Sunday, May 4, 2014

Order of Myth-Ritual Dance Drama: Marvin X & the Black Arts Movement Poets Choir and Arkestra, Malcolm X Jazz Festival, May 17, Oaklands


 BAM Godfather Ancestor Amiri Baraka with bassist Henry Grimes. In honor of Baraka, Marvin X and bassist Henry Grimes performed together at New York University tribute to Jayne Cortez and Amiri Baraka, Feb 4, 2014.
 Sonia Sanchez, Queen Mother of the Black Arts Movement


 The Black Arts Movement Poets Choir & Arkestra, University of California, Merced, 2014

BAM Godfathers The Last Poets, Umar bin Hassan and Abiodun

 Marvin X and Poet Paradise Jah Love (You love everything about me but me!)


BAM Asian poet Genny Lim, Marshall Trammel on drums in b.g.


 Zena Allen on Kora

 Queen Tarika Lewis

 Black Arts West Theatre, 1966, musician Earl Davis

 Black Arts baby 2.0, Aries Jordan, poet

 Kalamu Chache'

Katiba Pittman

Linda Johnson, Raynertta Rayzetta, Val Serrart, Tumani

Marvin X and the Black Arts Movement  Poets Choir & Arkestra 27 City Tour in honor of Amiri Baraka

Malcolm X Jazz Festival, Oakland
May 17, 2014

Tentative Order of Service, untimed but 60 minute max

As-Salaam Alaikum
Words of meditation  Suzzette Celeste

Scene One

Woman on Cell Phone Scene

Order of Scene

Song I don’t know what you came to do….Mechelle LaChaux, Akestra join and Linda Johnson dancers,  Poets Choir join with response

I don’t know what you came to do but I came to praise His/Her name:
Jesus
Allah
Jah
Buddah
Marx/Lenin
Elijah
Garvey
Ida b. Wells
Malcolm
Betty
Sojourner
Harriet
Clara  Muhammad
Amiri Baraka



Marvin X reads Amiri Baraka poem DOPE

Ayodele Nzinga Woman on Cell Phone

Scene Two

Paradise Jah  Love
They Love Everything about you but  you  poem
Parable of Oscar Grant—Paradise ( optional, depending on time)

Scene 3

 Arkestra—Tacuma, Tarika, Earl Davis, Marshall, Zena (Zena solo leads to Marvin X)

Marvin X joins Zena  in a duet with  Again the Kora poem

Scene 4

Introduce Poets Choir for poem or two

Genny Lim
Ayodele Nzinga
Toreada
Avochja
Aries Jordan
Kalamu Chache’
Umar bin Hasan, optional but desired
Abiodun, optional but desired
Lakiba Pittman

Scene 5

Linda Johnson dancers present
Second Line processional to exit through the audience:  Dancers, musicians, poets



Whiteness as Property--a symposium at UCLA School of Law, October 2-4, 2014




Call for Proposals
Whiteness as Property
Eighth Critical Race Studies Symposium
UCLA School of Law
October 2-4, 2014
The Critical Race Studies program at the UCLA School of Law will hold its Eighth Symposium on October 2-4, 2014. This symposium will mark twenty years since Professor Cheryl I. Harris investigated the relationships between concepts of race and property and reflected on how rights in property are contingent on, intertwined with, and conflated with race. That investigation culminated in her groundbreaking article, Whiteness as Property (Harvard Law Review, 1993).
In 2014 we will re-visit the origins of Whiteness as Property as a theoretical frame and site of legal intervention and consider its still unfolding potential for unmasking subordination and provoking social change.
We are inviting submission of proposals. We encourage paper and panel proposals on a wide range of topics including, but not exclusively encompassing, the following:
• Whiteness as Property in relation to discourses about “post-racialism”
• Whiteness as Property and LGBT rights and litigation
• Whiteness as Property and the workplace
• Immigration reform and whiteness as property
• Whiteness as property and teaching pedagogy
• Whiteness as property and gender
• Whiteness as property and state surveillance
• Whiteness as property and gender
• Whiteness as property and the war against terrorism
• Whiteness as property and intergenerational wealth
• Whiteness as property and multiracial identity
To repeat: These themes do not exhaust possible panel or paper presentations. They are simply suggestive of topics that might be engaged.
Each proposal must include a cover page with paper titles, presenters, their affiliations, and a current email contact, along with a maximum two-page c.v. of each presenter. For individual papers, please submit an abstract of no more than 250 words. For panels, submit an overall abstract of no more than 500 words and individual paper descriptions of no more than 250 words each. Please submit materials via email to crs@law.ucla.edu with the subject line: CRS Symposium Proposal.
The deadline for submission is June 15, 2014. Scholars whose submissions are selected for the symposium will be notified no later than July 31, 2014. Submissions will be accepted on a rolling basis, so we highly encourage early submissions.

