Marvin X Archives on exhibit at Berkeley Juneteenth Festival
Sunday, June 13, 20010
Marvin X will exhibit his archives at Berkeley Juneteenth Festival this Sunday, June 13.
Many of his books, manuscripts, notebooks, photos, posters, leaflets from the Black Arts Movement to now will be on display at his booth. He will also autograph books. The following is a description of his archives at the Bancroft Library, University of California, Berkeley. The Bancroft Library collection will not be exhibited.
Marvin X Archives
Collection Title:
Collection Number:
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Finding Aid to the Marvin X Papers, 1965-2006, bulk 1993-2006
BANC MSS 2006/217
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Description
The Marvin X Papers document the life and work of playwright, poet, essayist, and activist Marvin X during the nineties and the first decade of the 21st Century. The papers include correspondence; Marvin X's writings; materials related to the Recovery Theatre; works by his children and colleagues; and resource files. Correspondence includes letters, cards, and e-mails; correspondents include Amiri Baraka and other prominent African-American intellectuals. Marvin X's writings include notebooks, drafts, and manuscripts of poetry, novels, plays, essays, and planned anthologies. Documents from the Recovery Theatre include organizational and financial records and promotional material. Writings by others include essays, scripts, and academic papers by his three daughters. Resource files include academic articles, e-mails, flyers, news clippings and programs that contextualize and document Marvin X's involvement as an activist, intellectual, and literary figure in the African American community in the Bay Area in the late 20th and early 21st centuries. Photographs include snapshots of family, friends, colleagues, and productions at the Recovery Theatre.
Background
Poet, playwright and essayist Marvin X was born Marvin E. Jackmon on May 29, 1944 in Fowler,
Extent
Number of containers: 8 cartons, 1 box Linear feet: 10.2
Restrictions
All requests to reproduce, publish, quote from or otherwise use collection materials must be submitted in writing to the Head of Public Services, The Bancroft Library,
Finding Aid to the Marvin X Papers, 1965-2006, bulk 1993-2006
Finding Aid written by Marjorie Bryer
The Bancroft Library
Phone: (510) 642-6481
Fax: (510) 642-7589
Email: bancref@library.berkeley.edu
URL: http://bancroft.berkeley.edu/
© 2006
The Regents of the
Finding Aid to the Marvin X Papers, 1965-2006, bulk 1993-2006
Collection Number: BANC MSS 2006/217
The
Finding Aid Written By:
Marjorie Bryer
Date Completed:
January 2007
© 2007 The Regents of the
Collection Title: Marvin X papers
Date (inclusive): 1965-2006,
Date (bulk): bulk 1993-2006
Collection Number: BANC MSS 2006/217
Creators : Marvin X, 1944-
Extent: Number of containers: 8 cartons, 1 box Linear feet: 10.2
Repository: The Bancroft Library
Phone: (510) 642-6481
Fax: (510) 642-7589
Email: bancref@library.berkeley.edu
URL: http://bancroft.berkeley.edu/
Abstract: The Marvin X Papers document the life and work of playwright, poet, essayist, and activist Marvin X during the nineties and the first decade of the 21st Century. The papers include correspondence; Marvin X's writings; materials related to the Recovery Theatre; works by his children and colleagues; and resource files. Correspondence includes letters, cards, and e-mails; correspondents include Amiri Baraka and other prominent African-American intellectuals. Marvin X's writings include notebooks, drafts, and manuscripts of poetry, novels, plays, essays, and planned anthologies. Documents from the Recovery Theatre include organizational and financial records and promotional material. Writings by others include essays, scripts, and academic papers by his three daughters. Resource files include academic articles, e-mails, flyers, news clippings and programs that contextualize and document Marvin X's involvement as an activist, intellectual, and literary figure in the African American community in the Bay Area in the late 20th and early 21st centuries. Photographs include snapshots of family, friends, colleagues, and productions at the Recovery Theatre.
Languages Represented: Collection materials are in English
Physical Location: Many of the Bancroft Library collections are stored offsite and advance notice may be required for use. For current information on the location of these materials, please consult the Library's online catalog.
Access
Collection is open for research.
