Wednesday, April 15, 2015

Bandung Conference at 60 by Norman Richmond, aka Jalali












By Norman (Otis) Richmond aka Jalali



Indian Prime Minister Narendra Modi arrival in Canada is major news.
Modi is  being greeted like he is a musical star like Bob Marley or
Bruce Springsteen. India has a long history of leaning left and not
being a servant of Western interest. It is no surprise that this Asian
nation is a foundation member of BRICS.

The new kid on the economic block is BRICS an association of five
major emerging national economies: Brazil, Russia, India, China and
South Africa. The grouping was originally known as "BRIC" before the
inclusion of South Africa in 2010.


They are distinguished by their large, fast-growing economies and
significant influence on regional and global affairs; all five are
G-20 members. Since 2010, the BRICS nations have met annually at
formal summits. Russia currently holds the chair of the BRICS group,
and will host BRICS seventh the summit in July 2015.

BRICS countries represent almost 3 billion people, or approximately
40% of the world population. The five nations have a combined nominal
GDP of US$16.039 trillion, equivalent to approximately 20% of the
gross world product, and an estimated US$4 trillion in combined
foreign reserves.  Many feel that BRICS is a continuation of the
Bandung Conference.

History will record two Bandung conferences. The first took place 60
years ago between April 18-24, 1955 at which 29 African and Asian
nations met in Bandung, Indonesia to promote economic and cultural
cooperation and to oppose colonialism.

The idea of the Bandung Conference came from Ahmed Sukarno of
Indonesia. It was conceived in Colombo, Indonesia, where the Colombo
powers – India, Pakistan, Ceylon (now Sri Lanka), Burma (now Myanmar)
and Indonesia, the host country – met in April 1954. The Bandung
Conference led to the 1961 creation of the Non-Aligned Movement.

At that moment in history Josip Broz Tito was the president of
Yugoslavia. The Non–Aligned Movement was founded in Belgrade. The idea
for the group was largely conceived by Jawaharlal Nehru, India’s first
prime minister. Other players were U Nu Burma’s first prime minister,
Sukarno Indonesia’s first president, Gamal Abdel Nasser and Kwame
Nkrumah, Ghana’s first president.

The second Bandung Conference took place in 2005. The first head of
state to arrive at the 2005 conference was South African President
Thabo Mbeki. Ironically, South Africa along with Israel, Taiwan and
North and South Korea were all barred from the 1955 conference. In
light of recent tragic events, Mbeki visited the tsunami stricken
province of Aceh before he proceeded to the conference.

I first heard about the Bandung Conference in the mid-1960s while
listening to a speech by El-Hajj Malik Shabazz (Malcolm X) titled
"Message to the Grassroots,” which was first delivered at the King
Solomon Baptist Church in Detroit on November 10, 1963. Malcolm talked
about places and faces I had never heard of, however, he didn't get it
completely correct. There were White people at the Bandung conference.
Marshal Tito represented Yugoslavia, and there were American,
Australian and numerous members of the European press at the
conference. In fact, African American journalist Ethel Payne, who was
at Bandung, pointed out, “The British had sent just hordes of
correspondents, and the Dutch and the Germans and all the European
countries." A new biography “Eye On The Struggle” about Payne  has
been published by Harper Collins.

Africans in North America paid close attention to this historic event.
In Canada, Daniel Braithwaite's organization, which had a relationship
with the U.S.-based Council on African Affairs (CAA), sent a message
of support. Braithwaite was so impressed by CAA co-founder Paul
Robeson that he not only started a CAA chapter in Toronto, he named
his son Paul in tribute to Robeson. Other Africanists like W.E.B.
DuBois, Alphaeus and Dorothy Hunton, along with Robeson, were members
of the Council on African Affairs.

At the time of the first Bandung Conference, the North American left,
in general, and the African liberation movement inside the United
States, in particular were under attack. Senator Joseph McCarthy was
looking for a "red under every bed.” Robeson, "the Tallest Tree in the
Forest," wanted to attend the conference but couldn't because the
U.S.government had taken his passport. Ditto for DuBois. However,
several African American politicians and journalists found themselves
in Indonesia from April 18-25, 1955. Adam Clayton Powell Jr., Carl T.
Rowan, Dr. Marguerite Cartwright, journalist Payne and Richard Wright
all were there.

