Thursday, June 24, 2021

Duke University invites Dr. Cornel West and Marvin X for a conversation on Palestine and Black America

 Breaking News

 On the Life and Times of 

Marvin X

  indefatigable and peripatetic poet/planner/organizer/philosopher

"Marvin X is Socrates teaching in the African hood."--Dr. Cornel West

"He's Plato teaching on the streets of Oakland. Don't spend all that money going to seminars and workshops on motivation and inspiration, just go stand at 14th and Broadway, downtown Oakland, and watch Marvin X at work!"

--Ishmael Reed, MacArthur Genius Awardee

"He's the USA's Rumi, Hafiz, Saadi!"

--Bob Holman, Bowery Poetry Club

"His poetry is orgasmic!"

--Fahizah Alim, Editor Emeritus, Sacramento Bee

"His reading put me in a swoon!"

--devorah major, Emeritus Poet Laureate of San Francisco























Marvin X and Dr Cornel West have been invited to hold a conversation at Duke University on Palestine and Black America. Stay tuned for more information.

photo Adam Turner


Marvin X in Seattle WA at Gaza protest

The indefatigable and peripatetic poet/planner just received a $100,000 grant to organize a Black Vendors Association in Oakland. The project will be directed by James Copes, organizer of the Lake Merritt vendors. "With the limited funds of this grant, I will support James Copes organize Black vendors. I was impressed when the 30,000 mostly Latinx street vendors in Los Angeles got organized to advocate Gov. Jerry Brown to approve SB946 that allows street vending throughout California without police harassment, seizure of goods, excessive fines or requests for immigration papers. The mission of my proposal includes educating Black vendors to advocate for policy changes as per our cultural prerogatives and economic equity. For years whites and other ethnic groups have been vending on the streets of San Francisco and Berkeley, but Blacks in Oakland were denied vending rights. In San Francisco, I organized the first Black vendors on the streets legally with my non-profit papers. Soon I had over fifty white vendors paying to work under my non-profit papers, including white vendors in the lucrative Union Square shopping district. The San Francisco police turned beet red when the white vendors showed them they were working under a Black organization's papers.

You may think I'm guilty of hyperbole but the San Francisco said I had too much power for a nigger in downtown San Francisco. Between the SFPD and the Franchise Tax Board, I was harassed daily under the color of law. Lawrence Wilson, Chief Attorney for the SFPD told me and Sister Hurriyah Asar, founder of the non-profit organization I incorporated, "If you beat us in court, I'll go to the Board of Supervisors and change the rules." And he did, as whites always do when you master their game. In the hood we call it dirty pool! But, as you know, whites don't believe what goes around comes around, that's why they are so averse to Critical Race Theory. They don't like to be called devils, and especially don't want their children to be called such. Alas, how many centuries were we described as savages, primitives, monkeys, subhuman, beasts, by, yes, their scientists, yes, we were scientifically classified as a lower form of human life, but human enough to be experimented upon to establish the science of gynecology. Then came Eugenics, before and after Margaret Sanger, founder of Planned Parenthood to murder black babies, and, Hitler learned from Margaret how to exterminate the Jews (Ah, irony of ironies, the Jews learned how to exterminate Palestinians, how to ethnically cleanse the occupied lands of Palestine, with the poppycock of Biblical scriptures to legitimize their Zionist mythology, although Jesus dismissed the Jews in John 8:44.

The parents of Bill Gates were Eugenicists , then Bill Gates and Belinda followed the family tradition, funding virus research in America that was clearly population control.

Bill funded germ warfare research in America, then exported it to Hunan, China, naturally in league with the Chinese Communist Party and military, and the plethora of American corporations who are in league with the Chinese for exporting cheap goods from slave labor, including Muslim Chinese slaves in concentration camps, but such goods are a boon to the globalist economy. Even black athletes and rappers defend the exploitation of cheap Chinese and Asian labor (North Korea) and elsewhere. If China is America's avowed enemy, why is she importing 80% of her medicine from China? Would you purchase medicine from you enemy? Well, Blacks in America go to white supremacist hospitals and doctors, then wonder why we are chopped up and die from merely having a common cold that was misdiagnosed on purpose. For that matter, we send our children to be educated in white supremacist schools, colleges and universities, then, as Ancestor Amiri Baraka exclaimed, "We wonder why our children come home from colleges and universities hating everything we're about, except they don't have a clue what we're about!"