Saturday, May 3, 2014

WAKE UP EVERYBODY - Original Version (Teddy Pendergrass, Harold Melvin &...





This is the theme song of the Black Arts Movement 27 City tour with Marvin X and the Poets Choir and Arkestra. This song tells the essence of what the Black Arts Movement is about, then (1965 in Harlem, Amiri Baraka,). In  1966 San Francisco's Fillmore exploded  with Marvin X and Ed Bullins, Danny Glover, Vonetta McGee, et. al.



Wake Up Everybody says all things that were needed to be addressed then and now. BAM Master teacher Sun Ra said if you don't do the right thing, you can't go forward or backwards, you are stuck on stupid glue, with super glue on yo asses.



Don't be surprised if George Foxx who does the Teddy Pendergrass songbook appears on the BAM Tour.

Alfie Pollitt is the musical director  of the George Foxx Teddy Pendergrass show. And Alfie Pollitt is musical director of The Black Arts Movement 27 City Tour.  I wish somebody would hep me. I wish somebody would praise His Holy Name and all the saints and ancestors. Hotep! Amen, Amen. Amin,

Toumani Diabate plays the Kora



The Kora taught me
listen Blues
eyes behind your head
behind heartthird eye listen
Blues beyond listen
Ali Farka played the Blues they sad
Ali said transcend America
go ten thousand years back
griot tell us stories of myth/ritual  and reality
let the Kora speak
let the Griot speak
it is the sweet music of a soul in peace
we sit at the tribal fire
we dance
Kora takes us there
men know they are men
they manhood train
women too
no struggle no fight
manhood ritual works
solid men stand tall
the women say
I hate a weak nigguh
women say
I hate a weak nigguh
young girls say the same
No man can miss the lesson
Manhood training
conquer the self
greatest Jihad
self
man in the mirror
what is your bliss?
Follow your bliss
Campbell said
marriage is the end of all things loving and proper 
job not enough
what is your mission
purpose
beyond 

money 
pussy 
\dope
greed 
lust 
jealousy 
envy
why do you desire my girl, woman, wife
get your own
I don't want your wife
I suspect she is not my kind anyway
too square
keep yo wife
I pray she keeps you
and yet as she says
you are not an entry level nigguh
you are a functional nigguh
you think I'm going to leave you
for some entry level nigguh
no way
nigguh
I wit ya to the end
wish ya would recover really
but
you are you
do yo thing
don't let me love you
don't let me hold you in honor and trust
I pray faya.
Go deep down into the purple funk
go there and be healed
face the pain
face rejection
father and motherly love
sisterly and broterly love


take the wood for the fire place
burn wood burn
burn my garbage burden on my back
destroyed my kingdom
took me from the Upper Room
to the dungeon
after all my labor under the sun
demons confounded me
demons were music in my ears
illusions convinced me
lies were truth
I am Othello
the devil whispers in my ear
I listen and I am destroyed.
--Marvin X
1/3/14

Black Bird Press News & Review: Philadelphia Poets Join the Black Arts Movement 27 City Tour

Black Bird Press News & Review: Philadelphia Poets Join the Black Arts Movement 27 City Tour

Friday, May 2, 2014

Black Bird Press News & Review: Memorial Service for Judge Henry Ramsey, Jr., Saturday, May 3, 1-3pm, Wheeler Auditorium, UC Berkeley

Black Bird Press News & Review: Memorial Service for Judge Henry Ramsey, Jr., Saturday, May 3, 1-3pm, Wheeler Auditorium, UC Berkeley

