Marvin X reviews Django in Black Hollywood Unchained, edited by Ishmael Reed, Third World Press

 

Wednesday, February 13, 2013

Django, finally, the black hero who kills white people! What a change from my childhood attendance at the movie house watching the white man kill Indians and we sometimes cheered at the death of Native Americans while infused with their blood. Whether infused with the white man’s blood or not (and surely most North American Africans are, maybe only Gullah and/or Geeche Negroes can claim they are not) it was a pleasure seeing them die at the hands of Django. Yes, this Spaghetti

Western, this neo-Roots, gave North American African film writers something to think about, even if they know it is highly unlikely we shall now expect to see more of this “resistance” genre in Hollywood. We’ve yet to see Danny Glover’s long expected movie on the Haitian revolution, yet to see a film on Nat Turner’s revolt or Denmark Vesey's or Gabriel Prosser's, although Arna Bontemps novel Black Thunder could provide the basis for a Prosser film.

And why has not Spike Lee given us his version of a resistance film rather than condemn this Western fantasy? I was taught in Creative Writing at San Francisco State University by the great novelist John Gardner, if you don’t like something, use your creativity to write something better.

Being that I am in the Nigguh for Life Club, I am always fascinated by the endless and perennial debate over use of the term, whether nigger or nigguh, now made into a billion dollar word by rappers, reactionary record producers and hip hop culture globally.  What fool would not want to use such a profitable term? And nearly all those who claim to abhor the term will, in a moment of passion, make use of it, e.g., I hate you nigguh or I love you nigguh!

I have written about the psycholinguistic crisis of the North American African. As my comrade Amiri Baraka noted, what else do you think they called Africans entrapped in the American slave system, Sir? But imagine an African caught in the American slave system speaking German. Better yet, imagine those Africans caught in the Brazilian slave system who spoke several languages, including Portuguese, Arabic, Hausa, etc., while the slave master could not write his name! For me, the term devil ascribed to the Africans was quite amusing: we saw the depiction of pseudo science when the African skull was noted for areas of passivity. How ironic the Africans were described by the oppressor as devils but all the evil, i.e. kidnapping, rape of men, women and children, torture, terrorism and genocide came from the European “good guys”.

D, jango as a love story was positive. Seeing a North American African fighting to free his woman from the hands of the devil was inspiring since so many of our women these days suffer abandonment, abuse and neglect. So many must don the persona of the male and find their way by any means necessary. Of course it would have been better to show a mass insurrection rather than this individual struggle for freedom. Of course in the world of make believe inhabited by Hollywood, the depiction of a mass uprising would have been way over the top with the possibility of subliminal suggestion. As Dr. Fritz Pointer said when Brother Mixon killed four police in Oakland, D’jango gave us a dose of obscene pride in seeing the whites die, just as we experienced obscene pride when the Los Angeles black policeman, Christopher Doaner, went postal after suffering alleged abuses in the LA police department. I remember being surrounded by LA police when I asked for directions to City Hall.

Long ago, H. Rap Brown (Imam Jamil Alamin) told us violence was as American as cherry pie. D’jango should remind us of  America’s roots (laws) that evolved from the violence of the slave system. All the present talk about guns must begin with the examination of America’s roots.  Most of the present laws were created to prevent the very acts of the type D’jango carried out. Not only did the slave system fear Africans with guns, but Africans on horses, not to mention Africans who could read and write, and of course three or more Africans standing together was a violation of the Black Codes.

But how can the world’s number one gun merchant talk about clamping down on gun proliferation? Don’t believe the hype.  If anything new occurs, the gun merchants will simply increase the export of guns as the call for decrease heightens within America.

Just know America’s fascination with gun violence is predicated on preventing the oppressed from rising up and overthrowing the oppressor. D’jango’s personal mission is an example of what must ultimately occur on the mass level.  As New York City Councilman Charles Barron once said, “Every Black man should slap a white man for his mental health!” Yes, for the mental health of the Black man and the white man! We’ve heard there can be no redemption of sin without the shedding of blood.

We believe in peace, non-violence, but we also believe in self defense, that oppression is worse than slaughter. It would be better that all of us North American Africans are murdered outright rather than endure this slow death on the killing floor.