Marvin at his Academy of Da Corner, 14th and Broadway, downtown Oakland
photo Adam Turner

Visions Magazine, a publication of the Berkeley Juneteenth Foundation, will feature an essay by the poet on Berkeley High Schools and How to Recover from the Addiction to White Supremacy Types I and II, co-author is Abdul El, a Berkeley High School math teacher.


Berkeley Technology Academy students visit the poet's exhibit of his Black Arts Movement archives.
The Bancroft Library at University of California, Berkeley, acquired the bulk of his archives, 2006.

Oakland's BAMFEST 21

For BAMFEST 21 the poet's Black Bird Press News and Review Magazine, online and print versions, will feature Dr. Ayodele Nzinga, recently appointed Oakland's Poet Laureate. She is the founder of the Lower Bottom Playaz theatre company, founder of The Black Arts Movement Business District CDC and producer of BAMFEST, a celebration of the cultural district established by the Oakland City Council, January 19, 2016.




Ayo is Marvin X's star student after taking his theatre class at Laney College, 1981. She has performed and directed his plays, including In the Name of Love, One Day in the Life and Flowers for the Trashman.


Marvin X and Ayodele at the Flight Deck Theatre, 1540 Broadway, Oakland, where Ayo's Lower Bottom Playaz are in residence. Ayo's Lower Bottom Playaz theatre company is the only theatre group in the world to perform the complete 20th Century Cycle plays by August Wilson in chronological order!

For information about
BAMFEST 21
Black August 21
stay turned
Black Bird Press News and Review Magazine will publish the official program of
BAMFEST Black August 2021
virtual and live performances
throughout the month of August
classic plays from the Black Arts Movement
And the Neo-Black Arts Movement
poetry readings
by the Bay Area's best
Tongo
Ayodele Nzinga
Phavia Kujuchagulia
Aries Jordan
Marvin X
and many others



Bio of Master Teacher Marvin X

Marvin is a Co-founder of Oakland's Black Arts Movement Business District. He is also Co-founder of the National Black Arts Movement of the 1960s, the most radical artistic and literary movement in American history. "The grouping of Playwright Ed Bullins, Journal of Black Poetry Editor, Dingane Joe Goncalves, Poet Amiri Baraka, aka, LeRoi Jones, Poet Sonia Sanchez, Poet Askia M. TourĂ©, and Poet/playwright Marvin X became a major nucleus of Black Arts Movement leadership."--Kalaamu ya Salaam, Dirty South Black Arts Movement, author The Majic of JuJu

Master BAM Critic James G. Spady on Marvin X

"...Marvin X is credited with convincing Eldridge Cleaver to use his advance against royalties from the popular book Soul on Ice, to help set up Black House in San Francisco, 1967. The building became 'the mecca of political, cultural activity in The Bay Area.' Among artists featured were: Sonia Sanchez, Vonetta McGee, Amiri and Amina Baraka, Chicago Art Ensemble, Avoctja, Emory Douglas, Sarah Webster Fabio, et al. Playwright Ed Bullins joined Marvin and Eldrdige at the Black House, along with Marvin's partner, Ethna X (Hurriyah Asar), and singer Willie Dale, Cleaver's buddy from San Quentin, along with Willie's wife Vernasteen."

Marvin X says, "Although Cleaver was about to marry his lawyer, Beverly Axelrod, who smuggled his manuscript out of Soledad Prison, we at the Black House felt it was a contradiction for the Chairman of Black House to sleep at the white house, so we forcibly moved him from his white lover's house. Alonzo Batin Harris, Guru of Black Arts West Theatre, who arranged Muhammad Speaks Newspaper to announce Black Arts West Theatre in San Francisco, and it was Alonzo Batin who recruited most of Black Arts West Theatre members into the Nation of Islam, including Duncan Barber, Hillary Broudus, Ethna Wyatt and Marvin Jackmon, aka, Marvin X, after 1967.  So only Alonzo Batin who'd done prison time with Eldridge and myself had the power to physically remove Eldridge from Axelrod's white house. Among the items we removed were the wicker chair, spear, shield and rug from EC's room that soon appeared in the classic photo of Huey P. Newton.