Publication Rights
All requests to reproduce, publish, quote from or otherwise use collection materials must be submitted in writing to the Head of Public Services, The Bancroft Library,
Restrictions also apply to digital representations of the original materials. Use of digital files is restricted toresearch and educational purposes.
Preferred Citation
[Identification of item], Marvin X Papers, BANC MSS 2006/217, The Bancroft Library,
Alternate Forms Available
There are no alternate forms of this collection.
Separated Material
Printed materials, including poetry broadsides, have been transferred to the book collection of The Bancroft Library. Videotapes and DVDs/sound recordings have been transferred to the Microforms Collections of The Bancroft Library.
Indexing Terms
The following terms have been used to index the description of this collection in the library's online public access catalog.
X, Marvin, 1944-
African American poets
African American dramatists
African American scholars
African Americans--
Black Arts movement
Acquisition Information
The Marvin X Papers were purchased by The Bancroft Library in 2006.
Accruals
No additions are expected.
Processed at the container level by Marjorie Bryer in 2006.
Poet, playwright and essayist Marvin X was born Marvin E. Jackmon on May 29, 1944 in Fowler,
Arranged to the container level.
Scope and Content of Collection
The Marvin X Papers document the life and work of playwright, poet, essayist, and activist Marvin X in the nineties and the first decade of the 21st Century. The papers include correspondence; Marvin X's writings; materials related to the Recovery Theatre; works by his children and colleagues; photographs; and resource files. Correspondence includes letters, cards and e-mails; correspondents include Amiri Baraka and other prominent African-American intellectuals. Marvin X's writings include notebooks, drafts and manuscripts of poetry, novels, plays, essays, and planned anthologies. Documents from the Recovery Theatre include organizational and financial records and promotional material. Writings by others include essays, scripts, and academic papers by his three daughters. Resource files include academic articles, e-mails, flyers, news clippings, and programs that contextualize and document Marvin X's involvement as an activist, intellectual, and literary figure in the African American community in the Bay Area in the late 20th and early 21st centuries. Photographs include snapshots of family, friends, colleagues, and productions at the Recovery Theatre.
Series 1 Correspondence 1974, 1977, circa 1998-2005
Physical Description: Carton 1
Arrangement
Arranged in order received.
Scope and Content Note
Consists of incoming and outgoing correspondence. Correspondents include Amiri Baraka and other prominent African-American intellectuals; subjects include the 2004 San Francisco Tenderloin Book Fair and
Carton 1, Folder 1-3
Letters circa 1998-2005
Carton 1, Folder 4
Letters #4 - Black Radical Book Fair (
Carton 1, Folder 5-14
Letters circa 1998-2005
Series 2 Writings circa 1993-2006
Physical Description: Cartons 1-6
Arrangement
Arranged in order received.
Scope and Content Note
Consists of notebooks, fragments, typescripts, manuscripts, page proofs, drafts, production notes, grant materials, and publicity materials. Includes poetry, drama, essays, novels, the literary journal Chickenbones, broadside poems, his autobiography, Somethin' Proper, and his long-running play about addiction and recovery, One Day in the Life.
