Thursday, December 26, 2013

Will the Black Arts Movement outdo Michelle Obama at UC Merced


When the Black Arts Movement Conference happens at UC Merced, Feb. 28 thru March 2, 2014, we wonder will the BAM folks get the turn out folks gave the First Lady? Probably not, but the BAM conference will be one of the largest gathering of North American Africans in Merced history.


It will be an event of critical importance as well, setting the stage for the 50th anniversary of BAM, the most radical literary and artistic movement in American history, featuring many of the founders, including Amiri Baraka, aka LeRoi Jones, Askia Toure, Sonia Sanchez, Marvin X, Roscoe Mitchell and others associated with BAM such as Ishmael Reed and Al Young.

For sure, BAM was a Black Nationalist movement inspired by the Nation of Islam, very similar to the Harlem Renaissance that was motivated by the Marcus Garvey Movement. There are those who will try to paint BAM as multicultural, but that came later, a result of BAM's impact on other ethnic groups and especially upon white academia. BAM was the root cause of American academia deciding to include non-white radical literature in its curriculum. Of course the effort was Miller Lite in the form of Black Studies and other ethnic and gender studies. BAM must now pass the baton to the next generation, i.e., the Black Power Babies and the Hip Hop generation, especially the conscious hip hop people.

We congratulate sister Kim McMillan and especially the University of California, Merced for deciding to produce this conference. We are already talking about a national tour to celebrate the 50th anniversary of BAM.
--Marvin X, co-producer 

Michelle Obama inspires UC Merced graduates

Published 4:00 am, Sunday, May 17, 2009
  • First Lady Michelle Obama delivers the commencement speech to the first full graduating class of UC Merced on Saturday, May 16, 2009 in Merced, Calif. Photo: Michael Macor, The Chronicle
    First Lady Michelle Obama delivers the commencement speech to the first full graduating class of UC Merced on Saturday, May 16, 2009 in Merced, Calif. Photo: Michael Macor, The Chronicle





They loved her, she loved them, and in the admiration-fest between Michelle Obama and the graduating class of UC Merced, the first lady of the United States exhorted them to go out and use their newfound skills to help those most in need.

