking up to the steps I breathed a prayer, “Lord I pray that no danger comes upon me; protect me from all danger and harm.” My minds seeks the wisdom, knowledge and protection of God all day long, whether I’m picking up a stranger off of the streets, walking into unknown territory, familiar places or just thinking about my child during the day. I didn’t want anyone to tie me up and discard my body somewhere in those woods. As no one was expecting me in Houston, no one would have missed my absence either. Maybe my mom after not hearing from me, but that wouldn’t be until Sunday; a couple of days away.

I walked to the door of the old trailer home and I heard a little old lady running her mouth on the phone. She was a small, tiny framed, black woman, who needed a new wig. I breathed a slight sigh of relief as I entered her home and kept my eyes on alert. She reminded me of any little old lady from church that I had met through the years. Her house had an old smell that made me breathe fewer breaths until I could get out. She had little nice trinkets that people had given her through the years to express their love, fake flowers, ceramic figurines, cards and pictures of people and places who had long forgotten her. Everything was tidy, but you could tell she couldn’t keep her place clean like she used to. It was too much work for someone who had worked for others her entire life.

There is another ending to this story, but I misplaced it. I'm sure I'll find it one day and I will add it with this.

--Nefertiti El Muhajir

Nefertiti is the oldest of Marvin X's three daughters. She was conceived while her parents were in flight: her father refused to fight in Vietnam and went into exile a second time in Mexico City. He was soon joined by his student from Fresno State University, Barbara Hall (Hasani). They were given temporary refuge by revolutionary artist Elizabeth Cattlett Mora. Betty and her husband, Poncho, were witnesses at the civil marriage of Marvin and Barbara. Against the advice of Betty, Marvin and Barbara departed Mexico City for Belize, then British Honduras. After hooking up with some radicals, Marvin X was arrested and deported back to America. The Minister of Home Affairs read his deportation order which said, "Your presence is not beneficial to welfare of the British Colony of Honduras. Therefore, you shall be deported to America at 4 pm. Until then, you are under arrest."

Marvin X was taken to the police station and told to sit down. He was not handcuffed nor put in a cell. To his bewilderment, he was soon surrounded by police officers who then begged him to teach them around black power, the very reason he was being deported, i.e., for teaching black power on Gales Point island.

After serving time in San Francisco County Jail and Terminal Island Federal Prison, Marvin X was released a few days before the birth of Nefertiti.

Friday, February 24, 2012

Oscar Grant's Cousin Shot in back by Oakland Police

Man shot by Oakland police charged with four felony counts

By Kristin J. Bender and Harry Harris
Oakland Tribune

OAKLAND -- A robbery suspect who was shot in the back by Oakland police Sunday night has been charged with four felonies, authorities said.

Police on Wednesday identified Tony Ray Jones, 24, of Oakland, as the man who police shot and wounded about 11:45 p.m. Sunday in the 2000 block of 62nd Avenue.

Jones, who has a criminal record dating back nearly a decade, was in the passenger seat of van believed to have been used in a robbery of cash from a man a short while earlier.

"The cops stopped the van and (Jones) started walking away and then they let the van go, and he kept going and they shot him," said Jones' San Francisco attorney Wauqeen McCoy, adding that his client was not breaking any laws and was not involved in a robbery Sunday.

Authorities said Jones got out of the passenger side of the van and ran north on 62nd Avenue.

When an officer spotted a gun in his hand and Jones turning toward him, the officer fired twice, hitting him in the lower back.

Police later recovered a loaded semi-automatic pistol near where the shooting occurred. The driver fled and remains at large.

Jones on Wednesday was charged by the Alameda County District Attorney's office with felony second-degree armed robbery, possession of a firearm by a felon, possession of a concealed firearm in a vehicle, and carrying a loaded firearm in public. He also faces an enhancement clause for being a felon.

Jones remains hospitalized in
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stable condition and will be taken into custody when he is medically stable, police said. But for now, he is in serious pain, his attorney said.

"He can't go to the toilet on his own. He has pain in his back, leg, stomach and lower back," said McCoy, adding that he had undergone one surgery.