Carton 1-3
Notebooks - #1-60 circa 1993-2006
Carton 3
Production Notes circa 2001
Carton 3
Writings/Notes - #1-6 circa 1993-2006
Carton 3
Chickenbones: A Journal and Broadside Poems circa 1995-2005
Carton 4
In the Crazy House Called
Carton 4
Somethin' Proper: The Life and Times of a North American African Poet - Drafts and Page Proofs 1994-1998
Carton 4
Muslim American Literature (Printed Texts, Compiled for an Anthology) undated
Carton 4
One Day in the Life (A Drama of Addiction and Recovery) - Draft 1996
Carton 4
"In the Name of Love: A Poetic Drama" - Typescript 1999
Carton 4
"Book Project #4: Fables Parables" - Manuscript and Typescript 1999, undated
Carton 5
Abstract for a Publishing Grant 2006
Carton 5
In the Crazy House - Drafts (#1 and Final) 2002
Carton 5
Love and War: Poems - Corrected Page Proofs 1995
Carton 5
"Why Don't You Say You Love Me" (Poem) - Manuscript (Photocopy) 2005
Carton 5
Mama Said: A Novel (Photocopied Manuscript) and Manuscript (Books 1-3) circa 2006
Carton 5
"Marvin X: 5 Plays" ( Flowers for the Trashman, Take Care of Business, Blackbird, One Day in the Life, and Sargeant Santa) circa 1965, 1997, 2002, undated
Carton 5
Sweet Tea, Dirty Rice: Poems - Manuscript and Typescript undated
Carton 5
Toward Radical Spirituality - Parts 1 and 2, Manuscript 2005
Carton 6
"Marvin X: A Critical Look into the Mouth of a Poet" (A Collection of Essays About and Reviews of Marvin X) undated
Carton 6
Up from Ignorance: Essays (Manuscript and Typescript) circa 2003-2006
Carton 6
In Sha' Allah: A Personal History of Black Muslims in the San Francisco/Oakland Bay Area - Typescript circa 2003
Carton 6
Press Releases circa 1998
Carton 6
Promotion (Includes Playbills) circa 1997-1998
Series 3 Recovery Theatre circa 1998-2004
Physical Description: Carton 6
Arrangement
Arranged in order received.
Scope and Content Note
Consists of materials related to the San Francisco Tenderloin Book Fair and
Carton 6
Recovery Theatre #1 - Black Book Fair 2004
Carton 6
Recovery Theatre #2-#10 circa 1998-2004
Carton 6
Programs, Playbills and Promotional Materials 1998, 2000-2001
Series 4 Writings by Others 2003, undated
Physical Description: Carton 7
Arrangement
Arranged in order received.
Scope and Content Note
Consists of manuscripts by Marvin X's three daughters, Amira Jackmon, Muhammida El Muhajir and Nefertitti Rhodes and a film script based on Marvin X's play, Flowers for the Trashman.
Carton 7
Amira Jackmon - "Notes from
Carton 7
Muhammida El Muhajir - Color Lines and Around the Way Girl undated
Carton 7
Nefertitti Rhodes - "This Is His Love" undated
Carton 7
Mel Stewert [Stewart?] - "Flowers for the Trashman, a Film Script" undated
Series 5 Resource Files circa 1993-2006
Physical Description: Cartons 7-8
Arrangement
Arranged in order received.
Scope and Content Note
Consists of approximately 26 folders organized by Marvin X as "Articles, Leaflets" and "Ephemera." These consist of news clippings, academic articles, programs, brochures, e-mails, flyers, ephemera, and Xeroxed photographs. These materials document Marvin X's involvement as an activist, intellectual, and literary figure in the African American community in the Bay Area and cover a broad range of topics, including the Black Panther Party, African American writers, African American politics, the Black Arts Movement and African liberation movements.
Carton 7-8
Articles, Leaflets circa 1993-2006
Carton 8
Marvin X - Ephemera circa 1999-2002
Carton 8
Marvin X - Literary Biography circa 2001-2003
Series 6 Photographs circa 1993-2006
Physical Description:
Arrangement
Arranged in order received.
Scope and Content Note
Consists of snapshots and Xeroxed copies of photographs of family, friends, and colleagues, as well as photos of productions at the Recovery Theatre and Kings and
Family Photos circa 1993-2006
Recovery Theatre circa 1998-2004
Kings and
Black Radical Photos circa 1993-2006
➢ 1944 Born May 29, Fowler, CA to Owendell and Marian M. Jackmon, second child, brother Oliver born in 1943.
➢ Sits atop desk as father and mother publishes Fresno Voice, the Central Valley’s first black newspaper. Father was a Race man who served in WWI. He introduced Christian Science to wife who becomes a lifelong follower of Mary Baker Eddy. Mr. Jackmon remained a Methodist.
➢ Marvin attended Lincoln and Columbia elementary schools in Fresno. In Oakland
where the family moved, he attended Prescott, McFeely and St. Patrick elementary schools, also Lowell Jr. High.
➢ Wrote in the children’s section of the Oakland Tribune.
➢ 1962 Graduated with honors from Edison High School in Fresno.
