Wednesday, February 10, 2010

Answer Me, Marvin X, Yes or No!

From: Marvin X Jackmon jmarvinx@yahoo. com
To: nwaakwukwo Sent: Tue, February 9, 2010 3:35:40 PMSubject: Re: I'd like an answer.

I have no idea what you are talking about as per Gerald Ali. When I find out I may or may not respond since I am dealing with haters on a daily basis, not only haters but agent provocateurs, snitches, FBI, CIA who come to my house to interrogate me. When I am out and about I am often approached, questioned and provoked by socalled "former" Special forces and Military contractors. So as per Gerald Ali, he is not a priority. Additionally, I have hater Muslims, Ansars, Christians, black intellectuals and reactionary activists pulling my coat tail. And finally I have the ignorant masses to attempt to educate, even after they throw my works on the ground. I had to tell one brother yesterday that he was dumber than the dumbest mule they let out of Georgia.
He went away then came back to ask me was that a line from a movie? I told him he was the movie. He went away then came back again to question me. Apparently I scared his mind, maybe for life. Then another youth told me don't call him dead when I tried to give him a poster poem Black History is World History. I said, okay, what do you know about black history? He said I know I was born and raised in East Oakland. And so it is. Now what's up with Gerald Ali?

From: nwaakwukwo nwaakwukwo@yahoo. com
To: jmarvinx@yahoo. com
Sent: Tue, February 9, 2010 1:25:13 PM
Subject: I'd like an answer.
Do you plan to answer me, Marvin?

YES OR NO

Tuesday, February 9, 2010

Jahmeel and the Man in the Mirror




Little Jahmeel with mom Amira, Left,
and her sisters Muhammida, Center, and
Nefertiti, right.





Michael's Man in Mirror
Album




At work with grandfather

passing out poem Black History

is world History. Jahmeel observed,

"Some people don't like black history."



Jahmeel and the Man in the Mirror



Grandfather, Jahmeel, Uncle Ollie
photos by Lumakunda and Rita Daniels





Mom Amira and Jahmeel








Grandpa told Jahmeel to go look at the man in the mirror. Jahmeel went to look. At first he said there was no man in the mirror. Grandpa told him to go back into the living room and look again into the mirror.






He went back and returned to tell Grandpa Jahmeel was not in the mirror. He said, "It was a scared Jahmeel in the mirror--not the real Jahmeel."



He refused to go back and look again. Grandpa told him to either go back or go to bed. He said he wanted to go to bed. He insisted there was no man in the mirror. Grandpa told him he was the man. He said, "I'm not the man!"




Go look again.


He said no and started to cry.

"I'm not the man," he shouted.





"You are the man!"



No I'm not.


Michael Jackson said you are the man in the mirror, so go look. Since he loved Micheal, he submitted. The conversation had begun with him listing the MJ songs he liked: Beat It, Smooth Criminal, Billie Jean, Remember the Time. He is terrified of Thriller and refuses to watch it.










All right, I'll look, he said.




He went again into the living room, came back and said, "No man in there."


"Did you see Jahmeel in the mirror?


No!

Go see.


No! I don't wanna look.



You scared to see Jahmeel? You wanna be scared?



I'm going night night! (to sleep)





He crawled into bed and planted his head on his little pillow. He pulled the covers over his head and went to sleep.



The next morning when he got up Grandpa read him the story. He said, "I'm not the man, I'm Jahmeel.










Jahmeel is a boy."


Grandpa read him the revised story. He said, "Grandpa, that's good. The man in the mirror

is somebody else, not me."















--Marvin X

2-8-10

Monday, February 8, 2010

Marvin X--The USA's Rumi
by Bob Holman
Bowery Poetry Club, New York City

Where I’d like to start this 2005 Poetry Roundup is Iraq, as in, how did we get there and how do we get back? The consciousness-altering book of poems that tells the tale, in no uncertain terms and yet always via poetry, is the astonishing Land of My Daughters: Poems 1995-2005 (Black Bird Press) by Marvin X.