Jones, who is a cousin of the late Oscar Grant, has a criminal past dating back to when he was 15 and taken to the California Youth Authority. Oscar Grant was the unarmed Hayward man who on New Year's Day 2009 was shot and killed by then-BART police Officer Johannes Mehserle while being held by police face down on a train platform.

When Jones was about 19 and an inmate in a facility in Amador County, he was convicted of gassing a peace officer, which means throwing urine or feces or a combination of both on a correctional officer, authorities said.

He remained in the youth authority for several years and was transferred to New Folsom Prison near Sacramento, where he remained until his release last month.

McCoy said he has drafted a claim against the city of Oakland, which he plans to file this week.

He said he then plans to sue the city for unreasonable and unnecessary force.

Sunday, February 19, 2012


For research on his Short History of Black Muslims in the Bay, Marvin X conducted interviews with the following:

AUDIOGRAPHY

Nisa Islam, Cherokee, 2004.
Nadar Ali, Fresno, 2004.
Manuel Rashid, Fresno, 2004.
John Douimbia, Grand Ayatollah of the Bay, San Francisco, 2004.
Minister Rabb Muhammad, Oakland, 2004.
Antar Bey, CEO, Your Black Muslim Bakery, Oakland, 2004.
Norman Brown, Oakland, Oakland, 2004.
Kareem Muhammad (Brother Edward), Oakland, 2004.

David Muhammad Charged

Bay City News — The Alameda County Board of Supervisors has placed Chief Probation Officer David Muhammad on paid administrative leave after a deputy probation officer filed a $1.5 million claim accusing him of sexually assaulting and harassing her.

The board said chief of staff Brian Richart will be in charge while Muhammad is on leave but that board members cannot comment on the case because it is a confidential personnel matter.

Muhammad, 38, who was hired a year ago after holding top probation positions in New York City and Washington, D.C., couldn't be reached for comment Wednesday.

In her claim, which is a preliminary step to filing a lawsuit, the deputy probation officer alleges that Muhammad harassed her at a probation office in Hayward on May 15 when he noticed a discoloration on her neck, made multiple comments about it, laughed and joked about it and called it a "hickey."

The officer said Muhammad put his hands on her twice that day, prompting her to exclaim to another deputy, "Did you see that? He grabbed me!"

The deputy alleges that four days later, the morning of May 19, Muhammad asked her to pick him up at Oakland International Airport and drive him to a speaking engagement in Oakland but then instructed her to take him to the San Leandro Marina, which was empty at that time of day.

She said Muhammad suddenly grabbed her head and started kissing her, telling her, "We would make some pretty babies." The officer said when she tried to pull back, Muhammad "became very aggressive" and pulled her shirt down, cupped her breast and started to kiss it and penetrated her vagina "forcefully" with two of his fingers.

She said that when she eventually pushed him away, he told her she had excited him sexually and said, "I want you so bad, you just don't know it."

The deputy said that a day later, on May 20, Muhammad sent her multiple text messages and that she reluctantly agreed to meet with him as long as they weren't alone because she was worried about her job and what he might do to her if she ignored him.

She said in the claim that she met with Muhammad and his brother at a restaurant in Hayward and that at the end of the night he started to kiss her and grab her breasts and put his hand between her legs.

The deputy said she pushed his hand away but that he then grabbed her hand, placed it on his groin area and said she had excited him sexually. She said she pulled away and reiterated to Muhammad that she only wanted to be friends, and that Muhammad eventually left "angry and upset."

The claim says the deputy probation officer has suffered economic harm and has mental distress and anguish. It accuses Muhammad of sexual assault, false imprisonment, gender violence, sexual battery, assault, batter and intentional infliction of emotional distress.

The California Attorney General's Office is conducting an investigation to see if criminal charges should be filed against Muhammad, according to attorney general's spokeswoman Lynda Gledhill.

Gledhill said the San Leandro Police Department investigated the officer's allegations and then submitted its report to the Alameda County District Attorney's Office, which recused itself because it works closely with Muhammad.

Muhammad was formerly the executive director of the Mentoring Center in Oakland, and before he returned to Alameda County he served as Deputy Commissioner of New York City's Department of Probation, Adult Services, where he was responsible for overseeing 35,000 people on probation with a staff of 800.