Powell, the Congressman from Harlem, went to the Conference on a dare.
He wanted to attend the event to represent the interests of
U.S.imperialism by talking about the progress the Negro in America was
making. "It will mark the first time in history that the world's
non-White people have held such a gathering," he told reporters in
Washington, D.C., "and it could be the most important of this
century." Powell, no matter what we think of him, knew what time it
was. His appeals to President Dwight D. Eisenhower and others in the
State Department fell on deaf ears. The flamboyant Powell was told the
U.S. government saw no need to send an official observer to Bandung.
However, he got there compliment of the African American weekly
newspaper, New York Age-Defender. Karl Evanzz pointed out in his
brilliant book, 'The Judas Factor', "There was at least one unofficial
observer: at the request of John Foster Dulles' brother, CIA Director
Allen Dulles, a young African American journalist named Carl T. Rowan
covered the conference."

Rowan went on to become the Director of the United States Information
Agency. He also went on to alienate a generation of Africans in
America after the February 21, 1965 assassination of Malcolm X.
Rowan's statement after Malcolm's death was: "All this about an
ex-convict, ex-dope peddler who became a racial fanatic."

Of the two female African American journalists at the conference, the
well-connected Dr. Cartwright represented a chain of White dailies and
the United Nations. The lesser-known Payne was the new kid on the
block and represented the Chicago Defender, which was part of John
Sengstacke's chain of Black weeklies.



Payne, who went on to be crowned "The First Lady of the Black Press"
said she had little or no contact in Indonesia with Dr. Cartwright. Of
Cartwright, Payne said, "She had a desk at the U.N. and so she had
quite a lot of access that I didn't have." However, Payne did network
with writer Richard Wright, a one-time member of the Communist Party
U.S.A. who went on his own and wrote the book, “The Color Curtain”,
about The Bandung Conference. “The Color Curtain” was first published
by University Press of Mississippi in 1956. Wright wrote about the
faces and places in Indonesia in 1955, and one can feel him learning
about what would come to be called "The Third World.”

The first Bandung Conference was attended by 21 Asian, seven African
and one Eastern European country. The second was attended by 54 Asian
and 52 African nations. The Asian-African Conference has been
transformed into the Asia-Africa Summit. A recent re-reading of
Robeson's “Here I Stand” made me realize how important these two
conferences are to humanity. At both, questions of world peace,
South-South cooperation, nuclear weapons and Palestine were discussed.

The great Paul Robeson wanted to attend the Bandung Conference.
Robeson summed it up in these words. He said, “How I would love to see
my brothers from Africa, India, China, Indonesia and from all the
people represented at Bandung. In your midst are old friends I knew in
London years ago, where I first became part of the movement for
colonial freedom -- the many friends from India and Africa and the
West Indies with whom I shared hopes and dreams of a new day for the
oppressed colored peoples of the world. And I might have come as an
observer had I been granted a passport by the State Department whose
lawyers have argued that "in view of the applicant's frank admission
that he has argued that "in view of the applicant's frank admission
that he has been fighting for the freedom of the colonial people of
Africa . . .the diplomatic embarrassment that could arise from the
presence abroad of such a political meddler (sic!) travelling under
the protection of
an American passport, is easily imaginable!"

So all the best to all of you. Together with all of progressive
mankind, with lovers of peace and freedom everywhere, I salute your
history-making conference.”

Norman (Otis) Richmond, aka Jalali, was born in Arcadia, Louisiana,
and grew up in Los Angeles. He left Los Angles after refusing to fight
in Vietnam because he felt that, like the Vietnamese, Africans in the
United States were colonial subjects.

Richmond is currently working as a producer/host of Diasporic Music on
Uhuru Radio (uhururadio.com)

His column Diasporic Music appears monthly in The Burning Spear newspaper

Tuesday, April 14, 2015

News from the Indigenous Americas: Castro on Obama; the transition of writer Eduardo Galeano of Uruguay

President Obama and Raul Castro shake hands

Raul Castro Goes Off on U.S. Policy Towards Cuba, Then Apologizes to Obama




Cuban President Raul Castro went off on U.S. policy towards Cuba in his Summit of the Americas speech today, before apologizing to President Obama and absolving him of any blame in the matter.
According to reports from the summit, Castro went on and on about grievances Cuba has had with the United States for decades, bringing up military invasions, occupations, the Bay of Pigs, et cetera.
And then, for some reason, Castro ended up apologizing to Obama. He said, “I apologize to Obama for expressing myself so emotionally. President Obama has no responsibility for this. There were 10 presidents before him; all have a debt to us, but not President Obama.”
He even pointed out that Obama was born after the conflict originally began, a point Obama himself made when he spoke.
Castro also took some time to personally praise Obama and call him an honest man.

