Graphics by Kalamu Chache'
Many of the Black Arts Movement’s leading artists, including Ed Bullins, Nikki Giovanni, Woodie King, Haki Madhubuti, Sonia Sanchez, Askia Touré, Marvin X and Val Gray Ward, remain artistically productive today. Its influence can also be seen in the work of later artists, from the writers Toni Morrison, John Edgar Wideman, and August Wilson to actors Avery Brooks, Danny Glover, and Samuel L. Jackson, to hip-hop artists Mos Def, Talib Kweli, and Chuck D.
Marvin X, Producer
Dear Friends,
As
we celebrate the 50th anniversary of the Peralta College District, I
invite you to join me in the upcoming 50th anniversary of the Black Arts
Movement, known as the Sister of the Black Power Movement. The Black
Arts Movement (BAM) is without a doubt the most radical artistic and
literary movement in American history. Amiri Baraka (LeRoi Jones) is
recognized as the chief architect of BAM (RIP), but here on the west
coast, BAM has roots at Merritt College with students Bobby Seale
(yes,
before co-founding the Black Panther Party, Bobby Seale performed in
Marvin X's second play Come Next Summer), Ernie Allen, Ken and Carol
Freeman, and Marvin X, who won first prize for a short story in
Merritt's literary magazine. Of course we were inspired by the Afro
American Association, led by Attorney Donald Warden. Bobby Seale calls
us the "neo-Black intellectuals."
After graduating from
Merritt, many of us transferred to San Francisco State College/now
University, where we transformed the Negro Students Association into the
Black Students Union that eventually led to the first Black Studies
Department on a major college campus--Merritt had already established a
Black Studies Department.
My first play Flowers for the
Trashman was produced at SFSU by the Drama department but after the
production I decided to drop out of college to establish Black Arts
Theatre on Fillmore Street, co-founded by playwright Ed Bullins, Carl
Bossiere, Duncan Barber, Ethna Wyatt and Hillery Broadous, 1966. BAW
actors included Danny Glover and Vonetta McGee, along with musicians
Rafael Donald Garrett, Oliver Jackson, Monte Waters, Dewey Redman, Earl
Davis, et al.
I should mention that students from SFSU
published the key critical literary magazines of the National Black Arts
Movement, Black Dialogue and the Journal of Black Poetry. Students
included Aubrey and Gerald LaBrie, Duke Williams, Jose Goncalves, Sadaat
Ahmad, et al. Contributors included Amiri Baraka, Askia Toure, Nikki
Giovanni, Sonia Sanchez, Eldridge Cleaver, Don L. Lee,
Al Young, Art Sheridan, et al.
The
staff of Black Dialogue made a historic visit to Soledad Prison's Black
Culture Club, under the leadership of Eldridge Cleaver and Alprintice
Bunchy Carter. This club was the beginning of the American Prison
Movement, 1966.
In 1967, along with recently released
from prison essayist Eldridge Cleaver, playwright Ed Bullins, Ethna
Wyatt and myself, we established the political/cultural center in San
Francisco known as Black House which became the center of
non-establishment Black culture in the Bay Area. Black House
participants included Amiri and Amina Baraka, Askia Toure, Sarah Webster
Fabio, Adam David Miller, the Chicago Art Ensemble, Bobby Seale, Huey
Newton, Little Bobby Hutton, Advotjha, Reginald Lockett, et al.
In
summary, the Bay Area played a critical role in the national Black Arts
Movement. Many BAM players, movers and shakers were bi-coastal. In
1968, we found ourselves in Harlem, invited by playwright Ed Bullins who
was now at the New Lafayette Theatre. We become associate editor of
Black Theatre Magazine, a publication of the New Lafayette. We joined
BAM founders Amiri Baraka, Sonia Sanchez, Nikki Giovanni, Askia Toure,
Sun Ra, Barbara Ann Teer, Milford Graves, Yusef Iman, Larry Neal et al.
We
invite you to help plan and produce the Bay Area celebration of the
Black Arts Movement. We call upon academic and cultural institutions to
make this event a reality, especially in honor of ancestor Amiri Baraka
who often talked of a 27 city BAM tour. We initiated the first leg of
the 27 city tour in late February/March, 2014, at the University of
California, Merced, produced by Kim McMillan and myself. We are so very
thankful that UC Merced made this BAM conference a great success,
especially with generous funding. We know the Bay Area will help us
expand on what we did in the Central Valley.