Marvin X is the USA’s Rumi, and his nation is not “where our fathers died” but where our daughters live. The death of patriarchal war culture is his everyday reality. X’s poems vibrate, whip, love in the most meta- and physical ways imaginable and un-. He’s got the humor of Pietri, the politics of Baraka, and the spiritual Muslim grounding that is totally new in English –- the ecstasy of Hafiz, the wisdom of Saadi. It’s not unusual for him to have a sequence of shortish lines followed by a culminating line that stretches a quarter page –- it is the dance of the dervishes, the rhythms of a Qasida.
“I am the black bird in love
I fly with love
I swoop into the ocean and pluck fish in the name of love
oceans flow with love
let the ocean wash me with love
even the cold ocean is love
the morning swim is love
the ocean chills me with love
from the deep come fish full of love”
(from the opening poem, “In the Name of Love”)

“How to Love A Thinking Woman”:
“Be revolutionary, radical, bodacious
Stay beyond the common
Have some class about yaself…
Say things she’s never heard before
Ihdina sirata al mustaquim(guide us on the straight path)
Make her laugh til she comes in her panties
serious jokes to get her mind off the world.”

There are anthems (“When I’ll Wave the Flag/Cuando Voy a Flamear la Bandera”), rants (“JESUS AND LIQUOR STORES”), love poems (“Thursday”) and poems totally uncategorizable (“Dreamtime”). Read this one cover to cover when you’ve got the time to “Marry a Tree.”



Beyond Religion, toward Spirituality
by Marvin X

Review by Bob Holman

Last year Marvin X released his magnum opus, Land of My Daughters: Poems 1995-2005 (Black Bird Press), poems that put me in mind of Mawlânâ Jalâl ad-Dîn Muhammad Rûmî. He just published Beyond Religion Towards Spirituality, Essays on Consciousness (Black Bird Press, 2006), and all I can say, folks, is this is the Bible of the Hood and is bound to stir up plenty of opposition -- and maybe even cut through the BS to move towards God. “Imagine we are the generation of Parker, Coltrane, Dolphy, Monk, Duke, Bessie, Lady Day, Ella, Sarah, what on earth can follow us but the earth shaking children of tomorrow...­ who will smash the atmosphere with sounds...”

“If the mate leaves, we should be happy. Why would you want to keep someone who wants to go? If she wants to be with Joe, let her go -- you don’t own her. If she wants, she has the human right to give Joe some pussy. I know you don’t like it but get over it. Don’t kill her and Joe behind the funk. The world is full of infinite possibilities. God will provide wou with the perfect mate... Let go and Let God.”

Saturday, February 6, 2010

The Oakland Police Department Gang

The new Oakland Police Department Chief Bates says guns, drugs and gangs are his priority. We suggest he reconfigure his priorities to gangs, guns and drugs, for he must first consider his organization a gang since it has been known to behave as such, to wit: the Riders and "black Riders," police officers suspected and/or charged with corruption under the color of law, including shaking down drug dealers, planting false evidence and false charges and having conflict of interest in criminal investigations, including and especially the broad daylight, downtown Oakland assassination of journalist Chauncey Bailey, editor of the Oakland Post newspaper. Yes, I feel a personal connection to the murder of Chauncey since he was a friend and colleague whose last story was a review of my book How to Recover from the Addiction of White Supremacy. The day before his assassination he came to my outdoor classroom at 14th and Broadway to show me his review of my book. We know at the time of his death he was investigating corruption in the police department and City Hall, during the tenure of Jerry Brown as mayor. Mayor Jerry Brown is reported to have said, "I'm going to stop that nigger from snooping around the OPD and City Hall!" Not long after, Chauncey was fired from his longtime job as a reporter at the Oakland Tribune for frivolous reasons.

Officers suspected of involvement in the murder of Chauncey Bailey are still employed by the OPD, a supreme insult to the people of Oakland, but we understand one suspected officer was returned to duty just prior to the retirement of the chief, allegedly to keep the officer quiet about the chief's role in corruption. All gangs protect their members, and of course deny criminal activity.

Guns and drugs were the other items of concern by OPD Chief Bates. But again, Chauncey Bailey's notes suggest the OPD was/is involved in the proliferation of guns and drugs in Oakland, in conspiracy with Mexican drugs gangs and politicians. Indeed, the DEA was in town at the time of Chauncey's murder, but were investigating bigger fish in the political hierarchy of Oakland.

We know Mayor Jerry Brown deleted his Internet notes before he left town to become Attorney General. Ironically, Mayor Ron Dellums asked Jerry Brown to investigate the police investigation of Chauncey Bailey! Sounds like asking the fox to guard the hen house.

