Wednesday, November 20, 2013

Muhammida El Muhajir recaps Africa tour of her film Hip Hop: The New World Order

Global Hip Hop Documentary premieres in Africa: Lagos & Accra.
Private Brooklyn, NY Screening on 11/20

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The Africa Tour Recap. Lagos + Accra

We recently returned from the Hip Hop: The New World Order Africa Screening Tour with premiere screenings in Lagos and Accra. Although we filmed the documentary in 8 international cities (Tokyo, Havana, London, Paris, Amsterdam, Hamburg, Rio de Janeiro, & Johannesbug), we didn’t film in West Africa so it was important to engage with the artists, pioneers and cultural influencers who are the foundation of the vibrant hip hop scene in Anglophone West Africa.  Screenings were presented at Goethe Institut, the cultural institute of the Federal Republic of Germany with a global reach.

In Lagos, we partnered with entertainment powerhouses Storm 360 and Now Muzik En.Core to  produce a lively presentation of the film and post-screening Q&A featuring media personality, Andre Blaze (Nigeria's Got Talent), one of Nigeria’s most talented MC’s, Vector Tha Viper, entertainment journalist, Osagie Alonge (Nigerian Entertaiment Today), and director, Muhammida El Muhajir.  The panelists were all quite versed on the history and evolution of hip hop in Nigeria and passionate about its future.

After making the necessary talent and brand connections for the event, the NowMuzik Team of Chief ExecutiveEfe Omoregbe, and Helen Abutu, Head, En.core had to travel but left us in good hands with Daniel & Phenom who were truly a pleasure to work with and coordinated all details of production along with the accommodating Goethe Institute staff, Director, Marc-AndrĂ© Schmachtel and Programming Coordinator, Derin Ajao.

The following day we visited the offices of Storm 360 to meet with chairman, Obi Asika, a creative visionary who is at the forefront of driving urban entertainment across Nigeria, Africa and the rest of the world.  Storm 360 offices/studio was like a who’s who of Nigerian hip hop all-stars and we came across artists such as DJ Neptune, Ghost of Show Dem Camp, and executives Nkiru Asika and Tola Odunsi.

CLICK HERE FOR LAGOS PREMIERE PHOTOS
 

Later that afternoon after a short 1 hour flight, we landed in Accra to do it all again.  Our first screening was held under the stars in the courtyard of Goethe Institut Accra and was attended by Ghanaian hip hop royalty who also participated in the post-screening discussion: Reggie Rockstone, the “grandpapa” of the Hip Life music/movement and heavyweights D-Black, hip hop artist, producer, entrepreneur, and United Nations (U.N) Celebrity Ambassador in Ghana and E.L., a chart topping, award winning MC and producer who also holds an economics degree!

Our Accra event partners included Aretha/Global Fusion Productions and Unknown Collection, whose principal, Christa Sanders also coordinated our social calendar including post-screening reception at Reggie Rockstone’s uber classy lounge, Rockstone’s Office/Django Bar.

The following day we held a screening with the alternative creative producers/collective, Accra{dot}Alt at their monthly Talk Party Series at Passions CafĂ© in Osu (Many Thanks to Sionne Neely + Team + NYU Accrastudent volunteers). Director Muhammida El Muhajir joined cultural influencers Ato Annan, a Ghanaian artist active both on the local and international markets and Kobby Graham, a professor, DJ and writer for a post-screening discussion about the film and how art and music can make movements.

The after-party was held at Republic  where things popped off when DJ Kobby got the party started with none other than a Notorious BIG tune!  Christa had a full agenda for the evening activities which also included stops at La Villa Boutique Hotel, Movenpick Hotel, Golden Tulip, and The Shisha Lounge where we connected with movers & shakers including Kweku Ansah (Canoe Magazine)Benjamin Lebrave (Akwaaba Music), photographer Obodai Nii, designer/event producer Makeba BoatengKhash Sunday (Primus Security Limited), and Nana Kwame Bediako among others.

CLICK HERE FOR ACCRA PREMIERE PHOTOS

The Africa trip was a thrilling adventure into the sights and sounds of “New Africa”.  The development is happening at lightening fast speed. Our trip revealed young Africans as media savvy, art/design focused, global thinking, Afro-futurists, Afropolitans who are urgently intent on positioning Africa in its rightful place as a leader on the global landscape. Hip Hop is playing a major role in establishing a foundation, platform and voice for  young artists, entrepreneurs and cultural influencers who are creating a new vision and aesthetic for the new Africa. We are reminded that in fact, Hip Hop IS The New World Order
.

Join us at a special private viewing in Brooklyn on Wednesday, November 20th @ 7pm (Location provided upon RSVP info@hiphopisglobal.com).

RENT/OWN Hip Hop: The New World Order at http://hiphopisglobal.com


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Accra Premiere attended by All-Stars Reggie Rockstone, D-Black & EL w/director Muhammida El Muhajir


WATCH Hip Hop: The New World Order Now!