"Remember that you are blessed," Obama told the crowd seated before her on the only big field the fledgling campus can muster, a grassy plain set beneath a scorching midday sun. "You must bend down and let someone stand on your shoulders so they can see a better future."
Obama reminded them that, like half of the student body at this 4-year-old campus, she was the first in her family to attend college. And she urged the 500 graduates, who constitute the first class to go from freshman to senior year at UC Merced, to seek jobs where they help disadvantaged children in particular. Help those, she said, "who never go to college ... who can't get a break ... who have lost the ability to dream."
And if not that, she said, find work innovating green technology or doing other things to kick-start the nation's wobbling economy.
"We are going to need all of you graduates," Obama said. "Make your legacy a lasting one. Dream big."
Mindful that she was speaking in one of the most economically depressed cities in California, the first lady also warned the Class of 2009 that times are tough out there. Instead of a welcoming job market, she said, the graduates are likely to find low salaries, daunting loan repayment bills and "your share of setbacks."
"But in those moments, in those inevitable moments, I urge you to think about this day," she said. "Look around you. ... Never let setbacks or fear dictate the course of your life."
The first lady's 29-minute commencement speech, delivered to the parents, visitors and students with a forceful, building crescendo that hit climaxes akin to a preacher's sermon, couldn't have fallen on more receptive ears.
"Awesome. Everything she said about struggling and motivation applied to myself," said freshman Rogelio Grijalva of Fairfield. "Sometimes I think, 'Man, I'm not going to make it.' And now whenever I feel that way, I'll think about what she said.
"She relates, you can tell," he said, shaking his head almost reverently.
The student body had launched a full-court press last winter to lure Obama to UC Merced, sending her thousands of letters and Valentines and posting come-on-over videos online. Their message was that the 2,718 widely diverse, mostly modest-income students who attend UC's newest campus are fervent about public service, and that she and the president embody the feisty can-do attitude they believe they bring to their own pursuit to uplift themselves and those around them.
On Saturday, as her ascendance to the stage brought the class leaping to its feet, screaming and pumping fists in the air, Obama's beaming smile and wave indicated that she had taken their pleas fully to heart.
"All I can say is, 'Wow,' " Obama told them. "A few people may be wondering: Why did I choose the University of California in Merced to deliver my first commencement speech as first lady? Well, let me tell you something. The answer is simple: You inspired me. You touched me."
A tiny campus of just three main buildings, UC Merced glistened for its big moment with fresh paint and landscaping. The walkways were scrubbed to a shine, eager students set up booths on the quad to tout their favorite causes - for example, volunteering for local children's clubs - and a Mariachi band blared bouncy tunes into the quad.
The field where the gigantic stage was erected for Obama's speech is usually a haven called "The Bowl" where Frisbees and lounging lunch-takers rule. But with 12,000 people seated on it Saturday - 10,000 more than were expected before Obama was booked - the grass and everything around it took on a solemn, distinguished tone that students and faculty hope will carry through for years.
"Michelle Obama's speech here shows everyone, now and forever, that our hard work paid off," said graduating psychology major Alvina Bueno. "And it was hard work."
The day dawned hot and got hotter, and by the time the thermometer flirted with a bone-dry 100 degrees around noon, everyone was swigging water bottles like tipplers at a free bar.
The air-conditioned portable toilets on the sun-blasted commencement field, where people were confined by Secret Service agents for hours once they entered, were jammed with people looking not only for relief, but a few minutes of cool.
It was one day when Obama's much-touted tendency to wear sleeveless clothing would have come in handy - but alas, she had to wear a ceremonial robe for her speech.
"A lot of people from the Bay Area aren't used to this heat, but for us in the Central Valley this is nothing," said junior Elizabeth Kang, who helped hand out 1,000 water bottles by lunchtime. "We call this nice weather."
The same ebullience that greeted Obama on campus spilled into nearby Merced, a dusty cattle town hard hit by foreclosures and chiefly known for the gas stations you pull into en route to Yosemite Park on Highway 140. But this week, its overlooked charms of say-howdy friendliness and pride in its world-class UC campus have outshone all other attributes.
A downtown festival, dubbed Cap & Town, Friday and Saturday packed the streets with thousands of visitors who happily strapped themselves into round metal cages to become human bowling balls at one booth, gobbled Indian and Mexican food at other booths, and sat with toddlers in hand in the middle of Main Street to watch "Finding Nemo" on a JumboTron.
"This is going to give me material to paint forever," gushed local artist Becky Wilson, sipping beer at the Partisan bar while a rock group blared Badfinger cover songs on the street outside. "You remember Jackie O? Michelle's the same thing. There's never been anything bigger than this in Merced. Ever!"

Kiss My Black Arts


Photo: Inspired by Visual artist Rtystk #kissmyblackarts 

Filled with soul
Colorful and vibrant
Alive
Divine creative flow
Black art is that rock and roll, hip hop 
Jazz and R&B soul
Black art is Chuck berry, Little Richard and those that go unnamed
Black art is that cookout music 
That holy ghost music
Gospel sung in churches without any Black faces
Black art is that spiritual that cracked your heart open and had you praying to your maker
 Black Art is up in your face
That  jungle fever, Niggas with Attitude
 Don’t believe the hype and Do it in the butt
Black Art  is that caged bird that sings and the coldest Winter Ever
That strange Fruit and Native Son
Black Art made you Lindy hop and wonder what’s going on?
Made you twist and shout
Black Art refuses to be “othered” and only “urban”
Hip hop your ass around the world 
To see cyphers in native tongues 
Pop locking, Harlem shaking back to their humanity
Black Arts is that Zora Neale Hurston  Phillis Wheatley  
Audre Lorde and those that go unnammed
Black art is Passionate , fiery and commands authority
Black Arts draws you in and is sexy
It is that Grace Jones, that Josephine Baker and Zane chronicles
Black art made you turn off the lights and get a sexual healing
Black art is the  language of shizzles, rhythmic flows,  finger snaps and skatting
Black art is history and present
Black art will tell the truth when everyone is lying
Black art is   the voice of the people past and present 
Really the closest thing to being Black without being Black
Black art will tell the truth when everyone is lying
Inspired by Visual artist Rtystk #kissmyblackarts