Eduardo Galeano speaks during the closing march to support a referendum to abolish an amnesty law for those involved in human rights violations during Uruguay"s dictatorship. October, 2009.



Uruguayan author and left-wing intellectual Eduardo Galeano has died at a hospital in Montevideo aged 74 after suffering from lung cancer.

His 1971 book, Open Veins of Latin America, became a classic of leftist political literature in the region.

It chronicles the deep injustices of Latin America and its exploitation by capitalist and imperialist forces.

Mr Galeano's trilogy "Memory of Fire" also received wide praise when it was published in the 1980s.
It is a three-volume narrative of the history of the Americas which starts in the pre-Columbian period and ends in 1980.

He was best known for his book, Open Veins of Latin America, which gained popularity again after the late Venezuelan president, Hugo Chavez, gave it as a gift to US President Barack Obama at the Summit of the Americas in 2009.

Mr Galeano also wrote fiction, essays and journalism and, before becoming one of Latin America's best known writers, had many other jobs.

He worked at a factory, as a bank clerk, a painter and a political cartoonist. Mr Galeano was also known for his drawings and political cartoons.






Mr Galeano went into exile when the Uruguayan military took power in 1973 - first to Argentina, where he founded the literary review Crisis, and then to Spain. He returned to Uruguay after democracy was restored in 1985. Local media are reporting that Mr Galeano left a new text to be published after his death, according to the BBC's Veronica Smink in Argentina.

Monday, April 13, 2015

Newark, NJ: National Conference on Leadership, Ideas, Action, October 8-10, 2015


Saturday, April 11, 2015

POEM FOR AB AND AMINA BARAKA





I AM MUSIC
DRAMA TOO
LOVE DRAMA
CAN'T HEP IT
DRAMA IS MA LIFE
IMAGINE
IN THE HOUSE OF BARAKA
FULL OF DRAMA
24/7
BUT AIN'T TELLIN' NOTHING
TOO MUCH LOVE FADA BARAKAS
CAN'T PARTY WIT NOBODY ELSE
PARTY PARTY PARTY
TALK REVOLUTION
PARTY PARTY
REVOLUTION REVOLUTON
HEP ME SOMEBODY
DINNER AT THE SPANISH RESTAURANT NEXT TO CITY HALL
BAR HOPING ACROSS NEWARK
AMIRI AND AMINA FRIENDS LIKE NO OTHER
LOVE MY FRIENDS TO THE END
NO MATTER THEIR NEGROCITIES
WHAT ABOUT MY OWN
BARAKA SAY MARVIN DON'T STEAL MY TERM NEGROCITIES
OK AB

BUT CHECK THIS
NEGROCITIES
AN INFLAMMATION OF THE NEGROID GLAND AT THE BASE OF THE BRAIN
CAUSED BY BAD HABITS
WHAT YOU SAY IN BLACK MASS
WHERE THE SOUL'S PRINT SHOULD BE
THERE IS ONLY A CELLULOSE POUCH OF DISGUSTING HABITS!
--MARVIN X
410/15

CAN I GET THROUGH THE DAY WITHOUT MY AK

IN HONOR OF ICE CUBE

SIR, I DON'T KNOW IF I CAN GET THROUGH THE DAY
WITHOUT  MY AK
MATTER OF FACT
I AIN'T USING NO AK
I'M CHOPPIN OFF HEADS
THROWING 'EM IN DA BAY
HEY HEY









RATS HAVE NO RIGHT TO LIFE
BLACK LIVES MATTER
RATS LIVES DON'T MATTER
REVOLUTION AIN'T FOR BOY SCOUTS
MILLER LITE MOTHERFUCKERS

RATS NEED HEADS CHOPPED
BUKU HARAM FASHION
ISIS MANNER
GOD DON'T LOVE COWARD SOLDIERS
GOD LOVES WARRIORS
GOD DON'T LOVE  COWARD SOLDIERS
GOD LOVES WARRIORS.