Oh the Kora: Toumani' and Sidiki Diabate'


Toumani Diabaté and Sidiki Diabaté: Toumani & Sidiki review – virtuoso, upbeat kora duets

(World Circuit)
4 out of 5
Toumani and Sidiki Diabaté
Attacking, rhythmic playing and flurries of rapid-fire improvisation … Toumani and Sidiki Diabaté. Photograph: Youri Lenquette

Buy it from amazon.co.uk

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For many young Malians, Sidiki Diabaté is a hip-hop star, known for his work with the rapper Iba One. But he is also the son ofToumani Diabaté, the world's most versatile and celebrated kora player, and a griot who can trace his ancestry back through 71 generations of hereditary musicians. It was inevitable, then, that Sidiki should also be a kora player with an understanding of Mali's ancient music, but it was equally to be expected that he should develop a kora style of his own. On their debut album of kora duets, Toumani can be heard on the left, with Diabate, on the right, driving the music on withattacking, rhythmic playing and flurries of rapid-fire improvisation. It's a virtuoso, and mostly upbeat collaboration, but the best track is the one new composition, Lampedusa, a gently exquisite lament for African migrants who died trying to reach Europe.

Blue in Green by. Miles Davis

Black Bird Press News & Review: The Public Career of Marvin X

Black Bird Press News & Review: The Public Career of Marvin X


Marvin X at New York University tribute to Jayne Cortez and Amiri Baraka,
Feb. 4, 2014. He performed with bassist Henry Grimes

 Marvin X and bassist Henry Grimes


Ancestor poets Jayne Cortez and Amiri Baraka

Black Bird Press News & Review: Eldridge Cleaver: My friend the Devil, A Memoir by Marvin X

Black Bird Press News & Review: Eldridge Cleaver: My friend the Devil, A Memoir by Marvin X


Black Bird Press News & Review: Rudolph Lewis Comments on Marvin X's Cleaver memoir

Black Bird Press News & Review: Rudolph Lewis Comments on Marvin X's Cleaver memoir



Dr. Montiero still fighting at Temple University, Philadelphia Pa



Today at 9:03 AM
 

(photo: Dr. Monteiro teaching)