Tuesday, November 12, 2013

Black Bird Press News & Review: Support Black Bird Press--High Consciousness literature

Black Bird Press News & Review: Support Black Bird Press--High Consciousness literature


Either do for self, independent economics, or die. Nobody will support you or buy from you when you do not support and buy from yourselves. Do Africans buy from you, Mexicans, Arabs, Jews, Chinese? No, only rarely do any other ethnic groups buy from you yet you buy fro them every day/24/7, even while they disrespect you. What kind of man and woman are you that will shop where you are treated like a dog? Where is your manhood/womanhood? Are you an all-day sucker? Renaldo Ricketts says you are toilet paper! For sure, you suffer Addiction to white supremacy type II, as Dr. Nathan Hare says. Time to detox and recover, then discover your life's mission to free yourself and your people. You cannot escape this mission, you shall either fulfill it or betray it but you won't escape it.--Marvin X

Book Review: Black Revolutionary William Patterson

“Black Revolutionary” explores life of William Patterson and global freedom fight

November 8 2013
 
black revolutionary
 
William L. Patterson has long been known as a hero in the fight against racism and for socialism. Probably best known for his leadership to save the Scottsboro defendants, nine African American youth falsely accused of raping a white women, and as the director of the Civil Rights Congress, which was widely viewed as the legal defense arm of the broad African American freedom struggle, Patterson also served as a national leader of the Communist Party USA.

In Gerald Horne's new book, "Black Revolutionary: William Patterson and the Globalization of the African American Freedom Struggle," we are privy to Patterson's transformation as a well-to-do New York lawyer - in Horne's words, he was "living large, accumulating a sizable bank account" - into a revolutionary and international leader who struggled his whole life against Jim Crow, South African apartheid, colonialism, red-baiting and war with the Soviet Union.
It is in his formative days as a young lawyer that Patterson met the legendary athlete, actor and artist Paul Robeson; they remained lifelong friends. It was the Communist Party's defense of Sacco and Vanzetti, two Italian born anarchists falsely convicted of murder that lead Patterson to give up his high paying gig as a law partner, and eventually join the Communist Party in 1926.
"I followed the Sacco-Vanzetti case with all my soul," Horne quotes Patterson as saying. "It was at this moment that a weighty realization dawned: 'I came to the conclusion then that through the channels of the law and of more legal action [alone] the Negro would never win equality' for 'if a white worker like Tom Mooney and white foreigners like Sacco and Vanzetti could be so victimized, what chance was there for Negroes at the very bottom.'"

Sacco and Vanzetti were eventually executed in spite of national and international protest.
After officially joining the party, Patterson immersed himself into the International Labor Defense, the legal defense arm of the Scottsboro Boys, and the American Negro Labor Congress, which challenged the racism of then lily-white American Federation of Labor.
As an emerging and prominent African American leader of the CPUSA, Patterson was sent to Moscow, where he met dozens of future leaders of the African liberation movement and forged the international contacts that proved to be so important in the coming dismantling of Jim Crow back home.

"While abroad, he recounted, 'I had met leaders [and] liberation fighters of almost every country in the world' an invaluable experience that gave him a depth of understanding beyond the ken of most of his peers...," and another example of how the former Soviet Union helped to forge the worldwide contacts and connections that served to isolate Jim Crow racism and eventually hasten its defeat.
While Black Revolutionary is a biography of Patterson, it is also an examination of how Cold War politics affected the African American freedom struggle. For example, Horne devotes considerable text to the NAACP's mismanagement of certain aspects of the Scottsboro case, as well as, their refusal to help the ILD organize mobilization protests. In many cases, the NAACP's membership participated in spite of its leadership's insistence on legal defense only. The NAACP also disavowed left-progressive leaders, like founding member W.E.B. Du Bois, in the hopes of saving itself from the emerging Cold War witch hunt.

Horne also devotes considerable text to the Civil Rights Congress petition to the United Nations, titled "We Charge Genocide," which was "a devastating indictment of the U.S. authorities' complicity and dereliction in lynching, murder, deprivation of voting rights and all manner of crimes" against African Americans. Patterson delivered the petition - to much press coverage - in Paris, while Robeson simultaneously delivered it to the UN headquarters in New York.
After the delivery of the petition, Patterson exclaimed, "...mission accomplished...[by which] I meant that the struggle for American Negroes for their rightful place in their own nation was merging with the liberation struggles of the peoples of Asia, Africa and Latin America." Joyfully, Patterson - in acknowledging the role of the Soviet Union, the Eastern European states and African liberation struggles - said, "I had learned much about the essence of the term international working class solidarity."

However, just as the noxious poison of Jim Crow was being dismantled and as the mid-50s and early 60s civil rights movements were emerging, another simultaneous trend was developing - the McCarthy era. Just as Jim Crow was gasping for its last breath, Patterson and other leaders of the CRC and Communist Party found themselves in jail; those that remained free had their passports revoked, were harassed by the FBI, were attacked, like Robeson in Peekskill, N.Y., and/or went underground.

