Monday, October 14, 2013

Marvin X Now available for speaking and reading nationwide

 Marvin X was a founding member of the Black Student Union at San Francisco State University, 1964. He fought to teach Black Studies at Fresno State University until removed on orders from Gov. Ronald Reagan, 1969, the same year Reagan removed Angela Davis from UCLA. Gov. Reagan hated Marvin X because he was a Black Muslim who refused to fight in Vietnam. He attempted to ban Angela Davis because she was a Black Communist.





Marvin X, Black Studies poet/lecturer at Fresno State College/now University, 1969. He was twenty-five years old when he was hired to teach three courses, Journalism, Drama and African American literature. Gov. Reagan had him removed by court order!

Ironically, in 1972, he was hired to teach similar courses at the University of California, Berkeley. He later taught at San Francisco State University, University of California, San Diego, Mills College, University of Nevada, Reno, Laney and Merritt Colleges, Kings River College. After Kings River College,, 1982,  Marvin X retired from teaching with a 97% student retention evaluation.

Today, he lectures and reads coast to coast at colleges and universities such as Univ. of Penn, Univ. of Virginia, University of Arkansas, University of Houston, Texas Southern University, Moorehouse, Spelman, Howard University, San Francisco State, Fresno City College, and elsewhere.












But Academy of da Corner is his home base, 14th and Broadway, downtown Oakland, which he calls the most dangerous classroom in the world. The Oscar Grant and Occupy Oakland protests were literally in his classroom, along with several homicides on the nearby streets. Writer Ishmael Reeds says, "If you want to learn about motivation and inspiration, don't spend all that money going to workshops and seminars, just go stand at 14th and Broadway, downtown Oakland, and watch Marvin X at work. He's Plato teaching on the streets of Oakland."

On October 3, 1969, The Fresno Bee reported in an article titled "Reagan has his say on concern over Marvin X": Governor Ronald Reagan's concern about Marvin X teaching courses at Fresno State College was apparently satisfied at yesterday's State College Board of Trustees meeting in Los Angeles. On his arrival at the meeting, Reagan said he intended to ask trustees what could be done about the controversial lecturer in Black Studies Program. "If there is any way to get him off campus--that is the question I'm going to ask today" Reagan said at the start of the meeting.... "I'd like to find out."....



 Marvin X speaking at the University of Houston, Texas, Africana Studies Department.

 The poet performs with his favorite musician, violinist Tarika Lewis, first female member of the Black Panther Party.

A rare photo of Eldridge Cleaver and Marvin X. Marvin introduced Eldridge to Huey Newton and Bobby Seale. Eldridge immediately joined the Black Panther Party. See Marvin's memoir: Eldridge Cleaver, my friend the devil, Black Bird Press, 2009, introduction by Amiri Baraka.
photo Kareem Muhammad



 Fly to Allah, 1968, is the seminal work in Muslim American literature, according to Dr. Mohja Kahf, professor of English and Islamic literature at the University of Arkansas.
photo Doug Harris

Dr. Mohja Kahf and Marvin X

Marvin and his mentor and comrade in the Black Arts Movement, Master Teacher Sun Ra. Sun Ra arranged the musical version of Flowers for the Trashman, entitled Take Care of Business, 1972.
Marvin performed on the east coast with Sun during 1968-69, while the poet worked underground in Harlem at the New Lafayette Theatre, serving as associate editor of Black Theatre Magazine. 




 Marvin X praises both Elijah Muhammad and Malcolm X as vital to his manhood training.
 Ancestor Dr. Khalid Muhammad studied the writings of Marvin X in college. He told Marvin X often how much he loved the poet's writings, especially from his Nation of Islam period.


Marvin X is one of the outstanding African writers and teachers in America. He has always been in the forefront of Pan African writing. Indeed, he is one of the innovators and founders of the new revolutionary school of African writing.--Amiri Baraka

 Playwright Ed Bullins co-founded Black Arts West Theatre with Marvin X, 1966. Marvin X joined Ed at the New Lafayette Theatre in Harlem, serving as associate editor of Black Theatre magazine, 1968.

