Marvin X at San Francisco Juneteenth, 2015, Fillmore
Marvin X at his Academy of da Corner, 14th and Broadway, downtown Oakland.
Brazilian dancers at Academy of da Corner at San Francisco's Juneteenth
Russian woman stops to help poet collate his pamphlete Mythology of Pussy and Dick
She said, "I see what you are doing. I did it for thirty years, let me help you." Marvin let her help him.
Marvin X and the next generation Brother Nubian. "We must pass the baton! We are the elders, soon we shall be the ancestors! We must thus speak to the living, the dead and the yet unborn!When I look at my grandchildren, I have no illusion about life and death. I only know I must give them all the wisdom I have so they can carry on."says Marvin X. "But at three years old, my grandson told me, 'Grandpa, you can't save the world, but I can!'" When he said this, I knew I could die in peace. Therefore, I am not seeking a long life, I'm ready to go at any time. Prophet Muhammad said live like you are going to die tomorrow, and live like you are going to live forever." After learning my history, my daughter asked, "Father why are you still living?" I am still alive because no matter that my friends were killers, I out thought them. That is the only reason I am alive. You must out think your enemy and your friends to stay alive."
Poet Samantha with Tarika Lewis on violin in background
performing with Marvin X's Black Arts Movement Poets Choir and Arkestra at Laney College, Feb. 7, 2015
Princess Samantha delivering her lines. Samantha is Ghanaian and North American African, grew up in Harlem, graduated from Spelman College, a New World African Woma. She is so serious. Oh, these young women are so serious. Hey, let them take the baton and run with it. I am just happy to be alive to see the changing of the guard.
Queen Mother Kujichagulia, multi-talented master griot/jejali
Val Serrant, master percussionist from Trinidad, always at the beck and call of Marvin X and BAM
Poet Samantha in a swoon before doing her thang in a masterful manner.
Aqueila Lewis, Ms Erotica
The Master teacher, Marvin X. A man came to his Academy of da Corner to ask him what is the meaning of the white face? The Master answered, "The white painted face goes back 50 thousand years, depending on the myth-ritual. It could be a manhood rites of passage or womahood rites of passage. It could be a marriage rite, a funeral rite, a warrior rite, it is so ancient and remote, we cannot be exact, but it goes back into aboriginal time, into myth-ritual time. The brother was satisfied with the answer and did not question the teacher further.
Paradise, who taught us They Love Everything About Us But Us. What a lesson.
Kalamu Chache', poet
Dr. Ayodele Nzinga, Marvin X's top student, now a master in her own right as producer, playwright
She is about to complete the full cycle of the August Wilson plays for the first time in history
Manifesto of Academy of da Corner
14th and Broadway, downtown Oakland
"Marvin X is Plato teaching on the streets of Oakland."
--Ishmael Reed, author The Complete Muhammad Ali, including a chapter long interview with Marvin X
Academy of da Corner is a continuation of
the
Black Arts Movement, an educational/ performance/academic/activist project
to inspire the Cultural Revolution in North American Africans, with
implications for the rest of humanity that apparently follows
closely every cultural move of North American Africans. We can't fart
without the world copying our fart. So perhaps we should be
flattered except for the fact that often imitation becomes
exploitation and we become victims of our own creations, e.g.,
"Lord, look what they did to my song."
Nevertheless, we shall strive forward with
our cultural revolution to transform the negative aspects of our
lives into the positive, to reconnect our community, parents
with children, males with females, brother to brother and sister
to sister, yes, even enemies must reconcile in the spirit of
recovery, healing and liberation of the entire community. This
is the challenge of the new millennium and we shall not move
forward without meeting it. Either we are brave warriors willing
to face the jihad within ourselves and our community, or we're
cowards prepared to tread water until we become extinct, a
forgotten people, relics of a glorious past but no future except
a multicultural chasm where we exist on the last rung of the
ladder, simply because we refuse to transcend our differences
for the greater good, thus succumbing to a low intensity war
determined to destroy us politically, economically, morally and
culturally.