DON'T BE A COWARD COMMUNITY
OUR TRADITION IS REVOLUTION
PULLMAN PORTERS, BLACK PANTHERS
NO COWARDS ALLOWED






 REVOLUTIONARY COMRADE ANGELA DAVIS

 THE STAFF OF SAN FRANCISCO'S BLACK DIALOGUE MAGAZINE VISITED SOLEDAD PRISON, 1966,  THEY MADE A  PRESENTATION BEFORE THE BLACK CULTURE CLUB. THE CLUB, CHAIRED BY ELDRIDGE CLEAVER AND BUNCHY CARTER, WAS THE BEGINNING OF THE AMERICAN PRISON MOVEMENT. BLACK DIALOGUE STAFF INCLUDES AUBREY LABRIE, MX, ABDUL SABRY, AL YOUNG, ARTHUR SHERIDAN AND DUKE WILLIAMS, MOST WERE STUDENTS AT SAN FRANCISCO STATE UNIVERSITY. HENCE THE CONNECTION BETWEEN BLACK STUDENTS, BLACK INTELLECTUALS AND THE BLACK PRISON MOVEMENT.

 ELDRIDGE CLEAVER AND HIS COMRADE ALPRENTICE BUNCHY CARTER, WHO WAS ASSASSINATED ALONG WITH JOHN HUGGINS ON THE CAMPUS OF UCLA BY MEMBERS OF THE US ORGANIZATION.

COMRADE GEORGE JACKSON, MESSIAH OF THE PRISON MOVEMENT
 
IN DA BAY
PULLMAN PORTER LAND
BLACK PANTHER LAND
BLACK ARTS MOVEMENT LAND
BLACK STUDENTS UNION LAND
BLACK STUDIES LAND
ASE! ASE! ASE!
BETTER AX SOMEBODY!
BETTER AX SOMEBODY!
--MARVIN X

Thursday, April 9, 2015

What is Kichange?

Kichange Journal for parents and children, created by Amira Jackmon

Kichange
Location: 2342 Shattuck Avenue #816, Berkeley, California, United States United States
Founded in: 2014
Stage: Alpha (prototype)
Number of employees: 1-5
Short URL: vator.co/kichange

Kichange

Kichange! The only currency for today's modern kid
Startup/business
California, United States United States
http://kichange.com

Company description
Kichange™ is an exciting new, patent pending incentive system that uses tokens or “Kichange” as a reward for positive behavior.  Once earned, Kichange™ is redeemable by kids for privileges in and around the home – like screen time, playdates and extra-curricular activities – according to Kichange™ rates predetermined by the family.  Kichange gives today's parents much needed "currency" with their kids while helping children draw the connection between societal expectations and the positive characteristics that we all desire to embody.
Use of Kichange™ enhances social-emotional learning and math and writing skills and introduces basic economic principles.  It is recommended for children aged 6-12.
_____________________________________


Amira Jackmon is the Founder of Kichange™. Amira is an attorney who, for the last four years, has operated as a solo practitioner serving issuers and underwriters in complex public finance transactions and advising small business owners in transactional and litigation matters. Prior to that, she was an associate attorney in a large San Francisco-based law firm. Amira graduated from Stanford Law with a J.D. and from Yale University with a B.A. in Psychology. With her background in finance, her interest in psychology and her experience as a mother, the launch of Kichange™ is a logical next step in her life path.