Filled with soul
Colorful and vibrant
Alive
Divine creative flow
Black art is that rock and roll, hip hop
Jazz and R&B soul
Black art is Chuck berry, Little Richard and those that go unnamed
Black art is that cookout music
That holy ghost music
Gospel sung in churches without any Black faces
Black art is that spiritual that cracked your heart open and had you praying to your maker
Black Art is up in your face
That jungle fever, Niggas with Attitude
Don’t believe the hype and Do it in the butt
Black Art is that caged bird that sings and the coldest Winter Ever
That strange Fruit and Native Son
Black Art made you Lindy hop and wonder what’s going on?
Made you twist and shout
Black Art refuses to be “othered” and only “urban”
Hip hop your ass around the world
To see cyphers in native tongues
Pop locking, Harlem shaking back to their humanity
Black Arts is that Zora Neale Hurston Phillis Wheatley
Audre Lorde and those that go unnammed
Black art is Passionate , fiery and commands authority
Black Arts draws you in and is sexy
It is that Grace Jones, that Josephine Baker and Zane chronicles
Black art made you turn off the lights and get a sexual healing
Black art is the language of shizzles, rhythmic flows, finger snaps and skatting
Black art is history and present
Black art will tell the truth when everyone is lying
Black art is the voice of the people past and present
Really the closest thing to being Black without being Black
Black art will tell the truth when everyone is lying

Wednesday, December 25, 2013

Of Love, Life and Death in da Hood, a poem for AB, Julia and all of us in this life and the next



And Job said it best
naked I came and naked I go
ache
there is only one lesson to learn in this life
Nature Boy told us this
learn to love and be loved in return
all else illusion
money fame sex
momentary pleasures
ephemeral desires
diversions from the real
who can see through all the conundrums
across the precipice to the meta reality
only superman can stand tall
how many can persist from man to superman
J.A. Rogers asked and answered
one superman committed suicide
another fell from a horse
who is the real superman?
who has endured death a thousand times
crucified resurrected ascended
who is the black stone the builders rejected
who passed through the door of no return
yet returned to the motherland
no matter centuries later
a son came home
daughter too
ten thousand met them at the airport
twenty thousand at the compound of the high priest
prophesy fulfilled
Oh brother and sister
help us through the weary night

help us beyond poverty disease ignorance
help us transcend tribalism sectarianism dogmatism greedism corruptionism
state terror religious madness beyond all the prophets
Jesus Muhammad Buddha, even Marx and Lenin
help us walk from the dungeon to the upper room of our father's house
Come my daughter, walk with your king to his father's house
he has not defied righteousness
he has not defiled the gods
he has not disgraced the ancestors
he has not lied when the feather went on the scale of Ma-at
he has been a warrior for truth
he told no lies
so walk with your king
loving him unconditionally until the end of all things
that matter
no devotion to the trivial mundane provincial
fly with him into the midnight hour
rejoice
elders shall become ancestors
there is no escape
death is life and life is death
enjoy the holy days
and all days are holy
if we walk with the righteous
shun the scandalous
the rats snakes vermin

the terrible night is over
the dawn is upon us
let us dance sing shout wail.
--Marvin X
12/25/13





Tuesday, December 24, 2013

Prayers for Amiri Baraka and Dr. Julia Hare


Our prayers go out to Amiri Baraka who is hospitalized in Newark, NJ. He entered the hospital over the weekend suffering from diabetes, then a mild heart attack, then pneumonia, according to his beloved wife Amina. Godfather of the Black Arts Movement, Baraka invited Marvin X to read at New York University on Feb. 4, 2014, in honor of poet Jayne Cortez who has joined the ancestors.

Baraka was invited by Kim McMillan and Marvin X to address the Black Arts Movement Conference, Feb. 28, March 1-2, 2014, at the University of California, Merced. We pray AB will attend both events.  We ask all of you to hold him up in your prayers. We consider him our greatest living revolutionary writer/activist.