With suspected involvement by police and politicians a well known feature of Mexican culture, why is such behavior so incredulous on this side of the border, especially with prior cases of police misconduct within the OPD?

But more importantly, we wonder why the new OPD Chief Bates, along with Mayor Ron Dellums and President Obama, cannot find the political acumen to do at home that the US is doing abroad in Iraq, and preparing to do in Afghanistan and Yemen to stem violence among the mostly young insurgents or "terrorists," i.e., provide schooling, employment and housing. This is nowhere in the agenda of the President, Mayor or Chief of Police. Is this a case of myopia or simple disregard for the plight of our young men committing homicide and suicide in our cities, mainly from lack of education, employment and housing, exactly the same reasons for violence abroad that is supposedly a threat to the national security of America? You mean violence at home is not a threat to the national security of the US?

Gangs, guns, drugs? Maybe there is truth in the notes of Chauncey Bailey. We know the US is the numer one gun dealer of the world. We know there are know cites in the hood where guns can be purchased 24/7. We also know drug traffic in Afghanistan decreased during the rule of the Taliban, but increased after the American invasion. Presentinly opium is flowing like water, with the addiction of entire villages, including men, women and children, and drug addiction is crossing the border into Pakistan, thanks to the US. So we suggest the OPD Chief Bates do an in-house investigation of guns, drugs and gang activity within the OPD. He may be utterly surprised.




-------


Marvin X is the author of twenty books and has taught at UC Berkeley, UC San Diego, San Francisco State University, Fresno State University, Mills, Merritt and Laney. His archives are in the Bancroft Library, University of California, Berkeley. From time to time, his writings appear in the Oakland Post and San Francisco Bayview. Occasionally, he appears on Pacifica radio in Berkeley, Los Angeles, Houston and New York. Marvin X teaches at his outdoor classroom, 14th and Broadway, downtown Oakland. The class offers individual/peer group counseling, literacy and a micro-credit bank for the poor and homeless.

Tuesday, February 2, 2010

Plato Negro at the Crossroads of Oakland

Plato Negro at the Crossroads of Oakland

When the rains cleared, Plato Negro returned to his outdoor classroom at 14th and Broadway, downtown Oakland. The classroom is a multi-purpose center, since in addition to a classroom, it is a free space zone for people to gather, a literacy center, micro credit bank, an on the street mental health peer group session, yes, facilitated by Marvin X, variously known as Plato Negro, Rumi, Jeremiah, Amenhotep.

For Black History Month, the poet has been giving out poster poems of his classic Black History is World History, also Haiti, Oh, Haiti. He offers youth ten dollars to answer the 14 questions on his blog concerning the poem Haiti, Oh Haiti. When they say they know black history, he offers them ten dollars if they can answer a question from his poem Black History is World History.

Of course his best seller is Mythology of Pussy, a manual for manhood and womanhood training.
Grass roots brothers call it the Bible of male/female relations. Man and women literally fight over this pamphlet that has shaken up America coast to coast. The poet did a national tour last year, going through Houston, Texas, Grambling , Louisiana, Jackson, Mississippi, Washington, DC (Howard University), Philadelphia, PA (International Locks Conference, see Youtube), Newark, New Jersey, Brooklyn, NY and Harlem. When he arrived in Harlem at the Schomburg Library, poet Eugene Redman wrote Marvin X a check for $200.00 for five copies of Mythology of Pussy. In fifty years of writing, no piece of his writing has stirred up such controversy or interest, especially with the grass roots. The grass roots are literally fighting over it, men and women. It was reported that in the whore house the girls tried to steal a copy from the madam and she had to check them not to leave with her copy. In Sacramento, California, an OG brother was told by young brothers that he could leave but they were keeping the pamphlet.


Indeed, Marvin X was on the bus headed to his classroom when a brother pulled out a copy and said he needed to read it because he'd been up all night with his woman. Another brother called Mythology of Pussy the "Bible." He said he had been having problems with his women until he read MOP, then it cleared up all his questions. He understood he had bought into a mythology that could kill him or make him kill.

A young sister came by Plato's Classroom and told him MOP empowered her. She didn't know she had such power. And when she told the young brothers she owned her pussy, they submitted.