Inspiration

Since the time that he could barely talk and walk, my son enjoyed a LOVE/HATE relationship with a neighborhood child (we’ll call him "Max"). My son loved to go and play with Max whenever he had the opportunity. But Max was, to put it bluntly, a bully. Though he was, at heart, a good kid, he’d often tease my son by calling him “baby” and other names. They'd argue and sometimes things would even get physical (although it was always an "accident"). My son would often run home crying. Nonetheless, he'd be just as eager to go back there the next day. As a mom, I didn’t know what to do. Of course, if I prohibited him from going to play with Max he’d be just as angry.
Through a community workshop I learned a great practice for increasing self-knowledge and writing more effective affirmations. It involves recording very specific instances of positive behavior. I used the technique for myself initially and had great results letting go of old, unhelpful labels about myself. Then I thought, wouldn't it be great to have had this record from a very early age? That's when I started using the practice with my son. We kept a journal to record this work.
One day, when my son was about 4 or 5, he came home crying after Max called him a baby yet again. I was frustrated. “Why do you keep going over there!” I wanted to scream. Instead, as patiently as I could, I asked him, “Well are you a baby?”
“No!” he insists.
“Well what are you?”
“I'm a big boy!"
"Ok, well what else are you besides a 'big boy'"
Shrugging his shoulders, "I don’t know.”
In a flash, it came to me! “Well, go get your journal. Let’s read about who you are.”
He got out his journal and we sat down and began to read some of the entries. Some entries related back to occurrences when he was just 2 years old (I did the writing back then). Instantly, his demeanor changed. His anger dissolved. We both chuckled as we read through these endearing snapshots from his life. We read for less than 5 minutes but it was enough. He was no longer angry at Max and he chose to play happily at home for the rest of the afternoon. Inside, I was ecstatic. Finally, I was no longer helpless. Now I had a go-to-tool to use whenever the inevitable conflict with Max arose.
We have continued to journal in this way and to read from the journal periodically. These days, when my son comes to me upset that someone said this or that, all I have to say is, “Go get your journal.” He generally doesn’t even let me finish my sentence. “Ok, ok, mom. That’s ok. I know who I am.” As an added benefit, this practice has also helped my son to see good in others even when those others do not always behave in a positive manner.
Because of how helpful this tool has been for me and my family, I decided to create the app to share it with others.

How it works

The app has an easy to use interface that helps children write down their positive behavior. The child can take a picture as additional evidence of the positive behavior (artwork, report cards, awards). The entries are compiled in a timeline fashion to be reviewed by the child from time to time.
To motivate the child to make the journal entries, the child is rewarded with 5 "Kichange" for each journal entry. "Kichange" is currency for kids that I created as part of a new incentive system. Parents decide how the Kichange can be used. Rewards can be things like screen time, playdates or treats...that is, whatever has "currency" for the kids .
The Kichange journal app provides kids the language and a tool to be masters of their own personal currency and cultivators of their own inner peace. With these skills and knowledge, kids are armed with a powerful immunizer against life's inevitable challenges whether it be bullying, an over-critical parent or the child's own doubts. By dissolving anger and fear, the opportunity for happiness is thereby expanded.

What's next for Kichange Journal App

Kichange is in the beta testing phase and is expected to be available for Iphone/Ipad users in early 2015.
Later versions of the app will allow the users to order a hard copy of the journal entries and associated photos as a keepsake.



Wednesday, April 8, 2015

Regarding Pig Murder in South Carolina: Southern Black Arts Movement Conference rescheduled, Sept., 2016











 
BLACK ARTS MOVEMENT - SOUTHERN STYLE
 
CALL FOR PAPERS
 
What: An international conference on the Black Arts Movement  
Where: Dillard University - New Orleans, Louisiana
When: September 9-11, 2016.
Background:

Students represented some of the strongest voices of self-determination and social change during the Black Arts Movement (BAM). As much as the Black Arts and Black Power Movements were needed in the 1960s and 1970s, today these movements are vital as a means of providing historical context and to awakening our youth to issues of voter disenfranchisement, and inequalities within our social system. This is why the New Orleans Black Arts Movement (BAM) Conference taking place, September 9-11, 2016 is important. The conference is designed to educate the public about the contributions of the South’s role in BAM. Why does that matter? The heart pumps blood so that the entire body operates. The South represents a vital part of the body of the Black Arts Movement.
On the fiftieth anniversary of the Black Arts Movement, a question must be asked, “Where do we go from here?” This question is just one of many that will be answered at the International Conference on the Black Arts Movement – Southern Style at Dillard University, September 9-11, 2016. The call for papers on a worldwide level is asking the larger questions including and in addition to race and culture as we examine the south’s contributions to the Black Arts Movement, and how that changed us as a nation, and as a world. The emphasis of this conference is the South because of its rich legacy of literature, and social activism and as the cultural and spiritual foundation of many major voices in BAM. The Black Arts Movement, the spiritual twin of the Black Power Movement is noted for having changed how Black Americans viewed themselves as a race. Black Americans in the 1960s and 1970s created a new vision of Blackness, one that celebrated the uniqueness of Black culture.
Participants:
Scheduled speakers include:  Jerry Ward, Kalamu Ya Salaam, Askia Toure, Sonia Sanchez, John Bracey, Jr., Mona Lisa Saloy, Ishmael Reed, Quo Vadis Breaux, John O'Neal, Eugene Redmond, Chakula Cha Jua, Haki Madhubuti, James Smethurst, Jerry Varnado, and Jimmy Garrett. 
Call for papers details:
The Black Arts Movement Conference welcomes research and creative arts submissions from people of all cultures and racial backgrounds for this September event in New Orleans. We are seeking papers related to the Black Arts Movement including the areas of history, art, music, literature, dance, drama, women, gender, and southern writers. Proposed presentations may take a variety of forms including research papers, personal narratives, interviews, theatre / music / multimedia, food or culinary activities, posters and panel discussions.
 