Prior to his New York job, Muhammad served as the Chief of Committed Services for the Department of Youth Rehabilitating Services in Washington, D.C., where his responsibilities included overseeing a staff of 300, a $42 million annual budget and a juvenile institution with 900 youths in his department's care.

In an interview before he took over the Probation Department, Muhammad said he had gotten into trouble with the law as a youth in Oakland, and that as the county's chief probation officer he would try to help troubled youths improve their lives.

"I had my fair share of trouble and was in the juvenile justice system and the child welfare system," Muhammad said. But he said he turned his life around with the help of the Omega Boys Club, which paid for him to go to college.

Exhibit Marvin X: Bibliography

Marvin X and his mentor and artistic associate, Sun Ra. Outside Marvin's Black Educational Theatre, San Francisco, circa 1972.

Bibliography of Marvin X

Books

Sudan Rajuli Samia (Fresno: Al Kitab Sudan Publishing, 1967)
Black Dialectics (Fresno: Al Kitab Sudan, 1967)
Fly To Allah: Poems (Fresno: Al Kitab Sudan, 1969)
Son of Man: Proverbs (Fresno: Al Kitab Sudan, 1969)
Black Man Listen: Poems and Proverbs (Detroit: Broadside Press, 1969)
Woman-Man's Best Friend (San Francisco: Al Kitab Sudan, 1973)
Selected Poems (San Francisco: Al Kitab Sudan, 1979)
Confession of A Wife Beater and Other Poems (Fresno: Al Kitab Sudan, 1981)
Liberation Poems for North American Africans (Fresno: Al Kitab Sudan, 1982)
Love and War: Poems ( Castro Valley: Black Bird Press, 1995)
Somethin Proper: Autobiography (Castro Valley: Black Bird Press, 1998)
In The Crazy House Called America: Essays (Castro Valley: Black Bird Press, 2002)
Wish I Could Tell You The Truth: Essays (Cherokee: Black Bird Press, 2005)
Land of My Daughters: Poems (Cherokee: Black Bird Press, 2005)

Works In Progress

It Don't Matter: Essays (Cherokee: Black Bird Press, 2006)

You Don't Know Me and Other Poems (Cherokee: Black Bird Press, 2006)

In Sha Allah, A History of Black Muslims in the San Francisco Bay Area, 1954-2004 (Cherokee: Black Bird Press, 2006).

Seven Years in the House of Elijah, A Woman's Search for Love and Spirituality by Nisa Islam as told to Marvin X, 2006.

Play Scripts and/or Productions

Flowers for the Trashman, San Francisco: San Francisco State University Drama Department, 1965.

Flowers for the Trashman, San Francisco: Black Arts West/Theatre, 1966.

Take Care of Business, musical version of Flowers with music by Sun Ra, choreography by Raymond Sawyer and Ellendar Barnes: Your Black Educational Theatre, San Francisco, 1972.

Come Next Summer, San Francisco: Black Arts/West, 1966.

The Trial, New York, Afro-American Studio for Acting and Speech, 1970.

Resurrection of the Dead, San Francisco, choreography by Raymond Sawyer, music by Juju and Sun Ra, Your Black Educational Theatre, 1972.


Woman-Man's Best Friend, musical, Oakland, Mills College, 1973.

How I Met Isa, Masters thesis, San Francisco State University, 1975.

In The Name of Love, Oakland, Laney College Theatre, 1981.

One Day In The Life, Oakland, Alice Arts Theatre, 1996.
One Day In The Life, Brooklyn, NY, Sistah's Place, 1997.
One Day In The Life, Manhattan, Brecht Forum, 1997.
One Day In The Life, Newark, NJ, Kimako's Blues, 1997.
One Day In The Life, Oakland, Uhuru House, 1998.
One Day In The Life, San Francisco, Bannam Place Theatre, North Beach, 1998.
One Day In The Lifee, San Francisco, Lorraine Hansberry Theatre, 1999.
One Day In the Life, Marin City, Marin City Rec Center, 1999
One Day In the Life, Richmond, Unity Church, 2000.
One Day In the Life, San Jose, San Jose State University, 2000.
One Day In the Life, Berkeley, Berkeley Repertory Theatre, 2000.
One Day In the Life, Sacramento, New Colonial Theatre, 2000.