Horne's Black Revolutionary isn't just valuable as a history of 30s, 40s and 50s era class struggle, it also highlights the role prominent communists, like Patterson, played in the legal defense of the 60s and 70s era black liberation movements, most notably the defense of the Black Panther Party - of which, Patterson acted as mentor and legal counsel to many of the leaders, including Angela Davis.
There is so much food for thought in Black Revolutionary that it is almost impossible to summarize into a short review. Without reservation, Gerald Horne's biography of William L. Patterson should be required reading for anyone interested in the global context of the African American freedom struggle.

Book review
"Black Revolutionary: William Patterson and the Globalization of the African American Freedom Struggle"
Gerald Horne
University of Illinois Press, 320 pp., October 2013

Sunday, November 10, 2013

Support Black Bird Press--High Consciousness literature

Buy Black Bird Press Books
 for the Holidays! Support Academy of da Corner and other projects of the
Marvin X Ministry.
send a generous donation
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Return To My Mother's land





To my mother's land
I return
a pilgrim at her grave
holy woman
who counseled the grieving
taught the ignut
raised her children
business woman supreme
leader of her tribe
I pray at her grave and talk
whisper softly into the earth

summer heat is gone now
winter in the Valley
train whistle in the night
whistle from childhood
grandmother's house in the projects on Dunn St.
everybody used to live in the projects
teachers preachers janitors nurses
Jim Crow was in the land

tent city across Thorne and Whitesbridge
not far from the Hole in the Wall
where men gather to gamble drink wine fight
Some came up from tent city to mama and dad's office to buy a house
right after WWII
dad was a Race Man from WWI
talked of seeing Marcus Garvey in Los Angeles
Mom and Dad published Fresno Voice, black newspaper
used to sell Fresno Voice on F and Fresno St
maybe when I was five or six
used to sit on Dad's desk watching him set type
had to spell words backward in the old days
Mom and dad used to talk about NAACP
N double ACP he used to say
I probably dreamed of NAACP
heard it so much
wondered what the hell it was
in my childhood mind

Why they keep talkin bout it so much
Dad used to take us to the drive in movie
Stormy Weather I remember
News reel of Palestinians running across a bridge
ain't stopped running since 1948
couldn't figure out why they running

Dad had a gambling problem
especially with other people's money
violated his fiduciary relationship
lost his real estate license
some nigguhs probably wanted to kill him
gambling their money
so we fled to Oakland
he became a florist on 7th street
when 7th Street was booming
Harlem of the West
Pullman Porters
Slim Jenkins Club
Ester's Orbit Room
Lincoln Theatre
Wolf's Records
Dangott's Loan
Scott's Key shop
Jackmon's Florist
Perry's shoeshine stand
Dad took me and Ollie to Perry's
to shine our shoes before church
Dad went to all churches to promote his business
Holy Ghost Methodist Baptist
took us to funeral homes to lay flowers on the dearly departed
terrified me looking at them dead Negroes
gray lookin still stiff cold
maybe he wanted us to get over the fear of death
Mama worked at Naval Supply Center as typist
Grandma came to visit
used to sit in window looking out on 7th Street
see the nigguhs acting a fool she said
country woman checking the city life
used to sit in the window all weekend nights
Negroes clubbing sailors fightin soldiers
fightin over women MPs come
the joint was jumping
Hammond B 3 on the juke box everywhere
blues jazz blues
Mama was Club Scout den mother
had us selling Jet Ebony Pittsburg Courier
Chicago Defender Detroit Black Dispatch
Fresno Nigguhs called me The Weekly Negro
when I came to Fresno for the summer
wearing Jet T shirt
The Weekly Negro Magazine
Jet Negro Bible
If it in Jet it's The Truth.
Prescott Elementary
St. Patrick's
get me outta St. Patrick's
them Nuns ain't gonna beat my hands no more
Take me outta dat old Catholic school mama and daddy, please
Mama said I came home chanting that Latin stuff
Holy Mary Mother of God
God has a mother? Who is God's father?
Did God's father make the sun moon stars earth?

Mama and Daddy broke up and made up
back and forth to Fresno we went
finally Mama left Dad for good
set up her real estate business
single mother with five kids
told them welfare people to go to hell
I didn't like that welfare powered milk no way
but real estate was her business on the surface
it was really a front for her spiritual work
she would counsel her clients,  listen to their problems
guide them on the right path
according to Mary Baker Eddy
no medicine cabinet in our house
know the truth
that's all you need
disease is negative attraction
don't listen to the whisperings of the devil
leads to sickness in the head and body
Mama said
I in my Mama's bizness
wit her new man
wouldn't let her have a life beyond my Dad
had to put me out in my junior year
rented me a room to get me out her bizness
when she was pregnant with her last child
my girl was pregnant with our first son

