Tuesday, May 5, 2015

Academy of Da Corner Episode #2: Broken Systems, Broken Minds



Broken Systems, Broken Minds

by Marvin X


What we perceive as reality is most often a reflection of imagination, of mythology and ritual, or simply the mind of man is the macrocosm, reality the microcosm. Systems thus reflect the mind of man--did not someone say creations only reflect the mind of the creator. Broken systems, therefore, originate in broken minds. Yet we wonder why systems are broken, e.g., school system, political system, economic system, religious and moral systems.

But systems are not the problem, rather it is the minds of men that are broken irreparably, suffering a mental atrophy, an anorexia, a paralysis of imagination. The causation is simple greed, selfishness and lust for power. It is augmented by the quest for the acquisition of things, the wanton addiction to materialism or the world of make believe, the illusion that the microcosm can satisfy the macrocosm, when the real deal holyfield is the inner rather than the outer. Yet men fear to go there, deep down into the metaphysical realm where the darkest mysteries lie seeking edification and recognition. Thus, we find ourselves at the precipice, about to be consumed by the wonder of life.

Elijah told us, "The wisdom of this world is exhausted." And so it is--spent, obsolete, retarded, and yet we wonder why we are immobile, transfixed--stuck on stupid! Why no systems work.
How is it possible for the great Toyota to need recalling, a consummate machine suddenly dysfunctional. What caused this sudden breakdown-- some internal defect in the machine or in the mind of man?

Look at the educational system, confounded by the ideological foundation of white supremacy capitalism that continues to prepare students for a world of work when there is none, especially with living wages in an economic system that demands cheap labor and resources, a socalled free market system that will transcend the national needs for the wants and desires of global finance gangs, connected with, supported and defended by the military, i.e., the Christian Crusaders, soon to be supplanted by Communists from China, India and Russia.

The teachers were long ago taught to teach a new way--back in Egypt they were told to teach with compassion and love. Yet what we see today is the pedagogy of hate. It is a system that rewards ignorance and punishes wisdom and creativity, especially of the thinking variety. Any original thought is suppressed or deemed antisocial thought and behavior, often resulting in the student diagnosed to require psycho drugs that turn him into the zombie required by the society of the walking dead.

The religious system is the same. It is in full blown denial about the meaning of the cross and the lynching tree, about the mission of the prince of peace. For the most part, the religious community is Silent Night about the trillion dollar military budget that allows mass murder to take place across the planet. Along with Silent Night, it sings Onward Christian Soldiers as its sons and daughters crisscross the planet to secure labor and natural resources for the pleasure of the walking dead, and most especially the miserable few who enjoy the high life.

It is all about the glorification of Pharaoh and his magicians. God, in the minds of men, is a business, big business. There is no desire for spirituality, only prosperity, minus compassion for the poor, homeless, jobless and broken hearted, crushed to earth like the pot in the hands of Jeremiah at the gates of his city.

In the minds of politicians, there is no compromise, only preparation for the next election, or the assumption or resumption of power at any and all costs, no lie is exempt, "Vote for me, I'll set you free!" All bribes are acceptable--politicians are thus loyal to lobbyists, not the people who are expendable.

The lips of politicians do not say let us reason together for the sake of the people, for the love of the people, for the consent of the governed. These men and women of the political realm only know the language of no, no, no. As the people starve, become homeless, jobless, we yet hear the mantra of no, no, no, late into the night. No compromise, no reconciliation, only recalcitrance and niggardliness. They are fast to reward the robber barons, the blood suckers of the poor. Eventually, a few crumbs, kibble and bits reach the poor, if ever, unless there is revolt. And then Pharaoh sees the light, suddenly, but he will send his magicians to placate the poor with more crumbs, kibbles and bits.

Between good and evil, evil is the choice, with greed the foundation stone in the minds of men. Amazingly, the people see clearly. They feel change in the wind, not the change in the educational system or the political or religious, but in the wind. They smell the rotten hearts of men who lead into nothingness and dread, with their pitiful strut of the peacock, the one legged dance of the flamingo.

Pharaoh magicians gather in dens of iniquity to share blood money. Teachers, preachers, politicians, all there to party on the backs of the poor. The military stand post at the door of the den, ready to club the wretched into submission, even death, if they dare enter the den of thieves, robbers, murderers, and those who perpetuate the world of make believe.

Inside the den we hear a symphony of sick sounds, giggles, wails, grunts emanating from putrid minds exhausted from wickedness. The result is systematic gridlock--it is 5pm and the freeway is jammed with drivers full of road rage, ready to kill in an instant. It is thus a destruction of self by self, internal combustion.