 The poet has written 30 books. He's one of the most prolific writers in America if not the world. The Last Poets say he writes a book per month. He penned his memoir of Eldridge Cleaver in three weeks, posting chapters daily on the internet.











 The poet and San Francisco's controversial Sheriff Ross Mirkarimi, holding Marvin's even more controversial pamphlet The Mythology of Pussy and Dick. "Every 15 year old boy must be required to read this, "says Rashid Easley. A 16 year old female said, "I wished I'd read it when I was eight!"

 Art by ancestor Elizabeth Catlett Mora, who gave the poet refuge during his exile in Mexico City, 1970.



Marvin X, one of the founders of the Black Arts Movement, is now available for speaking and reading engagements coast to coast. Marvin X began his career in Black or African consciousness almost from birth as a result of having social activist parents. His father and mother published a Black newspaper in the central valley of California, the Fresno Voice. His parents were called a Race Man and Race woman, meaning they were dedicated to the advancement of Black people first and foremost, i.e. Black nationalism.

When Marvin attended Oakland's Merritt College, 1962-64, his Black consciousness was expanded after peer group study with fellow students Huey Newton, Bobby Seale, Ernie Allen, Ken and Carol Freeman, Richard Thorne, Maurice Dawson, Isaac Moore and Ann Williams.

In 1964 he transferred to San Francisco State College/now University and became a member of the Negro Students Association. The name was soon changed to the Black Student Union. While an undergraduate in the English department, his first play, Flowers for the Trashman, was produced by the Drama department.  Marvin X dropped out to establish the Black Arts West Theatre on Fillmore Street in San Francisco, along with playwright Ed Bullins, Duncan Barber, Ethna Wyatt, Hillary Broadous and Carl Bossiere. Danny Glover was a frequent actor at BAW.

Upon his release from prison, Soul on Ice essayist Eldridge Cleaver and Marvin hooked up to establish the Black House, a political/cultural center on Broderick Street. Marvin soon introduced Eldridge to his friends, Huey Newton and Bobby Seale, who were establishing the Black Panther Party in Oakland. Eldridge joined and became Minister of Information. For more on Marvin X, see his autobiography Somethin' Proper, Black Bird Press, 1998, introduction by Dr. Nathan Hare.

For Booking, call 510-200-4164 or send a letter of invitation to jmarvinx@yahoo.com.

Marvin X and his comrades from the Black Arts/Black Liberation Movement will gather at the University of California, Merced, March 1-2, 2014. Be There!



From the archives: Black History--Oakland's Shame!


BLACK HISTORY-- OAKLAND’S SHAME

Part One

The purpose of history is to give people a memory of their past in order that they may endure the present and propel themselves into the future. When they are disconnected from their myths and history, the present can be chaotic and the future problematic. Such is the present condition Oakland’s citizens: they have allowed their grass roots heroes and sheroes to languish in obscurity and infamy. Oakland heroes from the 1960s, namely radicals such as the Black Panthers have no streets named after them for their valiant struggle against oppression. There are no statues or other monuments to the Black Panther leadership or the thousands of rank and file grass roots people who sacrificed their sweat and blood to make Oakland and America a better place. There’s a Federal building named after Ron Dellums, a state building named after Elihu Harris, a psychiatric hospital named after John George, but nothing to honor the common people who fought in the streets of Oakland and across America to make this nation live up to constitution, by creating a society of , for and by the people.

There are no statues of Huey Newton, Eldridge Cleaver, Bobby Hutton, Panther leaders who have joined the ancestors. What is the excuse for not officially naming Defermery Park after Little Bobby Hutton, the 16 year old youth murdered by the Oakland Police in a shootout after the assassination of Martin Luther King, Jr. Little Bobby was the third member of the BPP and its secretary. Today he should be an example much needed by youth to show them the path to freedom rather than the rode to self destruction they are presently following. After three black mayors, there is yet no official name change of the West Oakland park where so many Panthers and other radicals grew up on the basketball courts and picnic grounds.

As one who grew up in West Oakland and familiar with Oakland’s radical tradition, I am embarrassed when people ask me where are the monuments to the great radicals Oakland produced, especially during the 60s. People from out of town who visit Oakland are dumbfounded that they cannot visit any sites where Black Panthers and other radicals are honored.