My mother's people were cotton pickers and grape cutters
from Oklahoma and Arkansas
great grand father was a slave til Lincoln freed him
a leader among men
foreman on a ranch in Madera
died just a year or two before my birth
praised highly in the Fresno Bee
talked about throughout the valley
I am told
was he a friend of Col. Allensworth?
my grandfather was Johnny Murrill
farmer, cotton picker, grape cutter
gambler drunkard
Mama and uncle Stan used to go get grandpa
stuck on stupid in Chinatown
gambling at El Gato Negro
Uncle would go get grandpa
bring him home broke from working hard all week in the field
Grandpa use to take me and my brother to pick cotton, cut grapes
me and my brother had a fight cause he wouldn't wash his hands
before cooking pork chops
grandpa broke us up
I spoke at his funeral
a friend played the flute
Cousin Carol told me to give her a funeral like that
Crack had me when she died
my favorite cousin
I denied her last wish
my the ancestors forgive me
have mercy on me

Fresno is a big city now
freeways traffic jams
full of Mexicans
dope
brothers killing brothers
families with holy names
terrorizing the town
little is left of the black town
they live all over town now
don't come to the old West side
but the Mexicans come
it is their side now
the old Mall is Mexican shops
Mexican food
Mexican Mercados
I like the Mexican shirts with four pockets
not much field work these days
but Mexicans get money from somewhere
we don't wanna say
but they show it on TV.

This valley feeds the world
fruits vegetables of every kind
raisin capital of the world
cotton used to be king
more cotton than Mississippi

I return
peace from the deadly city
relax in the winter sun
await the deathly fog
write into the night.
--Marvin X
11/10/13

from Sweet Tea/Dirty Rice Poems, Black Bird Press, Berkeley, 2014.

African American Artists in Havana, Cuba

We invite artists, educators and people who work for cultural institutions to a historical exhibition to be held at the  
National Museum of Fine Arts in Havana, Cuba.
Curators: Nanette Carter, Mel Edwards and Ben Jones  
 
Travel Dates: July 28th to August 6th, 2014   
 
Contact information: Marazul 
Victoria Lebron at vlebron@marazul.com 
Phone: (201) 319-1054 ext. 20 

Marvel Comics introducting Muslim Girl Shero

Mighty, Muslim and Leaping Off the Page

Marvel Comics Introducing a Muslim Girl Superhero




  
With most superheroes, when you take away the colorful costume, mask and cape, what you find underneath is a white man. But not always. In February, as part of a continuing effort to diversify its offerings, Marvel Comics will begin a series whose lead character, Kamala Khan, is a teenage Muslim girl living in Jersey City.

 
Marvel
Kamala Khan is a teenage Muslim girl living in Jersey City.

No exploding planet, death of a relative or irradiated spider led to Kamala’s creation. Her genesis began more mundanely, in a conversation between Sana Amanat and Steve Wacker, two editors at Marvel. “I was telling him some crazy anecdote about my childhood, growing up as a Muslim-American,” Ms. Amanat said. “He found it hilarious.” Ms. Amanat and Mr. Wacker noted the dearth of female superhero series and, even more so, of comics with cultural specificity.
When they told G. Willow Wilson, an author, comic book writer and convert to Islam, about their idea, she was eager to come on board as the series’ writer. “Any time you do something like this, it is a bit of a risk,” Ms. Wilson said. “You’re trying to bring the audience on board and they are used to seeing something else in the pages of a comic book.”
      
Kamala, whose family is from Pakistan, has devotedly followed the career of the blond, blue-eyed Carol Danvers, who now goes by Captain Marvel, a name she inherited from a male hero. When Kamala discovers her powers, including the ability to change shape, she takes on the code name Ms. Marvel — what Carol called herself when she began her superhero career.
“Captain Marvel represents an ideal that Kamala pines for,” Ms. Wilson said. “She’s strong, beautiful and doesn’t have any of the baggage of being Pakistani and ‘different.’ ”
Ms. Amanat said, “It’s also sort of like when I was a little girl and wanted to be Tiffani-Amber Thiessen,” from “Saved by the Bell.”
      
Kamala will face struggles outside her own head, including conflicts close to home. “Her brother is extremely conservative,” Ms. Amanat said. “Her mom is paranoid that she’s going to touch a boy and get pregnant. Her father wants her to concentrate on her studies and become a doctor.” Next to those challenges, fighting supervillains may be a respite.
       
The creative team is braced for all possible reactions. “I do expect some negativity,” Ms. Amanat said, “not only from people who are anti-Muslim, but people who are Muslim and might want the character portrayed in a particular light.”
      
But “this is not evangelism,” Ms. Wilson said. “It was really important for me to portray Kamala as someone who is struggling with her faith.” The series, Ms. Wilson said, would deal with how familial and religious edicts mesh with super-heroics, which can require rules to be broken.
Marvel’s slate of titles with female or minority leads includes an X-Men series spotlighting its women and “Mighty Avengers,” whose roster includes many nonwhite heroes. Next year two more female characters will get series: She-Hulk and Elektra.
      