Unlike the car, there is no forward motion or backward, or perhaps it goes both ways simultaneously, if such is possible in the world of physics, but after all, the minds of men defy all laws, except the law of the jungle and the devil.

But there shall be no forward motion with the present mind-set. Jack must jump out the box of his own making. He must take wings and fly away into a world beyond his imagination.
This is the only way out the morass of his mind. All the technology is to no avail, for he talks, but more often says nothing, he listens but hears nothing, deaf, dumb and blind.
--Marvin X
2/17/10

Poet/playwright/educator/philosopher/planner Marvin X travels to Chicago on May 22 to participate in the Sun Ra Conference at the University of Chicago. He will perform with Sun Ra musicians Marshall Allen and Danny Thompson, also with David Boykin, conference  planner.



Sunday, May 3, 2015

Inmates oMembers of the Sun Ra Jail will be in the University of Chicago Sun Ra celebration: Marshall Alen, Danny Thompson, Marvin X, et al.





www. blackbirdpressnews.blogspot.com



Marvin X and son of Chicago's BPP Chairman, Fred Hampton, murdered in a police shootout.
Black Panther Cub will host a reception for Black Liberation/Black Arts Movement Elder Marvin X in Chicago while he attends the University of Chicago celebration of Black Arts Movement Master Sun Ra. Marvin X had a long artistic association with Sun Ra and his Myth-Science Arkestra and will perform with surviving Arkestra members Marshall Allen and Danny Thompson, along with David Boykin and other Chicago musicians and poets.

Notes on Slave Narratives from Marvin X's Academy of da Corner


 Young brothers at Marvin X's Academy of da Corner, reading the Oakland Post Newspaper
photo by Gene Hazzard

 Marvin X and son of Chicago's BPP Chairman, Fred Hampton, murdered in a police shootout.
Black Panther Cub will host a reception for Black Liberation/Black Arts Movement Elder Marvin X in Chicago while he attends the University of Chicago celebration of Black Arts Movement Master Sun Ra. Marvin X had a long artistic association with Sun Ra and his Myth-Science Arkestra and will perform with surviving Arkestra members Marshall Allen and Danny Thompson, along with David Boykin and other Chicago musicians and poets.

Black Arts Movement's poets/mythologists/philosophers Marvin X and Sun Ra

 Rev. Blandon Reemes, Academy of da Corner students/authors Aries Jordan, Latoya Carter and Master Teacher Marvin X, on a visit to Alameda County Juvenile Hall to give out books from North American African authors, donated by the Post Newsgroup, published by Paul Cobb.

 Linda Johnson, dancer, choreographer, dancer Raynetta Rayzetta, Val Serrant, Tumani, drummers
at the 75th birthday celebration of Amiri Baraka at the Lush Live Gallery, San Francisco, produced by Marvin X.

Aries Jordan, one of the students at Academy of Da Corner that Marvin X has mentored.
She survived the Wild Crazy Ride of the Marvin X Experience to publish two books and have a male child, Legend Muhammad.

 Marvin X and Academy of da Corner students Toya Prosperity and Aries Jordan, reading poetry at the Memorial for Geronimo Ji Jaga Pratt, Los Angeles Black Panther Party Leader, at Oakland's Bobby Hutton Park, aka Defermery Park.

Bay Area Black Authors, Artists, Activists celebrate the life of slain journalist Chauncey Bailey at the Joyce Gordon Gallery, 14th and Franklin, Oakland.
photo Gene Hazzard and Adam Turner

 Comrade George Jackson, Messiah of the American Prison Movement
 

 Marvin X as bandleader with the Black Arts Movement Poet's Choir and Arkestra
performing at the Malcolm X Jazz/Art Festival, Oakland, May, 2014

Cornel West's first cousin Kwame Satterfield is Marvin X's stepson. Ase!


I am so horrified at the tales people tell me at Academy of da Corner, whether at Oakland's 14th and Broadway, the upscale Lakeshore Academy or in Berkeley at the ASHBY BART STATION. We are at all locations when we feel like it (prerogative of the Senior Citizen).

The unresolved grief and traumatic stress narratives presented to me in the various locations of Academy of da Corner, are overwhelming to say the least. Yes, some of the tales and stores are beyond tragedy, yet Cheikh Anta Diop taught us there is no African tragedy, only tragi-comedy, for the Southern Cradle believes in tragi-comedy. Tragedy is a concept from the Northern Cradle, Europe, thus it has no place in African mythology.