Plato asked another young sister what she learned from MOP. She said she learned to tell the brothers to clean their fingernails. She said she gave it to her boyfriend but he has not returned it. The young brothers say it helps them up their game. And every brother wants his game upped! When girls were asked at a continuation high school in Berkeley, what they got out of his lecture on MOP, they said it upped their game as well.

Mothers have obtained copies of MOP since it was published, telling the poet they were demanding their sons and daughters read it. One mother said she put it on her daughter's bed so
she could not miss it.

A mother came through the classroom with her daughter and obtained a copy, telling her daughter, "You see that lock on the cover. Girl, do you see that lock?"

The poet was informed at Howard University that in spite of the fact that the girls outnumber the boys 14:1, the females are in control of their pussy. They determine when the boys can have some, contrary to the boys thinking they are in control of the situation because they are a priority, being outnumbered 14 to 1.


At the conclusion of his lecture at Howard, a young lady came up to the poet at the lectern and whispered in his ear, "We control the boys, they don't control us. When we want a brother and another sisters wants him , we say, sista, wait, let her have him tonight, you have him tomorrow, and I will kick it with him the third night. Yeah, that's how we do it. The boys think they playing us but we doing the playing. After all, it's our pussy!

What is clear is that the poet has written a grass roots classic that doesn't need approval of the black bourgeoisie culture police, and nor does he need approval of black intellecutals in perpetual crisis, whether tenured negro professors or femininsts who are dying from lack love from their brothers because they persist in their inordancy, blinding wandering on.

Marvin X said he was through with pseudo white liberals and black bourgeoisie when they told him (the whites) "I could help you if you were part of the family." And the Black bourgeoisie said, "I could help you but you ain't no mulatto."

Marvin X says he will go down with the grass roots. Whites and the black bourgeoisie mulattoes can kiss his black ass.

Monday, February 1, 2010



Black Mystery

The characters in this drama include Mr. Re, Mr. Ra and Mr. Ru, Miss Re, Miss Ra and Miss Ru. This cast of characters are central to the Mystery that has been a seemingly eternal narrative of a people known throughout time by a multitude of names, positive and negative. Some names are not worth mentioning since to do so would only complicate this story, this mystery of time, place and space. Mr. Ra, Mr. Re and Mr. Ru, plus their female counterparts, seemingly have been raised high, then placed low throughout time, depending on the weather, internal conflicts such as succession to power, and invasion of their lands by foreigners from time to time.

The Ra's, Re's and Ru's are symbolic of a community of people who have struggled against all odds to achieve dignity and respect throughout the universe. It seems to be an eternal struggle up the hill then down as in the Sisyphean mythology. Their victories seem short lived since they cannot learn to practice eternal vigilance, thus from time to time they have been known to relapse into madness and animal behavior. The good times come, but disappear because Ra, Re and Ru do not stay on their posts until properly relieved. They succumb to the ten trillion, one billion illusions of the monkey mind, caught in a schizoid dance between the persona of devils and gods, between their divinity and bestiality.

Why can't the Ra's, Re's and Ru's ever land on solid ground? Why is their mental equilibrium forever shaken and smashed to the core, leaving them in a state of psychosocial chaos, scrambling to reinvent the wheel of balanced personal and communal organization?

When they look in the mirror, what do they see, is it the picture of Dorian Grey, Peter Pan, individuals who wanted to be forever young and beautiful, yet the very attempt was an exercise in ugliness, for nothing stays the same, everything must change. Who wants to be a child forever, a stunted man and woman, unable to enjoy spiritual maturation, for surely once the adult enjoys the wisdom of maturity, he never wants to be a child again, at least not until he returns there in old age. But even then he becomes a child against his own will, and sometimes he is ashamed to need the assistance due children.

It is not impossible for the Ra's, Re's and Ru's to recover from their negrocities, once they make the sincere effort, calling forth that ineluctable energy to propel them up from ignorance, up from lust, greed, mental myopia and the multiple tragic flaws that befall human beings of every sort, stripe and color.

Yes, the mystery, the conundrum of the ages can be solved by simple detoxification and recovery from all illusions of the monkey mind. No attachments but to God! There is the need to detach from desire, from want and even need, for what are the essential needs, all else is illusion, what we think we want, think we desire, think we need, when we know there are very few things really important.