But the quest for cultural diversity in comics is not always successful. The market can be unwelcoming to new characters and attempts at inclusion can seem like tokenism when not handled well. Then there are the firestorms: In September at DC Comics, the writers of Batwoman, announced that they were leaving the series because of editorial interference, including an edict that would prohibit the lesbian title character from marrying. Dan DiDio, the co-publisher of DC Comics, said the decision was about keeping true to the mission of the Batman characters, who have sacrificed their self-interests for the greater good. They “shouldn’t have happy personal lives,” Mr. DiDio told fans at the Baltimore Comic-Con.
      
In 2011, when Marvel announced that Miles Morales, a black Hispanic teenager, would take on the alter ego of Spider-Man as part of an alternative take on the character, there was an uproar by those who thought that Peter Parker, white and angst-ridden, had been replaced. (He wasn’t. Miles is part of a separate series that offers fresh takes on Marvel characters.)
      
The most important fan assessment, though, comes later and is easier to quantify. “Fans respond with their dollars,” said Axel Alonso, the editor in chief of Marvel Entertainment, who thinks Miles has helped bring new readers to comics. “When you see Spider-Man strip down his mask and he looks like you, you are more inspired to pick up that book.” The September issue of Miles’s series sold around 32,000 copies. The more traditional version sold around 80,000 copies, though Peter Parker is seemingly dead and Doctor Octopus is acting as Spider-Man.
       
As for Kamala, Ms. Wilson said the series was “about the universal experience of all American teenagers, feeling kind of isolated and finding what they are.” Though here, she adds, that happens “through the lens of being a Muslim-American” with superpowers.

Don't Get sick, the first thing they told me in prison. We got a graveyard full of nigguhs who got sick up in here.


Saturday, November 9, 2013

Kamau Kambon breaks down White Supremacy in less than 10 Minutes

http://www.youtube.com/v/S9y5_y72ds4?version=3&autohide=1&autohide=1&showinfo=1&feature=share&autoplay=1&attribution_tag=GFfcMmSug5bcNVJxzH2gMw

Ayodele Nzinga's poem CROWS

 

Tureeda Mikell, Michelle LaChaux, Ayodele Nzinga, Tarika Lewis celebrating the 80th b day of Dr. Nathan Hare at Geoffrey's Inner Circle, Oakland

 
photo Gene Hazzard

 

 

Crows

by anzinga
In conversation with Crows
ancient obsidian
sentries of the gate between worlds
they remind me to stand
in my integrity to know
what I know and stay the path
WolfHawkJaguar told me
"Don't give up
before the miracle
happens"
I have left the door open
expecting Olokun to fill my plate
I am empty
all paid for sacrifice
I am open for
Crow wisdom
the knowledge carried by trees
the treasure found in
conversations
with the dirt
water both running & still
& the dead
I am open
to the transformation
Oya whispers in
the wind blowing me
closer to home
than I have ever been
I am open
to dancing the dance
my ancestors
visioned me bringing to
the world before
I was born
crowswhen I was without
name or form
only purpose
I am open
to the wisdom
of those who
came before
those sent to guide me
& messages from
the universe
waiting for the dance
I stay the path
rocks and all
I remember
I am open
to calls from
the blue to
offer  third-eye
revelations
from beyond
the pale
that remind me
I know what I know
I am who I say I am

Chronology of Marvin X, poet, playwright, educator, activist, organizer, producer, editor, publisher



 
 
Chronology of Marvin X (El Muhajir )
 