We also ask you to pray for another dear and precious friend, Dr. Julia Hare. We visited Nathan and Julia today. Dr. Nathan Hare says there is no recovery from the condition of his wife of 57 years.
 Dr. Nathan Hare, father of Black Studies

Marvin X, Dr. Julia Hare, Dr. Nathan Hare, Attorney Amira Jackmon, agent for the Hare's archives
--Marvin X
12/24/13

Tuesday, December 17, 2013

Kiss My Black Arts

The Black Arts Movement Conference will gather at the University of California, Merced, Feb. 28, March 1-2, 2014.

Special invited guests include Amiri Baraka, Sonia Sanchez, Ishmael Reed, Askia Toure, John Bracey, James Smethurst, Mike Sell, Juan Felipe Herrera, Genny Lim, Jerry Varnado, Terry Collins, James (Jimmy) P. Garrett, Belva Davis, Marvin X, Adilah Barnes, Nathan Hare, Tarika Lewis, Destiny Muhammad, Tacuma King, Earl Davis and others. 
--A Kim Macmillan/Marvin X production


Sonia Sanchez, Queen Mother of BAM

Askia Toure, Rolland Snellings, one of the BAM Godfathers






Amina and Amiri Baraka, Queen and King of BAM

Marvin X, West Coast Godfather of BAM

In less than five years, America will celebrate the 50th anniversary of the Black Arts Movement.  Sonia Sanchez, one of the leading voices of the Black Arts Movement believes that “The black artist is dangerous.  Black art controls the “Negro’s” reality, negates negative influences, and creates positive images.”  These positive images of blackness were celebrated on August 28, 2013, the fiftieth anniversary of the March on Washington.  At the 1963 gathering, Martin Luther King’s “I Had a Dream” speech represented the pinnacle of hope of freedom for all Americans.  The question that must be asked fifty years later is “have we achieved that dream?” We must all ask, with the upcoming 50th anniversary of the Black Arts Movement, have the images of blackness in America changed?  Is blackness still seen as inferior? In Amiri Baraka’s poem “Black Art,” first published in the liberator in 1966, he writes:
Clean out the world for virtue and love,
Let there be no love poems written
until love can exist freely and
cleanly….We want a black poem. And a 
Black World.
Let the world be a Black Poem
And Let All Black People Speak This Poem
Silently or LOUD
Are black people speaking their poems, their truth about blackness? Has the Black Arts Movement created the hoped for change in how black people view themselves?
These questions and more will be explored at the International Conference on the Black Arts Movement and its influences at UC Merced, March 1-2, 2014.  The call for papers on a worldwide level is asking the larger questions beyond race, and culture  as we examine  what happened during the Black Arts Movement, and how that changed us as a nation, and as a world.  The Black Arts Movement, the spiritual twin of the Black Power Movement is noted for having changed how African Americans viewed themselves as a race.  African Americans in the 1960s and 1970s created a new vision of blackness, one that celebrated the uniqueness of black culture.  This call for papers invites scholars of all cultural and racial backgrounds to submit  work that illustrates the influence of the Black Arts Movement, both past and present.  The Chicano, Asian, Women’s, Disability Rights, Lesbian, Gay, Bisexual and Transgender (LGBT) movements were all influenced by the Black Arts and Black Power Movements, establishing new academic fields of study, and empowering those that society had marginalized.    
--Kim McMillan


Contact Kim McMillan at kmcmillon@ucmerced.edu



CONFERENCE PROGRAM
SATURDAY, MARCH 1, 2014

1ST Floor Lantern (Kolligian Library)
8:00 –  8:30 AM                        Registration, Coffee/Tea and Light Refreshments

8:30 – 9:00 AM                        Welcoming Remarks (9:00 am – 5:00 pm 

9:15 – 10:15 AM             Multicultural Panel (Lakireddy Auditorium)
                                     Belva Davis, Panel Moderator
                                     Juan Felipe Herrera, California Poet Laureate
                                     Genny Lim, Poet & Activist
                                     Al Young, California Poet  Laureate Emeritus
                                     Avotcja, Poet
 
10:30 – 11:30 AM            Black Power and Black Arts Roundtable (Lakireddy Auditorium)
                                     Nigel Hatton, Moderator
                                     Sonia Sanchez, Poet, Playwright, Teacher
                                     John Bracey, UMass Amherst
                                     James Smethurst, UMass Amherst
                                     Amiri Baraka, Producer, Writer, Activist (still waiting for confirmation)
                                     Marvin X, Playwright, Activist
 
