Tuesday, October 5, 2010

Preview #7, Journal of Pan African Studies, Poetry Issue



Preview #7,
Journal of Pan African Studies
Poetry Issue

Guest Editor, Marvin X



Bruce George,

New York City



I’m in a world



I’m in a world

of concrete and steel

of mace and riots

of endless talk

of endless plots

of prison politics

of taking orders

of giving orders

of recycled dreams

of letters gone unanswered

of funerals unattended

of lock-downs

of beat-downs

of testosterone

of claustrophobia

of anger

of no love

of no hope

of no peace!

I’m in a world

where you look through and not at

where you cry on the inside

where you die on the inside

where you take no prisoners

where you are taken prisoner

where time stands still

where time passes by

where you are forgotten

where you are not forgiven

where you lose your mind

where you lose your soul

yet I’m still a man

yet I’m still human

yet I’m a child of God

yet I’m free!

--Bruce George

Co-founder of Def Poetry Jam.

Amy ”Aimstar” Andrieux, New York City


Birth of aimstar

you left me..

fertilized

with unhatched dreams

full of your broken promises

i wanted to burst

run

hide

sleep for a long time

i even wanted to die

but god, life, and the ancestors wouldn't let me

they had great plans for me

so with bleeding heart & burnt fuses

i cried

in vain

in awe of our deconsumated union

handslapped bruises was all that was left behind

of this fingerpainted we...

and baby fertilized me

so i walked home separated

mind mad

body weak

my heart with you

and exasperated was i

with trying to force myself to meditate

contemplate

tweak the trivialities of us fools

so i could possibly move on without u?

still impregnated

and in 4 months due

spirit began to wrestle

cuz home wanted to make me brand new

whole.

home.

free from hell on some neverending story type shit

hatched unbroken circles

no more cracked eggshells

and finally met myself in the mirror of unattainable miracles

reflecting thoughts of unmet heroes

i ached for you

and i bellowed...

my heart bellowed

and i gave birth

with my hate subdued.

barely aware of my great victory

my tremendous dream unblurred

i arose

fully awake in consciousness

yes, i remembered..

the smells,

the sounds,

the tastes,

the nostalgia overcame me when i gave birth to she

i remembered breathing.

i remembered life.

i remembered me.

And thank you for leaving.

Peace

--aimstar

4/4/02

Having recently left The Source in the summer of 2010, where Amy served as the general manager and executive editor appointed by prominent entertainment attorney and The Source executive publisher L. Londell McMillan, she is currently keeping urban culture alive via her own creative pursuits via AIMSTAR Media (AM), a multi-media and development company she founded in 2004.

Amy was the former managing editor of TRACE Magazine where she spent five years in various capacities. At international lifestyle entity, which housed TRACE TV, and magazines TRACE US, TRACE FRANCE and TRACE UK she oversaw and writing cutting-edge editorial features from fashion, music, travel, lifestyle and politics centered on the global metropolitan tastemaker, for all three editions. At age 26, she became the youngest Publisher in NYC, managing the finance, marketing, and sales departments of the TRACE brand.

As an entertainment journalist, she has interviewed several key figures in the arts including Kobe Bryant, Pharrell Williams, Spike Lee, Snoop Dogg, Outkast, Queen Latifah, T.I., Jesse Jackson, Ice Cube, Jamel Shabazz, Damon Dash, Shepard Fairey, Michael Eric Dyson, Mister Cartoon, Patricia Field, Jonathan Mannion, Raekwon, among others. Her essays have been featured in Transculturalism: How the World is Coming Together (Powerhouse Books, 2003; Ten Years of Trace (Booth Clibborn, 2006); and EyeJammie’s Hip Hop Encyclopedia (MTV

Ramal Lamar, Oakland CA


Ramal Izza Teacha (circa 1994 when I was 15)

i been teachin all my life (RIGHT!)
clear the way my landin zone is at sight.
i been teachin so much i'm like a nuisance,
but its given to you so you can use it,
for the positive, neva eva negative
i'm flyin heads kid, as i freak competitive,
open your ears, so you may listen,
as i teach on the beat with precision.
the mission? for you to be taught,
so knowledge may be given not sought nor fought for-
public storage, stored an informative mental message -
yet all the suckas guessin-
can you question - i think not -
i ink a lot... about topics, let's talk -
now about the fact why you need to be taught -
we illin out now cuz of the weed that he bought
i sought, awareness in self no one else -
so i could come cool with the creepness of a stealth bomber
i'm droppin bombs - words to grandmoms i'll do it-
i'm mindless and only All knew it -

