Friday, January 9, 2015

On the death of AB

























One year ago
my friend departed
my friend to the end
a true friend
who helped me
like no one else
his last words
I gotta gig faya at NYU
wanna do it
Yes, but guess what
I gotta gig fa you
UC Merced then he was dead
in the coldest winter ever

complications of complications
joyful tortured life
genius 
madman
Jekyll and Hyde wife said
man of two worlds
the black the white
he flowed wit da flow
lover of life
the drink the fame
women the driver
politics/ art
revolution 
dining out the shout
the cry the scream
don't let them take yo
um boom de boom
you be in deep trouble
if dey take yo um boom de boom
take you several centuries to get out

oh, my friend
you taught me so much
you taught the world
we love you so much
because you loved the world.
--Marvin X
1/9/15

Coming Soon: Black Arts Movement co-founder Marvin X in Concert at San Francisco State University

As part of the Black Arts Movement 50th Anniversary Celebration,   Marvin X is proposing An Evening with Marvin X at San Francisco State University. Marvin X graduated in English/Creative Writing at SFSU. He is one of the founding members of the Black Students Union and his first play Flowers for the Trashman was produced by the drama department while he was an undergrad. He dropped out of SFSU to co-found Black Arts West Theatre in the Fillmore, 1966, with Ed Bullins; in 1967 he co-founded The Black House in San Francisco with Eldridge Cleaver. Marvin X later taught African American literature and Radio & television Writing at SFSU. He is the author of 30 books.

This event will be part of the BAM 27 City Tour he has undertaken with BAM icons and the BAM Arkestra and Poet's Choir. It will feature the poet reading and  in conversation with Davey D on local, national and global issues. It will include an exhibit of his archives.













The Black Arts Movement declares Last Saturdays in Oakland's Black Arts District

The Black Arts Movement has declared February 27 as the first Last Saturday along Oakland's 14th Street, downtown, between Martin Luther King, Jr. Way and Alice Street. In anticipation of Mayor Libby Schaaf's official proclamation of the BAM District and the City Council President, Lynette McElhaney, introducing legislation to mark the BAM District in stone, leaders of the West Coast Black Arts Movement are preparing to celebrate the grand opening on February 27, 2015. The event will include performances by musicians, singers,poets, spoken word artists, art and craft vendors, physical, mental and spiritual wellness workers, food vendors along the BAM corridor that includes numerous historical landmarks, including the African American Library/Museum, C.L. Dellums Apartments, Ronald V. Dellums Federal Building, Elihu Harris State Building, Frank Ogawa Plaza, Marvin X's Academy of da Corner, Geoffrey's Inner Circle, Joyce Gordon Gallery, Oakland Post News Group offices, Caribbee Club and the Malonga Arts Center at 14th and Alice, also the cite where Oakland Post Editor Chauncey Bailey was assassinated in broad daylight. It will extend to the Alameda County Courthouse where the trial of Black Panther co-founder Dr. Huey P. Newton was tried for murdering an Oakland Police Officer. Newton was found innocent. For more information, call Black Arts Movement co-founder Marvin X @ 510-200-4164 or contact the Post News Group
510-287-8200.

 Bay Area Black authors and activists celebrated the life of slain Post News Group Editor Chauncey Bailey at the Joyce Gordan Gallery, 14th and Franklin. Far right, standing is Paul Cobb, Publisher of the Post News Group; behind him is Gallery owner, Joyce Gordon

Oscar Grant Rebellion occurred at 14th and Broadway

The funeral of Little Malcolm Shabazz was at the Islamic Center, 14th and Jackson

The 80th Birthday celebration for Dr. Nathan Hare was at Geoffery's Inner Circle, 14th and Franklin




Thursday, January 8, 2015

The William James Association Prison Arts Project

Prison Arts Project

What is the Prison Arts Project?

Sacred from Within with hands

The major program of the William James Association is the Prison Arts Project (PAP), created through the vision and efforts of Eloise Smith. A pilot project was set up in 1977 at the California Medical Facility at Vacaville, with funding provided by the San Francisco Foundation, the National Endowment for the Arts, the California Arts Council, and the Law Enforcement Assistance Administration.