➢ Attends Merritt College in Oakland where he meets Huey Newton, Bobby Seale, Ken Freeman and Ernie Allen.
➢ Introduced to Black Nationalism. Wins short story contest in college magazine, story published in SoulBook, revolutionary nationalist publication.
➢ Graduates with AA in sociology. Attends San Francisco State College.
➢ 1965 At the request of novelist John Gardner, San Francisco State College drama department produced first play, Flowers for the Trashman.
-Called the best playwright to hit SF State by Kenneth Rexroth.
-Worked as TA for novelist Leo Litwak.
➢ 1966 Writings begin to appear in Soulbook, Black Dialogue, Negro Digest (Black World), Black Scholar, Journal of Black Poetry, Black Theatre, and Muhammad Speaks. Black Dialogue staff visits Eldridge Cleaver and Bunchy Carter in Soledad prison. Marvin is present. Black Dialogue publishes Cleaver’s essay, My Queen, I Greet You, later it appears in Soul On Ice.
➢ Co-founds Black Arts West Theatre with Ed Bullins, Ethna Wyatt, Duncan Barber, Hillery Broadus and Carl Boissiere.
➢ 1967 Co-founds Black House political/cultural center in San Francisco with Eldridge Cleaver, Ed Bullins and Ethna Wyatt. Amiri Baraka, Sonia Sanchez, Askia Toure, Sarah Webster Fabio, Chicago Art Ensemble, Avotja, Reginald Lockett, Emory Douglass, Samuel Napier, Lil Bobby Hutton, Huey Newton, Bobby Seale, attend Black House.
➢ Marvin X introduces Eldridge Cleaver to Bobby Seale. Eldridge joins BPP. Black Panthers plan invasion of state capital at Black House.
➢ Marvin joins Nation of Islam, flees to Toronto, Canada to protest draft and resist Vietnam war.
➢ 1968 Goes underground to Chicago shortly before assassination of Dr. Martin Luther King, Jr. Lived on Southside during riots. Meets Don L. Lee, Gwen Brooks, Hoyt Fuller, Phil Choran, Carolyn Rogers, Johari Amini and others of Chicago BAM (Black Arts Movement.
➢ In Harlem joins Ed Bullins at the New Lafayette Theatre. Works as associate editor of Black Theatre magazine. Associates with Amiri Baraka, Askia Toure, Sun Ran, Sonia Sanchez, Nikki Giovanni, Last Poets, Barbara Ann Teer, Milford Graves.
➢ Publishes Fly to Allah, poems that later establish him as the father of Muslim American literature, according to Dr. Mojah Kahf of the University of Arkansas department of English and Islamic Studies.
➢ 1969 Apprehended returning from Montreal, Canada, charged with draft evasion. Defended by Conrad Lynn. Returns to California to stand trial and teach at Fresno State University until removed at the insistence of Governor Ronald Reagan, by any means necessary.
➢ Angela Davis is also removed from teaching at UCLA. Student protesters burn computer center at Fresno State. Students from throughout California attend draft trial in San Francisco.
➢ 1970 Convicted, flees into exile a second time, this time to Mexico City and Belize. Marries Barbara Hall, a student from Fresno State College, in Mexico City. Revolutionary artists Elizabeth Catlett Mora and Poncho Mora witness civil ceremony.
➢ Deported from Belize because his presence was not beneficial to the welfare
of the colony of British Honduras. While in custody, police ask him to teach them about black power. Sentenced to five months in Federal prison, Terminal Island.
➢ Founds Black Educational Theatre in Fresno.
➢ Performs musical version of Flowers as Take Care of Business. Reactionary negroes kill choir director in theatre, put hit out on poet.
➢ He flees to San Francisco, opens Black Educational Theatre in Fillmore District,
joined by Sun Ra’s Arkestra.
➢ Produced five hour musical version of Take Care of Business, with cast of fifty at Harding Theatre on Divisadero, choreography by Raymond Sawyer and Ellendar Barnes.