ramal izza teacha - he izza teacha
ramal izza teacha - he'll neva deceive ya

--Ramal Lamar

Ramal Lamar is a master of ceremonies in the hip hop tradition. He also teaches mathematics and philosophy in the Bay Area's Afrikan Community. He is a graduate of San Francisco State University and California State University East Bay. He has written reviews, "Journey to the End of Islam" (Micheal Muhammad Knight) and " We Will Return in the Whirlwind" (Muhammed Ahmed) for Black Bird Press News. He is an associate professor at Marvin X’s Academy of the Corner, Oakland, California. Ramal is currently writing his master’s thesis in mathematical logic to pursue doctoral studies..

Tariq Shabazz, Newark NJ

8th Wonder of the world—Mr. Wonderful.

The next time they talk about the Beat dudes
Lennon and ‘em, Paulie Mac and the rest
Just think about Mr. Wonderful our fully expressed selves
The greatest of all time, in a class by himself
Ya’ll know Mr. wonderful will rift right pass those little Brits
With their ok pen and light weight voices, who do you know with a more poetic pen than S.W.?
Seeing the world, his world and our world better than we could ever see it because he’s from Saturn.
He sees things clearly, not blinded by the ugliness of bullshit disguised as material life.
But rather he’s lead by vibration; he feels everyone’s heartbeat and he’s hip to the devil that doesn’t have a heartbeat.
Another realm—vibrant colors translated into life’s song.
Always on point, always current with the power of the ocean.
That must be the reason they don’t mention him as much as the less competent, less conscience, less relevant the lesser – us.
How can you ignore the author of one of the greatest love songs, AS*!
But AS always they will find a way.
Amiri B. put us on to the fact that our beloved Mike Jack was a decoy—content lacking.
But we still see you Stevie Wonder [full]
And we know you see us, easier than we see you.
Much clearer as we say “you feel us”, on another level.
Your connection is much deeper than ours because we rely too much on our eyes, never truly seeing.
Blind to the true facts and beauty of life preoccupied with the superficial.
We do have other brothers that can blow but just when they think they’re getting close you blow right pass them with your consciousness.
Singing in that key no one can get quite right.
Singing that Song in the key of life.
Master of the lyric, constanly doing battle with the track.

You let it get away (at least that’s what we thought)
Its pass you Stevie!
And in a blink of an eye you catch it—rift, blow, and run right pass it
Slow down for it, rift around it, grab and subdue it.
Damn, you mastered the track too
So remember, the next time they pull the Beatles out, throw Stevie on their ass!
Go Album for Album and Track for Track
And the winner will be…
We love you Mr. Wonderful

--Tariq Shabazz


Born in Newark, NJ raised between Newark and Irvington, NJ. Always loved to write. Three different high schools, no diploma. Gets GED in '98, enlists in the Marine Corps in '99, honorable discharge in '03 as a SGT. After Marine Corps, comes home, falls into the streets. Shot four times in '05. Afterward, realize being a Blackman is better than being a Negro. Start College, gets associates degree. Currently at Montclair State University as a political science major and film minor, graduating in Dec '10. Now--Family, Activism, and School. That's it.



Deadline for submissions, October 15. Send to jmarvinx@yahoo.com. MS word attachment, include bio and pic.

Marvin X,

Guest Editor

Preview #6, Journal of Pan African Studies, Poetry Issue


Preview #6, Journal of Pan African Studies, Poetry Issue



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photo by Alex Lear

IF YOU'RE STILL THE SAME AFTERWARDS

IT WASN'T LOVE

(to nia, thanx for making me better)

to say

"i am touched

by you"

is to be

changed

into

a person neither of us

was before

entering the other

more open, a sun of sensitivity

emotionally nude, erupting joy

& willing to kiss life open mouthed

emoting the vibrancy of glow

endemic to souls in the flow

in fact, it's even unscientific

not to evol

ve/not to love, not to

grow & give back

the only humans who actually evolve

are lovers

all others

just simply fuck and reproduce

the transformation

of touch

that's all

love is

—kalamu ya salaam


Kalamu ya salaam is one of the founders of Black Arts Movement South. A prolific author, poet, essayist, historian, journalist, teacher, he resides in New Orleans, facilitates a list-serve for writers.

Louis Reyes Rivera, Brooklyn, New York




I care about

whichever word


I care about whichever word

is used like grass

or turned to twist

& make a victim look like killer

or heard to sing like daybreak

smelling...