Perhaps, one day I can present testimonies in the first person, especially since I am pushing the suffering oppressed to write their narratives of how I survived, the essential theme in North Amrican literature, beginning with the socalled Slave Narratives, we say the Narratives of North American Africans caught in the American Slave System (Ed Howard term). I tell them to write one page a day. They said, how can I do this? I say turn off the phone, get the lover off your shoulder, put them out the room for an hour or two, do not show them what you are writing, write, write, write. Got blockage? Get some Henny, weed or Blizo! No writer's block up in here!

Marvin X's Ten Points for Survival in the Streets of Babylon, USA

Ten Points for Youth Survival in the Street

Marvin X at his Academy of da Corner,
14th and Broadway, Oakland, with one of his top students,
brother Jermaine Cash. Author Ishmael Reed says, " Don't spend all that money attending seminars and workshops, if you want motivation and inspiration, just go stand at 14th and Broadway, downtown Oakland, and watch Marvin X at work. He's Plato teaching on the streets of Oakland." Bob Holman calls him, "The USA's Rumi, Saadi and Hafiz...." Rudolph Lewis says, "I would put him ahead of Mark Twain, even, as a story teller."







Ten Points for Youth Survival

1. Before going into the street, put on the amour of God or Spiritual consciousness,i.e., yea thou I walk through the valley of the shadow of death, I shall fear no evil. The Lord is my rod and staff.

2. Be aware of your surroundings. Two are better than one, for if you stumble and fall, who shall lift you up? Do not stay long in unfamiliar places with strange people.

3. Be conscious of the tone test with the police, e.g., if they stop you for any reason, one of three things can happen depending on your tone of voice: they can kill you, arrest you or release you.

4. Be conscious of the tone test with another brother or sister: they can kill you, bum rush you or greet you in peace.

5. Do not wear sagging pants that prevent you from running or fighting. The ghetto, sad to say, is a war zone or hostile environment. Do not pretend you are in La La Land. There are mind fields everywhere, so try not to be in a mind altered state. It is best to be cold sober on the street.

6. Respect elders and do not take liberties with women.

7. Help the poor, say a kind word to the broken hearted.

8. At all times, be a soldier in the army of the Lord.

9. Pray going out and coming in. Be thankful you made it back home safely.

10. Make your home the No Stress Zone.

--Marvin X, Prime Minister, First Poet's Church of the Latter Day Egyptian Revisionists
4/17/11



Marvin X at University of Chicago Conference on Black Arts Movement Master Sun Ra 101st Earthday


Marvin X and Sun Ra at Marvin's Black Educational Theatre, San Francisco, CA 1972. Sun Ra arranged the musical version of Marvin's Flowers for the Trashman, retitled Take Care of Business. Both also lectured at the University of California, Berkeley in Black Studies, 1971-72.

 BAM poet Marvin X with his Poet's Choir and Arkestra, featuring David Murray and Earle Davis, all three were associated with San Ra. This performance is from Oakland's Malcolm X Jazz/Art Festival, 2014
David Boykin, Sun Ra Conference project director

Friday, May 1, 2015

Draft: Notes on Slave Catchers, Slave Resisters, and Stanley Nelson's documentary Black Panthers, Vanguard of the Revolution


Black Panther Party Minister of Culture, Emory Douglas, and Black Arts Movement co-founder Marvin X at screening of Stanley Nelson's Black Panthers: Vanguard of the Revolution,
at the San Francisco International Film Festival. photo Aries Jordan
 
Marvin X Notes on Slave Catchers/Slave Resisters, Part Two: Black Panthers/Vanguard of the Revolution, directed by Stanley Nelson

In consideration of the request from director Stanley Nelson, i.e., I should delay the release of a review until September, 2015, 
when the film is released to general audiences, and in consideration that I have requested the outtake footage of myself in the film, 
I will not attempt a review  but submit some notes or impressions of the film.

Firstly, I refer the reader to that excellent documentary on the History Channel “Slave Catchers, Slave Resisters” (on Youtube). 
A viewing of this film will give the viewer the roots of the police in the form of the slave catcher. Of course the response to 
the Slave Catcher was the Slave Resister. The film noted the significance of the literary document David Walker’s Appeal, 1829, 
in building the resistance. We know Brother David Walker had a bounty on his head for writing his Appeal. He was found murdered 
in Boston a year after the publication of the Appeal. This reveals the power of the word, the power of art and propaganda. 
Mao taught us all art is propaganda of one class or another. Walker’s literary art was for the liberation of his people, enslaved 
North American Africans. 