Academy of da Corner/Black Arts Movement Poets Choir and Arkestra: The Performance and
Educational Arm of the Cultural Revolution
As Fidel Castro has said, our weapon is
consciousness, yes, it is the only weapon we have that can
defeat the forces allied against us. Consciousness is an
awareness of our traditions and our mission. Our tradition is a
freedom loving people, not political, economic and cultural
slaves to others. We reject the slave tradition of clowning and
buffoonery so evident in African American artistic expression today,
especially movies and rap (now called yap, for rap derived from
the tradition of revolutionary spoken word: H. Rap Brown, Huey
Newton, Bobby Seale, Last Poets, Baraka, Sonia, Askia, Haki, X,
and yes, Malcolm, Martin, Kwame Toure, Fannie Lou, Queen Mother
Moore, Angela).
If one is not aspiring to be in the tradition of
Paul Robeson, i.e., the artistic freedom fighter, then one has
no right to claim membership in the Black Arts Movement, and is
therefore merely a whore for capitalist pimps, ready to wear any
clown suit, do any shuffle, say any jingle and rhyme, put on any
make up and dance for the master's American bandstand,
manifesting the cultural hate personified by the likes of
Michael Jackson and others too numerous to mention.
No people with consciousness would allow
themselves to be paraded on BET, MTV and elsewhere as naked
whores, pseudo gangstas and wannabe pimps. Although we are about
artistic freedom and freedom of speech, we reject phony black
bourgeoisie culture police who are themselves guilty of a
profane and obscene lifestyle of conspicuous consumption, yet we
demand African American artists get in harmony with our
tradition and mission to use our creativity to help liberate the
deaf, dumb and blind, not take them deeper into the devil's den
of iniquity.
Academy of da Corner/Black Arts Movement Poets Choir and Arkestra Will Speak Truth to
Power
Academy of da Corner/Black Arts Movement Poets Choir and Arkestra will perform works
that liberate not desecrate. Rappers have given us graphic
descriptions of our psychosocial condition, now we must come
with solutions. If you hate yo daddy and mama, show me how you
turned hate into love, show me how you sought reconciliation and
unconditional love. Otherwise, you are simply yapping nursery
rhymes, snibbling like snotty nose babies too pitiful to wake up
and release your lips from your mother's breasts, you ungrateful
bastards! Grow up, did mama tell you life was a bowl of
cherries—you are lucky to have a mother and father—think of
all the children who are products of foster care.
We were not brought to America to create
families, but to be mules, donkeys and horses, to have our
families utterly destroyed for capitalism and slavery. And we
can only overcome America's plan for us by putting on the armour
of God and standing tall together, defying America's hope for
our continued subservience and debauchery. Aw, Jesus said be in this world but no of this world. After all, it is an illusion, a world of make believe, a world of materialism and conspicuous consumption.
Poets and spoken word artists have an
obligation to speak truth to power, not submit gleefully,
yapping nonsense around the world to make a dollar and make
mockery of the elders, calling them "broke heroes,"
although the so-called broke heroes are the reason you are among
the newly rich because of their sacrifice and unconditional love
for your punk bitch little asses.
The American Educational System Is An
Abysmal Failure
Since the American educational system has
failed to teach Johnny and Johnnymae how to read, write and most
of all, think, the Academy of da Corner shall see it as a
priority to teach basic skills. How can we have a drama class in
which students are unable to read the script. I have taught such
classes on the college and university level, so I know the
degree of the problem. Don't try to cover ignorance and mental
retardation as a result of America's public school miseducation.
Academy of da Corner/Black Arts Movement Poets Choir and Arkestra will train students
with talent in the arts: drama, dance, music, creative writing,
nonfiction, poetry and spoken word, for these are serious crafts
that take discipline and training, not a jack in the box game of
jingles and rhymes produced because one can memorize words that
are full of sound and fury signifying nothing, although
audiences are enraptured by the nothingness and babble,
rewarding the jester with money at poetry Slams/Scams, deluding
the person that he/she is a poet and spoken word master because
of his/her natural talent as a product of the ancient African
oral tradition.