"Marvin X was my teacher. Many of our comrades came through his Black Arts Theatre, e.g., Bobby Seale, Eldridge Cleaver, Emory Douglas, Samuel Napier, George Murray, JoAnn Mitchell, Ellendar Barnes, et al."--Quote from One Day in the Life, Marvin X's docudrama of addiction and recovery. "Huey, we love you and honor you for teaching us to transcend fear, the first level in revolutionary consciousness!"--Marvin X


Cont., Critic James G. Spady

When you listen to Tupac Shakur, E-40, Too Short, Master P or any other rappers out of the Bay Area of Cali, think of Marvin X. He laid the foundation and gave us the language to express Black male urban experiences in a lyrical way."--James G. Spady, Philadelphia New Observer Newspaper

Comment by Marvin X

"The Black Arts Movement poetry, plays and art, liberated the consciousness of North American Africans. After attending our readings and dramas, Black masses were truly liberated to discover they could say socalled profane and obscene words such as bitch, ho and motherfucker. The UC Berkeley free speech revolution of Mario Savio did not touch the hood. At Black Arts West Theatre in San Francisco, the SFPD threatened to close down our theatre because of the raw language in the plays of Ed Bullins, Amiri Baraka and Marvin X. When we came to perform at Oakland's Laney College, the Oakland Police threatened my cast with arrest if we performed my play Flowers for the Trashman. Yet, Bobby Seale testifies when the Soul Student Advisory Council at Merritt College on Grove Street, now MLK, Jr. Drive, the play caused a linguistic revolution that advanced black student consciousness that morphed into organizing the Black Panther Party. Again, it was a linguistic revolution, a revolution in language since Black people had been held in a linguistic prison of bourgeoisie culture. The language in the BAM plays truly liberated the psycholinguistics of North American Africans. The very idea that we were free on our own accord to say and utter any word was a liberating advance in achieving the mental equilibrium of our psyche.


The Wild Crazy Ride of the Marvin X Experience

During BAMFEST, Black August, 2021, Marvin X will screen segments of his Black Arts Movement documentary The Wild Crazy Ride of the Marvin X Experience, produced and directed by Marvin X, Edited by Ken Johnson. FYI, the title comes from the description of a writing student who endured the poet for over five years. She described the mentorship of Marvin X as "The wild crazy ride of the Marvin X Experience." Her mentor says, "Thank you Aries Jordan, but most of all, you learned something which was your mission. Alas, did you learn as much at Mills College where you obtained your MFA? FYI, I taught at Mills in the Upward Bound Program. When the US Government who funds Upward Bound demanded the director, Connie Wye, close down my student production based on my book Woman-Man's Best Friend, Connie refused because she saw the students were inspired and motivated by my script. The USA pressured Connie until she suffered an aneurysm and died in the hospital. We wonder did Aries get a similar wild crazy ride at Mills? As you know, Mills is scheduled to close, although we hear Northeastern University has agreed to partner with Mills to keep it afloat.

The Wild Crazy Ride of the Marvin X Experience

A poet's history of the Black Arts Movement

Written, Directed and Performed by Marvin X

Edited by Ken Johnson

The following appear in this national history of the Black Arts Movement

Especially the role of Bay Area Artists associated with the productions of Marvin X

Coast to Coast

Artists include the following

Amiri Baraka, Amina Baraka, Askia Toure, Dr. Cornel West, Tarika Lewis, Destiny Muhammad, Suzzette Celeste, Raynetta Rayzetta, Geoffery Grier, Salat Townsend, James W. Sweeney, Phavia Kujichagulia, Nefertiti Jackmon, Naji, Tacuma King, Kele Nitoto, Fillmore Slim, Ayodele Nzinga, Cat Brooks, James Rhodes, Dr. Nathan Hare, Dr. Julia Hare, Ishmael Reed, Rev. Andriette Earl, Rev. Cecil Williams, Elliott Bey, Congresswoman Barbara Lee, Elombe Brath, Sam Anderson, Sonia Sanchez, Omowale Clay, Muhammida El Muhajir, et al.