James Baldwin said the murder of my child will not make your child safe. America is now witnessing her children being slaughtered in the suburbs just as poor ghetto children have been slaughtered for decades, and their ancestors the victims of genocide for centuries. Thank God, director Terrentino has given us a fantasy version of what must occur in the real world. His love story is what revolution is about, i.e., freeing the family! Yes, the American slave system was about the destruction of family, thus the task of the North American African is the reconstruction of family. We shall not progress as a people until we reconnect with our women and children, rescue them from poverty, ignorance and disease; emotional, physical and verbal abuse.  Ultimately, it is not about killing the white man, which we can never find enough weapons to do so, but it is all about us realizing our women and children are our most precious asset and we shall never make progress until we rescue them from the clutches of the devil. For sure, D’jango realized he could never be free until he saved his woman. For North American African men, this is food for deep thought!

--Marvin X

2/13/13

Did you catch the flash of Marvin X in Stanley Nelson's film Black Panthers, Vanguard of the Revolution? His writing/thoughts appear in Ishmael Reed's The Complete Muhammad Ali.

Marvin X, poet, playwright, essayist, producer/director, Straight Outta Oakland, Black Arts
Movement 27 City Tour
photo Pendarvis Harshaw 

Black Hollywood Unchained edited by Ishmael Reed

In Black Hollywood Unchained, Ishmael Reed gathers an impressive group of scholars, critics, intellectuals, and artist to examine and respond to the contemporary portrayals of Blacks in films.  Using the 2012 release of the film Django Unchained as the focal point of much of the discussion, these essays and reviews provide a critical perspective on the challenges facing filmmakers and actors when confronted with issues on race and the historical portrayal of African American characters. Reed also addresses the black community’s perceptiveness as discerning and responsible consumers of film, theatre, art, and music.

Twenty-eight contributors including this book’s editor, Ishmael Reed, offer insightful, informed and provocative points of view on the ever changing, yet unchanged, landscape of Hollywood and film production in America. While the 2012 release of Django Unchained was the film that generated nation-wide conversations and many of the essays in this collection, this book intentionally extends that dialogue about race, history, entertainment and the image of Blacks on the screen to include an examination of the culture of contemporary films and television. Black Hollywood Unchained is critical of the roles of actor, film-maker and viewer as it asks questions that redirect our thinking about the multi-billion dollar industry we call “the movies.”

Contributors
 
J. Douglas Allen-Taylor, Houston A. Baker Jr., Amiri Baraka, Playthell G. Benjamin, Herb Boyd, Cecil Brown, Ruth Elizabeth Burks, Art T. Burton, Stanley Crouch, Justin Desmangles, Lawrence DiStasi, Jack Foley, David Henderson, Geary Hobson, Joyce A. Joyce, Haki R. Madhubuti, C. Liegh McInnis, Tony Medina, Alejandro Murguía, Jill Nelson, Halifu Osumare, Heather D. Russell, Hariette Surovell, Kathryn Waddell Takara, Jerry W. Ward Jr., Marvin X, Al Young  

Parable of the Parrot and Parable of the Penguin by Marvin X (aka El Plato Negro)

Tuesday, April 12, 2011

Parable of the Parrot by Marvin X

Parable of the Parrot

for Ngugi Wa Thiong'o and the Pan African Revolution

The king wanted parrots around him. He wants all his ministers to wear parrot masks. He said he had to do the same for the previous king. He only said what the king wanted to hear, nothing more, so he advised his ministers to do the same. In fact, they must encourage the people to become parrots.

Yes, he wanted a nation of parrots. Don't say anything the kings does not want to hear. Everything said should be music to his ears. And don't worry, he will tell you exactly what he wants to hear in his regular meetings and public addresses to the nation. Everyone will be kept informed what parrot song to sing. No one must be allowed to disagree with the king. This would be sacrilegious and punishable by death.

The king must be allowed to carry out the dreams that come to his head. No one else should dream, only the king. In this manner, according to the king, the people can make real progress. There shall always be ups and downs, but have faith in the king and everything will be all right. Now everyone sing the national anthem, the king told the people.

There must be a chorus of parrots, a choir, mass choir singing in perfect unity. Let there be parrots on every corner of the kingdom, in every branch and tree. Let all the boys sing like parrots in the beer halls. Let the preacher lead the congregation in parrot songs. Let the teachers train students to sound like parrots. Let the university professors give good grades to those who best imitate parrot sounds. Let the journalists allow no stories over the airwaves and in print if they do not have the parrot sound.