11:30 – 1:00 PM            Luncheon
 
1:15  –   2:00 PM            Marvin X, Keynote Speaker
 
2:15  –   3:15 PM            Theatre of the Black Arts Movement (speakers TBA)
 
4:00     5:30 PM          Northern and Central California Voices of the Black Arts Movement Installation
                                  Merced Multicultural Arts Center
                                     S.O.S. – Calling All Black People:  A Black Arts Movement Reader
Discussion with editors:  John H. Bracey Jr., Sonia Sanchez, and James  Smethurst

Dinner
 
7:00  –  9:00 PM         Theatre of the Black Arts Movement
(Excerpts from the plays of Amiri Baraka, Sonia Sanchez, Marvin X, Ishmael Reed, Lorraine Hansberry, and George Wolfe) Performed by Michael Lange, Adilah Barnes, and UC Merced Students
(Must have purchased ticket for this event)
 
SUNDAY, MARCH 2, 2014
           
                                    Lantern, 1st Floor Kolligian Library
8:30 – 9:00 AM          Registration, Coffee/Tea and Refreshments
 
9:15 – 10:15 AM         New Scholarship on the Black Arts and Black Power Movement(Lakireddy Auditorium)
                                    Mike Sell, Indiana University of Pennsylvania
                                    James Smethurst, University of Mass, Amherst
                                    Marvin X, Playwright
                                    Sean Malloy, University of Merced
 
10:30 – 11:30 AM       Black Studies & the Black Arts Movement
                                    Dr. Nathan Hare
                                    Sonia Sanchez
                                    Dr. John Bracey
                                    Judy Juanita
 
                                   
Lunch
 
1:15  –  2:00 PM          Ishmael Reed, Keynote Speaker
 
 
2:15  –  3:00 PM         Central Valley Voices of the Black Arts Movement
Nigel Hatton, Moderator
(Student Papers)
Give Birth to Brightness: A Thematic Study of Neo-Black Literature by Sherley Anne Williams & Somethin' Proper, the Autobiography of Marvin X
 
 

Hotel:  Hampton Inn in Merced, CA will offer room discounts to conference attendees.              

Call for Papers
A call for papers for an international conference on the Black Arts Movement and Its Influences, University of California, Merced, March 1-2, 2014
 
In less than five years, America will celebrate the 50th anniversary of the Black Arts Movement.  Sonia Sanchez, one of the leading voices of the Black Arts Movement believes that “The black artist is dangerous.  Black art controls the “Negro’s” reality, negates negative influences, and creates positive images.”  These positive images of blackness were celebrated on August 28, 2013, the fiftieth anniversary of the March on Washington.  At the 1963 gathering, Martin Luther King’s “I Had a Dream” speech represented the pinnacle of hope of freedom for all Americans.  The question that must be asked fifty years later is “have we achieved that dream?” We must all ask, with the upcoming 50thanniversary of the Black Arts Movement, have the images of blackness in America changed?  Is blackness still seen as inferior? In Amiri Baraka’s poem “Black Art,” first published in the liberator in 1966, he writes:
 
Clean out the world for virtue and love,
Let there be no love poems written
until love can exist freely and
cleanly….We want a black poem. And a 
Black World.
Let the world be a Black Poem
And Let All Black People Speak This Poem
Silently or LOUD
 
Are black people speaking their poems, their truth about blackness? Has the Black Arts Movement created the hoped for change in how black people view themselves?
 
These questions and more will be explored at the International Conference on the Black Arts Movement and its influences at UC Merced, March 1-2, 2014.  The call for papers on a worldwide level is asking the larger questions beyond race, and culture  as we examine  what happened during the Black Arts Movement, and how that changed us as a nation, and as a world.  The Black Arts Movement, the spiritual twin of the Black Power Movement is noted for having changed how African Americans viewed themselves as a race.  African Americans in the 1960s and 1970s created a new vision of blackness, one that celebrated the uniqueness of black culture.  This call for papers invites scholars of all cultural and racial backgrounds to submit  work that illustrates the influence of the Black Arts Movement, both past and present.  The Chicano, Asian, Women’s, Disability Rights, Lesbian, Gay, Bisexual and Transgender (LGBT) movements were all influenced by the Black Arts and Black Power Movements, establishing new academic fields of study, and empowering those that society had marginalized.    
 