All else originates in the monkey mind, the delusion of ego and desire, a fixation caused by false imaginings, illusions and delusions, for under the best circumstances we know very little, understand almost nothing, and go to our grave as we came, with nothing. Job told us, "Naked I came and naked I go."

The best we achieve is a momentary joy, when we give all to the beloved, the agape or unconditional love, not Eros or filial love. "We feed you for Allah's pleasure only, we desire from you neither reward nor thanks."

It is only when the beloved sings the song of lost love that the lover answers with a return to the reed bed, for the yearning was ever there of lost, when the reed was cut from the bed. As Rumi taught, the sound is in the reed flute. The yearning, the mourning, the weeping, of the heart separated from its beloved, ever wishing, waiting, and hoping for the return home, yes, and home is where the heart is. Home is not where Fitzgerald said where we cannot return, but where Frost said we cannot be turned away.

Ra, Re, Ru, seize the time, do not tarry in Jerusalem, but embark upon that dangerous Jericho road, where danger lurks behind every bush, yet with the armor of God we travel unafraid into the new order, never flinching, retreating, but ever forward into the new day of light and love.
You can go there, simply open the door and walk in unafraid of the darkness soon turning to light. And the light happens only because you turn on the switch, removing darkness forever and ever.
--Marvin X
2/1/10

Friday, January 29, 2010

Toward the Language of Love


Toward the Language of Love






In the 60s and 70s, we wanted to transcend the English language because we recognized it as the slave master's tongue, the tongue of the true "motherfucker" who had kidnapped, raped and robbed our ancestors, the men, women and children. In our frantic and desperate effort to rid ourselves of English, we tried Swahili and Arabic, and this functioned for a short time, even though these languages originated from another slave master, the Arab, yet much of our literature was in Arabic and Swahili. Those Muslims who learned to pray in Arabic found a sense of joy in transcending English in our sacred moments, and Swahili gave many cultural nationalists a feeling that we were regaining our African consciousness, at least linguistically, no matter that Swahili is basically an East African tongue and most of us descended from West Africa. A few did learn Yoruba, especially those North American Africans in Harlem who gravitated to the Yoruba religion as practiced by Baba Serjiman Olatunji.




As a result of this minuscule understanding of African languages, parents began naming their children non-English titles. This was a grass roots attempt to reclaim some semblance of our collective memory, additionally it was an attempt to distance ourselves from Christian names and Christianity itself, since the English language and the slave master's religion were part of the "breaking in" or brainwashing and behavior modification to transform us from Kunta Kinte to Toby.




Bill Cosby was a shameful black bourgeoisie slob when he attacked black mothers and fathers who gave their children African names or even Africanized English names, so prominent in the South. The Southern names are so unique and original, even in their spelling, that we should applaud the parents for their effort to reclaim their cultural memory. When the culture of North American Africans is studied, those Southern names shall constitute a genre apart from the traditional African or Arabic names.




In the 60s, we also referred to each other as king and queen, and often dressed accordingly, giving up the Western attire for dashikis and bubas, elegant headdresses or gayles. Men wore African crowns rather than fedoras. This was all part of the cultural revolution that was an essential part of the political liberation. There can be no revolution without a change in cultural consciousness. Language plays an essential part since language is a reflection and expression of mythology and ritual, components of culture.




In the Black Arts Movement, we wanted to break out of the English language as well. Use of so called profanity was one attempt to express ourselves in the basic language of our people. It was also a method of putting "curses" on the oppressor by rejecting his proper speech in favor of grass roots linguistics. And yet some of us were multi-lingual, often combining Arabic, Swahili and grass roots English. And then there the attempt to purify our works of so called profanity. During the height of my Muslim period, especially my time in Harlem, 1968, I purged my work of profanity until Sun Ra pulled my coat that I was trying to be so right I was wrong.




And so we are in a linguistic conundrum, because every writer is duty bound to speak the language of his people, especially if he and his people are going through the process of decolonization from the culture of the oppressor. The great Kenyan writer Ngugi wa Thiango has called for African writers to abandon the English language and return to writing in their native tongues. But the majority of North American Africans speak English, so what choice do we have but to use English until we can discover another language. Hip Hop has fashizzel, but don't know how far we can go with fashizzel.