The king was happy when the entire nation put on their parrot masks. Those who refused suffered greatly until they agreed to join in. The state academics and intellectuals joined loudly in parroting the king's every wish. Thank God the masses do not hear them pontificate or read their books. After all, these intellectual and academic parrots are well paid, tenured and eat much parrot seed.

Their magic song impresses the bourgeoisie who have a vested interest in keeping the song of the parrot alive. Deep down in the hood, in the bush, the parrot song is seldom heard, only the sound of the hawk gliding through the air in stone silence looking for a parrot to eat.

Sunday, April 25, 2010

Parable of the Penguin

The news broadcaster announced several motorists thought they spotted a penguin waddling along the freeway. Since the freeway was inland, the announcer wondered how was it possible for the little creature to find its way to the freeway. He said the highway patrol was coming to the scene and would try its best to safely rescue the little bird, but when the patrolman arrived at the scene, the creature was elusive, but he was certain they could capture the bird as it waddled along.

A short time later the newsman interrupted the program with a correction. They had made a mistake about the penguin. It wasn't a penguin as originally reported. The waddling creature was actually a diminutive teenager with his pants sagging.

He was arrested for being under the influence of drugs and taken to the mental hospital for observation. He was also given a citation for indecent exposure.
--Marvin X
4/25/10

--Marvin X 4/5/10 

from the Wisdom of Plato Negro, Parables/Fables, Marvin X, Black Bird Press, Berkeley, 2012, 

$19. 95. Black Bird Press, 1222 Dwight Way, Berkeley, CA 94702.

Abstract for Straight Outta Oakland, the Black Arts Movement 27 City Tour

While in Philadelphia participating in the 60th Birthday Celebration for imprisoned journalist Mumia Abu Jamal, Marvin X recruited a Dream Team of artists, activists, educators and promoters for the 27 City Black Arts Movement Tour. The following are a few of the persons who tentatively agreed to join the BAM Tour:

Dr. Cornel West, educator
Dr. Tony Montiero, educator
Dr. Muhammad Ahmed, educator
Fred Hampton, Jr., activist
Preston Muhammad, promoter
Alfie Pollitt, musician, arranger
Elliot Bey, musician
Pam Africa, activist
Maurice Henderson, producer
Abiodun, the Last Poets
Umar Bin Hasan, the Last Poets



The BAM Poet's Choir and Arkestra performed at the Black Arts Movement Conference, University of California, Merced, Feb 28 thru March 2, 2014.

Abstract for the Black Arts Movement 27 City Tour

The mission of the Black Arts Movement’s 27 City Tour is to continue the cultural revolution we initiated during the 1960s.  This cultural revolution is still needed because for a variety of reasons the Black Arts Movement was aborted due to the radical nature of our task which was the liberation of our people in harmony with the political movement.  Today, the need to address the political condition is critical, yes, even with the election of a non-white president, though this president has done little to address non-white issues, especially the high unemployment of youth, the high incarceration rate of 2.4 million  and the deportation rate of two million so called illegal immigrants since President Obama took office.

But more than the political and economic situation is the cultural condition, some of the reactionary values in hip hop culture, especially unconscious rap poetry, and even the socalled conscious poetry is, in the words of my daughter, an expression of the pseudo conscious, for words are not followed by the right action. As we know, talk is cheap! Sonia Sanchez would say the contradictions in hip hop were inherited from the Black Arts Movement contradictions. "Brothers talked Black Power but went home to beat their wives and partners. BAM children, i.e., the Hip Hop generation observed our behavior and emulated it."

But most important is the overall lack of mental health wellness in our community nationwide, to say nothing of physical wellness. The high rate of homicide among young North American African men is symptomatic of a lack of manhood training or the infusion of traditional values that inspire and motivate people to be the best they can be, to give honor and respect to their elders and ancestors. 

The 50%  or more drop out rate of students in our schools is partly the result of our dire mental health condition. Alas, it is said not only is there a critical need for a positive curriculum and teachers with an undying love for our children, but the mental health condition of our children requires mental health counselors with radical  values of wellness  based on a holistic approach to solving our myriad psycho-social and economic issues.   