Racism 101
Racism is the abomination of the new world,
but Elijah Muhammad used racism and black supremacy as an
anti-toxin to white supremacy. The
Black Arts Movement
did the
same. Whites were often banned from attending performances and
certainly from performing in productions. Harold Cruse noted how
this marked a radical departure from traditional Negro theatre
(see
Crisis of the Negro Intellectual). Thus
BAM
was of,
for, and by Black people, if only for a moment, time enough to
get “ourselves” together. This moment was necessary to raise
a people from the dead, who were full of fear after being
terrorized for centuries by white supremacy.
Why is this so difficult to understand,
perhaps because there are those in denial about the ravages of
white supremacy on North American African minds, to say nothing about
what it has done to delusional white minds. Why should victims
of liars and murderers want them in our presence? How can we
recover with them in our midst? Can the rape victim recover with
the rapist in her bed?
Even today, American racism and
capitalism/globalism is the scorn of the earth, blood sucking
the poor in the name of global free trade, caring nothing for
the rights of poor nations to economic parity. You consume the
world’s energy for the greedy privilege of driving SUVs and
having a television in every room, left on 24/7. You have no
intention of dealing with the root causes of terrorism:
poverty, ignorance, and disease.
Until you do so, you will
become a prisoner in your own land, afraid of those outside your
borders and those within whom you’ve equally mistreated,
abused and falsely accused of being criminals, unworthy to share
in the fruits of their labor and that of their ancestors, while
white descendants enjoy the surplus capital from centuries of
slave labor.
Our primary concern was then and is now
ourselves. You are dangerous to our health, mental, physical,
and spiritual, unless you have radicalized your consciousness,
or shall we say become blackenized, certainly all vestiges of
white supremacy must be processed out of your consciousness.
Those whites who have worked on themselves we welcome as allies,
brothers and sisters in revolution.
It is not the nature of North American Africans to hate and exclude. We can be nationalists and
internationalists, i.e., Pan Africanists, Aboriginial Black Man, without hating and excluding. But we do have
the human right to do for self as others do, whites, Latinos,
Asians, gays, lesbians, and others of every race, sex and creed.
We must not be afraid to become economically
self-sufficient. We were in better economic shape under
segregation, yes, when we were Negroes, now we’re black and
don’t have a decent restaurant or hotel in any American city.
We have thousands of religious houses where
the people receive their dose of opium as a form of social
control to delay the day of our liberation, where people are
taught fairy tales and nursery rhymes about a sky god who died
on the cross for our sins. What have African Americans
done but be loyal slaves, down to this present moment we are
dying in Iraq defending liars and murderers.
Finally, racism is a component of capitalism.
We cannot be capitalists because we have no capital! We hardly
have one black bank in America.
Where are our African American global markets? We might
sell a few raps songs in Europe and Asia, but do we sell a
blackmobile, trucks, socks, toilet paper, matches? At least Mexico produces their own oil, gasoline, soap, toilet paper. Why can't 40 million North American African produce one roll of toilet paper?
Black Studies and Academy of da Corner
Although black studies derived from the
efforts of black revolutionary students, with the demise of the
liberation struggle, radical instructors and scholars were
removed and replaced with academically "qualified"
collaborators and trusted colonial servants, unconcerned with
the original mission of black studies: to uplift the community.
As a result, for every one brother going to college, four go to
prison. For the most part, black studies is a sham, a place for
tenured Negroes to keep a job for life unless they rock the boat
by teaching radical ideas found to be politically incorrect by
their academic masters.
Black Studies began in revolution, but has
succumb to reaction and irrelevance with respect to providing a
leadership role in uplifting the community. Where is a truly
radical black studies department? Where in America is one black
radical college or university? Even under Zionist occupation, Palestinians have their radical universities.
Please don't mention the Negro colleges and
universities, mainly outhouses for training house slaves who
escape the hood into corporate America and never look back. Of
course the
white colleges and universities do the same. Isn't it
interesting that Dr. Ben couldn't find a black academic
institution to donate his thirty thousand volume library? He
gave it to the Nation of Islam, which is very ironic in light of
his history of anti-Islamic pronouncements.