Marvin X returned to his former classroom at Laney College, The Odell Johnson Theatre. He opened for Donald Lacy's play Color Struck

photo Alicia Mayo


Left to Right: Marvin X, Black Panther Party Minister of Culture Emory Douglas,

Comic/playwright Donald Lacy, Attorney John Burris


Breaking News




Catch Donald Lacy interview with Marvin X on KPOO Radio, San Francisco,

Tuesday, June 29, 2021,

5PM

KPOO, San Francisco's Independent Black Radio Station

The House Joe Rudolph built

"Joe Rudolph taught me how to talk on the radio. He made me do 100 takes until I got it right to his satisfaction. Thank you, Joe, I know you are in revolutionary black radio history. I must recall for readers our last conversation at Oakland's Mosswood Park. Joe leaned against a tree and called me over, then whispered in my ear, 'Marvin, ain't gonna be no more like us is it? I whispered back, 'No, Joe, ain't gonna be no more like us. We the last of a generation of revolutionaries. All praise is due Joe Rudolph and all the brothers and sisters who've kept KPOO alive. Terry Collins, JJ, Donald Lacy, Avotchja, et al."





Ayo is Marvin X's star student after taking his theatre class at Laney College, 1981. She has performed and directed his plays, including In the Name of Love, One Day in the Life and Flowers for the Trashman.


Marvin X and Ayodele at the Flight Deck Theatre, 1540 Broadway, Oakland, where Ayo's Lower Bottom Playaz are in residence.

More information about
BAMFEST 21
coming soon
stay turned
www.blackbirdpressnews.blogspot.com
for interviews and speaking/reading engagements
send letter of invitation to
jmarvinx@yahoo.com

Contracts for speaking/reading engagements must include freedom of speech clause, otherwise don't contact me.

"The Black Arts Movement was/is about Freedom of Speech. Amiri Baraka said, 'If you mean get off the sidewalk, say get off the sidewalk!' No matter what the BAM revisionists proclaim, the BAM was about the low down dirty truth (Sun Ra). We freed our people from the linguistic puritanism of the Miller Lite speech of the Black bourgeoisie (Dr. E. Franklin Frazier) and Black Anglo Saxons (Dr. Nathan Hare).
Bitch, Nigga and Motherfucker liberated the Black liberation audiences. Then came the rappers making billions from the same three words: bitch, nigga and motherfucker. Hollywood made billions too with Hip Hop black films. Now niggas scared to say nigga, they say The N word. WTF, say what you mean and mean what you say. The worse nigga is the nigga in denial that he's a nigga, but if a taxi in downtown NYC won't take his ass to Harlem at 3AM, suddenly he realizes he's in fact a nigga and wants to sue. Nigga please! But if you think all I know is bitch, nigga and motherfucker, read my thirty books and get back to me! Negus!


A few books by Marvin X. One of the most prolific writers in the world, the Last Poets say, "Marvin X writes a book a month. After a reading and conversation with Amiri Baraka at the Lannan Foundation, Santa Fe, New Mexico, Marvin arrived in Houston, TX, at the home of his oldest daughter Nefertiti. After a dinner conversation about Eldridge Cleaver, Marvin wrote his memoir of Eldridge, My Friend the Devil, posting a chapter daily on the internet, Chickenbones.com. The rough draft is still there, written in about 30 days.

--Marvin X
6/24/21


Poet Marvin X reading at the University of Chicago Sun Ra Conference on Afrofuturism, 2015, produced by David Boykin.
photo Burrell Sunrise










Thursday, June 17, 2021

Juneteenth Poem Marvin X

 Juneteenth Poem

2021


Poet Marvin X reading at the University of Chicago
Sun Ra Afro-Futurism Conference, 2015