1944 Born May 29, Fowler, CA to Owendell and Marian M. Jackmon, second child. Sits atop desk as father and mother publishes Fresno Voice, the Central Valley’s first black newspaper. Father was a Race man who served in WWI. He introduced Christian Science to wife who becomes a lifelong follower of Mary Baker Eddy. Mr. Jackmon remained a Methodist. Marvin attended Lincoln and Columbia elementary schools in Fresno. In Oakland where the family moved, he attended Prescott, McFeely and St. Patrick elementary schools, also Lowell Jr. High. Wrote in the children’s section of the Oakland Tribune.
1962 Graduated with honors from Edison High School in Fresno. Classmate and girlfriend was poet/critic/professor Sherely A. Williams (now deceased). Marries Pat Smith, Catholic school girl, first son born, Marvin K. Attends Merritt College in Oakland where he meets Huey Newton, Bobby Seale, Ken Freeman and Ernie Allen. Introduced to Black Nationalism. Wins short story contest in college magazine, story published in SoulBook, revolutionary nationalist publication.
1964 Second son born, Darrel, now deceased. Graduates with AA in sociology. Attends San Francisco State College.
1965 At the request of novelist John Gardner, San Francisco State College drama department produced first play, Flowers for the Trashman. Called the best playwright to hit SF State by Kenneth Rexroth. Worked as TA for novelist Leo Litwak.
1966 Writings begin to appear in Soulbook, Black Dialogue, Negro Digest (Black World), Black Scholar, Journal of Black Poetry, Black Theatre, and Muhammad Speaks.
Black Dialogue staff visits Eldridge Cleaver and Bunchy Carter in Soledad prison Black Culture Club. According to prison griot Kumasi, this club was the beginning of the American Prison Movement..  Black Dialogue publishes Cleaver’s essay, “My Queen, I Greet You,” later it appears in Soul On Ice. Co-founds Black Arts West Theatre with Ed Bullins, Ethna Wyatt, Duncan Barber, Hillery Broadus and Carl Boissiere.
1967 Co-founds Black House political/cultural center in San Francisco with Eldridge Cleaver, Ed Bullins and Ethna Wyatt.  Amiri Baraka, Sonia Sanchez, Askia Toure, Sarah Webster Fabio, Chicago Art Ensemble, Avotja, Reginald Lockett, Emory Douglass, Samuel Napier, Lil Bobby Hutton, Huey Newton, Bobby Seale, attend Black House. Black Panthers plan invasion of state capital at Black House. Marvin joins Nation of Islam, flees to Toronto, Canada to protest draft and resist Vietnam War.
1968 Goes underground to Chicago shortly before assassination of Dr. Martin Luther King, Jr. Lived on Southside during riots. Meets Don L. Lee, Gwen Brooks, Hoyt Fuller, Phil Choran, Carolyn Rogers, Johari Amini and others of Chicago BAM (Black Arts Movement. Travels to Harlem,  joins Ed Bullins at the New Lafayette Theatre. Works as associate editor of Black Theatre magazine. Associates with Amiri Baraka, Askia Toure, Sun Ra, Sonia Sanchez, Nikki Giovanni, Last Poets, Barbara Ann Teer, Mae Jackson, Milford Graves. Publishes Fly to Allah, poems that later establish him as the father of  Muslim American literature, according to Dr. Mojah Kahf of the University of Arkansas department of English and Islamic Studies.
1969 Apprehended returned from Montreal, Canada, charged with draft evasion. Defended by Conrad Lynn. Returns to California to stand trial and teach at Fresno State University until removed at the insistence of Governor Ronald Reagan, “by any means necessary.” Angela Davis is also removed from teaching at UCLA. Student protesters burn computer center at Fresno State. Students from throughout California attend draft trial in San Francisco.
1970 Convicted, flees into exile a second time, this time to Mexico City and Belize. Marries Barbara Hall, a student from Fresno State College, in Mexico City. Revolutionary artists Elizabeth Catlett Mora and Poncho Mora witness civil ceremony. Deported from Belize because his presence was not beneficial to the welfare of the colony of British Honduras. While in custody, police ask him to teach them about black power. Sentenced to five months in Federal prison, Terminal Islam. Serves as Nation of Islam minister.
1971 First daughter born, Nefertiti. Founds Black Educational Theatre in Fresno. Performs musical version of Flowers as Take Care of Business. Reactionary negroes kill choir director in theatre, put hit out on poet. He flees to San Francisco, opens Black Educational Theatre in Fillmore District, joined by Sun Ra’s Arkestra. Produced five hour musical version of Take Care of Business, with cast of fifty at Harding Theatre on Divisadero, choreography by Raymond Sawyer and Ellendar Barnes.
1972 Produced Resurrection of the Dead, a myth/ritual dance drama with Plunky, Babatunde Lea, Victor Willis as lead singer (Village People), dancers included Raymond Sawyer, Jamilah Hunter, Nisa Ra, Thomas Duckett. Lectures at University of California, Berkeley in Black Studies. Marries UCB student, Nisa (Greta Pope), second daughter born, Muhammida El Muhajir. Awarded National Endowment for the Arts fellowship. Travels to southern Mexico, Oxaca, Trinidad and Guyana. Interviews prime minister Forbes Burnham. Interview appeared in Black Scholar. Published Woman—Man’s Best Friend, poems, proverbs, lyrics, parables, Al Kitab Sudan Press.
1973 Third daughter, Amira Sauda, born to Barbara (Hasani). Returns to San Francisco State University, awarded BA. Earns MA in one semester, English/Creative writing. Teaches at SF State, black literature, journalism, radio and television writing.
1975 Visiting professor at UC San Diego. Lectures at Mills College, Oakland. Produced musical version of Woman—Man’s Best Friend. Upward Bound program pressured director Connie Wye to halt production. She refused, suffered a cerebral hemorrhage and expired.