We are dumbfounded to learn the USA  (Bush and Obama) promised the young men in Iraq, Afghanistan and elsewhere (except in the USA) three items if they stop their violence and pledge allegiance to the constitution of their lands: education, jobs and housing. Why not offer education, jobs and housing for the boyz and girls  in the hood? 

The BAM tour will address some of these issues through the medium of art, i.e. poetry, drama, dance, music, graphics. While art therapy has been used in traditional cultures, and was utilized in the Black Arts Movement, there must be a concerted effort to make use of art in the healing of our people. Throughout the years, we have seen the power of art in changing destructive personalities. We recall the production we did of Amiri Baraka’s play Dutchman in Fresno CA. The local pimp loaned us  a wig for the female character Lula. When he viewed the play and saw her stab the young North American African male, Clay, this rocked the pimp’s world and he threw in his pimping towel, joined the Nation of Islam and eventually became an imam and made his haj or pilgrimage to Mecca. Thus we see the power of art to heal broken, self destructive and economically damaged personalities.

Many times we heard Amiri Baraka speak about the need to reach our people in the 27 major cities we inhabit in large numbers—to reach out and touch them with healing Black Art that can restore our mental and physical wellness.  In honor of ancestor Amiri Baraka, we propose to conduct a 27 city tour with concerts and wellness workshops to aid in the recovery of ourselves. Our special focus shall be on young Black men, although we cannot  and will not ignore young black women, nor will we avoid adult and parental responsibility. Thus, this will be an inter-generational experience. Sly Stone told us, "It's a family affair!" And the O'Jays said it is a Family Reunion. When we come together as family and embrace with the words "I appreciate you!" the revolution is victorious!

We estimate the overall budget for this project will be 2.7 million dollars at $100,000 per city, including  artist fees, promotion, advertisement, rental of venues, insurance, security, lodging, food,transportation and documentation. Since many of the Black Arts Movement workers are elders, the timeline would be at least three years to complete this project,  including planning and production.

BAM workers in each community will be recruited to participate and we would like to establish a BAM House or cultural center in each city, no matter if it is a 50 seat theatre as Amiri Baraka suggested.  A staff of educators,  mental and physical health workers must be a part of this project so that we more effectively deal with our wellness in a holistic manner.

Sincerely,

Marvin X, Project Director

The Black Arts Movement 27 City Tour

Philadelphia PA

4/23/14

510-200-4164

National Advisory Board Members

Mrs. Amina Baraka

Sonia Sanchez

Askia Toure

Haki Madhubuti

Mae Jackson

Rudolph Lewis

Maurice Henderson

Emory Douglas

Troy Johnson

Kalamu Ya Salaam

Eugene Redman

Kim McMillan

Ayodele Nzinga

Geoffery Grier

Nefertiti Jackmon

Muhammida El Muhajir

Jessica Care Moore

Paul Cobb

Conway Jones

John Burris

James Sweeney

Fahizah Alim

Nisa Ra

Aries Jordan
Billy X Jennings

Sam Anderson

Marvin X, Producer/Director, Straight Outta Oakland, Black Arts
Movement 27 City Tour
photo Pendarvis Harshaw

For information and/or booking, contact:
Marvin X
jmarvinx@yahoo.com
510-200-4164 

 Marvin X and Oakland Mayor Libby Schaaf
(FYI, that's spilled coffee on MX's shirt, aka Messy Marv)

Mayor Schaaf said she will use her power as Mayor to support the BAM 27 City Tour by contacting mayors in other American cities. We urge her to do so ASAP. Even better, Madam Mayor please give BAM 27 City Tour a benefit concert at the Paramount Theatre with the Oakland Symphony joining the BAM Poets Choir and Arkestra. We think Symphony Conductor Michael Morgan is ready to do the BAM Thang!

 

Black Arts Movement Poets Choir and Arkestra Producer/Director Marvin X and Oakland Symphony Conductor Michael Morgan agreed to join their talents in a concert. Let it be the Straight Outta Oakland, BAM 27 City Tour, benefit concert. We'll invite some of the BAM icons like Danny Glover,  Sonia Sanchez, Nikki Giovanni, Askia Toure, Last Poets. For sure, the Bay Area Black Arts Movement Poets Choir and Arkestra will do the BAM Thang!