We must note Nelson’s film is an inflammatory document. It will either advance the revolution or render us deeper down into the 
dungeon of Americana. Although it is refreshing to see a new generation on the road to carrying out their destiny: the liberation 
of our people, North American Africans, we only ask this generation to study the past carefully before proceeding down the road to 
freedom in a serious manner. Yes, liberty or death should be our mantra, for why should we permit ourselves to continue being 
relegated to the lowest rung on the societal ladder?

Just as Slave Catchers, Slave Resisters, offered us a model from the American slave system, Black Panther/Vanguard of the Revolution 
presents a model from the past, a radical  model for sure, but a model from our most recent experience, i.e.,the 1960s. 

We must study carefully the positive and negative points presented. We should note our internal flaws and the vile nature of external 
forces, not only the awesome fire power of the military/corporate complex, but the additional bags of tricks that were almost insurmountable 
to the 60s revolutionaries, especially in the Black Panther Party, but the Nation of Islam as well, along with all the civil rights groups 
and radical organizations, including the Christian liberation movement lead by Dr. Martin Luther King, Jr. and those who came after his 
transition to the ancestors. 
 
 L to R: Director Stanley Nelson, Black Arts Movement co-founder Marvin X, Black Panther Party Cub, Fred Hampton, Jr. 
photo Aries Jordan
 
 
Disinformation, defamation, infiltration, surveillance and other tactics were in the bag of tricks administered by the military/corporate state. 
What methods will be employed by the present generation to resist? It is for them to decide. Will they be able to fight by not fighting? 
Or will the 60s model be unavoidable. Ultimately, we must come to terms with death and transcend it or there can be no bold forward motion. 
Arrest, jail and prison is the natural and normal response from the Slave catcher state, now modern America in 2015. So the revolutionary 
must transcend death, imprisonment, exile and other consequences of striking down the freedom road. 

But, for sure, revolution is a family affair. When all forces unite, all classes that are progressive, the deal is done. We saw this in the 
Slave Catchers, Slave Resisters as well as in Black Panthers, Vanguard of the Revolution. In 2015, half a centuray later, The Black Panthers 
Ten Points what we want and need are the same: decent housing, education, release from the jails and prisons, recovery from drug addiction 
and addiction to white supremacy mythology; economic independence to transcend the mythical job for life syndrome that is suicide and partly 
responsible for the high incarceration rate as a result of joblessness and the resultant criminal route as a survival technique.

In conversation with the producers Stanley Nelson and Laruens Grant, I wanted them to stress the dynamic connection between the Black Arts
 Movement and the Black Liberation Movement. I am happy to say the art of Black Panther Minister of Culture, Emory Douglass, satisfied by 
thirst for BAM inclusion. It was of even more significance to hear Emory explain his functional art that focused on the common people in 
their daily round and new found radical persona, especially in harmony with the Black is Beautiful theme.

We were seated behind Fredericka Newton, Huey’s widow, so we saw her reaction to the film that ended with Huey depicted as a madman. 
But we can say that was his essential personality, for sure revolution made his condition more pervasive, but all of us have been forced 
to don the mask of psychopath. But Dr. Franz Fanon and Dr. Nathan Hare tell us revolution is the only way to regain our sanity or mental 
equilibrium.

Again, these are just some notes on the connection between Slave Catchers, Slave Resisters and the film Black Panther/Vanguard of the Revolution. 
At this present moment, the brothers and sisters in Baltimore are in the resistance mode to the present day slave catchers, i.e. police, aka pigs.. 
As Rev. James Cone would say, little brother Freddie Gray (RIP) was crucified on the cross and the lynching tree!(See Rev. Cone's interview with 
Bill Moyer's, PBS archives).

—Marvin X

Tour Update: The Wild Crazy Ride of the Marvin X Experience National Tour:
 Tommy Smith Track Meet, Edwards Stadium, UC Berkleley
May 3, Saturday, 2015, 7:30AM

Tommy Smith and John Carlos giving Black Power Salute, Mexico City Olympics, 1968.


Marvin X was  invited to participate in the opening ceremonies of the Tommy Smith Track this Sunday, Edwards Stadium, University of California, Berkeley. Tommy Smith and Marvin X grew up in the Central Valley of California; Marvin X in Fresno and Tommy Smith in Lemoore. They played against each other in high school basketball. Marvin and The Edison Tigers beat Tommy's team--he was the only North American African on his team from Lemoore High School.