Eloise Smith’s vision was based simply on the value of providing all individuals with the most meaningful art experience possible; in her words, “that mysterious life-enhancing process we call the arts, a realm in which patient application and vivid imagination so often produce magic.”
The success of this initial program led to the formation of Arts-in-Corrections, an administrative office within the California Department of Corrections, which oversees the staffing of artist-facilitators at all prisons in California. Unfortunately, in January 2003, all Arts-in-Corrections artists’ contracts were terminated as the result of a budget crisis in California state government.
Through some limited funding from private sources, the William James Association has been able to hire a few professional artists to teach at San Quentin State Prison and the women’s unit of the California Rehabilitation Center in Norco.

Philosophy

Book making workshop at San Quentin
Bringing the arts to institutionalized individuals is based in the belief that participation in the artistic process significantly affects a person’s self-esteem and general outlook on the world. Art workshops teach self-discipline, problem-solving, and concentration through absorption in a specific creative endeavor.

The skills acquired through participation in the arts are translated to other aspects of one’s life. Art satisfies an individual’s need for creativity, self-expression, recognition, and self-respect.
“There are general feelings of hostility and hopelessness in prisons today and it is getting worse with overcrowding. . . Art workshops and similar programs help take us out of this atmosphere and we become like any other free person expressing our talents. Being in prison is the final ride downhill unless one can resist the things around him and learn to function in a society which he no longer has any contact with. Arts programs for many of us may be the final salvation of our minds from prison insanity. It’s contact with the best of the human race. It is something that says that we, too, are still valuable.”
- a prison inmate

Prison hall





Theprison system punishes negative behaviors but offers little to replace them. The capacity for personal change is great, although daunting within a repressive environment and culture of extreme power imbalance, racism, segregation and manipulation. The Prison Arts Project creates a sanctuary where inmates are treated with respect, courtesy and an openness to their unique expressions as creative human beings.

The Cell and the Sanctuary: Art and Incarceration


 Note: The Black Arts Movement 50th Anniversary Celebration at Laney College will exhibit the work of San Quentin inmate art, February 7, 2015. The BAM celebration is from 10am to 10 pm. Call 510-200-4164 for more information. The event is free/donations accepted.

 The Cell and the Sanctuary: Art and Incarceration: November 7, 2014 – February 22, 2015

Felix Lucero, Blind Curve, 2010; courtesy William James Association
Felix Lucero, Blind Curve, 2010; courtesy William James Association
3rd Floor Art Forum
Overcrowded? Inhumane? Necessary? In a California prison, what does art look like?
See for yourself. Explore the paintings, drawings, sculptures and writing made by incarcerated individuals from prisons around California. These will be alongside installation, audio/video and 2-D works by teachers from their impactful art-in-prisons programs.
The incarcerated artists in this exhibition are on a unique path of self-discovery. They’re exploring arts as a means to become someone who can reconnect with the outside. Evidence suggests that arts-in-prisons programs lower recidivism (returning to prisons) by 27% and reduce disciplinary actions by 75%.  They improve relationships between people within the prison as well as with guards and supervisory staff. Inmates exposed to arts programs are more likely to adjust to life outside prison and are less likely to become repeat offenders.
Featured in this exhibition, these teachers, artists and organizations are working together within the prison system to provide a direct link between incarcerated individuals and something larger than their dehumanizing cells. The arts become a vehicle for expression, self-identification and self-direction. If prisons are about transformation of the self, then these artists provide themselves with tools necessary to become someone new: artistic expression.
In collaboration with Barrios Unidos and the William James Association.

Explore the work of currently incarcerated artists as well as their teachers:
Ned Axthelm
Peter Bergne
Guillermo Willie
Stan Bey
Khalifah Christensen
Dennis Crookes
Isiah Daniels
Justus Evans
Bruce Fowler
Henry Frank
Roy Gilstrap
Ronnie Goodman
Thomas Grider
Gary Harrell
Amy M. Ho
John Hoskings
David Johnson
Ben Jones
Richard Kamler
Chung Kao
Darryl Kennedy
Rolf Kissman
Felix Lucero
Katya McCollah
Pat Messy
Omid Mokri
Gerald Morgan
Carol Newborg
Stan Newborg
James Norton
Eric “Phil” Phillips
Anthony Marco Ramirez
Adrienne Skye Roberts
Mark Stanley
Fred Tinsley
Tan Tran
Kurt Von Staden
Geno Washington
Michael Williams
Thomas Winfrey
Noah WrightBeth Thielen