Oakland’s old Merritt College on Grove or MLK street, was the hotbed of radical Oakland during the early 60s. It is where I attended college and obtained my radical education, not in the classroom, but on the steps at the main entrance, listening to young radicals such as Bobby Seale, Huey Newton, Richard Thorne, Ernie Allen, Isaac Moore, Ann Williams, Ken and Carol Freedom, Donald Warden, Maurice Dawson. With all due respect to Martin Luther King, the site should not have been named in honor of MLK but to those Oakland radicals who helped change America and the world from the hallowed steps at the front of the college. The world should know that Oakland’s 60s revolution was spearheaded by students who would extend their struggle for freedom to UC Berkeley and San Francisco State University, which had the longest and most violent student strike in American history. And many of the students at SFSU had transferred from Merritt College, taking their desire for equal education, including black studies, across the bay and eventually across America when the call for black studies became a priority of the freedom struggle. Well, Merritt College, now located up in the Oakland hills, far from the flatlands and the population who made the college historic, has belatedly named a room after its most controversial student, Dr. Huey P. Newton.

But the real significance of the BPP is that they gave a voice to the voiceless masses of youth and adults suffering oppression in Oakland, the US and the world. And these brothers and sisters must be honored for their sweat, blood and tears on the streets of this city. The tragic shame is that today’s youth have little or no knowledge of what happened in Oakland, for there are no monuments at 14th and  Broadway or anywhere to remind them of their roots, of the struggle and sacrifice  of their parents and grandparents.
Part Two

We call upon Mayor Ron Dellums, himself a part of Oakland’s radical history, to make it a priority of his tenure to establish monuments to Oakland’s Black Radical Past. If streets can be named after African and European radicals, how long will local heroes be neglected, especially when youth need knowledge and symbols of progressive social activists so they can see there are alternative lifestyles other than the self destructive American gansta genre of psycho-socialpaths.

And more important than symbolic gestures, we call upon the mayor and city  council, in coordination with other Bay Area governments, to establish a special fund to award and reward the still surviving freedom fighters who sacrificed their lives, educations, jobs, and families to make a better world for Bay Area citizens in particular and Americans in general. After all, these liberation fighters in the Panther Party, the Nation of Islam, Black Student Unions and other social activist organizations, suffered the blows of fascist America. These valiant men and women endured police surveillance, family intimidation, jail, prison, torture, murder, exile, black listing and other forms of obstruction in the battles they waged to make things better for all Americans. They are thus entitled to just compensation as are veterans from any war,  for their battle was in fact the Second Civil War, far more important than the racist war in Vietnam and the present unprovoked war in Iraq.

One result of the Black Panther Party was the US government’s adoption of their free breakfast program for all children. Black Student Union members fought for diversity in education, and with the establishment of Black Studies, it was soon followed by Asian Studies, Native American Studies, Chicano Studies, Gender Studies, and American academia was forever changed for the better, for the racist Eurocentric education suffered a death blow.
Let us not fail to acknowledge and reward the cultural workers who established the West coast arm of the Black Arts Movement or BAM, which revolutionized the esthetics of the arts, replacing the art for art sake of the European paradigm with a functional approach that stated art is indeed didactic, i.e., for education and elevation of consciousness, not merely for entertainment. Cultural workers such as Ed Bullins, Marvin X, Danny Glover, Jimmy Garrett, Vonetta McGee, Sarah Webster Fabio, Adam David Miller, Ntozake Shange, Reginald Lockett, Avotjca, and others, raised the standard of the black arts that had been initiated by the Harlem Renaissance, but BAM was more political and directed to the masses rather than to the whites seeking exotica and erotica. It was a revolutionary artistic movement, working in tandem with the political liberation movement. Not only was BAM the sister of the Black Power movement, but in a very real since, it was the mother since many of the politicos were nurtured in the womb of BAM, then advanced to the political revolution. We think of Bobby Seale, Eldridge Cleaver, Huey Newton, Benny Stewart, George Murray, Emory Douglass, Samuel Napier and others who came through BAM.