Sergeant Santa, San Francisco, Recovery Theatre script, 2002.

Other

Delicate Child, a short story, Oakland, Merritt College Student Magazine contest winner, 1963.

Delicate Child, a short story, Oakland, SoulBook Magazine, 1964.

Flowers for the Trashman: A One Act Drama, San Francisco, Black Dialogue Magazine, 1965.

Flowers for the Trashman, Black Fire, An Anthology of Afro-American Writing, edited by Amiri Baraka and Larry Neal, (New York: Morrow, 1968).

Take Care of Business: A One Act Drama, aka Flowers, (New York: The Drama Review, NYU,1968)

The Black Bird (Al Tair Aswad): A One-Act Play, New Plays from the Black Theatre, edited by Ed Bullins with introduction (interview of Ed Bullins) by Marivn X, (New York: Bantam, 1969)

"Islam and Black Art: An Interview with Amiri Baraka" and foreword by Askia Muhammad Toure, afterword by Marivn X, in Black Arts: An Anthology of Black Creations, edited by Ahmed Alhamisi and Haroun Kofi Wangara (Harold G. Lawrence) (Detroit: Black Arts Publications, 1969).

"Everything's Cool: An Interview with Amiri Barka, aka, LeRoi Jones", Black Theatre Magazine, New Lafayette Theatre, Harlem, NY, 1968.

Resurrection of the Dead, a ritual/myth dance drama, Black Theatre Magazine, New Lafayette Theatre, Harlem, 1969.

Manifesto of the Black Educational Theatre of San Francisco, Black Theatre, 1972.

The Black Bird, A Parable by Marvin X, illustrated by Karen Johnson ( San Francisco: Al Kitab Sudan and Julian Richardson and Associates Publishers, 1972).

"Black Justice Must Be Done," Vietnam and Black America: An Anthology of Protest and Resistance, edited by Clyde Taylor (Garden City: Double-day/Anchor, 1973)

"Palestine," a poem, Black Scholar magazine, 1978.

Journal of Black Poetry, guest editor, 1968.

"The Meaning of African Liberation Day," by Dr. Walter Rodney, a speech in San Francisco, transcribed and edited by Marvin X, Journal of Black Poetry, 1972.

Muhammad Speaks, foreign editor, 1970. (Note: a few months later, Marvin X was selected to be editor of Muhammad Speaks until it was decided he was too militant. Askia Muhammad (Charles 37X) was selected instead.)

A Conversation with Prime Minister Forbes Burnham of Guyana, Black Scholar, 1973.

VIDEOGRAPHY OF EVENTS/PRODUCTIONS

Proceedings of the Melvin Black Human Rights Conference, Oakland, 1979, produced by Marvin X, featuring Angela Davis, Minister Farakhan, Eldridge Cleaver, Paul Cobb, Dezzie Woods-Jones, Jo Nina-Abran, Mansha Nitoto, Khalid Abdullah Tarik Al Mansur, Dr. Yusef Bey, Dr. Oba T-Shaka, and Marvin X.

Proceedings of the First Black Men's Conference, Oakland, 1980, John Douimbia, founder, Marvin X, chief planner, Dr. Nathan Hare, Dr. Wade Nobles, Dr. Yusef Bey, Dr. Oba T'Shaka,Norman Brown, Kermit Scott, Minister Ronald Muhammad, Louis Freeman, Michael Lange, Betty King, Dezzie Woods-Jones, et al.

Forum on Drugs, Art and Revolution, Sista's Place, Brooklyn, New York, 1997, featuring Amiri and Amina Baraka, Sonia Sanchez, Sam Anderson, Elombe Brath and Marvin X.

Eldridge Cleaver Memorial Service, produced by Marvin X, Oakland, 1998, participants included Kathleen and Joju Cleaver, Emory Douglas, Dr. Yusef Bey, Minister Keith Muhammad, Imam Al Amin, Dr. Nathan Hare, Tarika Lewis, Richard Aoki, Reginald Major, Majidah Rahman and Marvin X.

