The Reactionaries will never
put down their butcher knives--Urgent News:
Pharaoh Mubarak flees Cairo, the people triumph!
We have heard the defiance of Pharaoh Mubarak. It is the arrogance of the king who refuses to leave his throne when his time has come, who is blind to the fact that his divinity arises from the consent of the governed. Such hardheadedness is one of those classic tragic flaws so well delineated repeatedly in the plays of William Shakespeare. And yet Diop told us the central theme in African drama is not tragedy but comedy, and for sure Mubarak is the clown and his actions are comedic to the extreme because his words were full of sound and fury but signified nothing except the wisdom of a fool.
The people have decided his fate and they are absolute and resolute that his reign has ended. The only person who is not clear that a new day has dawned is the president himself. Thus, this is a classic African comedy, for in the end we know the people shall triumph. Mubarak is not alone in his intransigence, it is the same performance by the madman in the Ivory Coast who lost the election yet refuses to go. So there are African clowns from the North to the West and all points in between. Yet the comedy is that the people shall triumph, they shall win in the end. All's well that ends well. The tragic elements are the past horrors and the momentary conflagration , the comedic element is the reality of a new tomorrow, a tomorrow that will reconnect the people with their eternal history of glory.
This Egyptian tragi-comedy of obstinacy reveals a personality totally delusional and separated from reality. We know the people shall not be moved, that their will must be done. His benefactors in the West should advise him that the show is over, that there is an airplane awaiting his arrival. And they should advise him to take his vice devil, Omar Suleiman, with him. And on the same plane reserve a space for other reactionaries throughout the region and the world. Mao was right,"The reactionaries will never put down their butcher knives, they will never turn into Buddha heads!"
This tragi-comedy is so very different from the Osirian drama that Egypt originated, and yet it is similar, for it is about change, the annual inundation of the Nile, the harvesting of the corn, the triumph of life over death, yes, we are witnessing a resurrection drama of the first order. It is the self crucifixion of the pseudo savior and the resurrection of a people orchestrated by their children as Horus.
--Marvin X (El Muhajir)
2/10/11
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