 

photo collage Adam Turner
The Black Arts Movement Poets Choir and Arkestra 
Malcolm X Jazz/Art Festival,
2014

Straight Outta Oakland

Straight Outta Oakland, the Black Arts Movement 27 City Tour, has been invited to perform at Oakland's Flight Deck Theatre on Broadway, downtown Oakland. Executive Director Anna Shneiderman emailed BAM Tour producer Marvin X: Hi Marvin. I'd love to see this concert happen at The Flight Deck.  Please let me know if you think that makes sense and if so, what time of year you're thinking about.

Bests,
Anna

Anna Shneiderman
Executive Director

Ragged Wing Ensemble & The Flight Deck
510-858-7383

www.raggedwing.org

www.theflightdeck.org

CUBA first stop on 27 City Tour?

Members of the Black Arts Movement Poets Choir and Arkestra  informed producer Marvin X they would like to initiate the tour in Cuba rather than end in Cuba as Marvin had planned. BAM artists from coast to coast have suggested Cuba first, so we shall see. Since the BAM icons are elders, their schedules and health will determine how many will be able to do the 27 city tour. Poet Sonia Sanchez, 80 years old, told the producer, "Marvin, the very idea of a 27 city tour makes me tired."

 BAM poet Sonia Sanchez

Straight Outta Oakland, BAM 27 City Tour is estimated to cost about 3 million dollars @ $100,000.00 per city, plus the Cuba Concert. We are seeking donations to make this tour a reality. What is the purpose? Ancestor Amiri Baraka would say, "It's about beauty and truth! It's about advancing the cultural revolution. It's about a United Front of all progressive people." For information or booking, email jmarvinx@yahoo.com. 510-200-4164.

Amiri Baraka, BAM Chief architect (RIP)

Straight Outta Oakland

The Black Arts Movement 27 City Tour

Amiri Baraka and Maya Angelou doing the BAM BAM (RIP)

 

Graphic design by Adam Turner

Now that the Oakland City Council has approved the Black Arts Movement Business District, the time has come for the Black Arts Movement Poets Choir and Arkestra to hit the road and complete the 27 City Tour envisioned by ancestor Amiri Baraka.  AB told BAM artists to tour the 27 cities with large populations of North American Africans and spread radical cultural consciousness. He said we should at least establish a fifty seat theatre in each city based on the BAM concept of the artistic freedom fighter. Long live the spirit of AB!

 
Amiri Baraka (RIP) and Marvin X enjoyed a 47 year friendship as movers and shakers of the Black Arts Movement

The Black Arts Movement was/is the most radical artistic and literary movement in American history, sister of the Black Power Movement. Our mission is to spread radical cultural consciousness throughout the land. We thank the citizens of Oakland for establishing the first Black Arts Movement Business District in America.

The defining work of the Black Arts Movement, Black Fire is at once a rich anthology and an extraordinary source document. Nearly 200 selections, including poetry, essays, short stories, and plays, from over 75 cultural critics, writers, and political leaders, capture the social and cultural turmoil of the 1960s. In his new introduction, Amiri Baraka reflects — nearly four decades later — on both the movement and the book.

 

 BAM co-founder Marvin X and Lynette McElhaney, President of the

 Oakland City Council

photo Adam Turner

 Marvin X speaking at Oakland City Hall's Black History Celebration, Feb. 24, 2016
Marvin X referred to Madam President as African Queen!

We especially thank Oakland City Council President, Lynette McElhaney, for pushing through legislation establishing the Black Arts Movement Business District. Also, thanks to Oakland Mayor Libby Schaaf and Laney College President Elnora T. Webb for celebrating the 50th Anniversary of the Black Arts Movement at Laney College.

Mayor Schaaf said she will use her power as Mayor to support the BAM 27 City Tour by contacting mayors in other American cities. We urge her to do so ASAP. Even better, Madam Mayor please give BAM 27 City Tour a benefit concert at the Paramount with the Oakland Symphony joining the BAM Poets Choir and Arkestra. 

We think Symphony Conductor Michael Morgan is ready to do the BAM Thang! Let Oakland be the model for other cities. We ain't goin' into no town half stepin', we first class, that's the only way we travel. We represent Oaktown fada git down! You gotta git in town and outta town. We Straight Outta Oaktown!