One Day in the Life, a docudrama of addiction and recovery, filmed by Ptah Allah-El, produced, written, directed and staring Marvin X, edited by Marvin X, San Francisco: Recovery Theatre, 1999.

Marvin X Interviews Bobby Seale, co-founder of the Black Panther Party, former actor in Marvin X's Black Theatre: Berkeley, La Pena Cultural Center, 1999.

"Abstract for An Elders Council," lecture/discussion, Tupac Amaru Shakur One Nation Conference, Oakland: McClymonds High School, 1999.

Marvin X at Dead Prez Concert, San Francisco, 2000.

Kings and Queens of Black Consciousness, produced by Marvin X at San Francisco State University, 2001, featuring Dr. Cornel West, Amiri Baraka, Amina Baraka, Dr. Julia Hare, Dr. Nathan Hare, Rev. Cecil Williams, Destiny, Phavia, Tarika Lewis, Askia Toure, Kalamu Ya Salaam, Rudi Wongozi, Ishmael Reed, Dr. Theophile Obenga, Marvin X, et al.

Live In Philly At Warm Daddies, a reading accompanied by Elliot Bey, Marshall Allen, Danny Thompson, Ancestor Goldsky, Rufus Harley, Alexander El, 2002.

Marvin X Live in Detroit, a documentary by Abu Ibn, 2002.

In the Crazy House Called America, concert with Marvin X and Destiny, San Francisco: Buriel Clay Theatre, 2003.

Marvin X in Concert (accompanied by harpist Destiny, violinist Tarika Lewis and percussionists Tacuma and Kele Nitoto, dancer Raynetta Rayzetta), Amiri and Amina Baraka, filmed by Kwame and Joe, Berkeley: Black Repertory Group Theatre, 2003.

Marvin X Speaks at the Third Eye Conference, Dallas, Texas, 2003.

Marvin X and the Last Poets, San Francisco: Recovery Theatre, 2004.

Proceedings of the San Francisco Black Radical Book Fair, produced by Marvin X, filmed by Mindseed Productions, San Francisco, Recovery Theatre, 2004, participants include: Sonia Sanchez, Davey D, Amiri Baraka, Sam Hamod, Fillmore Slim, Askia Toure, Akhbar Muhammad, Sam Anderson, Al Young, Devorah Major, Opal Palmer Adisa, Tarika Lewis, Amina Baraka, Julia and Nathan Hare, Charlie Walker, Jamie Walker, Reginald Lockett, Everett Hoagland, Sam Greenlee, Ayodelle Nzinga, Suzzette Celeste, Tarika Lewis, Raynetta Rayzetta, Deborah Day, James Robinson, Ptah Allah-El, Kalamu Ya Salaam, Marvin X, et al. (Note: let me please acknowledge some of the historic personages in the audience: Gansta Alonzao Batin (mentor of the Bay Area BAM, made his transition shortly after the conference), Willie Williams of Broadside Press, Detroit, Gansta Brown, Gansta Mikey Moore (now Rev.), Arthur Sheridan, founder of Black Dialogue magazine, also co-founders Aubrey and Gerald LaBrie, Reginald Major, author of Panther Is A Black Cat. Thank you all for making this event historic, ed. MX)

Get Yo Mind Right, Marvin X Barbershop Talk, #4, a documentary film by Pam Pam and Marvin X, Oakland: 2005.

Marvin X Live in the Fillmore at Rass'elas Jazz Club, A Nisa Islam production, filmed by Ken Johnson, San Francisco, 2005.

Marvin X in the Malcolm X Room, McClymonds High School, accompanied by Tacuma (dijembe and percussion, dancer/choreographer Raynetta Rayzetta, actor Salat Townsend, filmed by Eddie Abrams, Oakland, 2005.