And finally, BAM, by the very nature of the literature, forced inclusion of its material in academia, thus upsetting the status quo, altering  it forever when ethnic literature was forced into the Eurocentric curriculum. Other ethnic groups followed suit with demands their literature become apart of the general curriculum. The Asian poet Janice Mirikini (wife of Rev. Cecil Williams of Glide Church) will tell people, “It was the poetry of Marvin X that awakened me to my ethnicity.” So yes, BAM awakened other ethnicities to the power of their indigenous literature and artistic expression, freeing them of Eurocentric domination or white supremacy/lunacy.

Unfortunately, opportunists took advantage of the situation created by the liberation fighters to simply obtain tenure, thus the original mission was aborted with the resultant disintegration of community. If black consciousness had been properly spread to the community, there would be children today carrying on the tradition rather than engaged in self destructive behavior. The present situation is indeed a shame, but perhaps if the veteran liberation fighters are honored, it will inspire the children of today to engage in the protracted struggle to liberate themselves from the last vestiges of white supremacy/lunacy.

--Dr. M
1/30/08

Marvin X. Jackmon (Dr. M) grew up in West Oakland on Seventh and Campbell, the son of a florist who had published the first black newspaper in the central valley, The Fresno Voice. Dr. M’s first writings were published in the children’s section of the Oakland Tribune. 

 Invite Dr. M to speak at your church, mosque, college, organization. For booking information or information on the next meeting of his Pan African Mental Health Peer Group to recover from the addiction to white supremacy/lunacy, please call 510-200-4164, email: jmarvinx@yahoo.com


Could Africans really have travelled to America before Columbus? Were an...



By Jeffrey Carey on September 24, 2004
Format: Hardcover
The first time I heard Dr. Ivan Van Sertima speak was at Lincoln University a small historically black college in Pennslyvania. Dr. Van Sertima gave a powerful lecture about the African Presence in America before Columbus, a topic I never heard of before and honestly doubted it's validity.I thought I would leave the lecture only convienced that Van Sertima was a crank and his thesis was a fraud, but in fact the opposite happened. His speech was so articulate and his lecture so well researched and amazingly documented I decided I had to read his book and research the topic on my own. if skeptics think this book is solely for Afrocentrist they are wrong this book is very scholarly it gives botanical,cartographical,linguistic,artistic, and historical evidience in order to make a strong case for the African presence in America. Van Sertima shows us african cotton found in America.He shows the written accounts of the conquistadors themselves, Columbus and Balboa record the presence of Africans already arriving in America, in fact Balboa eyewitnessed Africans in Central America fighting among the "Indian" population..He highlights the mysterious Piri Reis map that shows Antartica mapped before it was covered with ice,when was the only time this could happen? 4,000 B.C.,the point is ancient man had the nautical skill to travel the world at a very early date. He touches on the journeys of Thor Heyerdahl and his ship the Ra successfully crossing the Atlantic, proving that ancient man could travel the high seas. I personally researched on my own the parallels between the Egyptian god(Osiris)and American god(Queztatcoatl)both are virgin born both are ressurection gods, it is amazing.Another enigma would be the cocaine found in the stomach of RamesesII and in many other Egyptian mummies how is it that a New World crop is found in Africa if contact was not made...scholars answer this evidience with silence.One of course can not leave out the colossal Olmec heads with clearly African features with braided hair, and of course the parallel of pyramids found in both cultures Africa and the Americas.Some say that the Olmec heads could be Pacific Islanders or people from South East Asia, but that does not explain all the other pieces of evidience Van Sertima shows, like for instance the identical reed boats used on the Nile by Nubians and on the Amazon or the hieroglyphs and the sun worship.The parallels are almost to the point of exhausting.This book is hard to explain away, and I advise all serious researches and historians to read it....challenge yourself.