 

Black Arts Movement Poets Choir and Arkestra Producer/Director Marvin X and Oakland Symphony Conductor Michael Morgan agreed to join their talents in a concert. Let it be the Straight Outta Oakland, BAM 27 City Tour, benefit concert. We'll invite some of the BAM icons like Danny Glover,  Sonia Sanchez, Nikki Giovanni, Askia Toure, Last Poets, et al.

 

Left to Right: Mrs. Gay Plair Cobb, Marvin X, Oakland Mayor Libby Schaaf, Laney College President, Dr. Elnora T. Webb, Dr. Nathan Hare, Paul Cobb, Publisher of the Oakland Post News Group

We would like the BAM 27 City Tour to end in Cuba with a grand concert featuring the BAM Poets Choir and Arkestra, Francisco Mora's Afro Horn, Sun Ra Arkestra and David Murray. We need sponsors, promoters, booking agents to make this happen. If you or your city has a venue for the 27 City US tour, please contact Marvin X: 510-200-4164 ASAP.

Sincerely,

Marvin X,
Producer
BAM 27 City Tour
jmarvinx@yahoo.com

Straight Outta Oakland

The Black Arts Movement 27 City Tour

Amiri Baraka and Maya Angelou doing the BAM BAM (RIP)

 

Graphic design by Adam Turner

Now that the Oakland City Council has approved the Black Arts Movement Business District, the time has come for the Black Arts Movement Poets Choir and Arkestra to hit the road and complete the 27 City Tour envisioned by ancestor Amiri Baraka.  AB told BAM artists to tour the 27 cities with large populations of North American Africans and spread radical cultural consciousness. He said we should at least establish a fifty seat theatre in each city based on the BAM concept of the artistic freedom fighter. Long live the spirit of AB!

 
Amiri Baraka (RIP) and Marvin X enjoyed a 47 year friendship as movers and shakers of the Black Arts Movement

The Black Arts Movement was/is the most radical artistic and literary movement in American history, sister of the Black Power Movement. Our mission is to spread radical cultural consciousness throughout the land. We thank the citizens of Oakland for establishing the first Black Arts Movement Business District in America.

 

 BAM co-founder Marvin X and Lynette McElhaney, President of the

 Oakland City Council

photo Adam Turner

 Marvin X speaking at Oakland City Hall's Black History Celebration, Feb. 24, 2016
He referred to City Council President Lynette McElhaney as African Queen!

We especially thank Oakland City Council President, Lynette McElhaney, for pushing through legislation establishing the Black Arts Movement Business District. Also, thanks to Oakland Mayor Libby Schaaf and Laney College President Elnora T. Webb for celebrating the 50th Anniversary of the Black Arts Movement at Laney College. Mayor Schaaf said she will use her power as Mayor to support the BAM 27 City Tour by contacting mayors in other American cities. We urge her to do so ASAP. Even better, Madam Mayor can give BAM 27 City Tour a benefit concert at the Paramount with the Oakland Symphony joining the BAM Poets Choir and Arkestra. We think Symphony Conductor Michael Morgan is ready to do the BAM Thang!
 

 

Left to Right: Mrs. Gay Plair Cobb, Marvin X, Oakland Mayor Libby Schaaf, Laney College President, Dr. Elnora T. Webb, Dr. Nathan Hare, Paul Cobb, Publisher of the Oakland Post News Group

We would like the BAM 27 City Tour to end in Cuba with a grand concert featuring the BAM Poets Choir and Arkestra, Francisco Mora's Afro Horn, Sun Ra Arkestra and David Murray. We need sponsors, promoters, booking agents to make this happen. If you or your city has a venue for the 27 City US tour, please contact Marvin X: 510-200-4164 ASAP.

Sincerely,

Marvin X,
Producer
BAM 27 City Tour
jmarvinx@yahoo.com

Icons of the Black Arts Movement
invited to join the 
BAM 27 City Tour

Askia Toure

Sonia Sanchez

Marvin X and Danny Glover

 

Nikki Giovanni

l

The Last Poets 

Felipe Luciano, Last Poets

Haki Madhubuti

Mrs. Amina Baraka

Marshall Allen, Sun Ra Arkestra

 

Danny Thompson, Sun Ra Arkestra

Francisco Mora Catlett, Afro Horn

David Murray

FYI, David Murray, Berkeley native,  now living in Paris, France,  invites the Black Arts Movement Poets Choir and Arkestra to a European tour ASAP! Thank you, David! We be dare directly!