The one-page, 100-word abstract/proposal should include your name, the title of your presentation, any academic or community affiliations, email address, and any equipment needs.  If submitting a proposal for a research presentation or a panel discussion, send a final copy of the research paper and/or material on the theme, questions, and participants for a panel.
The deadline for submission is May 15, 2016. Late submissions will not be accepted.
 
 
Selection criteria:
Relevance to the themes of the Black Arts Movement, originality of perspective or presentation, contribution to an understanding of the Black Arts Movement, and artistic or creative significance.
 
Contact:
Please send an abstract / proposal and a brief biography to Kim McMillon at kmcmillon@ucmerced.edu.   For those individuals that would like to attend only, please email kmcmillon@ucmerced.edu.


Marvin X invited the new Yoruba King (in white) to the Black Power Babies conversation in Brooklyn, NY, organized by his daughter, Muhammida El Muhajir. Oba Olatunji's father married Amiri and Amina Baraka. While in South Carolina, Marvin X visited the Yoruba Village in Sheldon, SC. He interviewed the Oba who was steeped in Black Arts Movement consciousness as well as Yoruba mythology. Marvin was deeply impressed with the knowledge the new Oba possessed.

North Charleston NAACP ‘Not Satisfied’ With Police Officer’s Murder Charge

In this frame from video provided by Attorney L. Chris Stewart, representing the family of Walter Lamer Scott, Scott appears to be running away from City Patrolman Michael Thomas Slager, right, in North Charleston, S.C. Slager was charged with murder on Tuesday, April 7, hours after law enforcement officials viewed the dramatic video that appears to show him shooting a fleeing Scott several times in the back. (Courtesy of L. Chris Stewart via AP)
In this frame from video provided by Attorney L. Chris Stewart, representing the family of Walter Lamer Scott, Scott appears to be running away from City Patrolman Michael Thomas Slager, right, in North Charleston, S.C. (Courtesy of L. Chris Stewart via AP)

A white police officer in North Charleston, S.C. was charged with murder Tuesday after a video surfaced of that officer shooting an unarmed black man in the back, as he tried to run away.

The shooting took place after officer Michael Slager, 33, pulled over 50-year-old Walter Scott for a broken taillight. Police say a struggle ensued and Scott began running away with the officer’s Taser when Officer Slager fired his weapon eight times.

MARVIN X OFTEN RETREATS TO WRITE IN BEAUFORT, SOUTH CAROLINA, ON THE LAND OF BAM QUEEN HURRIYAH ASAR
Hurriyah Asar, aka Ethna X. Wyatt, Queen of Black Arts West, San Francisco, 1966, helped organize Black Arts West Theatre and The Black House, along with playwright Ed Bullins, Hillery Broadous, Carl Bossiere, Duncan Barber, Eldridge Cleaver, Willie Dale and Marvin X. Longtime partner of Marvin X, visited him during his exile in Toronto, Canada, invited him to Chicago where he became associated with the Chicago BAM Movement, including OBAC, Negro Digest/Black World, Hoyt Fuller, Haki Madhubuti, Gwen Brooks, Carolyn Rogers, Val Ward, Chicago Art Ensemble, Afro-Arts Theatre under Phil Choran. Marvin X returns to Chicago May 22 for a conference on his BAM mentor and associate Sun Ra at the University of Chicago.

