Publication Date
September 2017
Page Count
376 pages
Trim Size
7 x 10
ISBN
0-8101-3593-0
The Wall of Respect
Public Art and Black Liberation in 1960s Chicago
The Wall of Respect: Public Art and Black Liberation in 1960s Chicago is the first in-depth, illustrated history of a lost Chicago monument. The Wall of Respect was a revolutionary mural created by fourteen members of the Organization of Black American Culture (OBAC) on the South Side of Chicago in 1967. This book gathers historic essays, poetry, and previously unpublished primary documents from the movement’s founders that provide a visual guide to the work’s creation and evolution.
The Wall of Respect received national critical acclaim when it was unveiled on the side of a building at Forty-Third and Langley in Chicago’s Bronzeville neighborhood. Painters and photographers worked side by side on the mural's seven themed sections, which featured portraits of Black heroes and sheroes, among them John Coltrane, Nina Simone, Billie Holiday, Malcolm X, Muhammad Ali, and W. E. B. Du Bois. The Wall became a platform for music, poetry, and political rallies. Over time it changed, reflecting painful controversies among the artists as well as broader shifts in the Civil Rights and Black Liberation Movements.
At the intersection of African American culture, politics, and Chicago art history, The Wall of Respect offers, in one keepsake-quality work, an unsurpassed collection of images and essays that illuminate a powerful monument that continues to fascinate artists, scholars, and readers in Chicago and across the United States.
The Wall of Respect received national critical acclaim when it was unveiled on the side of a building at Forty-Third and Langley in Chicago’s Bronzeville neighborhood. Painters and photographers worked side by side on the mural's seven themed sections, which featured portraits of Black heroes and sheroes, among them John Coltrane, Nina Simone, Billie Holiday, Malcolm X, Muhammad Ali, and W. E. B. Du Bois. The Wall became a platform for music, poetry, and political rallies. Over time it changed, reflecting painful controversies among the artists as well as broader shifts in the Civil Rights and Black Liberation Movements.
At the intersection of African American culture, politics, and Chicago art history, The Wall of Respect offers, in one keepsake-quality work, an unsurpassed collection of images and essays that illuminate a powerful monument that continues to fascinate artists, scholars, and readers in Chicago and across the United States.
Reviews
"The Wall of Respect is, hands down, the most recognizable urban mural in the United States. It is a revolutionary work of collaboration created in revolutionary times. It is a memorial that has been memorialized in poetry and song and photography. It tells an incredible history of Black creativity and struggles for freedom, dignity, and power. Yet, its own history has never been told. That is, until now. An extraordinary work of reconstruction and illumination, The Wall of Respect is one of those rare books that reveal the deep links between art and politics, movement and imagination, community and creativity. And rest assured, this book will not gather dust on the coffee table." —Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination
"The Wall of Respect: Public Art and Black Liberation in 1960s Chicago makes a valuable contribution to discourse about this important mural, the Black Arts Movement, the history of Chicago, and broader histories of civic engagement. Unlike earlier, brief histories of the Wall that were incomplete or lacked deep historical awareness of OBAC, this book offers the most comprehensive history of this specific period in OBAC’s influential life and their role in the creation of the Wall. I have no doubt that this book will have a significant impact on future scholarship in the areas of black aesthetics, community engagement and art, and the history and sociology of Chicago’s south side." —Greg Foster-Rice, co-editor (with Katherine Bussard and Alison Fisher) of The City Lost and Found: Capturing New York, Chicago and Los Angeles, 1960—1980
"The Wall of Respect: Public Art and Black Liberation in 1960s Chicago makes a valuable contribution to discourse about this important mural, the Black Arts Movement, the history of Chicago, and broader histories of civic engagement. Unlike earlier, brief histories of the Wall that were incomplete or lacked deep historical awareness of OBAC, this book offers the most comprehensive history of this specific period in OBAC’s influential life and their role in the creation of the Wall. I have no doubt that this book will have a significant impact on future scholarship in the areas of black aesthetics, community engagement and art, and the history and sociology of Chicago’s south side." —Greg Foster-Rice, co-editor (with Katherine Bussard and Alison Fisher) of The City Lost and Found: Capturing New York, Chicago and Los Angeles, 1960—1980
"Finally, The Wall of Respect gets the comprehensive attention it deserves! With this volume, Alkalimat, Crawford and Zorach have made a tremendous contribution to both Art History and African-American Studies. Like OBAC’s creative mural, this book is a beautiful example of interdisciplinary collaboration. By combining original essays with photographs and archival documents, it sets an impressive benchmark for the study of public art in social movements. The editors have breathed new life into the poetic words of Gwendolyn Brooks, ensuring that, 'All worship the Wall.'
—Jonathan Fenderson, Assistant Professor of African and African-American Studies at Washington University in St. Louis and Associate Editor of The Black Scholar
"Long overdue, The Wall of Respect is a major work that chronicles a time that transformed the concept of public art and mural art in America. Original and remarkable, this book illuminates the love of art and history expressed by black families, community leaders, activists, and artists-collectives, and builds upon the research of some of the early art activists that shaped the Black Arts Movement. A compelling and critical story.” —Deborah Willis, author of Reflections in Black: A History of Black Photographers
—Jonathan Fenderson, Assistant Professor of African and African-American Studies at Washington University in St. Louis and Associate Editor of The Black Scholar
"Long overdue, The Wall of Respect is a major work that chronicles a time that transformed the concept of public art and mural art in America. Original and remarkable, this book illuminates the love of art and history expressed by black families, community leaders, activists, and artists-collectives, and builds upon the research of some of the early art activists that shaped the Black Arts Movement. A compelling and critical story.” —Deborah Willis, author of Reflections in Black: A History of Black Photographers
"This book recovers The Wall of Respect, a pivotal piece of public art conceived by Chicago artists and neighbors that effectively spurred a new mural movement nationwide in the 1960s. Detailed analysis and personal recollections of this incredible object and its milieu provide nothing less than a new and expansive framework for understanding the impact of this vital work. A dazzling collection of primary documents—poetry, letters, articles, and photographs—are at the book’s core. The significance of photography, as part of The Wall itself and as indispensable documentation, sheds light not only on the role of photography in shaping our understanding of this public project and its context, but illuminates the influence of Chicago’s photographers and other artists in the postwar era." —Kellie Jones, Associate Professor of Art History and Archaeology, Columbia University
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