As a consequence of the above, the Academy of da Corner must step to the front line of community education; it
must become an institution for the training of radical scholars
and social activists who will fulfill the original mission of
black studies by attacking illiteracy, joblessness, economic
empowerment, addictions, mental and physical health issues and
spiritual poverty caused by excessive religiosity. Academic
subjects will be considered for their relevance to life issues
as we confront America's low intensity war on a daily basis.
Gender Studies and Academy of da Corner
Marvin X has had a spiritual relationship with his muse Fahizah Alim, she has inspired him and he has inspired her life work.
This married woman said Marvin X inspired her to be a better person, to love her husband even more. She thanks Marvin X for his writings.
The Arabic word nisa has two meanings
depending on syllable stress. One meaning is woman, another
meaning is to forget. Long ago, Warith Din Muhammad gave a
lecture on how men forget women. More recently, Amina Baraka
exhorted me and her husband, Amiri, not to forget women, to
respect them always, especially for their contribution to our
liberation struggle: "Remember the women of history,
remember Harriet Tubman, Sojourner Truth, Ida B. Wells, remember
Fannie Lou Hamer, Rosa Parks, Queen Mother Moore, remember Ella
Collins," Amina cried.
Academy of da Corner must address
problems in male/female relations since such problems directly
impact healthy family and community development. Mrs. Baraka was
addressing two poets, both having the artistic sensibility and
insensitivity to become emotionally detached from women,
children and men in our quest for creativity, thinking a poem is
more important than the human being. (Of course Amiri Baraka is
qualified to speak for himself, but since I know him, I'm taking
the liberty to place him in the boat with me, other poets and
artists in general.)
If men of intelligence can be so detached,
imagine the behavior of men with lesser intelligence. Perhaps
this is why the divorce courts and the anger management programs
are full. Men just don't get it and some have no intention to
"get it." It will take generations before the
patriarchal mentality subsides, if then, although great strides
have been made in male/female equality. Now we are in danger of
women getting revenge after coming into power situations. They
want to oppress. Go before a female judge with a domestic
violence case!
But the socialization of males and females
must be examined to explore better, healthier methods of
interpersonal relations. How can women who love talking
endlessly, communicate with men who will go silent when
approached on critical matters? "Do you hear me, man,"
the woman says, "Then why don't you say something?" In
the TS Eliot poem the women say, "That is not what I meant,
that is not what I meant at all. . . ."
Male education must involve manhood rites
that allow them to explore male psychology and female
psychology, and the same for women. So often we come together
not knowing a damn thing about each other, until it is too late,
two or three children later, several ass whippings later.
Men must learn to understand and treat
females as equal but different human beings. The idea is not to
make men more feminine, but to understand their natural selves
and gain a more precise understanding of the opposite sex.
Mythologically speaking, understand the function of the sky god
and the earth mother goddess. One is the protector, one the
nurturer. Today the situation is such that the woman needs
protection from the protector!
And the man feels his nurturer is somehow his
enemy, the very person he sleeps with he is terrified of, and
often the woman feels the same. What kind of horror story is
this?
Moving from myth to nature, roosters will not
become hens, bulls will not become cows, so stop trying to
reverse nature, although it is urgent that we understand the
nature of human psychology, understand different functions of
each sex, responsibilities, desires, drives and dreams. Often
men are indeed lost in the stars, while women are usually forced
to stay grounded in reality. As Joseph Campbell explains, men
must be taught they are approaching manhood. Women know they are
approaching womanhood at the first cycle—they can see, feel,
touch, smell womanhood, but men need a ritual: they must come
out of the sky and go into the bush to be terrified into the
reality of manhood.
Men must at least listen to the dreams of
women, even if we reject their dreams, and women must do the
same—ultimately a compromise can and must be found. It shall
never be again, "Your way or no way," although men
will attempt to maintain male privilege until the sky
falls—look up, brother, the sky is falling!
And women, in their new found aggression and
power positions, will push their agenda at every turn, forcing
men to react violently, "Bitch, I don't want to hear
nothing you got to say. Shut the fuck up." But she's not
going to shut up and she ain't going away—you may leave her
for another woman but strangely it will be the same woman with
another name. A woman is a woman is a woman is a woman, stupid!