I am so thankful my BAM comrade and partner Hurriyah gives me space from time to time to write in the paradise of Beaufort, South Carolina. It is heaven to me and I appreciate her hospitality. I love sitting on the beach as the tide rolls in, and even while it dwells. I enjoy the ducks, turkeys, chickens, doves, guineas and other fowl on her land. Hurriyah is truly Queen Mother of the West Coast Black Arts Movement. In San Francisco, Hurriyah (then Ethna Wyatt from Chicago) held Black Arts West Theatre together: Ed Bullins, Hillary Broadus, Duncan Barbar, Carl Bossisser, Danny Glover, Vonetta McGee; musicians: Earle Davis, Monte Waters, Oliver Johnson, Dewey Redman, Rafael Donald Garrett, BJ, et al. 

Don't send your dead dog to South Carolina, they think they won the Civil War, yes, they live in the grand denial. So let us not linger in Jerusalem, let us move on to the Second Civil War. I can say I know a little about South Carolina. What a beautiful land, ah, paradise on earth, islands and islands where the Gullah Negroes/Africans lived in almost racial purity. Amiri Baraka came from Johns Island, renamed Jones. Dr. J. Herman Blake, sociologist who brought Malcolm X to UC Berkeley, who advised Dr. Huey P. Newton on his PhD at UC Santa Cruz, also from John's Island. Ain't Mechelle Obama a Gullah Negro/African?

But understand South Carolina, although I am thankful it has served as a writing retreat for me, thanks to my friend Hurriyah Asar. And I am blessed to receive knowledge of the Yoruba religion from the African Village in Sheldon, SC.

But it is a slave community, full of ignut nigguhs though they are blessed with Gullah African consciousness, a beautiful thang. But even the Gullah youth have turned into Nigguhs who want to leave those Islands of Paradise for Savannah and Atlanta so they can die like dogs in the streets, enjoying the best of urbanity. I wish somebody could hep me!

Last time I was in South Carolina, including Charleston, I was told to say nothing, just shut up while you're here. We're not going to help you promote your book, so just shut up cause we tired of you Cali Nigguhs comin' here talkin that radical shit then leavin', then we got to deal with this Peckerwood who knows you were staying with us and now he wants to retaliate on us fa yo shit. You know we all got three minimum wage jobs to make ends meet, so now all he got to do is fire us from one of those jobs and we can't pay the house note or car note or pussy bill, yeah, let's keep it real!

FYI, I wrote How to Recover from the Addiction to White Supremacy in South Carolina, Beaufort. When I went to Staples to copy the manuscript, the sister asked, "Where you from?"
"I'm from here!"
"Naw you ain't!"
"Why you say I ain't from here?"
"Cause we don't say white supremacy down here. We know it, but we don't say it!"

In the South, aside from his Parable of the Black Bird, his manual How to Recover from the Addiction of White Supremacy is the most requested book--in the North as well!

 
Hurriyah Asar replies to Marvin X on Pig Murder in South Carolina:

Thank you for the accolades but I'm not the Queen, Mother Earth is. I salute you for your visions, your courage, after the messenger u remain the bravest man I know. Every time u left home, back in the day, I was afraid that u would become a statistic, because u never backed down. Now I fear  for my sons and everyone's sons and daughters. I'm here in Chicago with my mom and I told her I'm not backing down either.... No Surrender..................Love and solidarity..............Your daughters are brilliant.........................................
 BAM Queen Mother Hurriyah Asar feeding her fowl on her land, Beaufort, South Carolina. Hurriyah was co-founder of Black Arts West Theatre and The Black House political/cultural center, San Francisco, 1966-67. She joined Marvin X during his exile in Toronto, Canada, then invited him to depart Canada for Chicago where he connected with the Chicago Black Arts Movement, 1967-68.

 Yoruba ceremony at the African Village, Sheldon, South Carolina

 Oba Olatunji, founder of the Yoruba African Village, Sheldon, SC. The Oba spread Yoruba African culture in Harlem, helping ignite the Black Arts Movement before departing to establish his African Village in South Carolina.

 Queen Mothers of Yoruba African Village, Sheldon, SC

Daughters of Marvin X: Amira, Nefertiti, Muhammida

"The intelligence and creativity of my daughters destroyed any notion of the patriarchal mythology in my mind. They humbled me before the Goddess mythology, along with their mothers and the other women partners and revolutionary female comrades in my life. All praise is due the Goddess!"