➢ 1972 Produced Resurrection of the Dead, a myth/ritual dance drama with Plunky, Babatunde Lea, Victor Willis as lead singer (Village People), dancers included Raymond Sawyer, Jamilah Hunter, Nisa Ra, Thomas Duckett.
➢ Lectures at University of California, Berkeley in Black Studies. Marries UCB student, Nisa (Greta Pope)
➢ Awarded National Endowment for the Arts fellowship. Travels to southern Mexico, Oxaca, Trinidad and Guyana. Interviews prime minister Forbes Burnham. Interview appeared in Black Scholar.
➢ Published Woman,Man’s Best Friend, poems, proverbs, lyrics, parables, Al Kitab Sudan Press.
➢ 1973 Returns to San Francisco State University, awarded BA.
➢ Earns MA in one semester, English/Creative writing.
➢ Teaches at SF State, black literature, journalism, radio and television writing.
➢ 1975 Lectures at Mills College,Oakland.
➢ Produced musical version of Woman,Man’s Best Friend.
➢ Upward Bound program pressured director Connie Wye to halt production. She refused, suffered a cerebral hemorrhage and expired.
➢ Visiting professor at University of California, San Diego. Taught Afro-American literature and Elementary Arabic.
➢ 1976 Organizes Eldridge Cleaver Crusades. Hires staff of Black Muslims for Cleaver’s ministry. Meets Donald Rumsfeld, Charles Colson, Jim and Tammy Baker, Rev. Robert Schuller. Deals with Rev. Billy Graham, Rev. Falwell, Pat Roberson, Cal Thomas, Pat Boone, Hal Linsey, Art DeMoss.
➢ 1978 Returns to Fresno. Falls in love with Sharon Johnson, childhood friend. See autobiography Somethin Proper.
➢ 1979 Lectures at University of Nevada, Reno.
➢ Awarded two National Endowment for the Humanities planning grants.
Produced Excellence in Education Conference. Participants included Eldridge Cleaver, Dr. Harry Edwards, Dr. Wade Nobles, Fahizah Alim, Sherley A. Williams,Ntizi Cayou, Dr. Ahimsa Sumchi.
➢ Publishes Selected Poems.
➢ Returns to Oakland to organize Melvin Black Human Rights Conference at Oakland Auditorium to stop police killing of black men. Participants included Minister Farakhan, Angela Davis, Paul Cobb, Eldridge Cleaver, Khalid Abdullah Tariq Al Mansour, Dr. Yusef Bey, Dezzie Woods-Jones. Police killings stop but drive by shootings begin along with introduction of Crack.
➢ 1980 Produced National Conference of Black Men at Oakland auditorium. Participants included Dr. Yusef Bey, Dr. Nathan Hare, Dr. Wade Nobles, Dr. Oba Tshaka, Dr. Lige Dailey, John Douimbia (founder), Betty King, Dezzie Woods-Jones.
➢ 1981 Taught drama at Laney College.
➢ Did production of In the Name of Love,a poetic drama directed by Ayodele Nzinga. Eldridge Cleaver said this drama returned theatre to the poetic dramas of Shakespeare.
➢ Taught manhood training at Merritt College.
➢ 1982 Taught English at Kings River Community College, Reedly CA.
➢ Retires from Teaching with 97% student retention rate.
➢ 1983 Incorporated Afrikan Universal Library for Hurriyah (Ethna X.) Vends on streets of San Francisco, organized vendors (mostly white) under his non-profit corporation. Harassed under color of law
➢ 1984 Vends political buttons at Democratic and Republican conventions. San Francisco Chronicle called him the Button King. In Dallas, the Republicans observed his salesmanship and said, “If he makes one more dollar, he’ll be a Republican”
➢ Descends into the muck and mire of hell: Crack drives him into the mental hospital several times.
➢ 1989 Writes article on Huey Newton, based on last meeting in Oakland Crack house.
Article becomes source of Ed Bullins’ play, Salaam, Huey, Salaam. Article is beginning of autobiography, Somethin Proper.
➢ 1990 Begins recovery at San Francisco’s Glide Church with Rev. Cecil Williams and Janice Mirikitani. Transcribes testimonies of Crack addicts.
➢ Writes docudrama of his addiction and recovery One Day In The Life.