This conference, sponsored by the University of Merced’s African Diaspora Graduate Student Association, seeks papers that offer new scholarship on the Black Arts and Black Power Movements as well as new insights into the following areas of study:
 
◦                            Regional examinations of the Black Arts Movement
◦                           The Black Arts Movement -- national and international
◦                            Women authors of The Black Arts Movement
◦                            Male domination and the Black Arts Movement
◦                           The Politics and Art of the Black Power and Black Arts Movements
◦                           Symbology and the Black Arts and Black Power Movements
◦                            Cultural Legacies of the Black Arts Movement
◦                            Community Theatre and the Black Arts Movement
◦                           Clothing, Music, and Art of the Black Arts Movement
◦                            Race and the Black Arts Movement
◦                            The use of Poetry and Drama in the Black Arts Movement
◦                           The media and the Black Arts and Black Power Movements
◦                            The historical context of the Black Arts Movement
◦                            The Black Panthers and the Black Arts Movement
◦                        The influence of the Black Arts Movement on other cultures
◦                        The use of language as Art in the Black Arts Movement
◦                        The creation of the Black Arts and Black Power Movement
◦                        Film and the Black Arts Movement
◦                       The Intersection between the Civil Rights and the Black Power, and Black Arts Movements
 
Special invited guests include:  Sonia Sanchez, Ishmael Reed, John Bracey, James Smethurst, Mike Sell, Juan Felipe Herrera, Genny Lim, Al Young, Belva Davis, Marvin X, Adilah Barnes, Dr. Nathan Hare, and others.
 
Please send your one-page abstract and brief bio to Kim McMillon at kmcmillon@ucmerced.edu by December 18, 2013.
 
Call for Papers, Reports, and Studies:
 
The Black Arts Movement Conference invites the following types of submissions:
 
Research Papers - Completed research papers in any of the topic areas listed above or related areas.
  
Student Papers - Research done by students in any of the topic areas listed above, or related areas.
 
Case Studies - Case studies in any of the topic areas listed above, or related areas.
 
Work-in-Progress Reports for Future Research - Incomplete research in any of the topic areas listed above, or related areas. 
 
 
Presentations:
 
Paper sessions will consist of no more than four presentations in a 80-minute session.  The session will be divided equally between the presenters.
 
Workshop presentations will be given a full 60-minute session.
 
Panel sessions will provide an opportunity for three or more presenters to speak in a more open session where ideas can be exchanged.  These sessions are 80 minutes.
 
Poster sessions will last 90 minutes and consist of a large number of presenters.  The following supplies will be provided for poster sessions:
                Easel
                Tri-fold display board (48 x 36 inches)
                Markers
                Push pins
•                Tape
•                Round table
•                Chairs
 
Submitting a Proposal/Paper:
 
Make your submission by
following these directions:
 
Create a title page for your submission.  The title page must include:
 
a.              Title of the submission
b.              Topic area of the submission (choose a topic area from the list at the top of this page)
c.              Presentation format (choose one: Paper Session, Workshop, Panel Session, or Poster Session)
d.              A description of your presentation, which should not exceed 150 words in total. Please note that       you are still required to send in an abstract/paper in addition to this description.
e.              paper author(s):
f.               EACH author, should list the following:
•                Full Name
•                Department/Division
•                University/Company/Organization
•     Email Address (all acceptance/rejection letters are sent via email, so it is very important to have a correct email address for each author.)
 
g. Email your abstract and/or paper, along with the above-described title page, to kmcmillon@ucmerced.edu.  Receipt of submissions will be acknowledged via email within one week.  
 
NOTE:  Conference papers, proposal, panels, workshops, and poster sessions will take place on the University of California, Merced campus concurrently from 9-4 pm on Saturday, and 10 am – 2:00 pm on Sunday, March 1-2, 2014.