AUDIOGRAPHY

In Sha Allah, interview with Nisa Islam, Cherokee, 2004.
In Sha Allah, interview with Nadar Ali, Fresno, 2004.
In Sha Allah, interview with Manuel Rashid, Fresno, 2004.
In Sha Allah, interview with John Douimbia, Grand Ayatollah of the Bay, San Francisco, 2004.
In Sha Allah, interview with Minister Rabb Muhammad, Oakland, 2004.
In Sha Allah, interview with Antar Bey, CEO, Your Black Muslim Bakery, Oakland, 2004.
In Sha Allah, interview with Norman Brown, Oakland, Oakland, 2004.
In Sha Allah, interview with Kareem Muhammad (Brother Edward), Oakland, 2004.
Love and War, poems, Oakland, 1995.
One Day In The Life, docudrama, Oakland, 1999.
Jesus and Liquor Stores, Marvin X and Askari X, Oakland, 2002
Wake Up, Detroit, Marvin X interviewed by Lawrence X, Detroit, 2002..
Wish I, interview with Pam Pam, San Francisco, KPOO Radio, 2005.
Wish I, interview with Terry Collins, San Francisco, KPOO Radio, 2005.
Marvin X and the Black Arts Movement, interview with Professor James Smethurst of UMASS, Oakland, 2003.

BBP Negotiating to Publish Kumasi's History of Prison Movement

Comrade George Jackson,
Messiah of the Prison Movement




Eldridge Cleaver and his lieutenant in the prison movement and later in the Black Panther Party, Alprentis Bunchy Carter













Black Bird Press Negotiating to Publish
Brother Kumasi's History of the Prison Movement

Black Bird Press is honored to announce we are hoping to reach an agreement with Brother Kumasi, griot of the Prison Movement. His minute by minute oral history of the prison movement is impeccable and precise, an astonishing recall by a brother who spent time in prison with George Jackson, messiah of the prison movement (Soledad Brother). Kumasi was also associated with Eldridge Cleaver and Alprentis Bunchy Carter. Cleaver is credited with establishing the Black Culture Club at Soledad Prison, Bunchy was his lieutenant. The Black Culture Club is considered the beginning of the black prison movement in America.

As a member of Black Dialogue magazine, we visited the Soledad Prison Black Culture Club in 1966, observing Cleaver and Bunchy in action. They had the inmates organized in military fashion. In a recent conversation with this writer, Kumasi noted that most revolutionaries go to prison, then upon release start their revolution. In our case, we made revolution within the prison system.

This writer has long felt because Cleaver was a seasoned revolutionary upon his release, thus when we introduced him to Black Panthers Bobby Seale and Huey Newton, he far outmatched them in political chicanery. See my memoir Eldridge Cleaver, My friend the Devil, Black Bird Press, 2009.

We look forward to publishing any and all parts of Kumasi's narrative.

--Marvin X,
Publisher, Black Bird Press



Black Dialogue brothers who visited the Soledad Prison Black Culture Club in 1966. L to R: Aubrey LaBrie, Marvin X, Abdul Sabry, Al Young, Arthur Sheridan, Duke Williams. At the time, most of us were in the BSU at San Francisco State College, now University.





Exhibit Marvin X ends this Saturday, February 25, 7pm, with readings by Marvin X, Aries Jordan and Toya Carter. Exhibit Marvin X is located at 1222 Dwight Way, Berkeley. Call 510-575-2225 for reservations, space limited, no one turned away for lack of funds. Donation requested: $20.00.

Wednesday, February 15, 2012

We Will Always Love You, Whitney


We Will Always Love You, Whitney

How can a blackbird not sing
ushering the dawn of a new day
calling heaven to hear her song
no words for this pain
the blues we sing
a voice so true so real
yet we overstand the tragic note
in the song we all sing
living in this wilderness
of North America
down here on the ground with
the devil
how can he pay for his sins
not only Whitney
but the millions gone in a whisper
what price for this
worthless dollars at the Federal Reserve
empty the vaults at Fort Knox
will not suffice
stealing the souls of men and women
the many Whitney's gone into the night of no return
Dr. Nathan Hare told us, "...No amount of religiosity,
coke, Crack, alcohol or sex
sufficient to sedate the social angst
shattered cultural striving...."
Oh, Whitney, we are from Allah
to Him we return. We will always

Love you!
--Marvin X
2/13/12