1976 Organizes Eldridge Cleaver Crusades. Hires staff of Black Muslims for Cleaver’s ministry. Meets Donald Rumsfeld, Charles Colson, Jim and Tammy Baker, Rev. Robert Schuller. Deals with the Born Again Christian community: Rev. Billy Graham, Rev. Falwell, Pat Roberson, Cal Thomas, Pat Boone, Hal Linsey, Art DeMoss.
1978 Returns to Fresno. Falls in love with Sharon Johnson, childhood friend. See autobiography Somethin Proper.
1979 Lectures at University of Nevada, Reno. Awarded two National Endowment for the Humanities planning grants. Produced Excellence in Education Conference. Participants included Eldridge Cleaver, Dr. Harry Edwards, Dr. Wade Nobles, Fahizah Alim, Sherley A. Williams, Ntizi Cayou, Dr. Ahimsa Sumchi. Publishes Selected Poems. Returns to Oakland to organize Melvin Black Human Rights Conference at Oakland Auditorium to stop police killing of black men. Participants included Minister Farakhan, Angela Davis, Paul Cobb, Eldridge Cleaver, Khalid Abdullah Tariq Al Mansour, Dr. Yusef Bey, Dezzie Woods-Jones. Police killings stop but drive by shootings begin along with introduction of Crack.
1980 Produced National Conference of Black Men at Oakland auditorium. Participants included Dr. Yusef Bey, Dr. Nathan Hare, Dr. Wade Nobles, Dr. Oba T’shaka, Dr. Lige Dailey, John Douimbia (founder), Betty King, Dezzie Woods-Jones.
1981 Taught drama at Laney College. Did production of In the Name of Love. Taught manhood training at Merritt College.
1982 Taught English at Kings River Community College, Reedly CA. Retires from Teaching with 97% student retention rate. Meets Marsha Satterfiend.
1983 Vends on streets of San Francisco, organizers vendors (mostly white) under his non-profit corporation. Harassed under color of law, “too much power for a nigguh” in downtown San Francisco, especially in the Union Square shopping area.
1984 Vends political buttons at Democratic and Republican conventions. San Francisco Chronicle called him the “Button King.” In Dallas, the Republicans observed his salesmanship and said, “If he makes one more dollar, he’ll be a Republican.” Descends into the muck and mire of hell: Crack drives him into the mental hospital several times.
1989 Writes article on Huey Newton, based on last meeting in Oakland Crack house. Article becomes source of Ed Bullins’ play, Salaam, Huey, Salaam. Article is beginning of autobiography, Somethin’ Proper.
1990 Begins recovery at San Francisco’s Glide Church with Rev. Cecil Williams and Janice Mirikitani. Transcribes testimonies of Crack addicts. Writes docudrama of his addiction and recovery One Day In The Life.
1995 Transition of Marsha Satterfield at 41 years old, cancer. Poet flees to Seattle, WA. Works on autobiography. Publishes Love and War, poems.
1996 Produces One Day In The Life with Majeeda Rahman’s Healthy Babies Project, a recovery program for woman and children. Play performed at Alice Arts Theatre.
1997 One Day In the Life opens at Sista’s Place in Brooklyn, New York, also Brecht Forum in Manhattan and Kimako’s Blues in Newark, New Jersey, home of the Barakas.
1997 Attends National Black Theatre festival, Winston-Salem, North Carolina. Meets Carolyn Turner. She provides him with time and space to finish autobiography, plenty of sweet tea and dirty rice, in the tradition of the film Mr. and Mrs. Smith.
1998 Transition of Eldridge Cleaver. Kathleen Cleaver approves poem “Soul Gone Home” to be read at funeral in Los Angeles. Marvin and Majeeda Rahman organize memorial service in Oakland. Participants included Emory Douglas, Tarika Lewis, Richard Aoki, Dr. Nathan Hare, Reginald Major, Dr. Yusef Bey, Minister Keith Muhammad, Imam Al Amin, Kathleen and Joju Cleaver. Publication of autobiography Somethin Proper.
1999 Establishes Recovery Theatre. Begins run of One Day in the Life. Gets support from Mayor Willie Brown of San Francisco after Uhuru House performance. One Day becomes longest running black play in the Bay. Ishmael Reed says, “It’s the best drama I ever saw.”
2000 Meets Suzzette Celeste, MSW, MPA.
2001 Produces Kings and Queens of Black Consciousness at San Francisco State University. Participants included: Nathan and Julia Hare, Rev. Cecil Williams,
Dr. Cornell West, Amiri and Amina Baraka, Ishamel Reed, Askia Toure, Avotja, Eddie Gale, Rudi Wongozi, Rev. Andriette Earl, Dr. Theophile Obenga, Elliott Bey, Destiny, Tarika Lewis, Phavia Kujichagulia, Suzzette Celeste, Tureeda, Geoffrey Grier, Rev. Otis Lloyd, Kalamu ya Salaam, Ptah Allah-El, Ayodele Nzinga.. Funded by Glide Church and Vanguard foundation.
Video of Kings and Queens screened at New York International Independent film festival. In Newark on 9/11, stopped at airport by police. Daughter Muhammida’s documentary Hip Hop the New World Order, screened on 9/12.
2002 Transition of son Darrel at 38, suffered manic oppression. In grief, poet went to mountain retreat, spent five years in solitude, wrote five books, including  In the Crazy House Called America, essays, Land of My Daughters, poems, Wish I Could Tell You the Truth, Beyond Religion, toward Spirituality.
2004 Produced San Francisco Black Radical Book Fair. Participants included Amiri and Amina Baraka, Nathan and Julia Hare, Al Young, Askia Toure, Kalamu ya Salaam, Ishamel Reed, Sonia Sanchez, Reginald Lockett, Charlie Walker, Jamie Walker, Davey D, Ayodele Nzinga, Ptah Allah El,Opal Palmer Adisa, devorah major, Fillmore Slim, Rosebud Bitterdose, Sam Hamod,
Tarika Lewis. Published Land of My Daughters, poems, and Wish I Could Tell You The Truth, essays. Published issue of Black Bird Press Review newspaper.
2006 Writes Sweet Tea, Dirty Rice, poems; Up From Ignorance, essays; Beyond Religion, Toward Spirituality, essays; Mama Said Use The Mind God Gave You, autobiographical novel. Archives acquired by Bancroft Library, University of California, Berkeley. Transition of friends: Dr. Salat Townsend, Paul Shular, Alonzo Batin, Dewey Redman and Rufus Harley.