Kudos to videographer Ted Passon for crafting the video, to Mumia Abu-Jamal for the narration, and to Jamila K. Wilson for working up the Indiegogo fundraising site platform.  
Check out the dynamic new video fundraiser launched for the struggle for Dr. Anthony Monteiro. 
Thank you all, for signing the Call for Monteiro! Now let’s take this to The Chronicle for Higher Education, as we already have to the Philadelphia Tribune. Read on to see what we need and why we need it. Please forward this email to your colleagues and friends.
 "Tony Monteiro is an inspiration to all progressives who know him. His heart is as big as his brain. He deserves our support." Noel A. Cazenave professor of sociology, University of Connecticut
Dr. Anthony Monteiro’s struggle for reinstatement with tenure to Temple University's African American Studies Department has only grown stronger, his support spreading through the academic halls of the nation. The world and national support by educators in the Call for Monteiro has been extraordinary (read and sign-on to The Call here).
We are now ramping up the fund-raising campaign for Dr. Monteiro so that we can publicize the movement for him ever more broadly.
This struggle for Dr. Monteiro touches so many other issues alive in the institutions and communities in which we work. Let’s pull together to put the funds behind this movement.
We Need Your Help
We are seeking $20,000 to purchase ad space – a full page ad - in the The Chronicle of Higher Education. This will build support for Dr. Monteiro among students and faculty nationally and shine a glaring light on the current attacks to radical and progressive academics and scholar/activists by right-wing, neo-liberal policies that are destroying black, brown, and poor communities through tactics like gentrification. 
We need your support to help us purchase ad space in the Chronicle of Higher Education.  Any amount of money you are able to give would be greatly appreciated. Contribute now at the video fundraiser site.
We have had several national scholars "put their money where their mouth is," by contributing up to $200 to support this movement - can you match these? If not, please know that every contribution counts. If we can get a minimum of 500 people to contribute just $40 each, we’d reach our goal quickly. Let’s make it happen, with whatever donations you can make! Every donation will help us make our goal.
Join The Call – Stand with these Headline Signers:
Gerald Horne, Department of African American Studies, Univ. of Houston.  “We need to take a step back and recognize that the attack on Dr. Monteiro is a part of a larger attack upon the academy.  It is well recognized that one of the sanctuaries for radicals in the United States is the campus...As this country moves steadily to the right, the perception is that progressive forces on campuses need to be routed . . . To the extent that we don’t speak up for Tony Monteiro, professors like myself are only jeopardizing our own existence.”
Joy James, Williams College. “The role of the intellectual is that of the advocate: press forward, ask challenging questions, take difficult stances to protect the life of the critical mind as a political right. The case of Dr. Monteiro makes clear that the university has to decide whether it will become a managerial setting for conformity to state-corporate interests or whether it will respect its constituents, by recognizing their rights to think and teach, and to organize independently for a just world.”
Lemah R. Bonnick, Sociology, St. Mary’s University (London, England).
Dr. Monteiro, in binding his scholarship to exposing the global assault on human equality and justice, and the narrative which says to the marginalized there is no alternative to their suffering, helps to bring the voice of the community into the academy. In doing so, he seeks to expand the scope of the university as a public space where conceptions of the democratic good, are unbounded by the one percent’s narcissism, racism, class arrogance, misogyny and homophobia.”
Gary Y. Okihiro, Professor of International and Public Affairs, Columbia University.“In Philadelphia, where the bell of liberty hangs silent, Temple University reveals itself—in the case of Dr. Monteiro—as just another instrument of the state.  While ascribing to the universal "we the people," the US rendered the continent's indigenous peoples "aliens" on their land, and African Americans, three-fifths of "all persons."  I reference history simply to point out the hypocrisy of the state and its instruments (the university) in their pronouncements of freedom and practices of Jim Crowism and bondage.”
David Roediger, Department of History, University of Illinois.“When administrators are able to rationalize the firing of an exemplary teacher, thinker, and organizer like Tony Monteiro with lectures on the difference between tenure-line and non-tenure-line appointments, they remind us of the urgency of fighting for the rights of the all of the untenured, the growing majority of those performing faculty labor.”
Eduardo Bonilla-Silva, Duke University, Sociology Department and Chair.
The firing of Dr. Monteiro at Temple is indicative of the racial moment we live. Cosmetic diversity has taken a hold in the academy, hence, black scholars who combine research and practice and whose work is oriented by the moral imperative of achieving racial justice are regarded as "partisan" and accused of playing the "race card." It is time for us to wake up and fight back. Fighting for the reinstatement of Dr. Monteiro is also fighting against neoliberal racism in the academy and in the nation. I stand in solidarity with Dr. Monteiro and join the call to extend him a tenure track position.”
Lewis R. Gordon, Professor of Philosophy, Africana Studies, Judaic Studies, U. Conn.
“As Frantz Fanon warned, one of the obscenities of colonialism, enslavement, and racism is the effort to produce the ‘happy slave.’ Black Studies, now also called African American and Africana Studies, is part of the struggle against that abomination.  Black radical thought challenges such oppressive systems with the revolutionary insight of truth, which has always threatened an academy invested in seeing otherwise.  Temple University’s refusal to renew the contracts of Dr. Anthony Monteiro and Dr. Ahmed Muhammad (Maxell Stanford, Jr.) is a terrible blow against this important mission.”
Cornel West, Professor of Philosophy, Union Theological Seminary/NYC.“Anthony Monteiro is one of our grand intellectual freedom fighters who works in the tradition of W.E.B. Dubois and C.L.R. James. I’m in his corner 120 percent. I’m so glad to see both his students, as well as the community, rise up and support Dr. Monteiro.”
Marc Lamont Hill, Journalism & Education, Columbia Univ./Teachers College.“This is about an increasingly corporatized Temple University, animated by the principles of profit making, privatization, and exploitation. Within this neo-liberal universe, knowledge production becomes a commodity rather than an end itself; faculty labor (including that of graduate students and adjuncts) is deskilled, casualized, and rendered disposable; and the surrounding Black, brown, and poor communities are valued only to the extent that they enable economic opportunism through land grabs, resource liquidation, and full-fledged gentrification.”