An octorose of warmth

blending

into

nightshed

deep

a dance of waves

the sun weaves in

an intricate of light

of gentle ripples

warmly dancing

weaving waves

of shadelit haze

like the sea ebbing into shore.

Even in the repetition

a word

means just as much to me

as morning's mist to dawn

the ease with which

night

moves

out

for daylight rays

like the quick shot from a gun

or loosely lipping attitude

that can just as easily

grit

or

grin

or smile right back

in hard soft sounds

like a kitten's tender touch

a curious tiny paw wanting

but to be believed.

I like the word, determination,

a Black child learning how to read

the wonder of a family intact,

a puertorrican

grasping & digging

into our own past... becoming Borinqueño

studying Betances

Belvis

Pachin Marin

listening to Malcolm

hard

intent

& full of care

concern

in a loving nudge of words

penetrating

deep inside the heart of thought

with Yes! Of course!

We got no choice

but grow!

& Be!

& Stand Up, Child...

Come & Change this world

with strength & perseverance

Come & Grace this Earth

with your own sense longing

like the octorose of warmth

u

n

f

o

l

d

i

n

g

winglike petals unto dawn

to soar, Yes, flying!

I like to hear Rashidah speak

I like to watch Zizwe's walk

the happenstance of Sekou's song

the lilting lyric in Safiya's sway

(& in case you do not know,

have never heard or watched them work:

Rashidah is an Ismaili,

a misspelled word

from the ink of census takers

conquering her land;

Zizwe, a child returned

from whence once stole,

Ngafua now an African at war;

Sekou but a blue lake

reclaiming lineage to Sundiata

undercoat guerilla born;

Safiya, black pearl caught

in the devil's hand

way back when Hendersons,

cut loose from prison cells,

sailed across atlantic gates

to rape the earth into a world

where poets have no chance.)

Despite it all, they sing & work,

they write & read,

they care,

get drunk

or pray,

while few will publish them their due,

fewer still will plant their books

into your hands,

your own calluses of soil

digging

deep

into

self

gripping all their pages,

holding them as dearly as you would

an octorose of warmth.

& yes

I like the word of action true

the sound of gunfire busting through

the doors

that hold back freedom blue

given

how

our own young Blackfolk

get cornered into hating what to do like Larry Davis

cracking through

the wall of crack

that would diffuse

whatever life a child could cling to/

cornered

in a vacuum of tenements jammed in despair

surrounded by a dozen cops

a dozen watchful dogs

hunting those who break

the must

& misty stink of deprivation

surrounded by a dozen cops

alone

except for rifle

shotgun

millimeter

automatic in his hand

bursting through the door

this five foot four

Davis, Larry

hurls across a rooftop

shooting

wounding

striking out against

this hateful passion

cold city bred

escaping into freedom's scent

like the octorose of warmth

s

p

r

e

a

d

i

n

g

w i d e its span of wings

& soaring, Yes,

soaring high & bleeding from the heart

of nothing

wanting

something

in the anywake

of every word

struggling for the worth of hope that comes at dawn.

--Louis Reyes Rivera

Louis Reyes Rivera

Known as the Janitor of History, poet/essayist Louis Reyes Rivera has been s

tudying his craft since 1960 and teaching it since 1969. The recipient of over 20 awards, he has assisted in the publication of well over 200 books, including John Oliver Killens' Great Black Russian, Adal Maldonado's Portraits of the Puerto Rican Experience, Bum Rush The Page: A Def Poetry Jam, The Bandana Republic, and his own award-winning Scattered Scripture. Considered a necessary bridge between the African and Latino American communities, Rivera has taught Pan-African, African-American, Caribbean and Puerto Rican literature and history in colleges and in community centers. Currently, he conducts a Writers Workshop at Sistas' Place, in Brooklyn, and continues to work with Jazz bands, including Ahmed Abdullah's Diaspora. He can be heard every Thursday on WBAI (99.5 FM; streamed at www.wbai.org), hosting the weekly talk show, Perspective.