➢ 1995 Transition of Marsha Satterfield at 41 years old, cancer. Poet flees to Seattle, WA. Works on autobiography.
➢ Publishes Love and War, poems.
➢ 1996 Produces One Day In The Life with Majeeda Rahman’s Healthy Babies Project, a recovery program for woman and children. Play performed at Alice Arts Theatre.
➢ 1997 One Day In the Life opens at Sista’s Place in Brooklyn, New York, also Brecht Forum in Manhattan and Kimako’s Blues in Newark, New Jersey, home of the Barakas.
➢ 1997 Attends National Black Theatre festival, Winston-Salem, North Carolina. Meets Carolyn Turner. She provides him with time and space to finish autobiography, plenty of sweet tea and dirty rice, in the tradition of the film Mr. and Mrs. Smith.
➢ 1998 Transition of Eldridge Cleaver. Kathleen Cleaver approves poem Soul Gone Home to be read at funeral in Los Angeles. Marvin and Majeeda Rahman organize memorial service in Oakland. Participants included Emory Douglas, Tarika Lewis, Richard Aoki, Dr. Nathan Hare, Reginald Major, Dr. Yusef Bey, Minister Keith Muhammad, Imam Al Amin, Kathleen and Joju Cleaver. Publication of autobiography Somethin Proper.
➢ 1999 Establishes Recovery Theatre. Begins run of One Day in the Life. Gets support from Mayor Willie Brown of San Francisco after Uhuru House performance. One Day becomes longest running black play in the Bay. Ishmael Reed says, It’s the best drama I ever saw.
➢ Associate director and lead actress, Ayodele Nzinga; role of Huey Newton performed by Geoffrey Grier; Marvin X played himself or did the opening monologue, clocked at forty-five minutes.
➢ Funded by the Mayor’s office, SF Arts Commission, Zellerbach Family Fund, Grants for the
Arts, Marin Country Board of Supervisor’s, Sacramento Metropolitan Arts Commission.
➢ 2001 Produces Kings and Queens of Black Consciousness at San Francisco State University. Participants incl ded: Nathan and Julia Hare, Rev. Cecil Williams, Dr. Cornell West, Amiri and Amina Baraka, Ishamel Reed, Askia Toure, Avotja, Eddie Gale, Rudi Wongozi, Rev. Andriette Earl, Dr. Theophile Obenga, Elliott Bey, Ayodele Nzinga, Destiny, Tarika Lewis, Phavia Kujichagulia, Suzzette Celeste, Tureeda, Geoffrey Grier, Rev. Otis Lloyd, Kalamu Ya Salaam, Ptah Allah-El. Funded by Glide Church and Vanguard foundation.
➢ Video of Kings and Queens screened at New York International Independent film festival. In Newark on 9/11, stopped at airport by police.
➢ 2002 Transition of son Darrel at 38, suffered manic oppression.
➢ Publication of In the Crazy House Called America, essays.
➢ 2004 Produced San Francisco Black Radical Book Fair. Participants included Amiri and Amina Baraka, Nathan and Julia Hare, Al Young, Askia Toure, Kalamu Ya Salaam, Ishamel Reed, Sonia Sanchez, Reginald Lockett, Charlie Walker, Jamie Walker, Davey D, Opal Palmer Adisa, Devorah Major, Fillmore Slim, Rosebud Bitterdose, Sam Hamod, Ayodele Nzinga, Tarika Lewis.
➢ Published Land of My Daughters, poems, and Wish I Could Tell You The Truth, essays.
➢ Published issue of Black Bird Press Review newspaper.
➢ 2006 Writes Sweet Tea, Dirty Rice, poems; Up From Ignorance, essays; Beyond Religion, Toward Spirituality, essays; Mama Said Use The Mind God Gave You, autobiographical novel.
➢ Archives sold to University of California, Berkeley, Bancroft Library.
➢ Transition of friends: Dr. Salat Townsend, Paula Shular, Alonzo Batin, Dewey Redman and Rufus Harley.
➢ Online writings appear at www.nathanielturner.com, www.aalbc.com, www.konch.com
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