Often, the most significant change we can do is redefine the language, reverse meanings that are negative into positive. Black was at one time a fighting word--if you called someone black you better be ready to fight. Now black is beautiful. Nigguh is another term that was negative but today is a global expression of love among the Hip Hop generation. It is a multi-ethnic term. Youth around the world are calling themselves nigguhs, even when they have little or no understanding of the historical significance of the term. The older generation of North American Africans go into a tizzy when they hear youth, especially non-Africans, using the term. But this is due to their fixation on the original meaning as something negative, while we must understand that language is dynamic and fluid, ever changing, so we must flow with the flow. The term Negro is archaic, although I love the term because it calls to mind a time when we had our own society even though we lived under segregation. But imagine, when we were Negroes we had Harlem, Fillmore, South side of Chicago, and other enclaves of black culture. We had Seventh Street in Oakland. Today we are Black but where is Harlem, Fillmore, Seventh Street, either destroyed or on the way to gentrification. As Negroes we had our own restaurants, hotels, clubs, newspapers, magazines. What do we have today? Nothing, hardly a pot to piss in except for a few high class blacks who act white for all practical purposes--like Bill Cosby rejecting the linguistic originality of his people, a Negro who grew up in funky Philly, yeah, a Philly dog Negro.

So what happened to our use of Arabic and Swahili, or referring to each other as king and queen?


With the destruction of the liberation movement came the destruction of culture, thus the necessity of the cultural revolution to get back on track, on the right path or ihdina sirata al mustaqim. And then we must practice eternal vigilance, stay ever alert and watchful that we do not relapse into our negrocities. It shall be a daunting task because our situation is not only a linguistic dilemma, but we must resolve contradictions in our social relations, male/female relations, brother to brother/sister to sister/ parent to child relations, even our relationship to the Creator.

But when we become disgusted with the youth of today, their language and nihilistic behavior, the violence and general self hatred and low self esteem, we must understand that they observed our language and behavior, saw the contradictions and sometimes emulated them. And then along came Crack that caused a great chasm between adults and children, children who were abandoned, abused and neglected, emotionally starved and traumatized.

To reverse the present condition will require unconditional love and understanding of the depths of the problem. Our children require Divine love and healing. It is not a stretch to say they have come under the power of the devil, hence their behavior is beyond our understanding, especially those of us who consider ourselves so conscious to the point of puritanical. We have worked on ourselves over the decades, so it is disgusting to observe youth behavior, and often we match Bill Cosby in our reactionary attitudes toward our children who shall not recover until we decide to reach out and touch them with the language of love, demonstrating our love by answering the many questions they have as persons in search of their sexual and adult identity.

Many have had no manhood or womanhood training. They received no parental love since many of the parents were Crack addicted and thus they suffer arrested development. We have fifty year old adults bouncing to rap music, pants sagging with skull and bones on their gear, so they cannot speak to the children--they are stuck in childhood themselves.

We must listen to the youth and answer their questions as truthfully as we can and don't reveal our contradictions except to let them know we are human and have our foibles. For sure, they are watching us, every word we say, every action we make. Not long ago I took a young man on my book tour of the East coast. We were in Brooklyn at my daughter's house, and my ex-wife was there as well. The young man observed me talking with my ex-wife. He asked my daughter how did it feel to see her mother and father talking together, since he had hardly ever seen his mother and father talking, especially in a friendly, loving manner.

Imagine how many youth are like this young man. Both his parents were on Crack, and he loves them both, but there is an estrangement, an emotional void, a psycholinguistic crisis, for how shall he talk with his girl? Can he tell her he loves her, how shall he say it? Where and when did he hear the language of love? And then love is not a word, but an action, a verb, not a noun. I was guilty of abandonment of my children as a Crack head. One of my daughters wrote me and said, "Daddy, you say you love me, but you don't take care of me. Mama says she loves me and shows me she does. What is your problem?"

So even parents who are estranged, separated or divorced can and must let the children see they can be civil, even if they are not friends, even if they hate each other. Don't make the child hate the father because you hate him, or hate the mother. Let's show our children love, maybe then they will emulate our positive behavior and raise up from their animal actions.

And don't let their language stress you, be more concerned about their behavior. Again, language is dynamic and fluid, so flow with the flow. Guns kill, not language, and yet we know the power of words, and this is why I say silence is golden, until we evolve a true language of love, and it may not involve words but simple acts of kindness, for if you show me you love me, there is no need for words.
--Marvin X


1/29/10