At this
point, we are in partnership with the Eastside Arts Organization and the
Post News Group. Please let us know if you are willing to be a funder
and/or partner, participant or volunteer. Tentative date, June/July,
2015.
Sincerely,
Marvin X, A.A., Merritt College, 1964,
B.A., M.A., San Francisco State University, 1974-75
510-200-4164
jmarvinx@yahoo.com
Board of Advisors
Kim McMillon
Amina Baraka
Ras Baraka
Sonia Sanchez
Askia Toure
Paul Cobb
Greg Morozumi
Elena Serano
Castle Redmond
Denise Pate
LaNiece Jones
Walter Riley
Nathan Hare
Jerry Vernado
Terry Collins
Dr. Ayodele Nzinga
Geoffery Grier
Muhammida El Muhajir
Amira Jackmon
Nefertiti Jackmon
Aries Jordan
Davey D
Odell Johnson
Carolyn Mixon
Leon and Carolyn Teasley
Ovis and Nina Collins
Joyce Gordon
Conway Jones, Jr.
The Grand Vision
In our grand vision for the Bay Area Celebration of the Black Arts Movement, we imagine a festival/conference over several days with venues in various locations depending on the funding, including the following:
Oakland
Merritt College, Laney Colleg, Eastside Arts, Malonga Center, Joyce Gordon Gallery, African American Museum/Library, Geoffery's Inner Circle
Berkeley
UC Berkeley
Black Repertory Group
Richmond
Contra Costa College
Richmond Arts Center
San Francisco
San Francisco State University
African American Cultural Center
Fillmore Jazz Heritage Center
Palo Alto/East Palo Alto
Stanford University
San Jose
San Jose State University
Invited Black Arts Movement Elders
Danny Glover
Askia Toure
The Last Poets
Sonia Sanchez
Nikki Giovanni
Haki Madhubuti
Marvin X
Avotcja
Emory Douglas
Earl Davis
Jose Goncalves
Amina Baraka
Judy Juanita
Kalamu Ya Salaam
Abdul Sabry
Aubrey LaBrie
Duke Williams
Woody King
Performing groups
Poets Choir and Arkestra, Marvin X, Director
Lower Bottom Playaz, Dr. Ayodele Nzinga
SF Recovery Theatre, Geoffery Grier
Linda Johnson Dancers
Debra Vaughn Dimensions Dance Co
Traci Bartlow, Eastside Arts Dancers
Sun Ra Arkestra under Marshall Allen
David Murray
Afro Horn directed by Francisco Mora Catlett
BAM Dramas to be performed
Dr. Ayodele Nzinga, Drama Coordinator
The First Militant Preacher by Ben Caldwell
The Dutchman by LeRoi Jones/Amiri Baraka
The Toilet by LeRoi Jones/Amiri Baraka
Flowers for the Trashman by Marvin X
Salaam, Huey Salaam by Marvin X and Ed Bullins
A Son Come Home by Ed Bullins
Sister Son/Ji by Sonia Sanchez
Papa’s Daughter by Dorothy Ahmad
BAM Babies 2.0
Marc Bamuthi, Project Coordinator
Ras Baraka
Amiri Baraka, Jr.