Black History is World History

....I used to travel to America

long before Columbus


came to me asking for directions


Americo Vespucci


on his voyage to America


saw me in the Atlantic


returning to Africa


America was my home


Before Aztec, Maya, Toltec, Inca & Olmec


I was hereI came to Peru 20,000 years ago


I founded Mexico City


See my pyramids, see my cabeza 
colossal

in Vera Cruz and Yucatan

that's me


I am the Mexican


for I am mixed with all men


and all men are mixed with me


I am the most just of men


I am the most peaceful


who loves peace day and night


Sometimes I let tyrants devour me


sometimes people falsely accuse me


sometimes people crucify me


but I am ever returning I am eternal, I am universal


Africa is my home


Asia is my home


Americas is my home


BLACK HISTORY IS WORLD HISTORY....


from Marvin X's Black History is World History



Friday, October 11, 2013

Stand Our Ground--New Global Poetry Anthology Raising funds for Trayvon Martin & Marissa Alexander



StandOurGroundFrontCover-sm

Title: Stand Our Ground:Poems for Trayvon Martin and Marissa Alexander

Publisher: FreedomSeed Press (Philadelphia, PA)
Paperback, 272 pages
Publication Date: April 22, 2013 

ORDER NOW!

$25.00
All proceeds will be shared with the families of Martin and Alexander to aid in their respective pursuits of justice.
For more information on the book: StandOurGroundBook.com.

In Stand Our Ground: Poems for Trayvon Martin and Marissa Alexander 65 poets from all over the world join together in one voice for justice, freedom and peace. Stand Our Ground is the definitive testament of a revolutionary generation. In this historic collection Black Arts Movement legends Amiri Baraka, Sonia Sanchez, Haki R. Madhubuti, Marvin X and Askia M. Toure’ are joined by poets of all ages from across the United States and around the world representing countries in Africa, Asia, Europe as well as North and South America and the islands of the Caribbean.
The cases of Trayvon Martin and Marissa Alexander expose the duplicity of an American justice system that remains rooted in racism and sexism. Stand Our Ground is an effort to raise funds for both families to aid in their pursuit of justice even as it raises the consciousness of a generation toward the pursuit of a movement of justice for all!
The book’s editor, Ewuare X. Osayande, is a poet, educator and activist. The author of several books including Blood Luxury with an introduction by Amiri Baraka (Africa World Press) and Whose America?: New and Selected Poems with an introduction by Haki R. Madhubuti (Black Proletariat Press). He is an adjunct professor of African American Studies at Rutgers University.
In the introduction for Stand Our Ground Osayande writes, “This book has been a labor of love. My love for my people. My love for humanity. I acted because I knew it was not enough for me to just march, or write an editorial or to just allow myself to sit and simmer in the face of wrong. I acted because I knew that there were others like me. I knew that if I acted, others would join with me, and, together, we could create a work that would simultaneously raise collective support for these two families and raise the collective consciousness of our generation. So in the Summer of 2012 the call went out and this is the result. A collection of poems. But not just any collection of poems. Herein are contained –
Death-defying poems
Injustice-decrying poems
Poems that speak truth to power
Poems that break chains in freedom’s name
Poems that confront abuse
and provide sanctuary for the bruised
Poems that escape from cells
Poems that provide a pathway back from hell
Poems that refuse to be silent
Poems more just than the judge’s gavel
Poems that have tasted cop’s mace
stared down the barrel of a gun in defiance
Shackled poems trying to break free
Poems picking the locks on our minds
Poems that transcend place and time
that tell the histories and herstories
that have been banned from the textbooks
Poems that refuse to look the other way
Poems that say what needs to be said
Poems that resurrect the dead
Poems that refuse to sell their souls
Poems that revolt and rebel
that holler, scream and yell
Poems that leave us speechless
that tell us truths we don’t want to hear
Poems that leave the status quo
quivering in fear
Poems that know that justice is like rain
to the seeds of peace
Poems that move us to act
like you know
Marching poems
Chanting poems
Ranting poems
Poems sick and tired of being sick and tired poems
Poems that inoculate us against ignorance
Poems that make us think
Poems on the brink
Poems that challenge us to see
the world as it could be
as it should be
Poems in love with freedom
Poems that resist
that resist
that resist
that resist racism and sexism
that refuse to be conned
Poems for a mother named Marissa
and a young brother named Trayvon.”

Available for purchase exclusively at http://standourgroundbook.com/.