Phavia Kujichagulia, Oakland CA





YO YO YO:

AUSTRALOPITHECUS AFRENSIS


yo…yo…yo…in case you didn’t know

I’m a woman, a mother, dred daughta, soul lover

sweet solid chocolate rock of Jah womanhood

money in the bank, soul sistah

knock on wood it’s all good

after the years of tears

the fears…the lies

the cries

somebody better recognize

(somebody better recognize)

duck and dodge, comin’ up like God

sistahs surviving the odds

so drop the sexist hype

stop the stereotypes

cause I’m an ebony Goddess

Queen mother doing it right

you’ve got to fight to survive

the things you see on t.v.

you can believe in the media hype

or you can believe in me

cause if you believe

I’m just a physical thing

then you’ll never see

the spiritual power that I bring

believe I’m the Eve to the Garden of Eden

know that I’m the virgin that gave birth to Jesus

Australopithecus Afrensis

since 3.5 million B.C.E.

everybody on the planet had to come through me

from the Olduvia Gorge human life was born

from the thighs of momma Africa’s

Great Rift Valley

so take a tally, take notes

whatever it takes to rock your boat

but just know

that I’m the Eve to the Garden of Eden

know

that I’m the virgin that gave birth to Jesus

I’m the first … I’m the last

I’m the present to your past

Sumerian princess from Kemet’s Nile

Babylonian, Dravidian, Olmec child

ire daughta gave birth to one human race

that’s what you see upon I & I face

though the media tries to disguise my fame

I’m the mother of justice

Ma’at is my name

so no more blame

no more shame

no more pain

no more games

yo…yo…yo…in case you didn’t know

I’m a woman, a mother, dred daughta, soul lover

sweet solid chocolate rock of Jah womanhood

money in the bank, soul sistah

knock on wood it’s all good

after the years of tears

the fears…the lies

the cries

somebody better recognize

(somebody better recognize)

duck and dodge, comin’ up like God

sistahs surviving the odds

so drop the sexist hype

stop the stereotypes

cause I’m an ebony Goddess

Queen mother comin’ up right

you’ve got to fight to survive

the things you see on t.v.

you can believe in the media hype

or you can believe in me

cause if you believe I’m just a physical thing

then you’ll never see the spiritual power that I bring

I said… if you believe I’m just a physical thing

then you’ll never see the spiritual power that I bring

yo…yo…yo…

just thought you ought to know

--Phavia Kujichagulia

Phavia is a well loved poet, griot, musician, dancer, historian in the Bay Area.She stole the show at the Kings and Queens of Black Consciousness concert at San Francisco State University, produced by Marvin X, April 1, 2001. As we speak, she is releasing a book on racism and white supremacy.

News from East Boogie


Tue, October 5, 2010 5:14:09 AM
Subject: Re: Preview #5: Journal of Pan African Studies Poetry Issue, deadline
extended to October 15 for submissions

thanx x, for this & all good gifts u send . . . below's what's happening out
here in the "heart of the heart of the country" . . . easy, ebr . . .

TO: All Media; Poets & Writers; Art, Dance, English & Music Departments

“2010” Slated for October 19 in East St. Louis:
EBR Writers Club Presents “Break Word,” a “2010” Celebration
in Poetry, Dance, Jazz & Exhibits in a Conch/us/nest-raising Atmosphere

East Saint Louis, IL—“2010,” a multi-arts expo of “Remembrance & Celebration”
sponsored by the Eugene B. Redmond Writers Club, will be presented Tuesday,
Oct. 19 at 6:00 p.m
. in Bldg. B, Room 2083 of the SIUE/East St. Louis Higher
Education Center, 601 J.R. Thompson Drive. The public is invited to this free
event, part of the Club’s annual “Break Word with the World” program.

“2010” will feature the following poets/performers “live” from the “Soular
System
”: Roscoe Crenshaw, Jim Klenn, Byron Lee, Susan “Spit-Fire” Lively,
Darlene Roy, Jeffrey Skoblow, Treasure Williams, Jaye Willis and Eugene B.
Redmond. Their aim? To raise “conch/us/nest” through art.

Among other expo offerings:
*“2010 Experience in Dance” (SIUE/ESL Center for the Performing Arts,
directed by Theo Jamison);
*“Jazz 2010” (with Saxophonist Kendrick Smith and keyboardist Brian Harrison;
* “The Festive & the Funereal” (mixed media exhibit);
*“Kwansabas of Remembrance & Celebration” for Ezora Woodard Duncan (1920-2010)
and Dr. Lena J. (Knight) Weathers, Writers Club trustee who turned 80
Sept. 5.

The exhibit will include photos, posters, newspaper clippings, magazines, art
work, book and album (LP) covers and other memorabilia from the Eugene B.
Redmond Collection, which is housed at SIU-Edwardsville. Also, open mic and
book sales will be part of the evening.