So before there can be unity, there must be
understanding. The main thing is not to oppress each other,
especially since we're both freshly out of slavery. Men often
feel the double-edged sword of oppression from the black woman
and the white man. And women feel the same sword blade from the
white man and the black man. If we, males and females, would
recognize we're not enemies but friends and lovers, sailing in
the same love boat, we'll be at least halfway free!
When women are at the top of their game, they
have the unique ability to get anything they want from men,
sometimes with the glance of an eye, a stride, a smile, the tone
of her voice can totally disarm a man. Call it feminine charm or
whatever, but women have been successful throughout the ages.
With her newfound power, do not forget her ancient secrets that
worked for thousands of years, giving her the ability to be a
helpmate to great men and tearing down great men when in rage
and frustration.
Consider the Children
These twisted male/female relationships have
profound implications for the children. When the male departs
from the jungle to the forest, the child, especially the male
child, is soon out of control, usually by age 15. He is in
absolute rebellion against his mother's agenda, although her
agenda is often bisexual because she is forced to don the
persona of the female/male. The young man's hatred is directed
at the female side of the mask, although he harbors a distinct
hatred for his missing father as well. So consider his rage,
just as his hormones are kicking in. Again, the need for manhood
training. But even with females, there is a need and desire for
father's love that she will search for in fatherless young men
or dirty old men!
Likewise, with young males, the hatred is
transferred to girlfriends whom they verbally and physically
abuse. This hatred is expressed in the poetic language of rap
songs. Healing such shattered young lives is the task of mental
health specialists such as Dr. Nathan Hare's Black
Reconstruction mental health group sessions that he is calling
to be established across America. In the interim, hip hop youth
use poetry, sometimes unconsciously, for peer counseling, and
this is all good. The University of Poetry must address such
stress and strains in the personality of males and females,
urging them to use poetry as a healing tool in their lives, let
poetry be a bridge for reconciliation rather than a vehicle to
only express pain and rage between the sexes and the
generations.
Poetically Gay
If we were against gay and lesbian poets,
there would be little poetry to read, since the arts seem to be
the home of many gay people. Imagine a world without Langston
Hughes or James Baldwin, or Audre Lorde and June Jordan. So my
attitude is what does sex have to do with being a
poet—nothing! A poet must understand human sexuality in
general. A poet stuck on being gay is not a poet, for what
happens when he or she must put on the persona of a man or
woman, or a tree for that matter. A poet must transcend all
sexuality in order to understand the universal human spirit that
is, yes, beyond a particular sexual orientation. Gays and
lesbians might sometimes have a more sensitive spirit, but every
poet, whether gay or straight, must have a sensitive spirit.
Did Baldwin write as a gay or as a writer of
the human condition? After my 1968 interview with him, I
remarked to Ed Bullins, “He talked like a man.” Ed said,
“He damn sho did.” Alas, Baldwin wrote the script for Spike
Lee’s film Malcolm X. If he had been trapped in his gayness,
how could he have written a script about a hero who symbolized
black manhood? When people questioned whether he was qualified
to write the script because of his gayness, Baldwin said,
“Hey, I pay my rent, I write what I want to write.”
In the video version of my play One Day In
The Life, a gay actor portrays my son. If he had not
transcended his gayness, he wouldn’t have been in my play. So
he was in my play because he was a great actor. At the audition
for my play in New York, a gay brother tried out for the part
but couldn’t transcend his sexuality. My daughter was casting
director, and when I told her to let the guy read the part
again, she said, “No, Daddy, no. Let me handle this. He got to
go!”
So we have no time to condemn people for
their sexual orientation. We might thereby condemn the goose
laying the golden egg. We could use another Baldwin or Langston
right about now to help free us from this precipice.
But I say to those who passed legislation
permitting sex between consenting adults, and in California one
of them was then Assemblyman Willie L. Brown, if gays can be
with gays and lesbians with lesbians, then men who love
prostitutes should be allowed to be with their sex workers in
peace, not sneaking around in the alley like a broke dick dog,
arrested and cars seized. Yes,
legalize prostitution. Lakum dinu kum waliya din: to you your
way and to me mine.