Friday, November 8, 2013

Russia: Syria Peace talks fade

Russia: Syria opposition refuses to participate in Moscow talks

November 8, 2013 2:19PM ET
Initiative would have been aimed at bolstering prospects for a proposed peace conference in Geneva
Lavrov
Russian Foreign Minister Sergey Lavrov said the opportunities for a Geneva peace conference are fading, mostly because the opposition will not "take part without preconditions."
Yuri Kadobnov/AFP/Getty Images
Syria's main Western-backed opposition group has refused to participate in talks in Moscow with Syrian government officials on resolving the country's humanitarian crisis, the Russian Foreign Ministry and opposition figures said Friday.
Foreign Ministry spokesman Alexander Lukashevich said the opposition Syrian National Coalition is "blocking and refusing to participate" in the talks. Russian officials had hoped the talks would bolster prospects for a proposed peace conference the United States and Russia are trying to convene in Geneva.
The coalition has demanded guarantees, including that President Bashar al-Assad step down in any transitional Syrian government, as a condition for going to Geneva.
Damascus has said Assad will stay in his post at least until his term ends in 2014, and that he may run for re-election.
Friday's rejection came a day after Russia's Deputy Foreign Minister Mikhail Bogdanov said that the opposition had "responded positively" to a proposal for such talks.
Kamal Labwani, a member of the coalition, told The Associated Press on Friday that the group refused to go to Moscow because "Russia is not a fair mediator and is part of the conflict." He was referring to Moscow's support for the Syrian government, including military aid, since the crisis began in March 2011.
"Russia can become a fair mediator when it orders Assad to leave Syria," Labwani said by telephone from Paris. "When (Russia) wants to support the criminal, it will lose."
The coalition has long called on the international community to help secure aid to civilians, particularly in rebel-held areas blockaded by government forces.
The Russian Foreign Ministry spokesman said the Moscow initiative had "received an active and positive response among a number of opposition group leaders."
However, he said some opposition figures "consider it a counterproductive ploy" and are refusing to participate.
Russian Foreign Minister Sergey Lavrov said Friday that the opportunities for a peace conference in Geneva are fading "primarily because representatives of the opposition aren't ready to take part without preconditions."
"This intransigence and these demands are being asserted by the National Coalition, which claims to be the only representative of the Syrian people, but which doesn't represent even a majority of the opposition groups that are opposing Assad's regime," Lavrov told reporters.
Despite focusing only on the Syrian humanitarian crisis, the proposed Moscow talks would have represented a diplomatic breakthrough, with opposition groups and representatives of the government sitting down at the same table.

Major offensive launched

Syria's-War
Meanwhile, the government of Denmark said Friday that Copenhagen is willing to help take chemical weapons out of Syria by sea and provide bodyguards for a key U.N. official there.
The United Nations had unofficially asked whether Denmark could contribute ships to transport the weapons from Syria for destruction, Defense Minister Nicolai Wammen said. He said it is too early to put a number on how many Danish ships and personnel would be involved.
Foreign Aid Minister Christian Friis Bach said there are no plans for the weapons to be destroyed in Denmark.
In Syria, activists said government troops launched a major offensive Friday to recapture the international airport in Aleppo, Syria's second-largest city.
The Aleppo Media Center and the U.K.-based Syrian Observatory for Human Rights said troops attacked a base protecting the airport, which has been closed for almost a year. Rebels had captured the base in February.
The government advance comes a week after government troops captured the strategic town of Safira, southeast of the Aleppo airport, after weeks of fighting.
The state-run news agency SANA reported that gunmen killed eight people and wounded several others harvesting olives in Khnaifes village in the central province of Hama. SANA said that some 40 "terrorists" attacked the harvesters and kidnapped two women. State media often refer to the rebels as "terrorists."
Syria's civil war has touched off a humanitarian catastrophe across the region. More than 2 million Syrians have sought refuge abroad.
The U.N. said this week that more than 9 million Syrians — out of the country's prewar population of 23 million — are in need of humanitarian assistance. More than 120,000 people have been killed, according to the observatory, which closely monitors the fighting there. The U.N. said in July that 100,000 Syrians had been killed in the fighting; it has not updated that figure since.
The Associated