The Writers Club, founded in 1986 and named for East St. Louispoet laureate,
is enjoying its 24th year. All writers are welcome to meetings, held at the
SIUE/ESL Center on the first and third Tuesday, September through May. Club
Trustees include Maya Angelou, Amiri Baraka, Avery Brooks, Walter Mosley,
Quincy Troupe, Jerry Ward Jr., and Dr. Weathers. Trustees also serve on the
editorial board of “Drumvoices Revue,” a multicultural literary journal co-
published by SIUE and the Club. Darlene Roy is president of the group.

Besides the Club, other sponsors of “2010” include “Drumvoices,” SIUE, Black
River Writers Press, and the East St. Louis Cultural Revival Campaign
Committee. For more information about the Writers Club or area cultural-
literary activities, call 618 650-3991 or write the group at P.O. Box 6165,
East St. Louis, Illinois 62201; eredmon@siue.edu.

--Eugene Redman

--

-------------------------------------------------
Preview #5,
Journal of Pan African Studies
Poetry Issue,
December 2010

Guest Editor, Marvin X

Senior Editor,

Itibari M. Zulu


Fritz Pointer, Oakland CA







Mixed Love

Dedicated to Lovell Mixon




Lovell Mixon smoked 4 pigs in Oakland shootout a short time after they killed Oscar Grant .Dr. Fritz Pointer said the suffering people of Oakland enjoyed an obscene pride in his actions after decades of police abuse, in spite of the

Black Panther Party’s valiant resistance during the 60s.

You had an avtomat Kalashnikova of ’47?

Assembled in minutes by children in the old USSR.

Kalashnikov and Heston are beaming with obscene pride:

In the efficiency of the automatic

In the accuracy of your aim

In hitting the Pig’s Eye

Four in a row!

You could have surrendered like Amadou Diallo

Raised your hands

Taken sixteen

And nothing in your “cold dead hands”

Except a wallet!

Or, heard the bells, like Sean Bell

“Made it to church on time”

Your wedding day now a funeral day

And nothing in your “cold dead hands”

Nothing!

Or, lay face down, a boot on your neck like Oscar Grant

And get it in the back

And be blamed

And nothing in your “cold dead hands”

Cuffed in steel.

You had an AK-47!

Easy to use

Easy to transport

Easy to kill

The AK has caused more deaths

Than Hiroshima

Than Nagasaki

Than HIV

Than the bubonic plague

Than malaria

Than all earthquakes

Than anything organic or synthetic, metal or chemical.

Kalashnikov’s automatic:

Won’t jam when dirty or wet

Has a feather trigger a child can pull

“Can turn a monkey into a combatant”

There’s pride in that…obscene pride

In the accuracy of a killer

The rehearsal on man-sized silhouettes

Dark shadows

The outline of a person

The will to kill.

The vulgar pride in:

The ABM

The drone

The nuke.

Hitting the pig’s eye.

All you needed was the will

The will to kill

The will to be free

Simply…Free

Not ideologically

Not intellectually

Not romantically

Not consciously

Not politically

Like Nat Turner

Like Malcolm X

Like Steve Biko

Like Fred Hampton

Not like that…simply

Not behind bars.

The repulsive, indecent respect some pay:

To the monsters created

To vindicate a people’s historical abuse

Surprised that the monsters

Dutifully designed

Consciously created

Meticulously molded

For the cities of Iraq

For the cities of Afghanistan

For the cities of America

Frankensteinesque

Should act other than

Monsteresque.

Is Fanon correct?

Is such violence redemptive?

Is it cleansing?

Is it a rebirth?

For a microsecond

For this generation

The score was evened.

Four pig’s eyes in a row!

Wow! How sick! This obscene pride.

--Fritz Pointer

17 April 2009

Fritz Pointer, Oakland, California, is a graduate of Creighton University (B.A.-English) UCLA (M.A. - African History) and U. of Wisconsin, Madison (M.A. - African Literature). He has taught African Studies and English at Merritt College (Oakland, CA.) Golden Gate University (San Francisco, CA) Humboldt State University (Arcata, CA.), Luther College (Decorah, Iowa), and is presently Chair of the Department of English at Contra Costa College (San Pablo, CA). He is the author of "A Passion to Liberate: Alex LaGuma's South Africa." His wife, Liziwe Kunene, born in Cape Town, South Africa, is Dean of Students at California College of Arts and Crafts (Oakland, CA). They have four children: Thiyane, Somori, Nandi and Shegun. Two granddaughters: Jadah (14) and Selina (2). His sisters are the internationally known Pointer Sisters. His brother, Aaron, is the last professional baseball player to hit .400 for a season and a retired NFL official.