photo Burrell Sunrise


Poet Marvin X at sunset, Cliff Club, Ocean Beach, San Francisco

photo Adam Turner

Juneteenth Poem


Harlem, New York reception for Marvin X at the home of Rashida Ismaili


Nigga we free
been free a year my nigga
why massa didn't tell us
make us work 'nother year fa nothn' an' we free
dirty low down funky dog massa
Mean I picked cotton fa nuttin 'whole year
Jesus Christ
Let's get the fuck up outta here baby gul
We free nigga
Jubilee free
wtf no mo' cotton
can't see ta can't see
we free
come her' wife
get dem chillen's
we up outta here gul
hurry up gul
no mo massa gul
let's go
no mo directly
now bitch hurry up
get dem kids and let's walk ta freedom
don't matter how far
let's walk gul
get dem kids
no mo plantation
no mo shuffles scratchin' ma head when don't ich
no mo smiling when wonna frown
C'mon gul
what's takin ya so long
get our babies bitch an' let's go
Don't tell me you wanna stay
We goin' ta freedom gul
Don't be like Sarah turn inta salt
better hurry up gul
don't make me tap da ass like Harriet Tubman
put her gun upside dem nigga's heads
scared to be free niggas
Naw, com' on gul
Freedom come
bottom rail top freedom
bottom rail top freedom
We free gul
better ax somebody we say in Texas
better ax somebody
we go dance tonight gul
let's go baby gul
don't make me haveta shoot dat white man gul
he wanna keep ya gul, huh
and ya wanna stay gul, huh
wtf
I will shoot dat matherfucka between his eyes
better bring yo black ass here wit da quickness gull
don't make me shoot massa bitch
been raping you, me and da kids bitch
fuck massa
I will kill his ass quick
better come on
I got Harriet Tubman spirit
You mine woman an' ya gonna be free wit me
get ya eyes off da massa
last time gul
let's go we free
been free a year
devil didn't tell us
filthy beast
lying snake in the grass
wanted free labor fa eva
no no devil
God of Justice come
deliver me Jesus wife babies
forever free 
forever free
forever
free
demand reparations later
land land land land
government mules too
where my 40 acres white bitch massa mathafaka
lying devil
Indians said you got forked tongue
lie lie lie lie lie
tell the truth and die
lie lie lie
tell the truth and die
So evil
Sun Ra say, "So evil devil don't want you in hell."
How evil is beyond evil
beyond money evil
beyond love evil
beyond sex evil
pure evil for evil 
dna evil
nano evil
amazon.com evil
facebook evil
twitter evil
instagram evil
big book constitutional evil
no recovery possible
short term long term evil
kill mama evil
kill babies evil
kill God evil
can't kill devil evil
communist devils kill god evil
don't tell nobody
tell'm we good guy in white hats
we lovers
we green we vegan
we turn oil into medicine
we petrochemical pharmaceutical
never heal a nigga keep comin' back fa evacal
we spiritual 
evil most of all
go to space one way ticket
don't let space ship come back
send dat rich motherfucka to eternity
mars jupiter saturn beyond
you learned nothing here
destroyed what hands touched
you too much
dead man walking
no heart soul feelings ice man cold
sun no friend 
ice man cold
Nada mas
Basta ya
Basta ya
Vaya con dios amigo
Juneteenth
reparationsteenth
no money no honeyteenth
no dollars
bit coins only
no dollar tricks
paper tricks
no gold backing
bit coin only
we sing
Happy Juneteenth
Happy Reparations Day
Pray nigga pray
Jesus come ya way
Allah Buddha somebody can hep ya
Jah Jehovah somebody hep ya
Ya need hep nigga
drowning in da sea of love.
--Marvin X
6/17/21


Marvin X reading at Laney College, Odell Johnson Theatre, Marvin's former classroom when he taught at  Drama at Laney College, 1981, and produced his play In the Name of Love, a poetic drama, Eldridge Cleaver said returned theatre to the Shakespearean tradition of poetic drama.  Marvin's drama examined polygamy or plural wives, domestic violence and other male/female issues. Ayodele Nzinga was a featured actress and associate director as a student in his theatre class. Zahieb Mwongozi performed the complex role of Marvin X, along with Doris Knight, RIP, as Eternal Woman. Among those who attended the performance multiple times was Dr. Yusef Bey and his entourage. Also, Betty King, aka, Oakland's Mother Theresa! Music was arranged by Umlah Sadou, RIP. Vocals by Zahieb Mwongozi. Leon Teasley,, Marvin's childhood friend from West Oakland, videoed the performance and captured three of Marvin's wives in the theatre lobby: Nisa Ra, Marsha Satterfield and Hurriyah Asar. Teasley's footage will appear in Marvin's video documentary of the Black Arts Movement, The Wild Crazy Ride of the Marvin X Experience. This is a ten-part documentary of Marvin X's history and performance in the Black Arts Movement, the most radical artistic and literary movement in American history.