Muhammida El Muhajir
Nefertiti Jackmon
Oba Olatunji
Tony Medina
Francisco Catlett Mora
Joshua Redman
Greg Bridges
Refa One
Malik Seneferu
conscious rappers
spoken word artists
dramatists
Exhibits
(Curated by Greg Morozumi, Billy Jennings, Joyce Gordon, UC Bancroft)
The Art of Elizabeth Catlett Mora
The Art of Emory Douglas
The archives of Marvin X, Dr. Nathan Hare, Amiri Baraka
The Black Arts Movement
Major Texts
The Black Arts Movement by James Smethurst
SOS—Calling all Black People: Black Arts Movement Reader
Somethin Proper, autobiography of Marvin X
Autobiography of LeRoi Jones/Amiri Baraka
Post Prison Writings by Eldridge Cleaver
Eldridge Cleaver: My friend the Devil, a memoir by Marvin X
The Black Arts Movement by Kalamu Ya Salaam
The Black Arts by Kamozi Woodard
Planning committee
Elena Serrano
Greg Morozumi
Paul Cobb
Geoffery Grier
Ayodele Nzinga
Kim McMillon
Kalamu Chache’
Dr. Mona Scott
LaNiece Jones
Joyce Gordon
Carolyn Mixon
Ben Tapscott
Michael Bennett
Marvin X
Possible funders
UC Berkeley
California Endowment
California Arts Commission
San Francisco Foundation
Peralta Community College Foundation
San Francisco State University
Laney College
Stanford University
Merritt College
SF Hotel Tax Fund
Zellerbach Family Fund
City of Oakland Arts Commission
Call for Papers on BAM Critical issues
(Send two page abstract to jmarvinx@yahoo.com)
Role of Women
Multi-Culturalism/Ethnic literature/Studies
Need for Black Arts Movement Union
BAM and Holistic Healing (East/West methods)
BAM and the Psycholinguistic Crisis of North American Africans
Toward Senior Housing and Care for BAM Workers, including the Life Estate
From Black Art to Hip Hop and Beyond
BAM Esthetics
BAM Mythology and Ritutualism
Religious influence in BAM: Christian, Yoruba, Islam
BAM and Muslim American literature
BAM and the revolution in American literature and academia
Black Arts West
Black Arts West Theatre
The Black House Political/Cultural Center
Amiri Baraka’s Communications Project, especially the dramatic productions
Black Arts/Black Liberation
Black Arts/Black Studies
Black Arts and Ethnic Studies
West Coast publications of BAM: Soulbook, Black Dialogue, Journal of Black Poetry
Black Panthers and Cultural Nationalism
Sun Ra and Marvin X’s Black Educational Theatre
BAM and the Prison Movement
Invited artists/scholars/activists
Dr. Angela Davis
Dr. Cornel West
Dr. Tony Montiero
Dr. Maxwell Stanford
Dr. Oba T’shaka
Dr. Nathan Hare
Dr. John Bracey
Dr. James Smethurst
Woody King
Ishmael Reed
Al Young
Janice Merikitani
Ginny Lim
Media Team
Wanda Sabir
Davey D
Greg Bridges
Terry Collins
Paul Cobb
Documentation (videographers, photographers, post production editors)
Adam Turner
Kamau Amen Ra
Ken Johnson
Khalid Waajid
Budget: $100,000 est.
Tentative Date: June/July 2015
Project Director:
Marvin X. Jackmon
jmarvinx@yahoo.com
510-200-4164
www.blackbirdpressnews.blogspot.com
339 Lester Ave. Suite #10
Oakland CA 94606
Photo Essay: The Black Arts Movement
SOS—Calling All Black People: A Black Arts Movement Reader
University of Massachusetts Press, paper $34.95
A
major new anthology of readings, this volume brings together a broad
range of key writings from the Black Arts Movement of the 1960s and
1970s, among the most significant cultural movements in American
history. The aesthetic counterpart of the Black Power movement, it burst
onto the scene in the form of artists’ circles, writers’ workshops,
drama groups, dance troupes, new publishing ventures, bookstores, and
cultural centers and had a presence in practically every community and
college campus with an appreciable African American population. Black
Arts activists extended its reach even further through magazines such
as Ebony and Jet, on television shows such as Soul! and Like It Is, and on radio programs. Many of the movement’s leading artists, including Ed Bullins, Nikki Giovanni, Woodie King, Haki Madhubuti, Sonia Sanchez, Askia Touré, Marvin X and Val Gray Ward, remain artistically productive today. Its influence can also be seen in the work of later artists, from the writers Toni Morrison, John Edgar Wideman, and August Wilson to actors Avery Brooks, Danny Glover, and Samuel L. Jackson, to hip-hop artists Mos Def, Talib Kweli, and Chuck D. SOS—Calling All Black People includes
works of fiction, poetry, and drama in addition to critical writings on
issues of politics, aesthetics, and gender. It covers topics ranging
from the legacy of Malcolm X and the impact of John Coltrane’s jazz
to the tenets of the Black Panther Party and the music of Motown. The
editors have provided a substantial introduction outlining the nature,
history, and legacy of the Black Arts Movement as well as the principles
by which the anthology was assembled.
Now Available for booking:
Marvin X
with the Black Arts Movement Poets Choir & Arkestra
For Booking: 510-2004164
Please send letter of invitation to
Marvin X
jmarvinx@yahoo.com