The Black Arts Movement Poets Choir and Arkestra

The Black Arts Movement Poets Choir and Arkestra 

University of California, Merced

BAM 50th Celebration, 2014

 

Marvin X, David Murray, Earle Davis

Marvin X reading DOPE by Amiri Baraka (RIP)

Black Arts Movement Poets Choir and Arkestra

Malcolm X Jazz/Arts Festival

Oakland, CA.

2014

Featured artists of the Bay Area 

BAM Poets Choir and Arkestra

Tureada Mikell, Michelle LaChaux, Dr. Ayodele Nzinga, Tarika Lewis

Tacuma King

Kujichagulia

Paradise Jah Love

f

Choreographer Linda Johnson, Val Serrant, Raynetta Rayzetta

Destiny Muhammad 

Earle Davis

Zena Allen 

 

Aries Jordan

Marvin X

TOWARD THE BLACK ARTS MOVEMENT 27 CITY TOUR

University of Chicago 

presents 

Sun Ra Conference, May 21-22, 2015

l

 

 

Sun Ra

Marshall Allen, 91 years old, now leader of the Sun Ra Arkestra (He said, "Marvin I'm not 91, I'm 19." Marvin X says, "And he plays like he's 19!" Danny Thompson and Marvin X at University of Chicago, Sun Ra Conference, 2015. They performed and discussed the teachings of BAM Master Sun Ra and their relationship with him as fellow artists. All three are dedicated to the teachings of Sun Ra. FYI, all of us BAM artists were/are students of Sun Ra, students and/or associates of Sun Ra, the POPE of BAM, AB the High Priest. David Murray and Francisco Mora Catlett performed and were infected with the Ra doctrine. RA RA RA!

 
The Gemini twins: Marvin X and Sun Ra. These "Latter Day Egyptian Revisionists" (Sun Ra term) worked together coast to coast. Marvin X worked with the Arkestra in New York, Philly and the Bay Area. Both men taught in the Black Studies Department at University of California, Berkeley, 1971-72. The above pic is outside Marvin's Black Educational Theatre, San Francisco, 1972. Sun Ra arranged the music for Marvin's play Take Care of Business, aka Flowers for the Trashman. They produced a five hour concert (without intermission) at San Francisco's Harding Theatre on Divisadero. The production had a cast of fifty, including Marvin's actors, Sun Ra's Arkestra and the dancers of choreographers Ellendar Barnes and Raymond Sawyer, living legends of Bay Area BAM dance. See SF Sun Reporter archives for review. See Youtube for Sun Ra lectures at University of California, Berkeley, 1971-72.

Juan Felipe Herrera, currently, US Poet Laureate, performed with the Black Arts Movement Poets Choir and Arkestra at the University of California, Merced, 50th Anniversary Conference, produced by Kim McMillon and Marvin X.

h

Poet Ginny Lim, member of The Black Arts Movement Poets Choir and Arkestra 

Left to Right: Zena Allen, Kora player, poet Marvin X, Tarika Lewis, violinist

Linda Johnson, choreographer/dancer

Many of the movement’s leading artists, including Ed Bullins, Nikki Giovanni, Woodie King, Haki Madhubuti, Sonia Sanchez, Askia Touré, Marvin X and Val Gray Ward, remain artistically productive today. Its influence can also be seen in the work of later artists, from the writers Toni Morrison, John Edgar Wideman, and August Wilson to actors Avery Brooks, Danny Glover, and Samuel L. Jackson, to hip-hop artists Mos Def, Talib Kweli, and Chuck D. SOS—Calling All Black People includes works of fiction, poetry, and drama in addition to critical writings on issues of politics, aesthetics, and gender. It covers topics ranging from the legacy of Malcolm X and the impact of John Coltrane’s jazz to the tenets of the Black Panther Party and the music of Motown. The editors have provided a substantial introduction outlining the nature, history, and legacy of the Black Arts Movement as well as the principles by which the anthology was assembled.

 

Dr. Cornel West and Marvin X

Cornel supports and will participate in the

Black Arts Movement 27 City Tour

"Marvelous Marvin X!"--Cornel West