Tuesday, June 15, 2021

Parable of the Wise Man, a birthday parable for Rashid Easley

 Parable of the Wise Man


Marvin X at the University of Chicago Sun Ra Conference, 2015
photo Burrell Sunrise

Marvin X at the Cliff House, Ocean Beach, San Francisco
photo Adam Turner



A birthday parable for Rashid Easley, 78, my childhood friend

Some people never heard of the wise man. Never knew such a person existed above the plane of normal human beings, a man with triple vision who could read minds, reveal what the people seated before him were thinking, although some of them asked if he knew what was on their minds. Some confessed they sat before him, eating his food, drinking his wine, yet consumed with the thought of killing him. One person with pure evil on her mind said, "If I kill you, I will be famous, huh?" He acted as if he didn't hear her evil thoughts so said nothing, although he noted it down in the book of his mind.

When people entered the wise man's house, they were required to remove their shoes so they did not bring in the filth of the streets. And after removing their shoes, there was a bowl of candies for them to partake, something sweet as they proceeded into the main chamber of the wise man's abode.

When they seated themselves, the wise man spoke to them of linguistics and semantics, as this was his calling. He knew the chief academics in the genre of linguistics and challenged them when they came to the hood. He called one of the academic linguists in the field of semantics, "An oriental with an occidental mind." The semanticist proved the wise man was correct when the semanticist was appointed president of the college and repressed the student revolution for freedom of speech, academic freedom and the recognition of ethnic linguistics and literature.

The wise said, "I told you he was a fool, an oriental with an occidental mind. He cannot deconstruct the liberation semantics and linguistics of the ethnicities which he is a member. His occidental mind aligns him with the oppressors and he clings to them with every ounce of his colonial mental apparatus."

To those of us humbled before the wise man, though we were denizens of the hood, we had no doubt he was our sheikh. He taught us verb and predicate. Subject and verb. Noun and adjective. He taught us how to skim headlines to skip the body of articles. 

He trained me to be a wise man in his honor. When I began teaching elementary Arabic in the hood, at a point I realized my people needed the deconstruction of English more than Arabic. I was thankful Arabic taught them parts of speech, but if they were able to grasp parts of speech in Arabic, let us then deconstruct English parts of speech and we proceeded to do so in our community classes with brothers hosting a class at their homes, serving refreshments, especially for the pleasure of the teacher, special refreshments they observed made the teacher teach better!

But we give all honor and praise to the wise man with whom we are his devotees. He was our Master Teacher and we praise him for delivering us from the dead, the deaf, dumb and blind. He was an outsider and so were we for associating with him, but we loved his free thinking wisdom that was beyond the religiosity of the mosque that did not allow knowledge on the spiritual level of the wise man, whom the mosque officials labeled a hypocrite and all those who associated with him. So, those of us who were free thinkers and sought knowledge that transcended the "supreme wisdom" of the mosque were called hypocrites. Our dear brother Ishmalah who made Islamic hats was labeled a hypocrite for making hats that later became accepted and fashionable, but by that time Ishmalah was broken hearted and settled for taking Polaroid pics at night clubs.  

Thank you, Wise Man, Sheikh, Holy Man in the ghetto of our lives. You taught us Elijah sat you down for worshipping the golden calf, yet you enriched our lives with your boundless wisdom, Aaron Ali (aka, John Ashford).

The Great Mosque #26 Fisherman, Brother Edward, (Bro. Edward fished singlehandedly college students from throughout the Bay Area into the NOI, i.e., San Francisco State, San Jose State, UC Berkeley, and we, in our utter ignorance, treated Brother Edward in the most abusive manner imaginable) told us, as did Aaron Ali himself, Elijah Muhammad selected Ali because of his college education, his command of English made him in the tradition of the Biblical Aaron who was capable of speaking for Moses.
Allahu Akhbar, Sheikh Aaron Ali and Brother Edward 
and all the "street Muslims" of the Most Honorable Elijah, who said,"My real followers are in the streets, not in the mosques, e.g., hustlers, pimps, ho's, drug dealers, paper hangers, robbers, gays, lesbians, et al.
--Marvin X/El Muhajir
6/15/21