Sam Hamod, Princeton, New Jersey


All We Ask

(For Our Brothers and Sisters in Somalia, Palestine, Pakistan, Iraq and Afghanistan)

we want very little

a sip of fresh water, a small piece of bread,

perhaps an olive again, if the trees have not been smashed,

just a little peace,

a door my key will fit, so I can go home,

quiet, so there are no more drones, no rockets,

and when you come by, in your heavily laden uniforms,

every now and then

a smile, and from Allah,

a bit of sunshine, even some rain to help our parched trees,

rain as fresh water for our children,

just small things, not much

a bit of fresh air, without the smell of gunfire, rockets or phosphorous,

just a sky clear of jets and rockets, so that we may see

a sun that wanders off late in the afternoon

and a moon that whispers,

we shall sleep now,

praying, tomorrow will be a better day

c: sam hamod,

oct.2, 2010

Sam Hamod founded and edited 3rd World News in Washington, DC in the 80s; has been nominated for Pulitzer Prize in Poetry twice, but, as Ishmael Reed said, "He's one of the best poets in America, but he won't be recognized as that because he's an Arab Muslim." He has published 12 books of poems, and has 3 more in the pipeline; Hamod also is the only American born person to be the Director of The Islamic Center in Wash, DC. He admires the work of Ishmael Reed and Marvin X.

Sam is considered one of the fathers of Muslim American literature, along with Marvin X, Askia Toure, Amiri Baraka, Sonia Sanchez and others in the Black Arts Movement, although Sam in not a North American African. See Dr. Mohja Kahf on Muslim American literature below. Some of these poets have moved beyond religion, toward spirituality and other ideologies, but for a moment in the 60s, they expressed the Islamic ideology, whether Nation of Islam, Sunni, Sufi or a combination thereof, thus, according to Dr. Mohja Kahf, they laid the foundation for Muslim American literature: poetry, plays, novels, essays..

Kola Boof, Southern California

Esther Rolle

(a poem in memory of the pioneering
black actress)


When you die...come back to life
So we can laugh and cry and curse the living!
O! I want to curse anything.

Drab concrete sky leaving me with too many songs.

Sadness leaves, because I forget the words.
The words are so many, I just wrinkle
up and laugh and squeeze my hurting hands.

I remember being young and frisky.
I remember being a creamy hot thing.
I remember the lemony days and hasty dreamy nights
that snuck away with the words.
Stole away.

The one song I remember, the one I loved
went:
"when you die...come back to life."

--Kola Boof

Kola Boof was born in the Sudan, adopted and raised in Washington DC. She is one of our leading and best selling black novelists.

devorah m ajor, San Francisco CA

city scat

we come to this city

of concrete, brick

steel and toil

country people

knowing the earth

sea faring people

reading the tides

gambling people

holding jokers and spades

we come to this city

hard laughin’

weep sob wailin’

prayin’ celebratin’ people

bending and sweating

we come to

this hiss crack

slap snap

siren whirl

holler

electric zip

and burn

city

rounding

bustling corners

banging our heads

against destiny

and crumbling

brick walls of confusion

we come to this city

that can cage us

enrage us

deny us

revile us

turn us

from friends and family

into prey and predator

we come to this city

this hip howl

she bop

da he bop

da we bop

bang clang

swinging city

and we name it ours

--devorah major

devorah major is the first North American African poet laureate of San Francisco. She is a novelist, poet, essayist and professor at the California College of Arts.

Letters to the Editor

From: rudolph lewis
To: Marvin X
Sent: Mon, October 4, 2010 4:14:02 PM
Subject: RE: Preview #4: Journal of Pan African Studies Poetry Issue, deadline extended to October 15 for submissions

Very, very good, Marvin!!! You will have an excellent collection of poetry from some of the best poets in America. I predict that this will be the best selection of poems that any Guest Editor has ever put together.

Long Live the Black Arts Movement! Long live the struggle of Black poets to make a New America, one that Langston would admire and cheer! Hurray! Hurrah! O, Holy Days!

Loving you madly, Rudy

From Amiri Baraka to Editor:

Some very good woik, Boi!!

AB

******

From :Nykhala Coston

Hi,

Thanks for sending the poetic mission for this year. It has opened my eyes to another way of looking at poetry and I am excited to see the finished copy when it comes out.

Sincerely,

Nykhala Coston

Deadline extended to October 15, 2010. Send submissions to jmarvinx@yahoo.com

Format: MS word, include brief bio and pic.

--Marvin X, Guest Editor